Anish Kapoor
Temenos | |
---|---|
Spouses | Susanne Spicale
(m. 1995; div. 2013)
|
Relatives | Ilan Kapoor (brother) |
Awards | Turner Prize 1991 Praemium Imperiale 2011 Genesis Prize 2017 |
Website | anishkapoor |
Sir Anish Mikhail Kapoor,
His notable public sculptures include
An image of Kapoor features in the
Kapoor has received several distinctions and prizes, such as the Premio Duemila Prize at the XLIV
Early life and education
Anish Mikhail Kapoor was born in
Kapoor attended
Career
Kapoor became known in the 1980s for his
In the late 1980s and 1990s, Kapoor was acclaimed for his explorations of matter and non-matter, specifically evoking the void in both free-standing sculptural works and ambitious installations. Many of his sculptures seem to recede into the distance, disappear into the ground or distort the space around them. In 1987, he began working in stone.[32] His later stone works are made of solid, quarried stone, many of which have carved apertures and cavities, often alluding to, and playing with dualities (earth-sky, matter-spirit, lightness-darkness, visible-invisible, conscious-unconscious, male-female, and body-mind). "In the end, I’m talking about myself. And thinking about making nothing, which I see as a void. But then that’s something, even though it really is nothing."[30]
Since 1995, he has worked with the highly reflective surface of polished stainless steel. These works are mirror-like, reflecting or distorting the viewer and surroundings. Over the course of the following decade Kapoor's sculptures ventured into more ambitious manipulations of form and space. He produced a number of large works, including Taratantara (1999),[33] a 35-metre-high piece which was installed in the Baltic Flour Mills in Gateshead, England, prior to the renovation beginning there which turned the structure into the Baltic Centre for Contemporary Art; and Marsyas (2002), a large work consisting of three steel rings joined by a single span of PVC membrane that reached end to end of the 3,400-square-foot (320 m2) Turbine Hall of Tate Modern. Kapoor's Eye in Stone (Norwegian: Øye i stein) is permanently placed at the shore of the fjord in Lødingen in northern Norway as part of Artscape Nordland. In 2000, one of Kapoor's works, Parabolic Waters, consisting of rapidly rotating coloured water, was shown outside the Millennium Dome in London.
The use of red
In 2009, Kapoor became the first Guest Artistic Director of
In September 2009, Kapoor was the first living artist to have a solo exhibition at the Royal Academy of Arts. As well as surveying his career to date, the show also included new works. On display were Non-Object mirror works, cement sculptures previously unseen, and Shooting into the Corner,[40] a cannon that fires pellets of wax into the corner of the gallery. Previously shown at MAK, Vienna, in January 2009, it is a work with dramatic presence and associations and also continues Kapoor's interest in the self-made object, as the wax builds up on the walls and floor of the gallery the work slowly oozes out its form.
In early 2011, Kapoor's work, Leviathan,[6] was the annual Monumenta installation for the Grand Palais in Paris.[41][42] Kapoor described the work as: "A single object, a single form, a single colour...My ambition is to create a space with in a space that responds to the height and luminosity of the Nave at the Grand Palais. Visitors will be invited to walk inside the work, to immerse themselves in colour, and it will, I hope, be a contemplative and poetic experience."
In 2011, Kapoor exhibited Dirty Corner at the Fabbrica del Vapore in Milan.[43] Having fully occupied the site's "cathedral" space, the work consists of a huge steel volume, 60 metres long and 8 metres high, that visitors enter. Inside, they gradually lose their perception of space, as it gets progressively darker and darker until there is no light, forcing people to use their other senses to guide them through the space. The entrance of the tunnel is goblet-shaped, featuring an interior and exterior surface that is circular, making minimal contact with the ground. Over the course of the exhibition, the work was progressively covered by some 160 cubic metres of earth by a large mechanical device, forming a sharp mountain of dirt which the tunnel appears to be running through.
In 2016, his art exposition in MUAC (Mexico City) was a success, with literary contributions from Catherine Lampert, Cecilia Delgado, and Mexican writer Pablo Soler Frost.[44]
Kapoor sued the
Public commissions
Kapoor's earliest public commissions include the Cast Iron Mountain at the Tachikawa Art Project in Japan,
In the autumn of 2006, a second 10-metre Sky Mirror, was installed at Rockefeller Center, New York City. This work was later exhibited in Kensington Gardens in 2010 as part of the show Turning the World Upside Down, along with three other major mirror works.[5]
In 2009, Kapoor created the permanent, site-specific work Earth Cinema[48] for Pollino National Park, the largest national park in Italy, as part of the project ArtePollino – Another South.[49][50] Kapoor's work, Cinema di Terra (Earth Cinema), is a 45m long, 3m wide and 7m deep cut into the landscape made from concrete and earth.[49] People can enter from both sides and walk along it, viewing the earth void within.[50][51] Cinema di Terra officially opened to public in September 2009.[49]
Kapoor was also commissioned by
In 2010, Turning the World Upside Down, Jerusalem was commissioned and installed at the Israel Museum in Jerusalem. The sculpture is described as a "16-foot tall polished-steel hourglass" and it "reflects and reverses the Jerusalem sky and the museum's landscape, a likely reference to the city's duality of celestial and earthly, holy and profane".[53]
The
When asked if engagement with people and places is the key to successful public art, Kapoor said:
I’m thinking about the mythical wonders of the world, the Hanging Gardens of Babylon and the Tower of Babel. It's as if the collective will comes up with something that has resonance on an individual level and so becomes mythic. I can claim to take that as a model for a way of thinking. Art can do it, and I’m going to have a damn good go. I want to occupy the territory, but the territory is an idea and a way of thinking as much as a context that generates objects.
Architectural projects
Throughout his career, Kapoor has worked extensively with architects and engineers. He says this body of work is neither pure sculpture nor pure architecture.
His notable architectural projects include:
- Ark Nova,[54] an inflatable concert hall that will travel around the earthquake struck regions of Japan, designed in collaboration with architect Arata Isozaki.
- Orbit,[7] the permanent artwork for London's Olympic Park, in collaboration with engineer Cecil Balmond.
- Temenos the first work of the Tees Valley Giants, the world's five largest sculptures, in collaboration with Cecil Balmond. Temenos[55]is situated in Middlehaven Dock, Middlesbrough.
- Dismemberment Site 1,[56] installed in New Zealand at the Gibbs Farm sculpture park, owned by New Zealand businessman and art patron Alan Gibbs.
- Herzog and de Meuron.
- Two subway stations in Naples at Monte San Angelo[58] and Triano[59] in collaboration with Future Systems.
- Taratantara[33] (1999–2000) was installed at the Baltic Centre for Contemporary Art, Gateshead and later at Piazza Plebiscito, Naples.
- An unrealised project[60] for the Millennium Dome, London, (1995) in collaboration with Philip Gumuchdjian.
- Building for a Void,[61] created for Expo '92, Seville, in collaboration with David Connor.
Of his vision for the Cumana station in Monte Sant'Angelo, Naples, Italy under construction (as of June 2008[update]), Kapoor has said:
It's very vulva-like. The tradition of the Paris or Moscow metro is of palaces of light, underground. I wanted to do exactly the opposite – to acknowledge that we are going underground. So it's dark, and what I’ve done is bring the tunnel up and roll it over as a form like a sock.[62]
Working with text
In a collaboration with author Salman Rushdie, Kapoor conceived a sculpture consisting of two bronze boxes conjoined with red wax and inscribed around the outside with the first two paragraphs of Rushdie's text; "Blood Relations"[63] or an "Interrogation of the Arabian Nights" in 2006.[64]
Stage design
Kapoor has designed
Anish Kapoor Foundation
The Anish Kapoor Foundation was founded as a charity in 2017, registered in London. In early 2021, the Venice city council approved construction plans for the foundation to convert the Palazzo Priuli Manfrin into an exhibition venue, artist studio and repository for a number of the artist's works from the foundation's collection.[66] The project will be led by architecture firms FWR Associati of Venice and Studio Una of Hamburg.[66]
Vantablack controversy
In 2014, Kapoor began working with
Artists like Christian Furr and Stuart Semple have criticised Kapoor for what they view to be the appropriation of a unique material to the exclusion of others.[69][70] In retaliation, Semple developed a pigment called the "pinkest pink" and specifically made it available to everyone except Anish Kapoor and anyone affiliated with him.[71][72] He later stated that the move was itself intended as something like performance art and that he did not anticipate the amount of attention it received.[67] In December 2016, Kapoor obtained the pigment and posted an image on Instagram of his extended middle finger which had been dipped in Semple's pink.[73] Semple also developed more products such as "Black 2.0" and "Black 3.0", which are supposed to look nearly identical to Vantablack despite being acrylic, and "Diamond Dust", an extremely reflective glitter made of crushed glass shards that are designed to hurt Kapoor if he dipped his finger in it, all of which were released with the same restriction against Kapoor as the "pinkest pink".[74][75]
Exhibitions
Kapoor initially began exhibiting as part of
In 2008, the Institute of Contemporary Art in Boston held the first U.S. mid career survey of Kapoor's work.[80] That same year, Kapoor's Islamic Mirror (2008), a circular concave mirror, was installed in a 13th-century Arab palace now being used as by the Convent of Santa Clara in Murcia, Spain.[81]
Kapoor was the first living British artist to take over the Royal Academy, London, in 2009;
Dirty Corner, exhibited at the Palace of Versailles in 2015, was a topic of controversy due to its "blatantly sexual" nature. Kapoor himself reportedly described the work as "the vagina of a queen who is taking power".[88]
In 2020 Kapoor unveiled a new exhibition at the grounds of Houghton Hall in Norfolk. It was the largest ever outdoor exhibition of pieces by Kapoor, containing 21 sculptures, some previously unseen, as well as a selection of drawings of his.[89][90]
From 2 October 2021 – 13 February 2022 an exhibition of works created during the pandemic – ‘Painting’ – was shown at the Museum of Modern Art Oxford.
Collections
Kapoor's work is collected worldwide, notably by the
Personal life
In 1995, Kapoor married German-born medieval art historian Susanne Spicale.[91] They have a daughter Alba and a son Ishan[24] and lived in a house designed by architect Tony Fretton in Chelsea, London.[92][93] In 2009, Kapoor purchased a 14,500 sq ft (1,350 m2) Georgian-style residence at Lincoln's Inn Fields for about £3.6 million and had it redesigned by David Chipperfield.[94] The couple separated and divorced in 2013.[95] He later married garden designer Sophie Walker, his former sculptor's assistant, after the two began dating in 2013.[96][97][98][99] The couple has one daughter together.[98][99]
Literature
- Heinz-Norbert Jocksin conversation with Anish Kapoor. Scheitere oft, aber schnell, Kunstforum International, Bd. 254, Cologne 2018, pp. 174–195
Awards and honours
Artistic accolades
- 1990 Premio Duemila, Venice Biennale
- 1991 Turner Prize
- 1999 elected Royal Academician[28]
- 2011 Praemium Imperiale[100]
Civilian honours
- 2003 Commander of the Order of the British Empire (CBE) – 2003 Queen's Birthday Honours List
- 2011 French Ordre des Arts et des Lettres
- 2012 Padma Bhushan, India's third-highest civilian honour.[101]
- 2013 Knighthood[102] – 2013 Queen's Birthday Honours List
Honorary Fellowships
- 1997 London Institute
- 1997 University of Leeds
- 1999 University of Wolverhampton
- 2001 Royal Institute of British Architects[28]
Other
- 2016 LennonOno Grant for Peace
- 2017 Genesis Prize[103]
See also
Notes
References
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- ^ Wadhwani, Sita (14 September 2009). "Anish Kapoor". CNNGo.com. Archived from the original on 16 November 2009. Retrieved 26 March 2012.
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- ^ a b "Anish Kapoor: Turning the World Upside Down". Serpentine Galleries. Archived from the original on 3 December 2016.
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Mr. Kapoor was recognized for being one of the most influential and innovative artists of his generation and for his many years of advocacy for refugees and displaced people.
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- ^ Sooke, Alastair. "The rise & rise of Anish Kapoor Inc". The Telegraph. Archived from the original on 4 April 2010. Retrieved 19 September 2012.
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{{cite journal}}
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- ^ a b Kabir Jhala (30 July 2021), Anish Kapoor is converting a vast, crumbling Venetian palace into his permanent exhibition space and workshop The Art Newspaper.
- ^ a b Rogers, Adam (22 June 2017). "Art Fight! The Pinkest Pink Versus the Blackest Black". Wired. Retrieved 16 January 2018.
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- )
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- ^ "Huge Uproar Over Anish Kapoor's 'Blatantly Sexual' Sculpture at Versailles". NDTV. Agence France-Presse. 8 June 2015. Retrieved 20 June 2015.
- ^ "Anish Kapoor Bringing Heaven To Earth – Houghton Hall – James Payne". Artlyst. Retrieved 13 August 2020.
- ^ Shurvell, Joanne. "Anish Kapoor's Largest Outdoor Sculpture Show Includes New Work Plus Famous Sky Mirror". Forbes. Retrieved 13 August 2020.
- ^ Andrew Anthony (7 June 2015), Anish Kapoor: superstar sculptor who loves to court scandal Archived 21 December 2016 at the Wayback Machine The Guardian.
- ^ Jonathan Glancey (23 September 2008), Through the looking-glass Archived 21 December 2016 at the Wayback Machine The Guardian.
- London Evening Standard, 2 July 2013.
- ^ Mark David (22 September 2021), Anish Kapoor Asks $26 Million for One of Central London’s Largest Homes ARTnews.
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- ^ Voien, Guelda (14 September 2016). "Anish Kapoor Talks Void Forms and Vag". Observer. Retrieved 5 September 2023.
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- ^ ISSN 0028-792X. Retrieved 23 August 2023.
- ^ Kambayashi, Takehiko (19 October 2011). "Winners receive Japan's Praemium Imperiale culture prize". Tokyo: The Nation. Retrieved 22 October 2011.
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External links
- Media related to Anish Kapoor at Wikimedia Commons
- Quotations related to Anish Kapoor at Wikiquote
- 1 artwork by or after Anish Kapoor at the Art UK site