All-American Publications

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All-American Publications

All-American Publications, Inc.

Flash, Green Lantern, Hawkman, and Wonder Woman, all in the 1940s' Golden Age of Comic Books
.

Publishing history

Detective Comics (publisher of that namesake comic book). As Gerard Jones
writes of Donenfeld's investment:

All-American Comics #16 (July 1940), cover art by Sheldon Moldoff.

Harry had agreed on one condition: that [Gaines] take [Detective Comics partner] Jack Liebowitz on as his partner. ... Jack would be tempted to leave and form a competing company if there was nothing to hold him. And it may well have been a way for Harry to keep Gaines under control; since Jack was still drawing a salary and significant bonuses from Detective Comics and [self-distributorship] Independent News, he wouldn't let Gaines take off on his own or act against the interests of the other companies. ... Gaines became the principal and Jack Liebowitz the minority owner of All-American [Publications].[1]: 164 

While All-American, at 225 Lafayette Street in Manhattan, was physically separated from DC's office space uptown at 480 Lexington Avenue, it used the informal "DC" logo on most of its covers for distribution and marketing reasons. In 1944,[1]: 223 [2] Gaines sold his share of the company to Liebowitz, keeping only Picture Stories from the Bible as the foundation of his own new company, EC. As Jones describes,

Gaines saw the end of the superhero fad coming and wanted to get into something more durable, like children's books and magazines. ... In 1944, he decided he'd had enough. He let Jack Liebowitz buy him out with a loan from Harry.... Liebowitz promptly orchestra the merger of All American Comics and Detective Comics into National Comics, of which he was the junior partner, vice president, and publisher. Next he took charge of organizing National Comics, Independent News, and their affiliated firms into a single corporate entity, National Periodical Publications".[1]: 223 

Before the merger, Gaines first rebranded All-American with its own logo, beginning with books cover-dated February 1945:

Mutt & Jeff [note 2] #16, and the following month's All-American Comics #64 and the hyphenless All Star Comics #24. Liebowitz later merged his and Donenfeld's companies into National Comics Publications.[1]
: 223 

Creative legacy

All-American's first superheroes began their run in Flash Comics #1 (Jan. 1940), cover art by Sheldon Moldoff.

During All-American's existence, much cross-promotion took place between the two editorially independent companies, so much so that the first appearance of the

intercompany crossover,[3][note 3]
with characters from different companies interacting — although National's Sandman, Spectre and Hour-Man had previously appeared in solo adventures in All Star Comics #1 (Summer 1940).

With Gaines as editor, assisted by

comic strips, reprinted in color, and a smattering of original, comic-strip-like features. Among the strips were three hits of the era: Mutt and Jeff,[note 2] by Al Smith ghosting for strip creator Bud Fisher; Skippy, by Percy Crosby; and Toonerville Folks by Fontaine Fox. New content included Scribbly
, a semiautobiographical Mayer feature about a boy cartoonist. All-American Comics lasted 102 issues through October 1948.

Also debuting that month was Movie Comics ("A full movie show for 10 cents"), featuring simple adaptations of movies using painted movie stills, as well as cartoonist Ed Wheelan's popular Minute Movies comics. The first of its six issues through Aug. 1939 adapted no fewer than five films: Son of Frankenstein, Gunga Din, The Great Man Votes, Fisherman's Wharf, and Scouts to the Rescue.

The next two comics were Mutt & Jeff,[note 2] which ran 103 issues from Summer 1939 - June 1958; and the company's superhero debut, Flash Comics #1 (Jan. 1940), which introduced the super-speedster title character, created by writer Gardner Fox and artist Harry Lampert, as well as the Golden Age Hawkman and future Hawkgirl, by Fox and artist Dennis Neville, and Johnny Thunder, by scripter John Wentworth and artist Stan Aschmeier, among other features.

The Golden Age Green Lantern, from Batman writer

Harry G. Peter
.

All-American Comics #1 (April 1939), launches All-American Publications. Skippy is on the Statue of Liberty's torch; Mutt and Jeff are pictured above her crown. Scribbly is at left above the text box, and two of the Toonerville Folks above him to the right. Cover art by Sheldon Mayer.

Titles

All-American characters

Hour-Man
.

Superhero / masked crimefighter

Adventurer/war

  • The Black Pirate
  • Cliff Cornwall
  • Gunner Godbee
  • Red, White and Blue (Red Dugan, Whitey Smith, Blooey Blue)

Funny-animal / other humor

Notes

  1. ^ The name is spelled with a hyphen per its logo (pictured) and sources including All-American Publications at Don Markstein's Toonopedia. Archived from the original on April 15, 2012.
  2. ^ a b c The comic book, unlike the comic strip, spelled its title with an ampersand. See: Mutt & Jeff at the Grand Comics Database.
  3. ^ National's top stars, Batman and Superman, had first crossed over as "honorary" Justice Society members in All Star Comics #7 (Dec. 1941), making cameo appearances in the three-page introduction and four-page conclusion of the story "$1,000,000 for War Orphans". See: All-Star Comics #7 at the Grand Comics Database.

References

  1. ^
    ISBN 9780465036561
    .
  2. ISBN 0821220764
    . It was perhaps inevitable that the two firms would merge, and it happened in 1944 when Liebowitz bought out Gaines' share.
  3. ^ Cronin, Brian (2005-06-30). "Comic Book Urban Legends Revealed #5!". Comics Should Be Good. Wayback Machine. Archived from the original on August 18, 2006. Retrieved 2017-02-11.

External links

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