African-American English
African-American English | |
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Black English | |
Region | United States |
Ethnicity | African Americans |
Indo-European
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Language codes | |
ISO 639-3 | – |
Glottolog | None |
Part of a series on |
African Americans |
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Part of a series on the |
English language |
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Topics |
Advanced topics |
Phonology |
Dialects |
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Teaching |
African-American English (or AAE; also known as Black American English or simply Black English in
History
African-American English began as early as the 17th century, when the
The most widespread modern dialect is known as African-American Vernacular English.[1] Despite more than a century of scholarship, the historical relationship between AAVE and the vernacular speech of whites in the United States is still not very well understood; in part, this is because of a lack of data from comparable groups, but also because of the tendency to compare AAVE to northern vernaculars or even standard varieties of English while conflating regional and ethnic differences, as well as disregarding the sociohistorical context of AAVE origins.[5] AAVE shares several linguistic features with Southern White Vernacular English (and even more with older Southern dialects), many of which either emerged or became widespread during the last quarter of the 19th century.[6] The farm tenancy system that replaced slavery in the American South drew in Southern Whites, leading to a context for an interracial speech relationship dynamic among socioeconomic equals throughout the South and leading to many shared features until the start of WWII;[7] leading to the situation wherein changes that became robust after the 1930s most strongly mark ethnic distinctions in speech.[8]
Dialects
African-American Vernacular English
African-American Vernacular (AAVE) is the native
African-American Standard English
African-American Standard English, a term largely popularized by linguist Arthur Spears, is the prestigious and native end of the middle-class African-American English continuum that is used for more formal, careful, or public settings than AAVE. This variety exhibits
African-American Appalachian English
Black Appalachian Americans have been reported as increasingly adopting Appalachian/Southern dialect commonly associated with White Appalachians. These similarities include an accent that is rhotic, the categorical use of the grammatical construction "he works" or "she goes" (rather than the AAVE "he work" and "she go"), and Appalachian vocabulary (such as airish for "windy"). However, even African-American English in Appalachia is diverse, with African-American women linguistically divided along sociocultural lines.[23]
Despite its distinctiveness, AAAE shares many features with other varieties of Appalachian English, including the use of nonstandard pronunciation, grammar, and vocabulary. AAAE also shares features with other varieties of African American English, particularly those spoken in the South. For instance, a study of African American communities in the Appalachian region of Virginia found that the dialects of these communities shared many features with both African American English and Southern White English.[24]
African-American Outer Banks English
African-American English in the North Carolina Outer Banks is rapidly accommodating to urban AAVE through the recent generations, despite having aligned with local Outer Banks English for centuries.[25]
The dialect has been studied by linguists and has been documented in various works, such as the book African American Outer Banks English: A Sociolinguistic Study by Elizabeth C. Zsiga (2000). This book provides a detailed description of the language, including its grammar, vocabulary, and pronunciation. It also provides a history of the dialect and examines how it has changed over time.[26]
African Nova Scotian English
African Nova Scotian English is spoken by descendants of
Howe & Walker (2000) use data from early recordings of African Nova Scotian English, Samaná English, as well as the recordings of former slaves to demonstrate that speech patterns were inherited from nonstandard colonial English.[31] The dialect was extensively studied in 1992 by Shana Poplack and Sali Tagliamonte from the University of Ottawa.[30]
The grammar of ANS is largely based on standard English, but there are several distinct features that set it apart from other varieties of English. These features include the use of the negative concord—which is the use of multiple negative words in a sentence to emphasize the negative—and the double negative, which is the use of two negative words in a sentence to express a positive meaning. In addition, ANS also has its own pronunciation rules, such as the use of the letter “d” instead of “th” and the dropping of the “g” in words ending in “ing”.[32]
A commonality between African Nova Scotian English and African-American Vernacular English is (r)-deletion. This rate of deletion is 57% among Black Nova Scotians, and 60% among African Americans in Philadelphia. Meanwhile, in the surrounding mostly white communities of Nova Scotia, (r)-deletion does not occur.[33]
Older African-American English
Older or earlier African-American English refers to a set of many heterogeneous varieties studied and reconstructed by linguists as
Gullah
The language is derived from a mixture of African languages and English, with words and phrases from Caribbean and West African languages such as Akan, Wolof, and Fula. Gullah has been described as a “linguistic bridge between Africa and the New World” (“Gullah Culture”). The Gullah culture is deeply rooted in African traditions, particularly in the practice of storytelling and the use of handicrafts. Gullahs have a strong connection to the land, and their traditional fishing, farming, and basket-weaving practices reflect this. In recent years, efforts have been made to preserve Gullah culture and language. The Gullah Geechee Cultural Heritage Corridor Commission was established in 2006 to help protect and promote the Gullah culture. The commission has partnered with universities, museums, and other organizations to develop programs and initiatives to preserve Gullah language and traditions.[39]
In literature
There is a long tradition of representing the distinctive speech of African Americans in American literature. A number of researchers[40] have looked into the ways that American authors have depicted the speech of black characters, investigating how black identity is established and how it connects to other characters. Brasch (1981:x) argues that early mass media portrayals of black speech are the strongest historical evidence of a separate variety of English for black people.[41] Early popular works are also used to determine the similarities that historical varieties of black speech have in common with modern AAVE.[42][43]
The earliest depictions of black speech came from works written in the 18th century,[44] primarily by white authors. A notable exception is Clotel (1853), the first novel written by an African American (William Wells Brown).[45][46] Depictions have largely been restricted to dialogue and the first novel written entirely in AAVE was June Jordan's His Own Where (1971),[47] though Alice Walker's epistolary novel The Color Purple (1982) is a much more widely known work written entirely in AAVE.[48] Lorraine Hansberry's 1959 play A Raisin in the Sun also has near exclusive use of AAVE.[49] The poetry of Langston Hughes (1901–1967) uses AAVE extensively.[50][page needed]
Some other notable works that have incorporated representations of black speech (with varying degrees of perceived authenticity) include:[51]
- Edgar Allan Poe: "The Gold-Bug" (1843)
- Herman Melville: Moby-Dick (1851)
- Harriet Beecher Stowe: Uncle Tom's Cabin (1851–1852)
- Joel Chandler Harris: Uncle Remus stories (1880)
- Mark Twain: Adventures of Huckleberry Finn (1885)
- Thomas Nelson Page: In Ole Virginia (1887)
- The Clansman(1905)
- William Faulkner: The Sound and the Fury (1929)
- Margaret Mitchell: Gone with the Wind (1936)
- Zora Neale Hurston: Their Eyes Were Watching God (1937)[52]
- Go Down, Moses(1942)
- John Kennedy Toole: A Confederacy of Dunces (1980)[53]
- Sapphire: Push (1996)[54]
As there is no established spelling system for AAVE,[55] depicting it in literature is instead often done through spelling changes to indicate its phonological features,[56] or to contribute to the impression that AAVE is being used (eye dialect).[57] More recently, authors have begun focusing on grammatical cues,[45] and even the use of certain rhetorical strategies.[58]
In television and film
Portrayals of black characters in film and television are also done with varying degrees of authenticity.[59] In Imitation of Life (1934), the speech and behavioral patterns of Delilah (an African American character) are reminiscent of minstrel performances that set out to exaggerate stereotypes, rather than depict black speech authentically.[60] More authentic performances, such as those in the following films and TV shows, occur when certain speech events, vocabulary, and syntactic features are used to indicate AAVE usage, often with particular emphasis on young, urban African Americans:[61]
African American English has been used in television and film since the early days of Hollywood. For example, in the 1940s, the popular radio show Amos 'n' Andy featured African American characters who spoke in African American English.[62] This show was popular and influential, and it established AAE as a part of popular culture. In the decades since, AAE has continued to be used in television and film as a way to depict African American characters. It is often used to provide comedic relief or to illustrate the unique characteristics of African American culture. For example, the 1990s television show Martin featured a main character who speaks in AAE and is often the source of comedic moments.
- Amos 'n' Andy (1940)[62]
- Do the Right Thing (1989)
- The Fresh Prince of Bel Air(1990–1996)
- Jungle Fever (1991)
- Laurel Avenue (1993)
- Fresh (1994)
- The Best Man (1999)
- The Wire (2002–2008)[63][64]
- Moonlight (2016)[65]
In education
Nonstandard African-American varieties of English have been stereotypically associated with a lower level of education and low social status. Since the 1960s, however, linguists have demonstrated that each of these varieties, and namely African-American Vernacular English, is a "legitimate, rule-governed, and fully developed dialect".[66] The techniques used to improve the proficiency of African-American students learning standard written English have sometimes been similar to that of teaching a second language.[67] Contrastive analysis is used for teaching topics in African-American Vernacular English. Both the phonological and syntactic features of a student's speech can be analyzed and recorded in order to identify points for contrast with Standard American English.[67] Another way AAE can be taught is based on a strategy, communicative flexibility, that focuses on language used at home and analyzes speech during dramatic play.[68] Using this method, children are taught to recognize when SAE is being used and in which occasions, rather than conforming to the speech around them in order to sound correct.[68]
Although the stigmatization of AAE has continued, AAE remains because it has functioned as a social identity marker for many African-Americans.[69] The goal with teaching SAE is not to end its use, but to help students differentiate between settings where its use is and is not considered acceptable.[69] In addition, research has also found that AAE can be used as a bridge to mainstream academic English. By understanding the similarities and differences between AAE and mainstream American English, teachers can provide students with effective strategies for learning and using both dialects.
Recently, linguists like
In music
African American English is often used by rappers and Hip hop music.[71]
See also
- African-American Vernacular English
- Tutnese
- Africanisms
- Code-switching
- Dialects of North American English
- Eldred Kurtz Means, who made a literary career writing in dialect.
- English-based creole languages
- Glossary of jive talk
- Griot
- Gullah language
- Habitual be
- Is-leveling
- Languages of the United States
- Sociolinguistics
- Southern American English
- Samaná English
- Jamaican Patois
- Angloromani
- Texan English
- List of dialects of English
Citations
- ^ a b c Edwards (2004), p. 383.
- ISBN 978-1-317-91619-2.
- ^ a b Kautzsch (2004), p. 341.
- ^ McWhorter (2001), pp. 162, 182.
- ^ Bailey (2001), p. 55.
- ^ Bailey (2001), p. 80.
- ^ Bailey (2001), p. 65,66.
- ^ Bailey (2001), p. 82.
- ^ Labov (1972:8)
- ^ a b Green (2002:119–121)
- ^ Fickett (1972:17–19)
- ^ Baugh (2000:92–94)
- ^ Labov (1972:19)
- .
- ^ McWhorter (2001:146–147)
- ^ Linnes (1998:339–367)
- Sonja Lanehart, Lisa Green, and Jennifer Bloomquist, eds., The Oxford Handbook on African American Language (Oxford: Oxford University Press), pp. 149–151.
- ^ Rickford (2015), pp. 302, 310.
- ^ Spears (2015).
- ^ a b Green 2002, p. 125
- ^ "What is Ebonics (African American English)? | Linguistic Society of America". www.linguisticsociety.org. Retrieved 2018-04-01.
- ^ Green (2002), pp. 107–116.
- ^ Wolfram, Walt. (2013). "African American speech in southern Appalachia". In Talking Appalachian: Voice, Identity, and Community, edited by Nancy Hayward and Amy Clark. pp. 81–93.
- ^ Fasold, R. W.; Wolfram, W. (1977). Appalachian speech. Arlington, VA: Center for Applied Linguistics. Center for Applied Linguistics, 1611 N.
- Sonja Lanehart, Lisa Green, and Jennifer Bloomquist (eds.), The Oxford Handbook on African American Language. Oxford: Oxford University Press. p. 154.
- ^ Zsiga, Elizabeth C (2000). African American Outer Banks English: A Sociolinguistic Study. Z.
- ISBN 978-0802081919.
- ^ Clarke, Sandra (1993). Focus on Canada. Amsterdam; Philadelphia : J. Benjamins Pub. Co.
- ISBN 9780415117333.
- ^ S2CID 59147893. Archived from the original(PDF) on 2019-02-23.
- ^ Howe & Walker (2000), p. 110.
- ^ Cappelli, P. (2016). African Nova Scotian English. In A. D. Tongue (Ed.), The Oxford Handbook of World Englishes. pp. 547–563.
- ^ Walker, James (October 1995). The /r/-ful Truth about African Nova Scotian English (PDF). New Ways of Analyzing Variation (NWAVE) conference, University of Pennsylvania. Retrieved 18 March 2019.
- ^ Kautzsch (2004), pp. 342–344.
- ^ Kautzsch (2004), pp. 347–349.
- ^ Kautzsch (2004), pp. 347.
- ^ JSTOR 455608.
- ^ "Creoles in Texas – "The Afro-Seminoles" | International Magazine Kreol". 2014-03-28. Retrieved 2023-12-07.
- ^ "Gullah Geechee Cultural Heritage Corridor". National Park Service, U.S. Department of the Interior.
- ^ For example, Holloway (1978), Holloway (1987), Baker (1984), and Gates (1988)
- ^ cited in Green (2002:166)
- ^ Green (2002:166), citing Dillard (1992)
- ^ Walser (1955), p. 269.
- ^ Rickford & Rickford (2000), p. 13.
- ^ a b Rickford (1999), p. ??.
- ^ Rickford & Rickford (2000), p. 19.
- ^ Rickford & Rickford (2000), p. 21.
- ^ Rickford & Rickford (2000), p. 22.
- ^ Rickford & Rickford (2000), p. 28.
- ^ The Collected Poems of Langston Hughes, edited by Arnold Rampersad and David Roessel (New York: Vintage Classics, 1994).
- ^ Examples listed in Rickford & Rickford (2000:14)
- ^ "Hurston Reviews". virginia.edu.
- ^ Heilman, Heather (2010-06-14). "Ignatius Comes of Age". Tulane University Magazine. Archived from the original on 2010-06-14. Retrieved 2023-12-07.
- ISBN 9780679446262.
- ^ Green (2002), p. 238.
- ^ Green (2002), pp. 168, 196.
- ^ Rickford & Rickford (2000), p. 23.
- ^ Green (2002), p. 196.
- ^ Green (2002), pp. 200–214.
- ^ Green (2002), p. 202.
- ^ Green (2002), pp. 206–209, 211.
- ^ a b Louis, Henry. ""Amos 'n' Andy: The Original Radio Show."". NPR.
- ^ Trotta & Blyahher (2011).
- ^ Smith, Ben T. (9 August 2011). "Language Log on the Accents in "The Wire"". dialect blog.
- ^ catalyst_class_admin_428 (2015-06-01). "ALS: A Community on the Brink". Catalyst. Retrieved 2024-02-05.
{{cite web}}
: CS1 maint: numeric names: authors list (link) - S2CID 145682254.
- ^ a b ASCD. "Using Ebonics or Black English as a Bridge to Teaching Standard English". www.ascd.org. Archived from the original on 2018-03-15. Retrieved 2018-04-01.
- ^ ISSN 2164-6406.
- ^ a b "Salikoko Mufwene: Ebonics and Standard English in the Classroom: Some Issues". mufwene.uchicago.edu. Retrieved 2018-04-29.
- OCLC 945949085.
- ^ "What is Ebonics (African American English)? | Linguistic Society of America". www.linguisticsociety.org. Retrieved 2023-12-07.
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Further reading
- Delpit, Lisa; Dowdy, Joanne Kilgour (2002), The Skin that We Speak: Thoughts on Language and Culture in the Classroom., New York: New Press, ISBN 978-1-56584-544-2
- McDorman, Richard E. (2012). "Understanding African-American English: A Course in Language Comprehension and Cross-Cultural Understanding for Advanced English Language Learners in the United States" (PDF). Retrieved 8 October 2012.
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