Arti (Hinduism)
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Arti (
Etymology & Origin
Arti is derived from the
Arti is said to have descended from the Vedic concept of fire rituals, or yajna.[11]
Practice
Arti ranges from simple acts of worship to extravagant rituals, but includes a jyoti (flame or light). It is performed up to eight times daily, varying according to Hindu traditions and temples.[10] It is performed during most Hindu ceremonies and occasions. It involves the circulating a diya or lamp clockwise in front of an image of a deity and is generally accompanied by the singing of hymns.[12][7] After the waving of the arti before the deity, it is brought to the devotee. They cup their down-turned hands over the flame and then raise their palms to their forehead – symbolic of purifying oneself and forming a connection with the Divine.[12]
The diya used during arti is made up of brass or other materials. It involves a lighting a cotton wick soaked in oil or ghee or burning camphor instead.[12][7] The plate can also contain flowers, incense and akshata (rice).[13] In some temples, a plate is not used and the priest holds the ghee lamp in his hand when offering it to the deities.
The purpose of performing arti is the waving of lighted wicks before the deities in a spirit of humility and gratitude, wherein faithful followers become immersed in god's divine form. All paraphernalia used for arti symbolize the five elements:[10]
- Space (akasha) - yak-tail fan
- Wind (vayu) - peacock fan
- Fire (agni) - lamp or candle
- Water (jalam) - water and handkerchief
- Earth (prithvi) - flowers
Arti is held in mandirs or at home.[10]
Significance
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Arti is a expression of many aspects including love, benevolence, gratitude, prayers, or desires depending on the object it is done for. For example, it can be a form of respect when performed to elders, prayers when performed to deities, or hope when performed for homes or vehicles. Emotions and prayers are often silent while doing arti, but this is determined by the person carrying out the ritual or the holiday involved. It's also believed that goodwill and luck can be taken through symbolic hand movements over the flame.[14]
When arti is performed, the performer faces the deity of god (or divine element, e.g. Ganges river) and concentrates on the form of god by looking into the eyes of the deity to get immersed. The flame of the arti illuminates the various parts of the deity so that the performer and onlookers may better see and concentrate on the form. Arti is waved in circular fashion, in clockwise manner around the deity. After every circle (or second or third circle), when arti has reached the bottom (6–8 o'clock position), the performer waves it backwards while remaining in the bottom (4–6 o'clock position) and then continues waving it in clockwise fashion. The idea here is that arti represents our daily activities, which revolves around god, a center of our life. Looking at god while performing arti reminds the performer (and the attendees of the arti) to keep god at the center of all activities and reinforces the understanding that routine worldly activities are secondary in importance. This understanding gives the believers strength to withstand the unexpected grief and keeps them humble and remindful of god during happy moments.
Apart from worldly activities arti also represents one's self - thus, arti signifies that one is peripheral to godhead or divinity. This would keep one's ego down and help one remain humble in spite of high social and economic rank. A third commonly held understanding of the ritual is that arti serves as a reminder to stay vigilant so that the forces of material pleasures and desires cannot overcome the individual. Just as the lighted wick provides light and chases away darkness, the vigilance of an individual can keep away the influence of the material world.[10]
Arti is not only limited to god. Arti can performed not only to all forms of life, but also inanimate objects which help in progress of the culture. This is exemplified by performer of the arti waving arti to all the devotees as the arti comes to the end – signifying that everyone has a part of god within that the performer respects and bows down to. It is also a common practice to perform arti to inanimate objects like vehicles, electronics etc. at least when a Hindu starts using it, just as a gesture of showing respect and praying that this object would help one excel in the work one would use it for. It is similar to the ritual of doing auspicious red mark(s) using kanku (kumkum) and rice.
Songs
Hinduism has a long tradition of arti songs, simply referred to as arti, sung as an accompaniment to the ritual of arti. It primarily extols the virtues of the deity that the ritual is being offered to, and several sects have their own versions of the common arti songs that are often sung on chorus at various temples, during evening and morning artis. Sometimes they also contain snippets of information on the life of the deity.
The most commonly sung arti is that which is dedicated to all deities called
In Swaminarayan Mandirs, Jay Sadguru Swami is the arti that is sung. In most temples in India, arti is performed at least twice a day, after the ceremonial puja, which is the time when the largest number of devotees congregates.
In Pushtimarg Havelis, arti is performed by a sole mukhiyaji (priest) while "Haveli Sangit" (kirtan) is being sung. Devotees only watch the arti being done and do not get to take a major part in it. During bhajan or utsavs (festivals) celebrated at home, "Jai Jai Shree Yamuna" is sung while devotees perform arti. It is said that Sandhya arti is done to see if Lord Shrinathji had gotten hurt while playing outside because it is performed after sundown.
In Gaudiya Vaishnavism, arti refers to the whole puja ritual, of which offering the lamp is only one part. A shankha (conch) is blown to start the arti, then an odd number of incense sticks are offered to the deity. The lamp is offered next, and then circulated among the devotees. A conch is then filled with water, and offered; the water is then poured into a sprinkler and sprinkled over the devotees. A cloth and flowers are then offered, and the flowers are circulated to the devotees. The deity is then fanned with a camara whisk, and a peacock fan in hot countries.
Durga Puja
During the Bengali festival
Sikhism
In Sikhism
See also
- Arti (given name)
- Blessing
- Jai Jagdish Hare
- Jay Sadguru Swami
- Mantrapushpanjali
- Shankha
Notes
- ISBN 978-1-317-43960-8.
- ISBN 978-81-7755-873-9.
- ^ admin (2021-05-19). "Aarti । Why do we do Aarti?". Simple Hinduism. Retrieved 2023-11-09.
- ISBN 978-0-691-08952-2.
- ISBN 978-0-521-43878-0.
- ^ "Aarti". 2023-08-25. Retrieved 2023-11-09.
- ^ ISBN 0-8239-2287-1, page 51
- ^ Monier Williams Sanskrit Dictionary; Quote: ArAtrika n. the light (or the vessel containing it) which is waved at night before an icon; N. of this ceremony.
- ^ "Page:Konkani Viswakosh Vol1.PDF/191 - Wikisource".
- ^ ISBN 0-275-99006-0
- ^ "– BAPS Shri Swaminarayan Mandir, London". Retrieved 2023-11-09.
- ^ a b c Hawley, John Stratton (2006). The Life of Hinduism. University of California Press. pp. 39–40.
- ^ Akshata: (Sanskrit) "Unbroken." Unmilled, uncooked rice, often mixed with turmeric, offered as a sacred substance during puja, or in blessings for individuals at weddings and other ceremonies. This, the very best food, is the finest offering a devotee can give to God or a wife can give to her husband.
- ^ "'Rules and significance of Aarti". Indiatoday. Retrieved 2020-03-24.
- ISBN 9788124108666.
- ^ http://www.livehindustan.com/news/tayaarinews/tayaarinews/article1-story-67-67-199585.html गुरु नानक देव और उनके द्वारा प्रवर्तित मार्ग
- ^ a b "Orissa Review FEBRUARY MARCH 2012..." E-Magazine - Government of Orissa. Orissa Review.
- ^ a b "Home". 13 November 2013.
- ^ http://www.sikh-heritage.co.uk/Scriptures/Guru%20Granth/Guru%20Granth.htm
- ^ Cite error: The named reference
:ৱ
was invoked but never defined (see the help page).
External links
- Media related to Aarti at Wikimedia Commons