Abdur Rahman Chughtai

Source: Wikipedia, the free encyclopedia.

Abdur Rahman Chughtai
عبد الرحمن چغتائی
Pakistani
MovementChughtai style of painting
Awards Khan Bahadur
Hilal-i-Imtiaz
Pride of Performance
Websitechughtaimuseum.com

Abdur Rahman Chughtai (21 September 1894 – 17 January 1975) was a painter, artist, and intellectual from Pakistan, who created his own unique, distinctive painting style influenced by Mughal art, miniature painting, Art Nouveau and Islamic art traditions. He is considered to be 'the first significant modern Muslim artist from Pakistan',[2] and the national artist of Pakistan.[1]

He was given the title of Khan Bahadur by the British Empire in British India in 1934, awarded Pakistan's Hilal-i-Imtiaz (Crescent of Excellence) Award in 1960, and the Pride of Performance Award in 1958 by the President of Pakistan.[3]

Early life and career

Chughtai was born on 21 September 1897 in

Mayo School of Arts, Lahore (now called National College of Arts, Lahore), where Samarendranath Gupta, a pupil of Abanindranath Tagore was Vice-Principal. After leaving the school, he made a living for a while as a photographer and drawing teacher. He eventually became the head instructor in chromo-lithography at the Mayo School.[7][6][8]

Letter of Chugtai to Bhai Vir Singh

In 1916, Chughtai's first painting in a revivalist 'oriental' style appeared in the Modern Review magazine. He had his first exhibition in 1920 at the Punjab Fine Art Society.[4] He also exhibited with the Indian School of Oriental Art during the 1920s, by which time he had become quite renowned. His work contributed greatly to Lahore's burgeoning modern art scene. While he predominantly worked with watercolors, Chughtai was also a print-maker, perfecting his etching skills in London during visits in the mid-1930s.[9] His sketches were used in many books in Punjabi poetry by Bhai Vir Singh for illustrating his famous poems like "Kambadi Kalai" and including his famous epic "Rana Surat Singh". Chughtai offered his gratitude to Bhai Vir Singh for becoming part of these illustrations as a young artist in his letter to him on 11.04.1929[10]

In his sixty years of artistic creation, Chughtai produced nearly 2000 watercolours, thousands of pencil sketches, and nearly 300 etchings and aquatints. He also wrote short stories, and articles on art. He designed stamps, coins, insignia and book covers. He was also an avid collector of miniatures and other art.[4] He published three books of his own work: the Muraqqai-i-Chughtai (1927), Naqsh-i-Chughtai (c. 1935) and CFqueenhughtai's Paintings (1940).[11] The Muraqqa-i-Chughtai was a sumptuously illustrated edition of Mirza Ghalib's Urdu poetry,[6] with a foreword by Sir Muhammad Iqbal. It is regarded as the most significant work of Chughtai's career[2] and in its time, was considered the finest achievement in book production in the country. [12]

After the creation of Pakistan in 1947, Chughtai came to be regarded as one of the most famous representatives of Pakistan. Chughtai's paintings were given to visiting heads of state

was amongst his admirers.

Chughtai's closest associate was his younger brother Abdullah Chughtai, a scholar and researcher of Islamic art.[2] Chughtai married twice, and had two children, a son and daughter. He died in Lahore on 17 January 1975.[4][1]

Art

Chughtai's early watercolours take off from the revivalism of the Bengal School of Art[6] – his Jahanara and the Taj, for instance, shows the influence of Abanindranath's The Last Moments of Shah Jahan.[7] By the 1940s, he had created his own style, strongly influenced by Islamic art traditions, but retaining a feel of Art Nouveau. His subject matter was drawn from the legends, folklore and history of the Indo-Islamic world, as well as Punjab, Persia and the world of the Mughals.[1]

Abdur Rahman Chughtai also designed the logo for the Pakistan Television Corporation (PTV) at the behest of its first general manager, Ubaidur Rahman. The logo has been tweaked and modified over the years since its inception but remains fundamentally the same. On Pakistan's independence day in 1951, he produced a set of 9 stamps, better known as 'Chughtai Art set'. At that time, this set was considered as the most beautiful stamps of the world.[8]

Artist and gallery owner

British Colonial aesthetic".[citation needed
]

Painting exhibits

Chughtai's works are owned by the

National Art Gallery, Islamabad.[citation needed] Many of his works are at the Chughtai Museum Trust in Lahore
, Pakistan.

Works

Other works

Among Chughtai's popularly known works are Hashim Shahbaz and

United Nations Organization art correspondent Jacob-Baal Teshuva wrote that Chughtai's paintings are the largest set released in 1948.[15]

Awards and recognition

Gallery

See also

References

  1. ^ a b c d e f g h "Profile of Abdur Rahman Chughtai - Pakistani Artist". Encyclopædia Britannica. Retrieved 20 June 2019.
  2. ^ .
  3. ^ a b c d Profile of Abdur Rahman Chughtai on Grosvenor Gallery website Retrieved 20 June 2019
  4. ^ a b c d e "Profile at Chughtai Museum website". Chughtai Museum. Archived from the original on 30 December 2010. Retrieved 20 June 2019.
  5. . His ancestors were Lahori (Punjabi)...
  6. ^ a b c d e Abdul Rahman Chughtai - Traditional Painter from Pakistan Caroun.com website, Retrieved 20 June 2019
  7. ^ .
  8. ^ a b c Profile of Abdur Rahman Chughtai on artocraft.com website Retrieved 20 June 2019
  9. ^ "Profile of Abdur Rahman Chughtai, 1897–1975". Charles Moore Fine Arts. 16 December 2011. Retrieved 20 June 2019.
  10. ^ Abdul Rehman Chugtai's letter dated 11/04/1929 Lahore preserved in Bhai Vir Singh Memorial House, Amritsar
  11. .
  12. ^ G. Venkatachalam (1948). Contemporary Indian Painters.
  13. ^ "Andhra Pradesh State Archaeology Museum". Archived from the original on 15 February 2012. Retrieved 20 June 2019.
  14. ^ NCA and Stamp Design, National College of Arts, Lahore, Pakistan, 2000 p. 5
  15. ^ Stanley Gibbons Stamp Catalogue Bangladesh, Pakistan and Sri Lanka, Stanley Gibbons Limited, London, UK 2005 1st edition p. 18

External links