Appleby Matthews

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Appleby Matthews

Thomas Appleby Matthews (30 August 1884[1] – 22 June 1949) was an English conductor and organist.

Life and career

Matthews was born in

St. Philip's Cathedral, Birmingham and playing viola in George Halford's Orchestra.[3] He became an experienced choirmaster, running his own Appleby Matthews Chorus, and also conducted the Birmingham City Police band.[4]

Leon Goossens, who played the oboe under Matthews for the City of Birmingham Orchestra, described him as "a very short man [who] always tried to walk a little bit taller than he really was".[5]

Matthews conducting a Birmingham Police Band recording session in 1921

Appleby Matthews Orchestra

Between 1916 and 1920 Matthews ran annual series of concerts in Birmingham with an orchestra bearing his own name.[6] The first recorded concert took place on 16 July 1916 at Birmingham Town Hall, with 40 musicians and Alex Cohen as leader.[7] The 1917-1918 season saw twelve Monday evening concerts take place at the Birmingham Repertory Theatre in Station Street; the 1918-1919 season saw 40 Sunday evening concerts at the Scala on Smallbrook Street; and the 1919-1920 season saw 36 concerts, also on Sunday evenings, at the Futurist Cinema on John Bright Street.[8]

The orchestra's most significant concert took place on 4 October 1917, when Matthews, his orchestra, chorus and a soprano soloist gave the first complete performance of

Wagner and Dvorak, and the review recorded a "packed house" and "fine performances", concluding "evidently these excellent concerts have come to stay".[10]

City of Birmingham Orchestra

In 1920 Matthews became the first conductor of the City of Birmingham Orchestra, today's

Grove's Dictionary of Music and Musicians
says of this period:

Other activities

Matthews supported Rutland Boughton at his Glastonbury Festivals (1914–1925) and conducted performances of The Immortal Hour and Bethlehem. He also acted as a chorus master for the Beecham Opera Company.[12]

Appearances by Matthews as a guest conductor included performances with the

Hallé Orchestra in Manchester in 1916;[13] with the Berlin Philharmonic in April 1922, where his programme was adventurous and well-reviewed;[14] and with the Orchestre Lamoureux in Paris on 31 October 1922,[15] where he conducted the Paris premiere of Beni Mora, the first performance of any work of Gustav Holst given in that capital.[16]

Matthews died in Birmingham on 22 June 1949.[17]

Notes and references

  1. ^ Hinrichsen (1947), p. 213
  2. ^ Hinrichsen (1947), p. 213
  3. ^ King-Smith (1995), p. 25
  4. ^ King-Smith (1995), p. 25
  5. ^ King-Smith (1995), p. 25
  6. ^ Handford (2006), p. 223
  7. ^ Handford (2006), p. 223
  8. ^ Handford (2006), p. 223
  9. ^ Handford (2006), p. 223
  10. ^ Handford (2006), p. 223
  11. ^ Handford, Margaret. "Birmingham", Grove Music Online, Oxford University Press, 2001. Retrieved 19 June 2021 (subscription required)
  12. ^ King-Smith (1995), p. 25
  13. ^ King-Smith (1995), p. 25
  14. ^ King-Smith (1995), p. 30
  15. ^ King-Smith (1995), p. 31
  16. ^ Short (1990), p. 204
  17. ^ "Thomas Appleby Matthews", Ancestry UK. Retrieved 19 June 2021 (subscription required)

Bibliography

  • Greene, Richard. Holst: The Planets. Cambridge: Cambridge University Press, 1995.
  • Handford, Margaret. Sounds Unlikely: Music in Birmingham. Studley: Brewin Books, 2006.
  • Hinrichsen, Max. Hinrichsen's Musical Year Book, 1947–1948. London: Hinrichsen Edition Limited, 1947.
  • King-Smith, Beresford. Crescendo! 75 years of the City of Birmingham Symphony Orchestra. London: Methuen, 1995.
  • Short, Michael. Gustav Holst: The Man and his Music. Oxford: Oxford University Press, 1990.
  • (organization), Jstor (1948). "Appleby Matthews". The Musical Times. 89. Novello: 291. Retrieved 18 August 2007.