Anna Coleman Ladd

Source: Wikipedia, the free encyclopedia.
Anna Coleman Ladd
Triton Babies in Boston Public Garden

Anna Coleman Watts Ladd (July 15, 1878 – June 3, 1939) was an American sculptor in Massachusetts who devoted her time and skills throughout World War I to designing prosthetics for soldiers who were disfigured from injuries received in combat.

Biography

Anna Coleman Watts was born in

Boston Museum School
.

Her

Guild of Boston Artists and exhibited in both the opening show and the traveling exhibition that followed. She later held a one-woman show at the Guild's gallery. She completed other works with mythological characters, and these pieces continue to surface and are sold in auctions today.[1]

Ladd challenged herself on many artistic fronts and wrote two books, The Joyous History of Hieronymus the Anonymous (1905), based on a medieval romance she worked on for years and The Candid Adventurer (1913), a sendup of Boston society. She also wrote two unproduced plays; one of which incorporated the story of a female sculptor who goes to war.

She devoted herself to portraiture and her work was well regarded. Her portrait of

Eleanora Duse was one of only three that the actress ever allowed. In late 1917, her husband, Dr. Maynard Ladd was appointed to direct the Children's Bureau of the American Red Cross in Toul. Anna stayed on the homefront, but, in her search for ways to help the war effort, she learned about the work of Francis Derwent Wood in London. He developed lifelike masks to help soldiers with facial deformities. She contacted him and together they improved upon the mask techniques. [citation needed
] She applied for permission to go to
Order of Saint Sava.[3]

After

Manchester-by-the-Sea American Legion. In 1936, Ladd retired with her husband to California, where she died in 1939. She was survived by her daughters, Gabriella May Ladd, who was the second wife of Kyra Sedgwick
's paternal great-grandfather and Vernon Abbott Ladd who died in 1970.

Her sculpture Triton Babies is featured on the Boston Women's Heritage Trail.[4]

Prosthetic work

Ladd working on a mask with a soldier in her studio.

Soldiers came to Ladd's studio to have a cast made of their face and their features sculpted onto clay or plasticine. This form was then used to construct the prosthetic piece from extremely thin galvanized copper. The metal was painted with hard enamel to resemble the recipient's skin tone. Ladd used real hair to create the eyelashes, eyebrows and mustaches. The prosthesis was attached to the face by strings or eyeglasses as the prosthetics created in Francis Derwent Wood's "Tin Noses Shop" were.[2][5]

In 1932, the French Government honored her as a Knight (Chevalier) of the Legion of Honour, in recognition of the work she'd done.[6]

Ladd’s work is now called anaplastology. Anaplastology is the art, craft, and science of restoring absent or malformed anatomy through artificial means.

References

  1. ^ "Anna Coleman Ladd". Fine Art May 2007. Rago Arts and Auction Center. Archived from the original on 2011-07-15. Retrieved 2009-07-26.
  2. ^ a b "Faces of War". Smithsonian Magazine.
  3. ^ "A Finding Aid to the Anna Coleman Ladd papers, 1881-1950 | Digitized Collection". www.aaa.si.edu.
  4. ^ "Back Bay East". Boston Women's Heritage Trail.
  5. ^ "Women in World War I - Anna Coleman Ladd". National Museum of American History. Smithsonian. Retrieved 1 March 2018.
  6. ^ Khazan, Olga (4 August 2014). "Masks: The Face Transplants of World War I". The Atlantic. Retrieved 10 October 2016.
Sources

External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=Anna_Coleman_Ladd&oldid=1215610948"