Ana Vásquez-Bronfman

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Ana Vásquez-Bronfman
2000
Born
Ana Luisa Bronfman Weinstein

(1931-12-18)18 December 1931
Santiago, Chile
Died18 November 2009(2009-11-18) (aged 77)
Paris, France
NationalityChilean
Other namesAna L. Bronfman de Vásquez, Ana Lucia Bronfman, Ana Lucia Bronfman Weinstein de Vásquez, Ana Vásquez
Occupation(s)sociologist, writer
Years active1967–2009
Known forstudies involving child-psychology and the effects of emigration, politics and racism

Ana Vásquez-Bronfman (18 December 1931 – 18 November 2009) was a

National Center for Scientific Research. Much of her literary work centered on the cultural heritage of Jews in predominantly Catholic Latin America
, the effects of military dictatorship on human rights and racial prejudices and exile. Her research evaluated the psycho-sociology of children and women's sexuality. She won a National Book prize in Chile for her fiction and a bronze medal from the French National Center for Scientific Research for her scholarship.

Early life

Ana Luisa Bronfman Weinstein was born on 18 December,[1] 1931 in Santiago, Chile to Ida Weinstein Rudoy and Samuel Bronfman. Her mother's family were immigrants from Ukraine[2] and her father's family were immigrants from the Russian Empire. Nicha, as she was called by acquaintances,[3] was influenced and shaped by being the child of Jewish immigrants in the predominantly Catholic country.[1] Studying psychology with a minor in French, Bronfman graduated from the University of Chile.[1] She married Oscar Vásquez Pedemonte and the couple had seven children.[4]

Career

From 1967 to 1973, Vásquez-Bronfman taught at the University of Chile, as a professor in the School of Sociology.

National Center for Scientific Research from 1984 through 1998.[1][7]

Vásquez-Bronfman' first novels, Les bisons, les bonzes et le dépotoir (The Bison, the Leaders, and the Rubbish, 1977, translated into Spanish as Los búfalos, los jerarcas y la huesera, 1987),

forced disappearance, and government cover-ups.[13]

Sebasto's Angels evaluates the impact of living in dual cultural realities for second-generation immigrants with the added dimension of being exiles. The book was Vásquez-Bronfman's first novel in which the setting moved from Chile to France and her son, Óscar, known as "Cacho", who was a guitarist and singer of a Latin rock band, lends the story a more youthful focus. Vásquez deals with the pain and guilt of exile, while her son focuses on his anger, rejection politics, and his desire to live in the present moment.[1][14] It explores the stages of exile, isolation, indifference, and ultimately a loss of identification with one's place of origin, recognizing that one cannot live based on the hypothetical idea that at a future point you may be able to return.[15] In her book Mi amiga Chantal (My Friend Chantal, 1991), Vásquez-Bronfman explores being a double exile in a fictional-autobiographical exploration of community and personal development.[11][16][4]

Vásquez-Bronfman's 1999 short story The Sign of the Star, retold the story of a seven-year-old child bullied by his classmates for being Jewish. She tied themes of the

Holocaust, such as ghettoization and cremation, to the isolation the child feels when his classmates forbade others to talk with him. Drawing on her own history of being a Jew in a Catholic country, she evaluated Antisemitism from both a cultural and racial perspective.[1] That same year, her Los mundos de Circe (The World of Circe, 1999) was awarded the Chilean National Book and Reading Council prize for best narrative.[17][7] The work explored shifting relationships of couples, which arise over the course of a partnership, dealing with trust given partially or fully, beauty and ugliness, and the risks that are inherent in love.[4]

Vásquez-Bronfman returned to the theme of her Jewishness in Las jaulas invisible (The Invisible Cages, 2002), evaluating women, their sexuality, and migration on the road to becoming mestizo. Set in the first half of the twentieth century, the novel tells the tale of modern daughters descended of immigrants to Chile and indigenous migrants who have moved from the countryside to the city and explores how all of them are marginalized and reshaped by their experiences.[18][4] She took these themes further in a collaborative anthology, Crímenes de mujeres (Crimes of Women, 2004), which she edited, along with Virginia Vidal. The title referred to both crimes committed and suffered by women and evaluated the complexity of victimization, perpetration, and institutionalized power.[19]

Her academic works focused on child psychology and she often evaluated the

Honorary Degree for her research on women's sexuality.[21][7] This last work Amor y sexualidad en las personas mayores: Trasgresiones y secretos (Love and Sexuality in the Elderly: Transgressions and Secrets, 2006) contrasted and compared the sexual experiences of twenty individuals as they aged. Subjects were from France and Spain and were an equal representation of male and female subjects. Divided into three sections, the first part of the study dealt with the socialization practices associated with sex—fears, initiation rituals, taboos—and the differences between men and women's sexuality. The second section evaluated sexuality as practiced in adulthood and the final portion analyzed the differences the group experienced in their sexuality as they aged. The research shows how childhood influences continue to be manifested in aging populations.[22]

Death and legacy

Vásquez-Bronfman died on 18 November 2009 in Paris, France.[4] In February 2010, colleagues and friends gathered to celebrate her memory.[3] Her works have been translated into Dutch, French and German.[7] In 2017, a literary prize for young women, known as the Ana Vasquez-Bronfman Prize, was launched to assist young writers in publishing their works.[20]

References

Citations

  1. ^ a b c d e f g h i Maiz-Peña 2003, p. 1276.
  2. ^ The New Economy 2012.
  3. ^ a b Olivares Palma 2010.
  4. ^ a b c d e f El Mercurio 2009.
  5. ^ Martin 1994, p. 423.
  6. ^ Howe 2011, pp. 41–42.
  7. ^ a b c d Editorial Gedisa 2006.
  8. ^ a b Julien 1978.
  9. ^ Martin 1994, p. 425.
  10. ^ Howe 2011, p. 42.
  11. ^ a b Maiz-Peña 2003, p. 1278.
  12. ^ Howe 2011, pp. 42–44.
  13. ^ Howe 2011, pp. 58–59.
  14. ^ Pélage 2012, pp. 96–97.
  15. ^ Pélage 2012, pp. 98–99.
  16. ^ Pélage 2012, p. 100.
  17. ^ El Mercurio 1999.
  18. ^ Cánovas Emhart & Scherman Filer 2007.
  19. ^ Promis 2005.
  20. ^ a b Scemama 2017.
  21. ^ Des Femmes 2017.
  22. ^ Vidal Martí 2007, pp. 131–132.

Bibliography

  • Cánovas Emhart, Rodrigo; Scherman Filer, Jorge (2007). "Los retos de la genealogía de la memoria en la narrativa finisecular judío-chilena" [The challenges of the genealogy of memory in the latter period of the Jewish-Chilean narrative]. Acta Literaria (in Spanish). 1 (34): 9–30.
    ISSN 0717-6848
    . Retrieved 25 September 2017.
  • Howe, Alexis Lynn (May 2011). Rethinking Disappearance in Chilean Post-Coup Narratives (PhD). Minneapolis-Saint Paul, Minnesota: University of Minnesota. Archived from the original on 25 September 2017.
  • Julien, Claude (June 1978). "Les Bisons, les Bonzes et le Dépotoir" [The Bison, the Leaders, and the Rubbish] (in French). Paris, France: Le Monde diplomatique. Archived from the original on 25 September 2017. Retrieved 25 September 2017.
  • Maiz-Peña, Magdalena (2003). "Ana Vásquez-Bronfman (1947-)". In Kremer, S. Lillian (ed.). Holocaust Literature: An Encyclopedia of Writers and their Work. Vol. II: Lerner to Zychlinsky. New York, New York: Taylor & Francis. pp. 1276–1278.
    ISBN 978-0-415-92984-4
    .
  • Martin, Leona (1994). "Ana Vásquez". In Rubio, Patricia (ed.). Escritoras chilenas [Chilean Writers: Ana Vásquez]. Vol. 3: Novela y cuento. Santiago, Chile: Editorial Cuarto Propio. pp. 423–434.
    ISBN 978-956-260-162-7
    .
  • Olivares Palma, Eduardo (9 February 2010). "Las aulas invisibles de Ana Vásquez" [The invisible classrooms of Ana Vásquez]. La Franco-Latina (in French). Toulouse, France. Archived from the original on 4 July 2016. Retrieved 25 September 2017.
  • Pélage, Catherine (2012). "Lo mío, lo tuyo, lo nuestro. Coescritura y exilio en la obra de Ana Vásquez" [Mine, yours, ours: Co-writing and exile in the work of Ana Vásquez]. Les Ateliers du SAL (in Spanish): 95–101.
    ISSN 1963-1650
    .
  • Promis, José (1 April 2005). "Crímenes en carne propia" [Crimes in the flesh]. El Mercurio (in Spanish). Santiago, Chile. Retrieved 25 September 2017.
  • Scemama, Yaël (24 January 2017). "Beya'had lance un concours littéraire" [Beya'had launches a literary contest] (in French). Paris, France: Actualité Juive. Archived from the original on 25 September 2017. Retrieved 25 September 2017.
  • Vidal Martí, Cristina (2007). "Amor y sexualidad en las personas mayores. Trasgresiones y secretos" [Love and sexuality in the elderly: Transgressions and secrets]. Educació Social (in Spanish) (35): 131–132.
    ISSN 1135-8629
    . Retrieved 25 September 2017.
  • "Ana Vasquez". Des femmes (in French). Paris, France: Éditions des femmes-Antoinette Fouque. 2017. Archived from the original on 24 September 2017. Retrieved 25 September 2017.
  • "Ana Vásquez-Bronfman: con la fuerza de la mesura" [Ana Vásquez-Bronfman: with the strength of moderation]. El Mercurio (in Spanish). Santiago, Chile. 22 November 2009. Retrieved 25 September 2017.
  • "Chilean pharma pushes emerging markets". London, England: The New Economy. 9 July 2012. Archived from the original on 30 May 2014. Retrieved 25 September 2017.
  • "Historias Concretas y Personajes Dignos" [Concrete Histories and Worthy Characters]. El Mercurio (in Spanish). Santiago, Chile. 19 November 1999. Retrieved 25 September 2017.
  • "Vásquez-Bronfman, Ana". Gedisa-Mexico (in Spanish). Mexico City, Mexico: Editorial Gedisa. 2006. Archived from the original on 25 September 2017. Retrieved 25 September 2017.
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