Akbari architecture
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Akbar’s architecture refers to the style of
Fusion of Indian and Islamic features as multiplicity attracted him not uniformity.
History of the style
Akbar was the third Mughal Emperor and also the architect of the Mughal Empire in India. Although he was illiterate, Akbar showed a profound interest in Literature and the Arts. That, coupled with his pride and curiosity of his Timurid ancestry and the desire to embrace India as a native country, were the beginnings of his religious and design philosophies.
In its essence, the style consisted of a synthesis of earlier styles, Hindu/Jain/Buddhist and Persian/Timurid.
The artisans who migrated with his father from
For example, Akbar's tomb, though Islamic in spirit, is a blend of styles. The magnificent entrance, use of exquisite patterns, excellent jaali work (intricately perforated decorative stone screens), fine Persian style calligraphy, the charbagh garden layout (four-quartered garden layout, with the main building at the center), etc., are representative of Islamic influence. On the other hand, the absence of a dome, use of chhatris (small domed canopies, supported by pillars), tiers of airy pavilions, etc., reflect a local influence, which are also found in the buildings built by Akbar in Agra Fort and Fatehpur Sikri.
As with all the other administrative and political aspects of Akbar's imperial career, it was Sher Shah Suri's architecture that he drew inspiration from. Suri architecture was a continuation of the older Lodi Style.
See also
- Shah Jahani architecture
References
- ^ "Akbar period architecture | Indian architecture". Encyclopedia Britannica. Retrieved 2018-12-31.