Anne-Louis Girodet de Roussy-Trioson

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Anne-Louis Girodet-Trioson
Self-portrait, 1790, Hermitage Museum
Born
Anne-Louis Girodet de Roussy-Trioson

(1767-01-29)29 January 1767
Montargis, Orléanais, France
Died9 December 1824(1824-12-09) (aged 57)
Paris, France
Resting placePère Lachaise Cemetery
Known forPainting
Notable workOssian receiving the ghosts of the fallen French Heroes, 1801; The Funeral of Atala, 1808; Portrait de Chateaubriand méditant sur les ruines de Rome, after 1808
MovementClassicism, Romanticism

Anne-Louis Girodet de Roussy-Trioson (French pronunciation:

Romantic movement
by including elements of eroticism in his paintings. Girodet is remembered for his precise and clear style and for his paintings of members of the Napoleonic family.

Early career

Girodet was born at Montargis. Both of his parents died when he was a young adult. The care of his inheritance and education fell to his guardian, a prominent physician named Benoît-François Trioson, "médecin-de-mesdames", who later adopted him. The two men remained close throughout their lives and Girodet took the surname Trioson in 1812.[1] In school he first studied architecture and pursued a military career.[2] He changed to the study of painting under a teacher named Luquin and then entered the school of Jacques-Louis David. At the age of 22 he successfully competed for the Prix de Rome with a painting of the Story of Joseph and his Brethren.[2][3] From 1789 to 1793 he lived in Italy and while in Rome he painted his Hippocrate refusant les presents d'Artaxerxes and Endymion-dormant (now in the Louvre), a work which gained him great acclaim at the Salon of 1793 and secured his reputation as a leading painter in the French school.

Scene from a Deluge (Une scène de déluge), 1806, Louvre, Paris
The Sleep of Endymion (Le Sommeil d'Endymion or Effet de lune), 1791, Louvre

Once he returned to France, Girodet painted many portraits, including some of members of the Bonaparte family. In 1806, in competition with the Sabines of David, he exhibited his Scène de déluge (Louvre), which was awarded the decennial prize.[1] In 1808 he produced the Reddition de Vienne and Atala au tombeau, a work which won immense popularity, by its fortunate choice of subject – François-René de Chateaubriand's novel Atala, first published in 1801 – and its remarkable departure from the theatricality of Girodet's usual manner. He would return to his theatrical style in La Révolte du Caire (1810).[4]

Later life

Self-portrait from 1824, Musée des Beaux-Arts d'Orléans
The Funeral of Atala (Funérailles d'Atala or Atala au tombeau), 1808, Louvre

Girodet was a member of the

Philippe Jacques Van Brée.[5]

In his forties his powers began to fail, and his habit of working at night and other excesses weakened his constitution. In the Salon of 1812 he exhibited only a Tête de Vierge; in 1819

Bonchamps, Girodet died on December 9 in Paris.[4] At a sale of his effects after his death, some of his drawings realized enormous prices.[1]

Père Lachaise

Posthumously published work

Bust of the painter (1827) by Jean-Baptiste Roman, Louvre

Girodet produced a vast quantity of illustrations, amongst which may be cited those for the Didot editions of the works of

Coupin de la Couperie. Delecluze, in his Louis David et son temps, has also a brief life of Girodet.[4][1]

Girodet: Romantic Rebel at the Art Institute of Chicago (2006) was the first retrospective in the United States devoted to the works of Anne-Louis Girodet de Roussy-Trioson. The exhibition assembled more than 100 seminal works (about 60 paintings and 40 drawings) that demonstrated the artist's range as a painter as well as a draftsman.[6]

Analysis of the works

Girodet was trained in the neoclassical style of his teacher, Jacques-Louis David, seen in his treatment of the male nude body and his reference to models from the Renaissance and Classical antiquity. However, he also deviated from this style in several ways. The peculiarities which mark Girodet's position as the herald of the romantic movement are already evident in his Sleep of Endymion (1791, also called Effet de lune or "effect of the Moon").[4] Although the subject matter and pose are inspired by classical precedents, Girodet's diffuse lighting is more theatrical and atmospheric. The androgynous depiction of the sleeping shepherd Endymion is also noteworthy.[7] These early romantic effects were even more notable in his Ossian, exhibited in 1802. Girodet portrayed recently killed Napoleonic soldiers being welcomed into Valhalla by the fictional bard Ossian. The painting is striking for its inclusion of phosphorescent meteors, vaporous luminosity, and spectral protagonists.[8]

The same coupling of classic and romantic elements marks Girodet's Danae (1799) and his Quatre Saisons, executed for the king of Spain (repeated for Compiègne), and shows itself to a ludicrous extent in his Fingal (Leuchtenberg collection, St. Petersburg), executed for Napoleon in 1802. Girodet can be seen here combining aspects of his classical training and traditional education with new literary trends, popular scientific spectacles, and a consummate interest in the strange and the bizarre. In this way his work announces the rise of a romantic aesthetic which prizes individuality, expression, and imagination over an adherence to classical academic precedents.

Gallery

See also

References

  1. ^ a b c d e f Long, George. (1851) The Supplement to the Penny Cyclopædia of the Society for the Diffusion of Useful Knowledge, C. Knight.
  2. ^
    ISBN 2-8041-1526-7
    .
  3. ^ Heck, Johann Georg. (1860) Iconographic Encyclopaedia of Science, D. Appleton and company.
  4. ^ a b c d  One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Girodet de Roussy, Anne Louis". Encyclopædia Britannica. Vol. 12 (11th ed.). Cambridge University Press. p. 48.
  5. RKD
  6. ^ "Girodet: Romantic Rebel". Art Institute of Chicago. Archived from the original on 23 July 2006. Retrieved 2006-07-19.
  7. JSTOR 777650
    .
  8. S2CID 192721947
    .

Further reading

External links

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