All Things Must Pass (song)
"All Things Must Pass" | |
---|---|
Song by George Harrison | |
from the album All Things Must Pass | |
Released | 27 November 1970 |
Genre | Folk rock |
Length | 3:47 |
Label | Apple |
Songwriter(s) | George Harrison |
Producer(s) | George Harrison, Phil Spector |
"All Things Must Pass" is a song by English rock musician George Harrison, issued in November 1970 as the title track to his triple album of the same name. Billy Preston released the song originally – as "All Things (Must) Pass" – on his Apple Records album Encouraging Words (1970) after the Beatles had rehearsed the song in January 1969 but did not include it on their Let It Be album. The composition reflects the influence of the Band's sound and communal music-making on Harrison, after he had spent time with the group in Woodstock, New York, in late 1968. In his lyrics, Harrison drew inspiration from Timothy Leary's poem "All Things Pass", a psychedelic adaptation of the Tao Te Ching.
The subject matter deals with the transient nature of human existence, and in Harrison's All Things Must Pass reading, words and music combine to reflect impressions of optimism against fatalism. On release, together with Barry Feinstein's album cover image, commentators viewed the song as a statement on the Beatles' break-up. Widely regarded as one of Harrison's finest compositions, its passing on by his former band has provoked comment from biographers and reviewers. Music critic Ian MacDonald described "All Things Must Pass" as "the wisest song never recorded by The Beatles",[1] while author Simon Leng considers it "perhaps the greatest solo Beatle composition".[2] The recording was co-produced by Phil Spector in London; it features an orchestral arrangement by John Barham and contributions from musicians such as Ringo Starr, Pete Drake, Bobby Whitlock, Eric Clapton and Klaus Voormann.
Although the Beatles did not formally record the song, a 1969 solo
Background
Like his friend Eric Clapton, George Harrison was inspired by Music from Big Pink, the seminal debut album[3] from the Band, the former backing group for Bob Dylan.[4][5] Released in July 1968, Music from Big Pink was partly responsible for Harrison's return to the guitar, his first instrument,[6] after he had spent two years attempting to master the more complex Indian sitar.[7][8] Harrison duly shared his enthusiasm with the British music press, declaring Big Pink "the new sound to come from America", drummer Levon Helm later recalled, thus helping to establish the Band internationally.[9] In appreciation, Robbie Robertson, the Band's guitarist, extended an invitation to Harrison to stop by in Woodstock, New York, when the opportunity arose.[10]
I respected the Band enormously. All the different guys in the group sang, and Robbie Robertson used to say he was lucky, because he could write songs for a voice like Levon [Helm]'s. What a wise and generous attitude.[11]
George Harrison to Musician magazine, 1987
Late in 1968, after producing sessions in
Composition
While discussing "All Things Must Pass" with music journalist
For his lyrics, Harrison drew inspiration from "All Things Pass", a poem published in
According to Harrison biographer Simon Leng, the lyrics reflect "life's ephemeral character" and the "transitory" nature of love.[27] Inglis suggests that the song is "[o]stensibly" about "the end of a love affair".[21] He and theologian Dale Allison note the optimism offered in Harrison's words,[21][28] since, as Leng puts it, "a new day always dawns."[27] Although "All Things Must Pass" avoids religiosity, Allison writes that its statement on the "all-inclusive" transience of things in the material world explains why so much of its 1970 parent album, All Things Must Pass, "finds hope and meaning only in God, who does not pass away".[29] The song's main message is offered in its middle eight:[30][31]
All things must pass
None of life's strings can last
So I must be on my way
And face another day.
Ultimately, the cycle of nature offers "consolation", Leng writes,[30] as further evidenced in the verse-three lines "Now the darkness only stays at night time" and "Daylight is good at arriving at the right time".[21]
The lyrics underwent minor changes after Harrison presented the song to the Beatles in January 1969, when they began working at London's
Pre-All Things Must Pass recording history
The Beatles' Get Back rehearsals
"All Things Must Pass" | |
---|---|
Song by the Beatles | |
from the album Anthology 3 | |
Released | 28 October 1996 |
Recorded | 25 February 1969 |
Studio | EMI, London |
Genre | Folk rock |
Length | 3:05 |
Label | Apple |
Songwriter(s) | George Harrison |
Producer(s) | George Harrison |
In contrast with the creative equality he enjoyed with Dylan and the Band in Woodstock,[36][37] Harrison returned to the Beatles to find the same discordant atmosphere that had blighted the White Album sessions in 1968.[5][38] Early on during the Get Back rehearsals – and tellingly, music journalist John Harris comments, before the arrival that day of Lennon and his partner Yoko Ono – Harrison enthused to Ringo Starr and Paul McCartney about the Band's camaraderie and group ethos, saying: "They're just living, and they happen to be a band as well."[39]
I got back to England for Christmas and then ... we were to start on the thing which turned into Let It Be. And straight away, again, it was just weird vibes. You know, I found I was starting to be able to enjoy being a musician, but the moment I got back with the Beatles it was just too difficult.[13]
Harrison to Crawdaddy, 1977
On 2 January, day one of the Twickenham film shoot,[40] Harrison introduced "All Things Must Pass", and the band worked on the song intermittently over the next four days of filming.[41][42] In the search for a suitable musical arrangement, Harrison stressed his preference for a "feel" akin to the Band, a suggestion that resulted in Lennon switching from guitar to Lowrey organ, a keyboard favoured by the Band's Garth Hudson.[43] During the Twickenham rehearsals, the Beatles also discussed the idea of Harrison performing "All Things Must Pass" solo for inclusion in the proposed film.[44]
They returned to the song briefly towards the end of January, by which time the project had moved location to their own
The Beatles never formally recorded "All Things Must Pass",[32] and only rehearsal takes circulate on bootleg compilations from the sessions.[53] The Fly on the Wall bonus disc accompanying the McCartney-instigated Let It Be... Naked album (2003) includes a snippet of the Beatles indulging in some Band-like chorusing on the song.[54]
Harrison's solo demo
During the Beatles' Apple Studio session on 28 January,[55] Harrison talked with Lennon and Ono about possibly doing a solo album of his unused songs, in order to "preserve this, the Beatle bit, more".[56] Lennon offered his support for the idea.[56] While author Bruce Spizer has suggested that Lennon was keen to "spare" the band from having to work on Harrison's songs,[57] Sulpy and Schweighardt consider that Lennon's enthusiasm was because such a solo project would allow him and Ono to continue their own recording activities "without causing friction within The Beatles".[55][nb 2]
On 25 February 1969, his 26th birthday, Harrison entered Abbey Road Studios alone and recorded a demo of the song, along with other recent compositions "Old Brown Shoe" and "Something".[59][60] With Ken Scott serving as engineer,[1] he recorded two takes of "All Things Must Pass", adding extra electric guitar onto the second.[32][61] This version was eventually released in 1996 on the Beatles' outtake collection Anthology 3.[32]
Billy Preston's version
"All Things (Must) Pass" | |
---|---|
Song by Billy Preston | |
from the album Encouraging Words | |
Released | 11 September 1970 (UK) 9 November 1970 (US) |
Genre | Soul |
Length | 3:38 |
Label | Apple |
Songwriter(s) | George Harrison |
Producer(s) | George Harrison, Billy Preston |
Soon after Harrison had begun talking publicly about making a solo album, during the final months of 1969,[62][63] he offered "All Things Must Pass", along with the more recent "My Sweet Lord", to Billy Preston for the latter's album Encouraging Words.[64][65] Through Harrison's invitation,[66] Preston had played keyboards for the Beatles once the Get Back/Let It Be sessions resumed at Apple Studio,[32][67] where the 22-year-old Texan had impressed with his superior musicianship and convivial presence.[68][69] Preston was soon offered a recording deal with Apple Records,[70] Encouraging Words being the second album under the contract.[71][72]
Co-produced by Harrison, Preston's reading of "All Things Must Pass" betrays an obvious debt to his former mentor, Ray Charles.[73] While Harrison's later recording is generally viewed as the definitive version,[74] Bruce Eder of AllMusic considers this treatment of the song the superior of the two.[75] Preston's version appeared in September 1970,[76] five months after the Beatles' break-up.[77]
All Things Must Pass recording
While completing his production on Preston's release,[78] Harrison chose to record the song himself for what became the title track of his post-Beatles solo debut, the triple album All Things Must Pass.[79] In describing "All Things Must Pass" as a "haunting hymn about the mortality of everything", author Elliot Huntley notes the added poignance in Harrison's version, due to the death of his mother in July 1970 after a long period of illness.[80]
With Phil Spector as his co-producer, Harrison taped the basic track at Abbey Road Studios between 26 May and early in June.[81] Other participants included Clapton, German bassist Klaus Voormann and Starr, the latter another avowed Band fan.[82] Leng credits the song's piano part to Bobby Whitlock, who also sang backing vocals with Clapton,[27] his future bandmate in Derek and the Dominos.[83] In his 2010 autobiography, Whitlock states that it was Preston who played the piano on "All Things Must Pass", while his own contribution was pump organ, or harmonium.[84][nb 3] Although Leng lists both Harrison and Clapton as having played acoustic guitar and Starr and Jim Gordon on drums,[27] according to the personnel that Whitlock offers, neither Clapton nor Gordon played on the song.[87] Among the overdubs on the track, Nashville session musician Pete Drake recorded a pedal-steel guitar part during a brief visit to London,[88] to participate in sessions for Harrison songs such as "Behind That Locked Door" and "I Live for You".[89][nb 4]
I'd play it to them and they'd say, "Wow, yeah! Great song!" And I'd say, "Really? Do you really like it?" I realised that it was okay ...[91]
Harrison discussing the reception his compositions received during the album sessions
Spector's erratic behaviour[92] during the All Things Must Pass sessions left Harrison to handle most of the project alone,[93][94] but in August 1970, after receiving a tape of Harrison's early mixes of the songs, Spector provided him with written feedback and guidance.[27] Spector wrote of "All Things Must Pass", "This particular song is so good that any honest [vocal] performance by you is acceptable as far as I'm concerned",[27] but he expressed his disapproval of the horns at the start of the track.[74] In the words of authors Chip Madinger and Mark Easter, "clearer heads prevailed" and Jim Price and Bobby Keys' horn parts were retained.[74]
The recording opens with "unvaryingly steady" piano chords, Inglis writes,[21] and what Leng terms "sensitive" string orchestration from John Barham,[27] soon joined by the horns and Drake's pedal steel.[32] Leng highlights this combination as providing the song with its rising and falling musical moods, implying variously light and darkness;[27] Inglis writes of the musical arrangement mirroring the "competing impressions" of hope and melancholy found in Harrison's lyrics.[21] True to its Catskill roots, the recording evokes the Band's "The Weight"[74][95] and their eponymous second album,[96] the tracks on which were similarly inspired by "the beauty of that autumn in Woodstock", according to Helm.[97][nb 5]
Release and album artwork
Almost two years after Harrison wrote the song, "All Things Must Pass" was released in November 1970,[48] closing side three of the triple album in its original LP format.[99] Despite its high retail price, All Things Must Pass was a major commercial success,[100][101] comfortably outselling concurrent solo releases by Lennon and McCartney.[94][102][nb 6]
The song's title was invariably seen as a statement on the demise of the Beatles,
Reception and legacy
On release, Ben Gerson of Rolling Stone described "All Things Must Pass" as "eloquently hopeful and resigned" while labelling the album "the music of mountain tops and vast horizons".[109] Beatles Forever author Nicholas Schaffner noted in 1977, with reference to Harrison's commercial and critical dominance over his former bandmates following the break-up: "The very fact that the Beatles had kept George's flowering talents so under wraps proved to be his secret weapon."[110] Schaffner named "All Things Must Pass" and "Beware of Darkness" as the two "most eloquent" songs on All Things Must Pass, "musically as well as lyrically", with "mysterious, seductive melodies, over which faded strings and horns hover like Blue Jay Way fog".[111]
Writing for Rolling Stone in 2000,
Among Harrison's biographers, Simon Leng considers "All Things Must Pass" a "classic of Harrison's lyrical ambiguity, in essence a hopeful song, without sounding so", with a lyric that "approaches Bob Dylan standard".[117] Ian Inglis also praises the lyrics, writing: "The song contains some of Harrison's most insightful and pensive words. 'Daylight is good at arriving at the right time' is a fine example of his ... ability to position the profound within the commonplace."[21] Elliot Huntley rates it as one of Harrison's "most beautiful" songs, "if not the very best", and suggests that the sentiments behind "All Things Must Pass" would have made it a "fitting conclusion" to the final album recorded by the Beatles, Abbey Road (1969).[80]
Bruce Spizer similarly rates "All Things Must Pass" a highlight of Harrison's career,[32] while Leng considers it "perhaps the greatest solo Beatle composition" of all.[2] In his book Revolution in the Head, Ian MacDonald describes "All Things Must Pass" as "the wisest song never recorded by The Beatles".[1] In 2009, The Guardian included the track in its list of "1000 Songs Everyone Must Hear".[citation needed]
Performance and later releases
"All Things Must Pass" was not a track that Harrison ever played in concert,[118] although it appeared on his preliminary setlist for the 1971 Concert for Bangladesh shows.[119] He twice performed the song live in front of TV cameras during the final years of his life,[120] beginning with his appearance with Ravi Shankar on VH1's Hard Rock Live, filmed in New York on 14 May 1997.[121][122] The pair were on the show to promote their recent collaboration, Chants of India,[122] but at host John Fugelsang's urging, Harrison accepted an acoustic guitar and performed a brief rendition of "All Things Must Pass".[123][124][nb 7] In late 2000, Harrison sang "All Things Must Pass" while again seated on a stool on Friar Park's main lawn, a performance that was included in the press kit for All Things Must Pass's 30th anniversary reissue early the following year.[126][127][nb 8]
Coinciding with this 2001 reissue, the song appeared on a promotional single as the
In Martin Scorsese's 2011 documentary George Harrison: Living in the Material World, "All Things Must Pass" is the first song featured in the film, played over footage of German air raids over Britain during World War II.[131][132] In November that year, a 1970-recorded demo of the song (featuring just Harrison, Starr and Voormann) appeared on the deluxe edition CD accompanying the British DVD release of the film;[133][134] this CD was subsequently issued worldwide in May 2012 as Early Takes: Volume 1.[135]
On 27 November 2020, the Harrison family released a stereo remix of the All Things Must Pass recording to mark the album's 50th anniversary.[136]
Cover versions
Steve Wood and Daniel May composed music to the 1998 documentary film Everest incorporating melodies from some of George Harrison's songs, one of which was "All Things Must Pass".[137]
At the Concert for George tribute to Harrison, held at London's Royal Albert Hall on 29 November 2002, Paul McCartney sang "All Things Must Pass",[2] backed by a large band that included Preston, Clapton, Voormann and Starr.[138] In his organisation of the tribute concert, Clapton said he approached "All Things Must Pass" as the "key song of the whole event".[139] Leng comments on the irony in McCartney performing the song,[2] while Beatles biographer Peter Doggett writes: "it wasn't hard to imagine Harrison's cynicism as McCartney led the band into a soulful rendition of 'All Things Must Pass' – one of the songs that the other Beatles had refused to take seriously in January 1969."[140] According to Clapton, author Robert Rodriguez writes, McCartney "was humbled at having to relearn it".[141]
Several other artists have recorded "All Things Must Pass" in the years since Harrison's death. In 2003, Bobby Whitlock and his wife, CoCo Carmel, included the song on their acoustic live album Other Assorted Love Songs, Live from Whitney Chapel.[142] Jazz guitarist Joel Harrison covered "All Things Must Pass" on his album Harrison on Harrison: Jazz Explanations of George Harrison, released in October 2005.[143] In 2007, a live version by the Waterboys appeared on their CD single "Everybody Takes a Tumble",[144] and the following year Sloan Wainwright included a cover of the song on her album Rediscovery.[145]
"All Things Must Pass" was among the Harrison compositions covered by
Personnel
The musicians who performed on Harrison's All Things Must Pass version of the song are believed to be as follows:[27]
- George Harrison – vocals, acoustic guitar, slide guitar,[32] backing vocals
- Eric Clapton – acoustic guitar, backing vocals
- Pete Drake – pedal steel
- Billy Preston – piano[87]
- Bobby Whitlock – harmonium,[84] backing vocals
- Klaus Voormann – bass
- Ringo Starr – drums, tambourine
- Jim Gordon – drums
- Bobby Keys – saxophone
- Jim Price – trumpet, trombone,[87] horn arrangement
- John Barham – string arrangement
Notes
- Cambridge academic Juan Mascaró, who had been moved by Harrison's lyrics to another of his Indian-inspired compositions, "Within You Without You".[24]
- Two Virgins.[58]
- ^ Alternatively, Harrison said in 1971 that American musician Gary Wright had "played piano on the whole [All Things Must Pass] album".[85] Leng concedes the difficulty in ascertaining precise musicians' credits for each track and names Wright and Whitlock as the two "core" keyboard players on the sessions.[86]
- ^ Whitlock recalls that originally he had whistled a melody, which Spector recorded onto the basic track, and that this served as a guide for Drake's contribution.[90]
- ^ Leng identifies the Band's minimalist tradition as a significant influence on other All Things Must Pass songs, particularly "Run of the Mill" and "Behind That Locked Door".[98]
- ^ As of 2011, it remained the most successful album by any of the former Beatles.[103]
- ^ Although 150 minutes of Harrison and Shankar's appearance was filmed, VH1 originally aired only 22 minutes of footage, on 24 July, as George & Ravi – Yin & Yang.[123] Omitted from the broadcast but also performed by Harrison was the Traveling Wilburys tune "If You Belonged to Me" and "Any Road", a track subsequently released on his posthumous album Brainwashed (2002).[123][125]
- ^ On the day after Harrison's death was publicly announced, the quirky, Terry Gilliam-inspired graphics on Harrison's website, allthingsmustpass.com, were changed to show just a single gnome and the lyrics to "All Things Must Pass".[128]
References
- ^ a b c d MacDonald, p. 302.
- ^ a b c d Leng, p. 310.
- ^ a b Harris, p. 66.
- ^ Clayson, p. 258.
- ^ a b Leng, pp. 51–53.
- ^ Leng, p. 317.
- ^ Olivia Harrison, p. 194.
- ^ George Harrison, pp. 57–58.
- ^ a b Helm, pp. 177–78.
- ^ Clayson, p. 242.
- ^ a b Timothy White, "George Harrison – Reconsidered", Musician, November 1987, p. 62.
- ^ Miles, p. 313.
- ^ a b Huntley, p. 18.
- ^ George Harrison, p. 164.
- ^ Leng, pp. 39, 52.
- ^ a b Greene, p. 140.
- ^ Lavezzoli, p. 186.
- ^ a b George Harrison, p. 184.
- ^ Timothy White, "George Harrison: 'All Things' in Good Time", billboard.com, 8 January 2001 (retrieved 3 June 2014).
- ^ MacDonald, p. 448.
- ^ a b c d e f g h Inglis, p. 30.
- ^ Allison, p. 135.
- ^ Tillery, p. 63.
- ^ Lavezzoli, pp. 182–83.
- ^ Leng, pp. 42, 96–97, 152, 205.
- ^ George Harrison, p. 186.
- ^ a b c d e f g h i Leng, p. 96.
- ^ Allison, pp. 37–38.
- ^ Allison, pp. 62, 135.
- ^ a b Leng, pp. 96–97.
- ^ Allison, p. 62.
- ^ a b c d e f g h i Spizer, p. 225.
- ^ George Harrison, p. 185.
- ^ Sulpy & Schweighardt, p. 49.
- ^ George Harrison, pp. 185–86.
- ^ Harris, p. 68.
- ^ Doggett, p. 57.
- ^ Huntley, pp. 20–22.
- ^ John Harris, "Into the Woods", Mojo, December 2003, p. 92.
- ^ Doggett, p. 58.
- ^ Miles, p. 327.
- ^ Sulpy & Schweighardt, pp. 5, 319.
- ^ Sulpy & Schweighardt, pp. 42, 44–45.
- ^ Sulpy & Schweighardt, pp. 120–21.
- ^ Miles, pp. 330, 331.
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- ^ Leng, p. 39.
- ^ a b The Editors of Rolling Stone, pp. 38, 187.
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- ^ Inglis, pp. 16, 161.
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- ^ "Billy Preston Encouraging Words", Apple Records (retrieved 28 April 2012)
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- ^ Huntley, pp. 25–27.
- ^ Kit O'Toole, "Billy Preston Inspires Musically and Spiritually with 1970's Encouraging Words" Archived 18 October 2011 at the Wayback Machine, Blogcritics, 30 July 2011 (retrieved 20 January 2015).
- ^ Madinger & Easter, p. 424.
- ^ Clayson, p. 263.
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- ^ a b c d Madinger & Easter, p. 431.
- ^ Bruce Eder, "Billy Preston Encouraging Words", AllMusic (retrieved 28 April 2012).
- ^ Castleman & Porazik, pp. 91–92.
- ^ Badman, p. 1.
- ^ Madinger & Easter, pp. 426–27.
- ^ Tillery, p. 87.
- ^ a b Huntley, p. 59.
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- ^ Rodriguez, p. 77.
- ^ a b Whitlock, pp. 75, 81.
- YouTube(retrieved 24 September 2013); quoted portion appears at 0:36–41.
- ^ Leng, p. 82fn.
- ^ a b c Whitlock, p. 81.
- ^ Woffinden, pp. 36–37.
- ^ Huntley, pp. 56, 306.
- ^ Whitlock, pp. 80, 81.
- ^ Huntley, p. 52.
- ^ Harris, p. 72.
- ^ Clayson, p. 289.
- ^ a b John Bergstrom, "George Harrison: All Things Must Pass" Archived 30 January 2013 at the Wayback Machine, PopMatters, 14 January 2011 (retrieved 28 January 2015).
- ^ Clayson, p. 251.
- ^ Leng, pp. 53, 96.
- ^ Helm, p. 178.
- ^ Leng, pp. 89, 92, 94, 96, 102.
- ^ Castleman & Podrazik, p. 94.
- ^ Doggett, p. 148.
- ^ Madinger & Easter, p. 427.
- ^ Huntley, p. 63.
- ^ Tillery, p. 89.
- ^ a b Harris, p. 73.
- ^ Rodriguez, p. 147.
- ^ a b Anthony DeCurtis, "George Harrison All Things Must Pass", Rolling Stone, 12 October 2000 (archived version retrieved 1 April 2012).
- ^ The Editors of Rolling Stone, p. 40.
- ^ Paul Du Noyer, "George Harrison's All Things Must Pass" Archived 18 January 2015 at the Wayback Machine, pauldunoyer.com, 13 March 2009 (retrieved 20 January 2015).
- ^ Ben Gerson, "George Harrison All Things Must Pass" Archived 28 April 2013 at the Wayback Machine, Rolling Stone, 21 January 1971 (retrieved 3 July 2012).
- ^ Schaffner, p. 140.
- ^ Schaffner, p. 142.
- ^ Richie Unterberger, "George Harrison All Things Must Pass", AllMusic (retrieved 24 September 2013).
- ^ Richie Unterberger, "George Harrison 'All Things Must Pass'", AllMusic (retrieved 17 February 2015).
- ^ Tillery, pp. 88, 153.
- Ultimate Classic Rock(retrieved 28 March 2014).
- ^ Ingham, p. 133.
- ^ Leng, p. 97.
- ^ Madinger & Easter, pp. 436–37, 447, 473, 481, 485.
- ^ Olivia Harrison, p. 288.
- ^ Womack, pp. 24–25.
- ^ Badman, p. 568.
- ^ a b Lavezzoli, p. 198.
- ^ a b c Badman, pp. 572–73.
- ^ Madinger & Easter, p. 488.
- ^ Leng, p. 282.
- ^ Electronic press kit, All Things Must Pass (30th Anniversary Edition), Gnome Records/EMI, 2001.
- ^ Womack, p. 25.
- ^ Chuck Miller, "Collectormania!: Death and Silly Prices – All Things Must (and Will) Pass", Goldmine, 25 January 2002, p. 26.
- ^ Tim Neely, "George Harrison Solo Discography (U.S.)", Goldmine, 25 January 2002, p. 19.
- ^ Inglis, pp. 65, 128, 156.
- ^ George Harrison: Living in the Material World DVD (Village Roadshow, 2011; directed by Martin Scorsese; produced by Olivia Harrison, Nigel Sinclair & Martin Scorsese).
- ^ Chris Norris, "George Harrison: Living in the Material World", Film Comment, October 2011 (retrieved 26 September 2013).
- ^ "George Harrison – All Things Must Pass (Living in the Material World Bonus Tracks) video" Archived 29 October 2013 at the Wayback Machine, nme.com (retrieved 26 October 2013).
- ^ Steve Leggett, "George Harrison: Living in the Material World (Video)", AllMusic (retrieved 23 April 2014).
- ^ Stephen Thomas Erlewine, "George Harrison: Early Takes, Vol. 1", AllMusic (retrieved 15 September 2012).
- ^ Emily Tan, "George Harrison Estate Releases Stereo Mix of 'All Things Must Pass'", Spin, 27 November 2020 (retrieved 27 November 2020).
- ^ Badman, pp. 588–89.
- ^ Concert for George DVD (Warner Strategic Marketing, 2003; directed by David Leland; produced by Ray Cooper, Olivia Harrison, Jon Kamen & Brian Roylance).
- ^ Clapton, p. 315.
- ^ Doggett, p. 333.
- ^ Rodriguez, p. 148.
- ^ Bruce Eder, "Bobby Whitlock & Kim Carmel Other Assorted Love Songs", AllMusic (retrieved 30 September 2013).
- ^ Matt Collar, "Joel Harrison Harrison on Harrison: Jazz Explanations of George Harrison", AllMusic (retrieved 4 October 2013).
- ^ Amazon listing: "Everybody Takes a Tumble (Single, Import), The Waterboys" (retrieved 29 April 2014).
- ^ "Rediscovery – Sloan Wainwright", Second Hand Songs (retrieved 22 September 2012).
- ^ Andrew Leahey, "Yim Yames Tribute To", AllMusic (retrieved 20 August 2012).
- ^ "Klaus Voormann A Sideman's Journey", AllMusic (retrieved 1 October 2013).
- ^ "George Harrison Cover Songs" Archived 21 February 2017 at the Wayback Machine, The Covers Project (retrieved 22 September 2012).
- ^ News: "Klaus joins Yusuf on songs for charity" Archived 29 September 2013 at the Wayback Machine, yusufislam.com, 13 January 2009 (retrieved 1 October 2013).
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- ISBN 0-07-055087-5).
- ISBN 0-9662649-5-9).
- Doug Sulpy & Ray Schweighardt, Get Back: The Unauthorized Chronicle of The Beatles' Let It Be Disaster, St. Martin's Griffin (New York, 1997; ISBN 0-312-19981-3).
- ISBN 978-0-8356-0900-5).
- ISBN 978-0-7864-6190-5).
- ISBN 0-906071-89-5).
- ISBN 978-0-313-39171-2).