20th-century French literature
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20th-century French literature is literature written in French from 1900 to 1999. For literature made after 1999, see the article
Overview
French literature was profoundly shaped by the historical events of the century and was also shaped by—and a contributor to—the century's political, philosophical, moral, and artistic crises.
This period spans the last decades of the
Twentieth century French literature did not undergo an isolated development and reveals the influence of writers and genres from around the world, including
Because of the creative spirit of the French literary and artistic movements at the beginning of the century, France gained the reputation as being the necessary destination for writers and artists. Important foreign writers who have lived and worked in France (especially Paris) in the twentieth century include: Oscar Wilde, Gertrude Stein, Ernest Hemingway, William S. Burroughs, Henry Miller, Anaïs Nin, James Joyce, Samuel Beckett, Julio Cortázar, Vladimir Nabokov, Edith Wharton and Eugène Ionesco. Some of the most important works of the century in French were written by foreign authors (Eugène Ionesco, Samuel Beckett).
For Americans in the 1920s and 1930s (including the so-called "
From 1895 to 1914
The early years of the century (often called the "
Guillaume Apollinaire radicalized the Baudelairian poetic exploration of modern life in evoking planes, the Eiffel Tower and urban wastelands, and he brought poetry into contact with cubism through his Calligrammes, a form of visual poetry. Inspired by Rimbaud, Paul Claudel used a form of free verse to explore his mystical conversion to Catholicism. Other poets from this period include: Paul Valéry, Max Jacob (a key member of the group around Apollinaire), Pierre Jean Jouve (a follower of Romain Rolland's "Unanism"), Valery Larbaud (a translator of Whitman and friend to Joyce), Victor Segalen (friend to Huysmans and Claudel), Léon-Paul Fargue (who studied with Stéphane Mallarmé and was close to Valéry and Larbaud).
In the novel, André Gide's early works, especially L'Immoraliste (1902), pursue the problems of freedom and sensuality that symbolism had posed; Alain-Fournier's novel Le Grand Meaulnes is a deeply felt portrait of a nostalgic past.
But radical experimentation was not appreciated by all literary and artistic circles in the early 20th century. Popular and bourgeois tastes were relatively conservative. The poetic dramas of
Popular fiction and genre fiction at the start of the 20th century also included detective fiction, like the mysteries of the author and journalist
From 1914 to 1945
Dada and Surrealism
The First World War generated even more radical tendencies. The
Influence and dissidence
The influence of surrealism will be of great importance on poets like Saint-John Perse or Edmond Jabès, for example. Others, such as Georges Bataille, created their own movement and group in reaction. The Swiss writer Blaise Cendrars was close to Apollinaire, Pierre Reverdy, Max Jacob and the artists Chagall and Léger, and his work has similarities with both surrealism and cubism.
Novel
In the first half of the century the genre of the novel also went through further changes.
Theater
Theater in the 1920s and 1930s went through further changes in a loose association of theaters (called the "Cartel") around the directors and producers Louis Jouvet, Charles Dullin, Gaston Baty and Ludmila and Georges Pitoëff. They produced works by the French writers Jean Giraudoux, Jules Romains, Jean Anouilh, Albert Camus and Jean-Paul Sartre, and also of Greek and Shakespearean theater, and works by Luigi Pirandello, Anton Chekhov and George Bernard Shaw. Antonin Artaud 1896-1948 as a poet and playwright revolutions the concept of language, and changes the history and practice of theater.
Existentialism
In the late 1930s, the works of Hemingway, Faulkner and Dos Passos came to be translated into French, and their prose style had a profound impact on the work of writers like
In the French colonies
The 1930s and 1940s saw significant contributions by citizens of French colonies, as Albert Camus or Aimé Césaire, the latter whom created, along with Léopold Sédar Senghor and Léon Damas the literary review L'Étudiant Noir, which was a forerunner of the Négritude movement.
Literature after World War II
The 1950s and 1960s were highly turbulent times in France: despite a dynamic economy ("les trente glorieuses" or "30 Glorious Years"), the country was torn by their colonial heritage (
Inspired by the theatrical experiments in the early half of the century and by the horrors of the war, the so-called avant-garde Parisian theater, "New Theater" or "
The French novel from the 1950s on went through a similar experimentation in the group of writers published by "
The writers Georges Perec, Raymond Queneau, Jacques Roubaud are associated with the creative movement Oulipo (founded in 1960) which uses elaborate mathematical strategies and constraints (such as lipograms and palindromes) as a means of triggering ideas and inspiration.
Poetry in the post-war period followed a number of interlinked paths, most notably deriving from surrealism (such as with the early work of
The events of May 1968 marked a watershed in the development of a radical ideology of revolutionary change in education, class, family and literature. In theater, the conception of "création collective" developed by Ariane Mnouchkine's Théâtre du Soleil refused division into writers, actors and producers: the goal was for total collaboration, for multiple points of view, for an elimination of separation between actors and the public, and for the audience to seek out their own truth.
The most important review of the post-1968 period -- Tel Quel—is associated with the writers Philippe Sollers, Julia Kristeva, Georges Bataille, the poets Marcelin Pleynet and Denis Roche , the critics Roland Barthes, Gérard Genette and the philosophers Jacques Derrida, Jacques Lacan.
Another post-1968 change was the birth of "Écriture féminine" promoted by the feminist Editions des Femmes, with new women writers as Chantal Chawaf, Hélène Cixous, Luce Irigaray ...
From the 1960s on, many of the most daring experiments in French literature have come from writers born in French overseas departments or former colonies. This
See also
- France in Modern Times II (1920-today)
- Prix Goncourt - a French literary award for prose fiction, first awarded in 1903
- Prix Femina - literary award since 1904
- Prix Apollinaire- a French literary award for poetry, first awarded in 1941
- Prix Médicis - literary award since 1958
- Hussards (literary movement)
Notes
Further reading
- Azérad, Hugues, and Peter Collier, eds. Twentieth-Century French Poetry: A Critical Anthology (2010)
- Brée, Germaine and Louise Guiney. Twentieth-Century French Literature (University of Chicago Press, 1983)
- Cobb, Richard, Promenades: a historian's appreciation of modern French literature (Oxford University Press, 1980)
- Forman, Edward. Historical Dictionary of French Theater (2010)
- Gaensbauer, Deborah B. The French Theater of the Absurd (1991)
- Hatzfeld, Helmut Anthony. Trends and styles in twentieth century French literature (1966)
- Higgins, Ian. "French Poetry of the Great War." AGENDA (2014) 48#3-4 pp: 159-170.
- Kidd, William, and Sian Reynolds, eds. Contemporary French cultural studies (Routledge, 2014)
- Kritzman, Lawrence D., and Brian J. Reilly, eds. The Columbia history of twentieth-century French thought (Columbia University Press, 2006)
- Moore, Harry T. Twentieth-century French Literature: Since World War II (1966)
- Sartori, Eva Martin and Dorothy Wynne Zimmerman, eds. French Women Writers (1994)
- Watt, Adam. Marcel Proust in Context (2014)