A Reading from Homer
A Reading from Homer (sometimes Listening to Homer) is an oil-on-canvas painting executed in 1885 by the English artist Lawrence Alma-Tadema. It depicts an imaginary festival scene from ancient Greece with youth reading poetry to a small audience on a marble balcony overlooking the sea. The painting has been in the collection of the Philadelphia Museum of Art since 1924.
Background
The painting was commissioned in 1882 by the U.S. banker
Description
A Reading from Homer depicts a scene on a marble balcony in ancient Greece, overlooking the sea. To the right, below Greek letters on a wall spelling ΟΜΗΡ ('
The oil-on-canvas painting measures 91.8 cm × 183.5 cm (36.1 in × 72.2 in).[3] It evokes ancient Greece but it is not intended to be historically accurate, although some critics date the scene to the end of the 7th century BC. In his 1905 book on Alma-Tadema, the journalist Percy Standing suggested that it may be considered as a companion picture to Alma-Tadema's Sappho and Alcaeus (1881), now in the Walters Art Museum, Baltimore.
Reception
The painting was exhibited at the Royal Academy exhibition in 1885, and loaned for exhibition at the Metropolitan Museum of Art from 1890 to 1893, and then at the World's Columbian Exposition in 1893. Helen Zimmern wrote in 1888 that the treatment of human skin and light in A Reading from Homer is among Alma-Tadema's best work, and that "he has certainly never modeled anything more perfect than the figures of woman and lover".[4]
According to Nina Athanassoglou-Kallmyer, A Reading from Homer is typical of a type of classicism that emerged in the middle of the 19th century. Unlike the lofty classicism of earlier painters such as Jacques-Louis David, this version focuses on mundane situations and typically does not derive its subject matter from a specific historical model or literary work.[5] A Reading from Homer combines its ancient costumes and setting with modern-looking figures and a naturalistic environment.[5] Simon Goldhill has compared it to the painting St. Cecilia (1895) by John William Waterhouse, writing that both works "focus on the enthralled gaze of artistic appreciation" and the "interplay between the sister arts of poetry, music, dance, and painting".[6]
Provenance
Before the painting was finished, Alma-Tadema was commissioned in 1884 to design the furnishings for Marquand's music room of his mansion in New York City, drawing visual inspiration from ancient Greece and
After Marquand suffered financial difficulties, he held a five-day sale in January 1903, at which the painting was sold for $30,000 (the most expensive item in the sale) and bought by Knoedler acting for the art collector George W. Elkins (1858–1919), son of William Lukens Elkins. Elkins bequeathed it to the Philadelphia Museum of Art, where it has been since 1924.[3]
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Lawrence Alma-Tadema, Amo Te, Ama Me, 1881, Fries Museum, Leeuwarden
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Lawrence Alma-Tadema, Sappho and Alcaeus, 1881, Walters Art Museum, Baltimore
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John William Waterhouse, Saint Cecilia, 1895, Andrew Lloyd Webber Art Foundation
References
- ^ British Painting in the Philadelphia Museum of Art: From the Seventeenth through the Nineteenth Century, 1986, p.3-8
- ISBN 978-0-691-15946-1.
- ^ a b c "A Reading from Homer". Philadelphia Museum of Art. Retrieved 12 January 2021.
- ^ Zimmern, Helen (1888). "L. Alma Tadema, R.A.: His Life and Work". The Life and Work of L. Alma Tadema, J. L. E. Meissonier, J. C. Hook. The Art Annual. London: Art Journal Office. pp. 24–25.
- ^ ISBN 978-0-8020-9170-3.
- ISBN 978-0-691-14984-4.
- ISBN 978-1-935998-28-0.
- ^ Lord Leighton Frederic, Mnemosyne, Mother of the Muses, Sotheby's, 9 December 2020
- ^ Lord Leighton Frederic, Erato, Sotheby's, 28 January 2021
External links
- Alma-Tadema, Listening to Homer, Khan Academy
- A Reading from Homer, Lawrence Alma-Tadema, 1885, Google Arts & Culture