Alexander Munro (sculptor)
Alexander Munro | |
---|---|
Born | Cannes, France | 26 October 1825
Nationality | British |
Occupation | sculptor |
Alexander Munro (26 October 1825 – 1 January 1871) was a British sculptor of the
Lionel Cust described his work as "sketchy and wanting in strength, but full of refinement and true feeling."[2]
Life
Munro was born at
Munro was a close associate of Thomas Woolner, the only sculptor to be a member of the original Pre-Raphaelite Brotherhood. He was also friendly with Dante Gabriel Rossetti. Munro is significant in the history of the movement since he is often cited as a contributor to the controversy over Pre-Raphaelitism in 1850, when he "leaked" the information that the group formed a secret brotherhood.[4] In 1854, with Thomas Woolner, Dante Gabriel Rossetti, Ford Madox Brown, Edward Burne-Jones, Lowes Cato Dickinson and John Ruskin, Munro began teaching at the newly established Working Men's College.
Munro's sculptures were noted for their formal simplicity. His most famous work was Paolo and Francesca, which was exhibited at the 1851 exhibition.[4] It depicted the lovers as languid, dreamy and genteel, contributing to the popular image of the Pre-Raphaelite movement. The final marble version is in Birmingham Museum and Art Gallery. The original plaster version of the sculpture is currently on display in Wallington Hall, which also contains a portrait relief bust of Pauline, Lady Trevelyan created by Munro.
He later created public sculptures for Berkeley Square and Hyde Park Corner, as well as several memorial statues. Six of the seventeen statues of scientists in the Oxford University Museum of Natural History are his work, all produced circa 1860.
Munro suffered from ill health, and was struck down by a lung disease which slowly undermined his constitution. In his last years he and his wife lived in Cannes, France, for his health,[2] and this is where he died on New Year's Day 1871.[3]
Family
Munro married one of the daughters of the journalist
Chronological list of principal works
- Bust of Mrs Banks exhibited at Royal Academy (1849)
- Chimney-pieces for Dunrobin Castle for the Duke of Sutherland (1849)
- Bust of John Loch at Stoke College, Suffolk (1850)
- Statue of Francesca da Rimini for William Gladstone (1852)
- Medallion of Lady Constance Grosvenor, exhibited at Royal Academy (1853)
- Sculpture group of The Ingram Children for Herbert Ingram (1853)
- Bust of Sir Robert Peel at Oldham(1854)
- Medallion of Lady Alwyne Compton exhibited at Royal Academy (1854)
- Medallion of John Everett Millais for the Ashmolean Museum, Oxford (1854)
- Bust of William Gladstone exhibited at Royal Academy (1855)
- Medallion of Henry Wellesley for the Ashmolean Museum, Oxford (1856)
- Sculpture group of The Gladstone Children at Hawarden, home of William Ewart Gladstone (1856)
- Bust of Henry Acland at Bodleian Library, Oxford (1857)
- Statue of Undine exhibited at Art Treasures Exhibition, Manchester(1857)
- Bust of Adelaide Ristori exhibited at Royal Academy (1858)
- Sculpture group of The Gathorne Hardy Children (1859)
- Medallion of Mrs Tom Hughes exhibited at the Royal Academy (1859)
- Bust of Louis Huth exhibited at the Royal Academy (1860)
- Bust of Helen Huth exhibited at the Royal Academy (1860)
- Medallion of Oxford University's University Museum (1860)
- Bust of Lord Ashburtonexhibited at Royal Academy (1860)
- Bust of Sir William Armstrong for Literary and Philosophical Society of Newcastle upon Tyne(1860)
- Bust of Frederick Robb for Major Eustace Robb (1861)
- Sculpture group of The Matheson Children (1861)
- Statue entitled Mother's Joy exhibited at the Royal Academy (1861)
- Statue of Herbert Ingram at Boston, Lincolnshire (1862)
- Statue of Houses of Parliamentnow the Central Criminal Court (1863)
- Statues of Oxford Museum, (1863)
- Sculpture group of The Crompton Roberts Children for Charles Henry Crompton-Roberts (1865)
- Fountain in Berkeley Square London (1865)
- Statue of Boy and Dolphin for Grosvenor Gate, Hyde Park (1865)
- Statue of James Watt in Birmingham (1866)
- Bust of Sir James Fitzjames Stephen exhibited at Royal Academy (1866)
- Bust of Monsieur Victor Cousin for Napoleon III (1867)
- Statue of Ronald Munro Fergusonexhibited at the Royal Academy (1868)
- Medallion of the Duchess of Valembrossa exhibited at the Royal Academy (1869)
- Bust of Gravesend, Kent(date unknown)
- Medallion of George MacDonald at the Scottish National Portrait Gallery (date unknown)
- Statuary group of The Hardy Children at Chilham Church, Kent (date unknown)
References
- ^ Benedict Read, "Was There a Pre-Raphaelite Sculpture?", Pre-Raphaelite Papers, Tate Gallery, 1984, 97-110.
- ^ a b c Cust, Lionel (1894). . In Lee, Sidney (ed.). Dictionary of National Biography. Vol. 39. London: Smith, Elder & Co.
- ^ ISBN 0902028553.
- ^ a b c Benedict Read, Victorian Sculpture, New Haven: Yale University Press, 1982.
- ^ The Long Engagement — Compositional Sketch and Sketch of Clasped Hands / Study of a reclining Woman, Pre-Raphaelite Online Resource Archived 29 May 2009 at the Wayback Machine.
External links
- 39 artworks by or after Alexander Munro at the Art UK site
- Alexander Munro (1825–1871) at the Victorian Web
- The Pre-Raph Pack Discover more about the artists, the techniques they used and a timeline spanning 100 years.
- Munro's sculpture Paolo and Francesca