Alexander Munro (sculptor)

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Alexander Munro
Born(1825-10-26)26 October 1825
Cannes, France
NationalityBritish
Occupationsculptor

Munro's sculpture of Humphry Davy in the Oxford Museum of Natural History
Elizabeth Blakeway by Alexander Munro, 1859

Alexander Munro (26 October 1825 – 1 January 1871) was a British sculptor of the

Pre-Raphaelite movement. He concentrated on portraiture and statues, but is best known for his Rossetti-influenced figure-group Paolo and Francesca (1852), which has often been identified as the epitome of Pre-Raphaelite sculpture.[1]

Lionel Cust described his work as "sketchy and wanting in strength, but full of refinement and true feeling."[2]

Life

Munro was born at

Great Exhibition of 1851.[4] Between 1853 and 1865 Munro created a number of portrait busts of children for society families.[3]

Munro was a close associate of Thomas Woolner, the only sculptor to be a member of the original Pre-Raphaelite Brotherhood. He was also friendly with Dante Gabriel Rossetti. Munro is significant in the history of the movement since he is often cited as a contributor to the controversy over Pre-Raphaelitism in 1850, when he "leaked" the information that the group formed a secret brotherhood.[4] In 1854, with Thomas Woolner, Dante Gabriel Rossetti, Ford Madox Brown, Edward Burne-Jones, Lowes Cato Dickinson and John Ruskin, Munro began teaching at the newly established Working Men's College.

Munro's sculptures were noted for their formal simplicity. His most famous work was Paolo and Francesca, which was exhibited at the 1851 exhibition.[4] It depicted the lovers as languid, dreamy and genteel, contributing to the popular image of the Pre-Raphaelite movement. The final marble version is in Birmingham Museum and Art Gallery. The original plaster version of the sculpture is currently on display in Wallington Hall, which also contains a portrait relief bust of Pauline, Lady Trevelyan created by Munro.

He later created public sculptures for Berkeley Square and Hyde Park Corner, as well as several memorial statues. Six of the seventeen statues of scientists in the Oxford University Museum of Natural History are his work, all produced circa 1860.

Munro suffered from ill health, and was struck down by a lung disease which slowly undermined his constitution. In his last years he and his wife lived in Cannes, France, for his health,[2] and this is where he died on New Year's Day 1871.[3]

Family

Munro married one of the daughters of the journalist

Chronological list of principal works

Bust of Josephine Butler
Boy with a Dolphin
  • Statue of Boy and Dolphin for Grosvenor Gate, Hyde Park (1865)
  • Statue of James Watt in Birmingham (1866)
  • Bust of Sir James Fitzjames Stephen exhibited at Royal Academy (1866)
  • Bust of Monsieur Victor Cousin for Napoleon III (1867)
  • Statue of
    Ronald Munro Ferguson
    exhibited at the Royal Academy (1868)
  • Medallion of the Duchess of Valembrossa exhibited at the Royal Academy (1869)
  • Bust of
    Gravesend, Kent
    (date unknown)
  • Medallion of George MacDonald at the Scottish National Portrait Gallery (date unknown)
  • Statuary group of The Hardy Children at Chilham Church, Kent (date unknown)

References

  1. ^ Benedict Read, "Was There a Pre-Raphaelite Sculpture?", Pre-Raphaelite Papers, Tate Gallery, 1984, 97-110.
  2. ^ a b c Cust, Lionel (1894). "Munro, Alexander" . In Lee, Sidney (ed.). Dictionary of National Biography. Vol. 39. London: Smith, Elder & Co.
  3. ^ .
  4. ^ a b c Benedict Read, Victorian Sculpture, New Haven: Yale University Press, 1982.
  5. ^ The Long Engagement — Compositional Sketch and Sketch of Clasped Hands / Study of a reclining Woman, Pre-Raphaelite Online Resource Archived 29 May 2009 at the Wayback Machine.

External links