Ángela de la Cruz

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For other uses, see Angela of the Cross.

Ángela de la Cruz (born 1965) is a Spanish artist. She was nominated for the Turner Prize in 2010.[1][2][3]

Biography

De la Cruz was born in

brain haemorrhage and fell into a coma.[6] Her daughter Angelita was born in 2006. De la Cruz is now a wheelchair user and continues working with assistants through a delegated work, although this method of practice was used by her before the stroke.[7]

Work

While studying at the Slade, De la Cruz removed the stretcher bar of a painted canvas. De la Cruz was inspired by the resulting saggy painting, and she has become best known for paintings which are deliberately broken or distorted. In her words: "One day I took the cross bar out and the painting bent. From that moment on, I looked at the painting as an object."[8] Her work, treating paintings as a three-dimensional object rather than a two-dimensional representation, follows a tradition that includes the spatialism of Lucio Fontana in the 1940s.[9]

Her 1995 work Ashamed, is a small straw-yellow painting, broken in half, which is exhibited wedged into a corner between two gallery walls. The similar 1996 work "Homeless", a much larger canvas of similar pale yellow hue, has its frame broken in two and folded, and is exhibited lurking in a corner, standing on the gallery floor. Waldemar Januszczak has described both as "urine coloured".[10] Self (1997) comprises two brown paintings: one draped over a chair facing another hung conventionally on the wall. Ready to Wear (1997–2003) is series of red canvases, part-ripped from its frame, as if the painting were getting dressed. "Nothing" (1998–2005) is a series of black canvases, crumpled into a heap and abandoned on the gallery floor, resembling a discarded black plastic bag.[6] Some works since 2000 have incorporated objects, such as chairs, tables or wardrobes, sometimes adorned with broken canvases. Her "Clutter" series (2003-5) bring together collections of waste art materials. Her "Deflated" paintings (2009-) hang forlornly from a hook, with no frame. "Flat" (2009), comprises a plastic and metal chair which has collapsed onto the floor.[11]

She was commissioned to paint Larger Than Life in 1998 for the ballroom at the Royal Festival Hall.[6]

She exhibited at

Camden Arts Centre in April and May 2010.[6][12] She was nominated for the Turner Prize
for this show in 2010.

She received Spain's National Award for Plastic Arts in 2017.[13]

In recent years de la Cruz has also used aluminium as a base material for her work. The metal is welded into shape, then crushed, beaten and distorted. This body of work has been exhibited in 'Burst' at the Lisson Gallery, Milan, in 2013 along other exhibitions.[14]

References

  1. ^ "Supermarket singer on the Turner Prize Shortlist", The Independent, 4 May 2010
  2. ^ Turner prize 2010: a shortlist that is half-baked, The Guardian, 4 May 2010
  3. ^ "Supermarket singer on Turner Prize shortlist", The Telegraph, 4 May 2010
  4. ^ CV from Lisson Gallery
  5. ^ CV from Anna Schwartz Gallery
  6. ^ a b c d Angela de la Cruz's brush with death, The Guardian, 5 April 2010
  7. ^ A Life in the Day. Angela de la Cruz. Sunday Times
  8. Camden Arts Centre. Archived from the original
    on 10 April 2010.
  9. ^ Angela de la Cruz: After, Camden Arts Centre, London, The Independent, 11 April 2010
  10. ^ Angela De La Cruz peels back perception, The Times, 18 April 2010
  11. Camden Arts Centre. Archived from the original
    (PDF) on 5 December 2010.
  12. ^ Angela de la Cruz's deadly art goes on show, The Guardian - works from "After"
  13. ^ García, Ángeles (20 October 2017). "Ángela de la Cruz, Premio Nacional de Artes Plásticas 2017". El País (in Spanish). Madrid. Retrieved 21 June 2019.
  14. ^ "Angela de la Cruz: Burst | Exhibitions | Lisson Gallery".

External links

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