2000s in music
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Popular music |
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Timeline of musical events |
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List of popular music genres |
This article is an overview of the major events and trends in popular music in the 2000s.
In American culture, various styles of the late 20th century remained popular, such as rock, pop, metal, hip hop, R&B, EDM, country and indie. As the technology of computers and internet sharing developed, a variety of those genres started to fuse in order to see new styles emerging. Terms like "contemporary", "nu", "revival", "alternative", and "post" are added to various genre titles in order to differentiate them from past styles, with nu-disco and post-punk revival as notable examples.[1]
The popularity of
The decade was dominated by the garage rock revival and the birth of a new indie rock style.
In Britain,
Hip hop music achieved major mainstream status after the 1990s including Atlanta, Houston, New Orleans mainstream success. Popular rap movements of the 2000s include crunk, snap, hyphy, and alternative hip hop.[1]
Despite the hip hop dominance, such as
Even though the popularity among the mainstream audience dipped slightly, country music continued to rise in sales, having a strong niche in the music industry. The genre saw the rise of new front-runners like Taylor Swift, Carrie Underwood, and Miley Cyrus, who was able to score top hits on all-genre Billboard charts, apart from the country charts, by appealing to a wider audience outside the genre.[10]
By the end of the decade, a fusion between hip hop and
In many Asian musical markets, with the increase of globalization, music became more Westernized, with influences of pop, hip hop, and contemporary R&B becoming ever-present in Eastern markets. American and European popular music also became more popular in Asia.[14]
Genres such as
In Latin America, whilst R&B, hip hop, and pop rock did have influence and success, Latin-based pop music remained highly popular.[16]
In the mid-2000s, Narcocorrido music initially becomes a regional musical preference in many parts of Mexico and the southwestern United States. By 2006-2007 the genre had racked up sales averaging over $2 million per year beginning in 2005. No other regional Mexican music genere had garnered more sales and radio play as did Narcocorridos during this era.[19]
The continued development of studio recording software and electronic elements was observed throughout this decade. One such example is the usage of
North America
Hip hop
In late 2005, the
In 2002,
Post-grunge
Post-grunge continued to be popular in the 2000s, with the genre reaching its peak in the early years of the decade. Artists include Foo Fighters, Creed, Alter Bridge, Nickelback, Lifehouse, Hoobastank, 3 Doors Down, Puddle of Mudd, Our Lady Peace, Switchfoot, Shinedown, Three Days Grace, Staind, Seether, and Daughtry.[76][77][78] These bands took post-grunge into the 21st century with considerable commercial success, at times abandoning the angst and anger of the original movement for more conventional anthems, narratives, ballads and romantic songs.[79]
Nu metal
During the early 2000s, a new wave of metal began with interest in the newly emerging genre
The success of Korn's third studio album, Follow the Leader and Limp Bizkit's Significant Other and Chocolate Starfish and the Hot Dog Flavored Water, brought nu metal to the mainstream.[82] Limp Bizkit's Chocolate Starfish and the Hot Dog Flavored Water would sell over 1,050,000 in its first week – making it the highest selling rock record with first week sales ever. Linkin Park's debut album Hybrid Theory, released in 2000, sold over 24 million copies worldwide. Beginning in 2002, nu metal rapidly began to lose mainstream appeal.[83] Since then, many bands have changed to other genres of music, such as post-grunge (Staind),[84] heavy metal (Slipknot, Disturbed, Drowning Pool),[85] and alternative rock (Linkin Park, Papa Roach).[86]
Metalcore
By 2004, the up-and-coming genre metalcore was dominated by bands such as Killswitch Engage, Underoath, Bullet for My Valentine, Trivium, and most successfully Avenged Sevenfold,[87] all of whom releasing successful albums.
The rise of metalcore led to increased popularity and exposure of nearly every other subgenre of heavy metal including death metal, black metal, and thrash.[88] In 2002, heavy metal saw a new subgenre called deathcore, which would gain moderate success from 2005 to present day.[89]
Hard rock/Heavy metal
AC/DC released Stiff Upper Lip in 2000 and Black Ice in 2008.[91][92] Guns N' Roses released the long-awaited Chinese Democracy in 2008 after over a decade of work by Axl Rose. Metallica released two albums in the 2000s, St. Anger in 2003 and Death Magnetic in 2008.[93] Aerosmith released the platinum-selling Just Push Play in 2001 followed by the blues-infused Honkin' on Bobo in 2004; the band also toured every year of the decade except 2008.[94]
Bon Jovi released five albums during the decade: Crush (2000), Bounce (2002), Have a Nice Day (2005), Lost Highway (2007), and The Circle (2009).[96] Crush fared best,[97] going double platinum, and spawning the hit "It's My Life", while Have a Nice Day and Lost Highway also launched Top 40 singles,[98] went platinum, and saw the band mix hard rock with country. Bon Jovi's Lost Highway Tour was the highest-grossing tour of 2008.[99]
Emo
Emo broke into mainstream culture in the early 2000s with the platinum-selling success of Jimmy Eat World's Bleed American. The new emo had a far greater appeal amongst adolescents than its earlier incarnations.[100] In the following years, use of the term "emo" expanded beyond the music world, becoming associated with fashion, hairstyle, and other aesthetic attributes of culture.[101]
Later in the decade, the term "emo" was applied by critics and journalists to a variety of artists, including multi-platinum acts such as Fall Out Boy[103] and My Chemical Romance[104] and disparate groups such as Paramore[103] and Panic! at the Disco,[105] although some artists branded as such rejected the label. Despite its success, the emo genre never quite surpassed post-grunge in popularity during the 2000s.[106]
Garage rock, post-punk and new wave revival
In the early 2000s, a new group of bands emerged into the mainstream which drew primary inspiration from post–punk and new wave and were variously characterized as part of a garage rock, post–punk, or new wave revival.[107][108][109][110] Because the bands came from across the globe, cited diverse influences (from traditional blues, through new wave to grunge), and adopted differing styles of dress, their unity as a genre has been disputed.[111] There had been attempts to revive garage rock and elements of punk in the 1980s and 1990s and by 2000 scenes had grown up in several countries.[112] The Detroit rock scene included The Von Bondies, Electric Six, The Dirtbombs, and The Detroit Cobras[113] and that of New York which included Radio 4, Yeah Yeah Yeahs, and The Rapture.[114] Social networking sites such as Myspace and PureVolume enabled amateur artists to promote their music, and thanks to the internet, many underground unsigned artists become discovered and well known amongst alternative subcultures. The revival hit a peak in 2003–04.[115] Franz Ferdinand from Scotland, also became popular with their debut album in 2004. Though drawing on an indie sound, none of the groups were derivative in a way that could be described as retro.[116] In 2004, Las Vegas-based alternative rock band The Killers released their successful debut album Hot Fuss, spawning hits like "Mr. Brightside" and "All These Things That I've Done". New York-based act The Bravery became popular the following year.[109]
Three of the most successful bands from these scenes were
Indie rock
During the mid-2000s, bands such as Modest Mouse, Death Cab for Cutie and Arcade Fire released indie rock albums that broke into the mainstream and gave indie rock recognition.[120] The late 2000s also saw more indie rock bands such as MGMT, Spoon, Interpol, Tegan and Sara, Wilco, The Decemberists, The White Stripes, The Strokes, Animal Collective, Bright Eyes, Rilo Kiley, She & Him, The New Pornographers, Feist, Cat Power, Grizzly Bear, Arcade Fire, The Shins, The Killers, and Vampire Weekend gain popularity around the world, including in the United States, thanks to the rise of independent internet music blogs.[121] The rising popularity of Internet radio also contributed to high album sales for Indie rock bands, despite little to no mainstream radio play.[122] By the end of the decade several of these bands released albums that topped the Billboard 200.[123][124] This trend has been viewed as heralding a new era for rock in the wake of an era of pop dominance by the likes of Lady Gaga and Katy Perry.[125]
Pop
Boy bands maintained their popularity during the beginning of the decade, but their popularity also faded, with the exception of Backstreet Boys, who continued their popularity post–2005, (after a short hiatus between 2002 and 2004).[130] As the typical "boy band" sound was no longer mainstream, they began to transition to more of an adult contemporary, soft-rock and ballad styles of music for the remainder of the decade. By 2003, records by boy bands were very sparse on the Billboard Hot 100, and some members of boy bands left to pursue other projects and solo endeavors, such as Jesse McCartney from Dream Street, Nick Lachey from 98 Degrees, and most successfully Justin Timberlake from NSYNC, whose foray into Blue-eyed soul R&B/Pop spawned a successful solo career.[131] A new strain of boy bands, such as V Factory, Varsity Fanclub, The Click Five, NLT, and the Jonas Brothers, emerged at the end of the decade, but this new generation of boy bands did not reach the glamor and success of those of the 1990s and early 2000s. Other girl groups included Danity Kane (2005–09), Dream (2000–03), and Sugababes, along with shorter-term girl groups such as No Secrets, A Girl Called Jane, Girlicious, and Paradiso Girls.[132]
Pop rock artist Pink, who would go on to be one of the biggest pop singers of the 2000s, released her debut album Can't Take Me Home in 2000, her second studio album Missundaztood, and later, her I'm Not Dead album in which features "Stupid Girls" and "Who Knew". Her following album, Funhouse, released in 2008 also included "So What" and "Sober".[133] Pink's song, "You Make Me Sick", which debuted January 6, 2001, reached No. 33 on the Hot100 list. "Family Portrait" got up to No. 20, debuting on November 16, 2002.[134]
Singer Anastacia achieved worldwide commercial success with singles such as "Not That Kind", "I'm Outta Love", "Paid My Dues", "One Day in Your Life", and "Left Outside Alone". She was highly successful in Europe, Australia, New Zealand, Asia, South Africa, and South America, but had only minor success in her native United States. She is one of the fastest and biggest-selling artists of the new millennium.[135]
In 2001, triple-threat entertainer Jennifer Lopez debuted at No. 1 on the U.S. Billboard 200 and the Top R&B/Hip-Hop Albums chart with her J.Lo album and in addition her film, The Wedding Planner, opened at No. 1 at the box office at the same time making her the first actress and singer in history to have both a film and an album at No. 1 in the same week.[137]
In 2006, Shakira with "Hips Don't Lie" became the first South American woman, also one of the few women ever to have a No. 1 single on the official charts of the United States, Australia, the United Kingdom, and Latin charts. The song is regarded as the best-selling single of the decade, and one of the best-selling singles of all time. Her massive crossover success in 2001 generated many global smash hits throughout the decade like "Whenever, Wherever", "La Tortura", "Hips Don't Lie", "Beautiful Liar", and "She Wolf". Shakira also broke the record for the highest-selling Spanish-language album in the United States with Fijación Oral, Vol. 1.[139]
Artists such as
Fergie released her first solo album in 2006 called The Dutchess. The album produced five top five singles in the United States, including three No. 1 hits on the U.S. Billboard Hot 100, "London Bridge", "Big Girls Don't Cry", and "Glamorous", as well as the No. 2 single "Fergalicious" and the No. 5 single "Clumsy". All five of the aforementioned singles have sold over 2 million digital downloads each in the United States, thus setting a new record in the digital era for the most multi-platinum singles from one album. The Dutchess sold over 6 million copies worldwide becoming one of the most successful albums of the era.[147][148]
While predominantly focusing on R&B music during this time, Beyoncé also ventured into a pop sound with her third studio album
In 2001, Michael Jackson, one of popular music's most successful artists of all-times, released his final studio album Invincible, though it did not receive a lot of exposure compared to previous releases. In 2009, the album was voted by readers of Billboard as the Best Album of the Decade.[152] Michael Jackson died in June 2009, creating the largest public mourning since the death of Diana, Princess of Wales in 1997.[153][154][155]
Children's music rose significantly in sales, especially with Disney (
The musical style of the 1980s influenced pop music to some extent in the later stages of the decade, especially around late 2009, as seen in
1980s pop star
Adult contemporary
The radio format called
In the late 2000s, artists like
Contemporary R&B
The continued popularity of contemporary R&B was seen during this decade in the global success of established artists such as Beyoncé, both as a solo artist, and with the help of Destiny's Child, Mariah Carey, Jennifer Lopez, Mary J. Blige, Craig David and Usher, whose careers began in the 1990s and continued in the dawn of the new millennium. The year 2001, in particular its summer, has been described as a golden age for contemporary R&B and urban soul music, with artists such as Janet Jackson, Jill Scott, Mariah Carey and Destiny's Child, who paved the way for Alicia Keys, Blu Cantrell, and the revival of Aaliyah.[173][174]
Singer Mary J. Blige topped the Billboard Hot 100 in 2001 with her smash single, "Family Affair", taken from hit album No More Drama.[191] She scored a big hit with, "Be Without You", which peaked at No. 3 on the Hot 100.[196] During the 2000s decade, Mary released five platinum albums. Billboard magazine ranked Blige as the most successful female R&B artist of the past 25 years. The magazine also lists "Be Without You" as the top R&B song of the 2000s, as it spent an unparalleled 15 weeks atop the Hot R&B/Hip-Hop Songs chart.[197]
After experiencing a dominant run of success throughout the 1990s, Mariah Carey experienced a commercial lull with Glitter and Charmbracelet, the first two albums she released in the 2000s.[199][200] However, she made an astounding comeback in 2005 with the release of The Emancipation of Mimi, which debuted at No. 1 on the Billboard 200 albums chart. The album included the No. 1 singles "We Belong Together", which shattered airplay records and was named the Song of the Decade by Billboard, and "Don't Forget About Us", as well as "Shake It Off", which peaked at No. 2 (it was blocked from the No. 1 spot by "We Belong Together", making Carey the first female artist in Billboard history to occupy the top two spots on the Hot 100 as a lead artist).[201] Additionally, Carey's 2008 album E=MC² spawned her 18th chart-topper, "Touch My Body", with which she surpassed Elvis Presley to become the solo artist with the most Hot 100 No. 1 songs in history.[198]
R&B artist Robin Thicke topped the R&B Charts with his hit single "Lost Without U". He was the first white artist to top these charts since George Michael. His album The Evolution of Robin Thicke went on to be certified platinum by the RIAA.[202]
Country
Country music sales continued to rise, as the Billboard 200 all-genre album chart frequently had albums recorded by country music artists listed; several of those titles were certified double platinum or better, indicating the genre continued to have a strong niche in the music industry.[203]
In 2002, The Statler Brothers retired from music. Jimmy Fortune struck out on his own as a solo artist with the help of The Oak Ridge Boys and continues to record music and tour today.[204][205]
One of the most successful new artists of the decade was Carrie Underwood. In 2005, the Checotah, Oklahoma, native became the first American Idol winner to record primarily country music, instead of pop, rap or rhythm and blues. By the end of the decade, Underwood had amassed eight No. 1 songs on the Billboard Hot Country Songs chart, along with numerous awards from the Country Music Association, Academy of Country Music and others.[206]
In the late 2000s, teenager
Not everyone celebrated the success of artists such as Underwood and Swift, reflecting the continued discontent and debate over what constituted "real" country music, a debate that had been on and off since the 1970s. Despite the fact that country music songs had long been crossing over to pop radio (and charting since the start of the Billboard charts in 1940), some critics continued to state opinions that the pop-oriented sound was little more than repackaged pop music. In 2009, legendary country music artist George Jones proclaimed that "they've (the new artists) stolen our identity. ... They had to use something that was established already, and that's traditional country music. So what they need to do really, I think, is find their own title, because they're definitely not traditional country music."[217] In addition, several forums, including the classic country-oriented Pure Country Music Web site, regularly included posts that were openly critical of artists such as Swift and Rascal Flatts.[218] Songs such as "Murder on Music Row" (by George Strait and Alan Jackson) and "Too Country" (by Brad Paisley) gained widespread acceptance and radio airplay, despite criticism in the lyrics over the eschewing of traditional sounds by radio programmers.[219][210]
However, traditional country music retained a large following during the decade, thanks to the ongoing successes of veteran artists such as Strait, Jackson, Reba McEntire, Brooks & Dunn, Toby Keith and Kenny Chesney, and newer artists such as Paisley, Blake Shelton and Billy Currington. McEntire's success came with two albums hitting No. 1 on the all-genre Billboard 200 albums chart (Reba: Duets and Keep On Loving You), and at the end of the decade had her biggest hit of her career ("Consider Me Gone"). Rogers, Parton and Willie Nelson, all artists who had No. 1 country hits as far back as the early 1970s, all had No. 1 songs during the 2000s decade. In addition, veteran songwriters such as Bill Anderson and Bobby Braddock also enjoyed continued success with newly written songs. Late in the decade, newcomers such as Jamey Johnson and Miranda Lambert were widely hailed for their songwriting and performance talents.[220][210]
The legendary group
Many legendary country music figures died during the decade. Some of the more prominent names included Pee Wee King, Chet Atkins, Waylon Jennings, June Carter Cash, Johnny Cash, Skeeter Davis, Buck Owens, Hank Thompson, Porter Wagoner, Eddy Arnold, Jerry Reed, Vern Gosdin and Hank Locklin.[222]
Electronic music
In Europe,
From 2007, dance music started gaining popularity in North America with dance-pop hits by artists such as the pop singer Rihanna's song "Don't Stop the Music" and "Disturbia".[229] Hilary Duff in her album Dignity has changed her style from pop rock to the more contemporary electropop, to go with the current trends.[230]
In 2008 and 2009,
Pop duo
Jazz
In the 2000s, straight-ahead jazz continued to appeal to a core group of listeners. Well-established jazz musicians, such as Dave Brubeck, Wynton Marsalis, Sonny Rollins, Wayne Shorter and Jessica Williams, continue to perform and record. In the 2000s, a number of young musicians emerged, including the pianist Jason Moran, vibraphonist Stefon Harris, trumpeter Roy Hargrove, and bassist Christian McBride.[235]
In addition, a number of new vocalists have achieved popularity with a mix of traditional jazz and pop/rock forms, such as Diana Krall, Norah Jones, Cassandra Wilson, Kurt Elling, and Jamie Cullum. Norah Jones and Diana Krall, due to their massive international success during the 2000s are considered the first and second most successful female jazz singers of the decade, respectively. Diana Krall has topped the Music Billboards multiple times in the year 2000. The week of April 15, 2000, Krall's album When I Look in Your Eyes reached number one, followed by Al Jarreau's Tomorrow Today and Kenny G's Classics in the Key of G.[236] Norah Jones was named the top jazz artist of the 2000–2009 decade by Billboard.[237] Jones had many albums come out in the 2000s decade, including jazz and adult contemporary. These include Come Away with Me in 2002, New York City in 2003, and Feels Like Home in 2004.[238]
Reggae
Dancehall
The early 2000s saw the success of older and newer charting acts such as
Reggaetón
Christian music
Christian music continued to gain popularity after its success in the 1990s with acts such as
Europe
Rock
Post–Britpop act Coldplay saw major success in European album charts during the decade. Coldplay had with No. 1 albums and a U.S. No. 1 single with "Viva la Vida", the first English band to do so since The Beatles.[249] British
U2 continued their popularity into the 2000s, releasing three critically acclaimed albums, and were credited with influencing many prominent acts of the decade such as Coldplay and Muse.[251]
In the early and mid-2000s, British
Radiohead enjoyed further success in the 2000s, moving away from their experimental sound of the Kid A/Amnesiac era to a more "typical" Alternative rock sound. Muse saw a similar level of commercial acclaim, with the rock trio releasing three chart-topping albums.[254]
The late 2000s (entering into the early 2010s) saw the revival and influence of
The era also saw solo success for singer-songwriters, including
Alternative rock
The eponymous debut album of
Pop
Girl groups
Irish singer Enya continued to enjoy steady success during the 2000s; her 2000 album A Day Without Rain sold 15 million copies and she was named the world's best selling female artist of 2001.[264][262]
Audience-voted reality talent shows became very popular with UK TV audiences in the 2000s. Such programs included
1980s female pop stars Madonna and Kylie Minogue enjoyed a large presence on the European music scene, both having numerous hits in the 2000s including "Music", "Hollywood", "Hung Up", and "Celebration" for Madonna, and "Spinning Around", "Can't Get You Out of My Head", "Slow", and "In My Arms" for Kylie. Britney Spears retained a huge impact throughout the continent and was one of the most successful artists of the decade in that region.[267] In 2004,
Soul
British soul in the 2000s was dominated by women singers. Joss Stone, Natasha Bedingfield, Corinne Bailey Rae, Estelle, Amy Winehouse,[272] Adele and Duffy enjoyed success in the American charts.[273]
Corinne Bailey Rae released her debut album, Corinne Bailey Rae, in February 2006, and became the fourth female British act in history to have her first album debut at number one.[274]
At the
Electronic music
The popularity of the Eurodance genre in the 1990s led to the considerable popularity of the trance genre in the late 1990s and early 2000s. Popular artists of the decade included ATB, Ian Van Dahl, Alice Deejay, BT, Fragma, Lasgo, iiO, Sylver, Groove Coverage, Robert Miles, Tiësto, Armin van Buuren, Paul van Dyk, Paul Oakenfold, John Digweed and Safri Duo.[275]
Popular electronic artists of the decade in other electronic genres included
Media commentators did however observe during the 2000s that electronic dance music had returned somewhat to the "underground", with mainstream commercial interest in the genre waning following its peak in the 1990s. This was symbolized in the Brit Awards' decision in 2004 to remove its "Best Dance Act" category.[277]
Grime music emerged in the early 2000s and achieved commercial success, particularly in the UK, through artists such as Dizzee Rascal and Wiley.[280][281]
Oceania
Pop
The most successful Australian female artist,
Ex-
In New Zealand, pop singer
Rock
Many new rock and alternative groups/bands formed during the early years of this decade. The Vines and Jet become very popular amongst others around 2002–03, paving the way for a mass of new groups midway through the decade such as Wolfmother. Other popular artists include Powderfinger, The Vines, You Am I, Silverchair, AC/DC, Pendulum, The Living End, Spiderbait, Grinspoon, Kisschasy and Eskimo Joe.[291]
Many rock artists in New Zealand were popular throughout the 2000s decade including, Evermore, The Feelers, Neil Finn, Tim Finn, and Liam Finn.[292][293]
Alternative
From 2003 up until 2007, a popular American television show – The O.C. – popularized many New Zealand alternative rock bands by playing their music during the years of the series run. These bands included Evermore and Youth Group.[295]
Australian electronic group The Avalanches released their debut album Since I Left You in 2000, composed completely of samples and gained critical acclaim.[294]
R&B and soul
Throughout the 2000s decade, R&B and soul music had become more popular in Australia and New Zealand. Most Australian R&B artists from the early 2000s, such as
In New Zealand, R&B/soul groups Adeaze and Nesian Mystik have enjoyed success throughout their careers. Singer Aaradhna has released three top-ten singles "Down Time", "I Love You Too", and "They Don't Know" with rapper Savage.[299] Other R&B singers include Pieter T and Vince Harder. The late 2000s saw the rise of J. Williams and Erakah.[300]
Hip hop
Early into this decade, Australian hip hop has proved ultimate success through an Adelaide hip-hop trio, Hilltop Hoods.[301] They became the first successful Australian hip hop outfit, followed by a Sydney hip-hop trio, Bliss n Eso. Each has achieved ARIA awards.[302][303]
The
Latin America
Pop
The Colombian
Pop rock begins to take shape in Latin music with acts such as
Rock
During the early 2000s,
Reggaetón
In 2002, the New York-based group Aventura would reinvent bachata, thus making it a dominant Latin genre. By 2004, reggaetón would become a staple in music with acts such as Don Omar, Daddy Yankee, Ivy Queen and Wisin & Yandel. By the mid-2000s, reggaetón had replaced salsa, merengue and cumbia as the main dance genre in nightclubs for young people all over Latin America, reaching popularity in parts of Spain and Italy as well. But by the end of 2007, this craze soon declined in popularity.[318]
Salsa and merengue
Although salsa and merengue began to decline in popularity, merengue would have new life injected thanks to the subgenre known as, "merengue de calle" (or street merengue). Beginning in 2004, this subgenre combining elements of merengue, rap, and reggaetón would be popularized by Dominican acts such as Omega, Silvio Mora, El Sujeto, and Tito Swing.[319]
Asia
With the rapid development of Asian economies during the 1990s and 2000s, the independent music industries of Asia have seen considerable growth. Asian countries like Japan, China, and India have some of the largest music markets in the world. Supported by their large markets, the music charts in Asia are largely dominated by local Asian artists, with very few artists from the Western world managing to break into those markets.[320]
C-pop
The appearance of Hong Kong national
Taiwanese boy band F4's first big hit "Meteor Rain",[325] from the album of the same name, established them as the dominant boyband of the first half of the decade. The four members of F4 also had solo hits, such as Jerry Yen's "One Metre",[326] Vanness Wu's "My Friend"[327] (an adaptation of the Robert Burns poem "Auld Lang Syne"), Ken Chu's "Never Stopping",[328] and Vic Chou's "Make a wish".[329]
Jay Chou's first solo album Jay in 2000, showcased a unique fusion of Asian music with American R&B. Chou would go on to become the dominant force in Asian music for almost all of the 2000s and the first half of the next decade.[322]
Among solo female artists of the 2000s,
Singer-songwriter-guitarist Tanya Chua was successful during this period as a leading Mandopop artist. Her 2000 album I Do Believe[332] garnered a nomination for Best New Artist at the Golden Melody Awards. Chua also wrote songs or produced albums for several other established singers during this period, for instance, "Wrong Number" for Faye Wong.[333]
The most popular girl group of this period was S.H.E, comprising Selina Jen, Hebe Tien, and Ella Chen. Their first big hit, from their fourth album Super Star, was their cover of the Bee Gees' "I.O.I.O.".[334] In Taiwan alone, 250,000 copies of Super Star were sold.[331]
In the second half of the decade,
Contemporary Christian music artistes also found their way into Asian secular music charts for the first time ever during the 2000s.
Taiwanese supergroup
2003 saw the deaths of Hong Kong popular singers Leslie Cheung, 46, who committed suicide;[339] and Anita Mui, 40, who died of cervical cancer.[340] Both singers were highly respected in Cantopop music.[341]
J-pop
Japanese Pop's popularity continued to expand through Asia and the rest of the world, with various Japanese artists debuting in the U.S. J-pop starts to enjoy a relatively big global online fan base. At the end of the decade, dance music and
K-pop
By the beginning of the 21st century, the K-pop market had slumped and early K-pop idol groups that had seen success in the 90s were on the decline.[351] H.O.T. disbanded in 2001,[352] while other groups like Sechs Kies, S.E.S., Fin.K.L, Shinhwa, and g.o.d became inactive by 2005.[353][354]
Solo singers like
Indian pop
The
Indian music has also had an increasing influence on popular music in the Western world. The music of South Asia has influenced Europe's pop mainstream as acts like
Indo pop
In the early until the middle of 2000s, the most popular music genre in Indonesia was pop and pop rock music. Some group bands like
P-pop
In the early 1970s, Pinoy music or Pinoy pop emerged, often sung in
Middle East and Africa
Music charts in the Middle East are largely dominated by local Arabic-language artists, with an equivalent population of Western world artists as well. The music industry within the Middle East and Africa is international and diverse.
Afrobeats
Styles of music that make up afrobeats largely began sometime in the late 90s and early-mid-2000s. With the launching of
Arabic pop music
Arabic pop is mainly produced and originated in
Although tame by Western standards, female Arab popstars have been known to cause controversy with their sexuality. Playful lyrics, skimpy costumes, and dancing have led to quite a bit of criticism in the more conservative Islamic circles. Artists such as
Drum and bass
The South African drum and bass scene began in the mid nineties. In 2000, events such as Homegrown[375] became a prominent fixture in Cape Town and a launching platform for international and local artists such as Counterstrike, SFR, Niskerone, Tasha Baxter, Anti Alias and Rudeone. Other regular events include It Came From The Jungle[376] in Cape Town and Science Friksun[377] in Johannesburg.
A weekly Sublime drum and bass radio show is hosted by Hyphen on Bush Radio.[378]
Hip hop
Botswana
Phat Boy etc. has done a lot to promote Botswana hip hop. The hip hop movement in Botswana has grown over the years as evidenced by the release over the years of albums and songs from artists such as Mr Doe,
Côte d'Ivoire
Ivorian hip hop became a mainstream part of the popular
Madagascar
On 21 June 2007,
Malawi
Hip hop culture in
By the late 2000s the scene had picked up further with artists such as Barry One, Basement, Mandela Mwanza, Hyphen, Fredokiss, and Tay Grin gaining notoriety. Tay Grin's music video for the song Stand Up was featured considerably on Channel O. He was not the first Malawian rapper to get his song on that station; that accolade goes to the Real Elements. However, Tay Grin's got much more airplay. In 2009, Phyzix released his debut studio album The Lone Ranger LP which contained the hit singles Cholapitsa and Gamba. Around the same time, Christian rap started to gain popularity and that movement was spearheaded by Manyanda Nyasulu, DJ Kali, KBG, Double Zee, Liwu, C-Scripture, Asodzi, Erasto, and Sintha.[386]
Niger
Hip hop groups began to appear and perform in Niamey in 1998. In August 2004, UNICEF opened its "Scene Ouverte Rap", where 45 new groups entered selections among an informal count of 300 existing groups. Shows took place at Niamey's Jean Rouch Centre Culturel Franco – Nigerien (CCFN) in August 2004.[387]
Palestine
Uganda
In 2003 Geoffrey Ekongot, Saba Saba aka Krazy Native, of the Bataka Squad, Francis Agaba, the late Paul Mwandha of Musicuganda.com, and Xenson formed the Uganda Hip Hop Foundation. In 2003, the Foundation hosted the first Ugandan Hip Hop Summit and concert at Club Sabrina's in Kampala. It was so successful that they have hosted it every year for the past four years. In 2005 the Bavubuka All Starz was formed under the leadership of Silas aka Babaluku of the Bataka Squad, with the mission of bringing hip hop music and community together to address social causes. Keko is currently one of the most promising and talented rappers in Uganda. Of late Uganda has produced globally recognized MCs like Bana Mutibwa whose commonly known as Burney MC.[394][395]
Zambia
The first hip hop album to be released in Zambia was actually a gospel hip hop album called Talk About God by a duo called MT God Bless which was released on cassette tape in 2003. (Mandiva Syananzu & Tommy Banda were the two rappers). It got massive airplay both locally and internationally. MT God Bless were also the first Christian hip hop dual to have their music video played on South Africa's Channel O. Pictures of the cassette tape can be seen on Mandiva's Facebook page with the year 2003 inscribed on it. In 2005 C.R.I$..I$. Mr Swagger released what is considered the biggest debut release by a hip hop artist in Zambia titled "Officer in Charge". Other notable artists to come up over the years are Black Muntu, The Holstar, Conscious, Takondwa, Pitch Black, Diamond Chain, 5ive 4our, Zone Fam, C.Q Krytic, Slap Dee, Macky 2, Mic Diggy and Urban Chaos.[397][398][399][400]
See also
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