A Very Merry Unauthorized Children's Scientology Pageant
A Very Merry Unauthorized Children's Scientology Pageant | |
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Awards | 2004 Obie Award |
A Very Merry Unauthorized Children's Scientology Pageant is a
Early in the production of the musical, the president of the Church of Scientology in New York sent a letter to the producer pointing out the
A Very Merry Unauthorized Children's Scientology Pageant has been well received. The 2003 New York production received an
Background
Alex Timbers developed the concept and directed the play, while Kyle Jarrow wrote the accompanying book, music, and lyrics.[2] Timbers and Jarrow were classmates together at Yale University.[3] The script for the play is published by Samuel French, Inc.[4] Jarrow was motivated to write the script by what he saw as a shift in religious teachings – from an old model involving hell and retribution, to a new system of thought promising money or peace.[5] Jarrow commented on Timbers' idea of using children to tell a story about Scientology: "I did a lot of work on cults in college, and what I learned is that they sort of turn you into a child by appealing to that part of you that wants to be taken care of and given answers. And so it all began to make sense to me."[6] He said Scientology would be "an especially interesting topic for a theater piece" because of its criticism of psychiatry, relative newness compared to Buddhism, Islam, Judaism, and Christianity, and practice of requiring "that the follower take courses which cost significant amounts of money."[7]
Jarrow's script was "almost entirely based on Hubbard's own writings and the church's literature",[8] though Jarrow was also influenced by critical journalistic accounts.[9] He also drew on the "awkward woodenness of Christmas pageants — the fact that children are often made to say large words that don't sound natural coming out of their mouths."[7] Timbers said they chose to stick to Church of Scientology primary source material for background on the script because "We thought that the best way to satirize the Church of Scientology was to let the Church speak for itself."[10] During production, the creative team worked with cast members to educate them about the play's background. "Kids shouldn't just be saying things that they don't understand. That's what we're criticizing ... people who just parrot behavior and language. We wanted to have an honest conversation with them", Jarrow said.[1] The published version of the script says that the musical should not be performed by adults; Jarrow said adults are "too jaded", and would not be able to portray the "unwinking satire" of the piece.[7]
The producers wanted the musical to appear like a "corny and low-rent production".
Early in the production of the play,
Plot summary
The characters gather on a cold winter night to rejoice in telling the story of L. Ron Hubbard. "Hey! It's a Happy Day!"[23] A narrator notes: "Today we relate the life of L. Ron Hubbard: Teacher, author, explorer, atomic physicist, nautical engineer, choreographer, horticulturist, and father of Scientology!"[23] Hubbard is born in a nativity scene, surrounded by parents and barnyard animals, as an angel proclaims, "Billions of years of evolution had climaxed with his birth."[9][15] He begins to question the nature of his existence. He is adrift on a boat in the Pacific Ocean during his service in World War II, when he begins to think about starting a religion.[15] Hubbard tells his followers about what he has learned through his travels in "Science of the Mind", singing about "the key to being free, the way to be happy".[23] He tells his followers that during the war "I saw how emotion can make you blind", and he begins to teach his followers about the reactive mind.[23]
Hubbard thanks the analytical mind (portrayed by two characters) for helping him to find the answers he was searching for, and proclaims: "Thinking rationally is the way to be happy and the key to learning more."
As Hubbard's followers progress in their Scientology teachings, they learn of the story of evil
Musical analysis
Jarrow incorporated musical themes from The Road to Freedom, a 1986 pop album with lyrics by Hubbard and performances by John Travolta, Leif Garrett, Frank Stallone, Chick Corea, and Karen Black.[1] Jarrow also incorporated musical themes from 1980s pop, saying "the liturgical music of Scientology is 1980s pop, which seems strangely appropriate because of the science fiction books. So that's what we did [in the show]. It's a pastiche of synth-pop and pageant choir music."[1] Jarrow said he tried "to capture the feel of kiddie rock" such as Free to Be... You and Me and Kids Incorporated.[7]
The song, "Hey! It's a Happy Day!" quotes Hubbard's Scientology: A New Slant On Life.
Productions
2003–2004
A Very Merry Unauthorized Children's Scientology Pageant debuted in November 2003, and had sold-out
When the production company first arrived in Los Angeles, the cast and crew were "intimidated" by Scientologists.[28] Scientology officials had previously visited the New York City production in the midst of rehearsals and handed out "documentation of court cases where the Church of Scientology had successfully prosecuted those seeking to disparage the Church's methods."[28] Director/creator Alex Timbers characterized these events as "terrifically wonderful and intimidating".[28] Editors from the Los Angeles Times received phone calls from Scientologists urging them not to write about the play.[11][28] In addition, the parents of one of the children from the cast received phone calls from members of the entertainment industry who were Scientologists. The parents of these cast members were told that if their children performed in the play, "it might be bad for their future career."[28] The parents politely informed these callers "We read the script, and we don't think it is mean-spirited ... We understand your concerns, but we don't share your concerns."[28] When asked by Variety magazine for the Church's official take on the play, a Los Angeles Church of Scientology spokeswoman was quoted as saying: "This is not litigation material. This is nothing."[10] In a 2007 interview, Jarrow commented on the Church of Scientology's history of responses to productions of the play: "It's clear the Church doesn't like the show—but in my opinion that kind of controversy is evidence that the show's hitting a nerve and dealing with pertinent issues. So I take a certain pride in that."[7]
2006–present
In late 2006, the musical was performed at
Dad's Garage Theatre presented the musical again in 2007, from November 30 to December 23, 2007.
Rarely Done Productions in
The 2008 Chicago production was well received,
A 2010 production was planned in
2017–present
In 2017, Sean Pollock began work on reviving the show in New York City as a director and production designer. As a result, an initial concert version was staged at
Reception
Awards
A Very Merry Unauthorized Children's Scientology Pageant received a 2004
Reviews
A Very Merry Unauthorized Children's Scientology Pageant received positive reviews from the press. A review in The New York Times described the musical as having a "crude, faux-naïf sensibility", and stated that it "provides a cult-hit blueprint for a young generation that prefers its irony delivered with not a wink but a blank stare."[13] A 2003 review in New York City's The Village Voice compared the show to The Resistible Rise of Arturo Ui, stating: "Just as Ui doesn't explain the complex phenomenon of the Third Reich, Scientology Pageant doesn't probe the psychology of cults; instead, both demystify subjects whose appeal stems in no small part from the mystique their acolytes have attributed to them."[69] Though most of the media reception of the musical was positive, New York Church of Scientology President John Carmichael did not have kind words for the production. Carmichael asserted that L. Ron Hubbard was portrayed in the play as "an authoritarian demagogue whose methods create emotionless followers."[9] Other critics complained that the young members of the cast were portraying characters and depicting content that they could not understand.[1]
The Los Angeles Times review in 2004 stated that: "The show found a New York audience willing to move from the tongue-in-cheek children's pageant concept to something that became startlingly adult."[6] In a 2004 review in The Guardian, the article cited notable quotes from other reviews, including The New York Times, The Village Voice, and The New York Observer. The review stated that audiences "have a chance to witness a wide-eyed, straight-faced, scrappy and touching telling of the story of L Ron set to a cheesy electro-pop score. See the great man, clad in a white Plyphonic [sic] Spree-style gown, wander from inquisitive soul to wounded war veteran to writer of pulp science fiction to leader of world religion. Sort of."[28]
Of the updated 2006 version, Variety stated that "the breezy one-hour show is equal parts adorable and creepy, hilarious and unsettling, making it way more compelling than your average holiday entertainment."[2] The Boston Globe also reviewed the 2006 edition of the play, and its review spent more time giving background on some of the cast and crew, particularly writer Kyle Jarrow, stating that "Jarrow has created a musical about L. Ron Hubbard that is, in its own sardonic way, much more funny and touching than any of Cruise's diatribes against Ritalin."[1] The New York Sun described the production as an: "ingenious musical account of L. Ron Hubbard's life and times", and compared the discomfort produced by watching the piece to that produced by the 2006 documentary Jesus Camp.[12]
The 2007 Philadelphia production also received favorable reviews, and critic Wendy Rosenfield of The Philadelphia Inquirer wrote "somehow the production emerges triumphant, retaining its innocent sense of inquiry and buoyant good humor while making some pretty serious philosophical points."[70] A review in The Washington Post of the 2007 Washington, D.C. production was more critical.[71] Peter Marks wrote that "aside from a weird sci-fi back story involving Prince Xenu, a figure from Scientology lore, the incidents the playwright relates that shape Hubbard's belief system unfold choppily and dryly."[71] The production received a positive review in by Bob Anthony in AllArtsReview4U, who wrote "This is so charming that it rates a "must see" status. The show should be extended at another venue."[72] Manya Brachear reviewed the 2008 Chicago production for the Chicago Tribune, and highlighted the play's "trilling tunes", including "Hey! It's a Happy Day!" and "The Science of the Mind".[49] The two Chicago productions in 2009 also received favorable reviews in the Chicago Tribune; the reviewer noted, "this show manages to simultaneously skewer Scientology and showcase the young performers in an upbeat, fun way."[73]
Original Cast recording
A Very Merry Unauthorized Children's Scientology Pageant | |
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New York | |
Genre | Musical |
Length | 35:14 |
Label | Sh-K-Boom |
Producer | Kurt Deutsch, Jacob Schwartz, Aaron Lemon-Strauss |
Review scores | |
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Source | Rating |
Allmusic | [74] |
A cast recording of the musical was released by Kurt Deutsch's Sh-K-Boom Records, on November 2, 2004.[24] "Hey! It's a Happy Day!", "Science of the Mind", "Rain", and "Finale" are tracks from the original 2004 production.[23] The other songs on the album were written by Jarrow "to further explore the subjects and themes of the stage production."[23] The first track on the album is entitled "Disclaimer", and is a general announcement to the audience. The Los Angeles Daily News surmised that this disclaimer served to "keep the creators of this acidic little send-up from getting hauled into court":[11]
Ladies and gentlemen: Before we go any further, I would just like to inform you, that Scientology, Scientologist, Dianetics, and the name L. Ron Hubbard, are registered trademarks – owned exclusively by the Church of Scientology. Thank you. Now let's get on with the show!
The CD release received four out of five stars from
- 2004 Cast Recording
- "Disclaimer" – 0:18
- "Hey! It's a Happy Day!" – 4:37
- "L. Ron Hubbard" – 3:44
- "The Way That It Began" – 3:10
- "Searching" – 2:33
- "Science of the Mind" – 2:44
- "Mister Auditor" – 3:18
- "Rain" – 4:11
- "Something Special" – 3:40
- "Finale" – 2:40
- "Rain With the Fabulous Entourage" – 3:52
2022 Revival Cast Live Recording
In 2023, the live audio from A Very Merry Unauthorized Children's Scientology Pageant - Live![76] was preserved in the form of a live cast album on Soundcloud,[77] with all new orchestrations. The tracks are as followed:
- 2022 Revival Cast Live Recording
- "Hey! It's a Happy Day!" – 3:40
- "L. Ron Hubbard" – 3:52
- "Searching" – 2:30
- "Science of the Mind (Part One)" – 2:34
- "Science of the Mind (Part Two)" - 2:32
- "Mister Auditor" – 3:19
- "The Way That It Began" – 3:12
- "Rain" – 3:44
- "Finale" – 2:34
See also
- Parody
- Parody religion
- Religious satire
- Scientology beliefs and practices
- Scientology in popular culture
References
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- ^ Hernandez, Ernio (November 29, 2006). "A Very Merry Unauthorized Children's Scientology Pageant Starts Anew in New York November 29". Playbill. Archived from the original on December 17, 2007. Retrieved October 27, 2007.
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- ^ a b 2006–07 Season Staff. "A Very Merry Unauthorized Children's Scientology Pageant". Boston Theatre Works. pp. Season 9 Overview. Archived from the original on December 17, 2007. Retrieved December 14, 2007.
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- ^ Holman, Curt (November 28, 2007). "Child's play: Mary Claire Dunn directs 85 kids in A Very Merry spoof". Creative Loafing Atlanta. Creative Loafing Media. Archived from the original on December 15, 2007. Retrieved November 28, 2007.
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External links
- General
- A Very Merry Unauthorized Children's Scientology Pageant, official site
- Samuel French, Inc., publisher's site
- Ibdb.com Les Freres Corbusier, original production troupe in IBD
- LandofTrust.com, Web site, Kyle Jarrow
- A Very Merry Unauthorized Children's Scientology Pageant at the Internet Off-Broadway Database
- Brat Productions (December 25, 2007). "Preview of 2007 production". YouTube.
- [1], Playbill
- Cast recording
- Sh-K-Boom Records, Kurt Deutsch, soundtrack information
- A Very Merry Unauthorized Children's Scientology Pageant at AllMusicreview of album
- 2010 productions
- "A Very Merry Unauthorized Children's Scientology Pageant". American Stage Theatre Company. americanstage.org. 2010. Archived from the original on November 14, 2010. Retrieved November 11, 2010.