Architecture

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For other uses, see Architecture (disambiguation).

View of Florence showing the dome, which dominates everything around it. It is octagonal in plan and ovoid in section. It has wide ribs rising to the apex with red tiles in between and a marble lantern on top.
In adding the dome to the Florence Cathedral (Italy) in the early 15th century, the architect Filippo Brunelleschi not only transformed the building and the city, but also the role and status of the architect.[1][2]

Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction.

Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief', and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilisations are often identified with their surviving architectural achievements.[6]

The practice, which began in the prehistoric era, has been used as a way of expressing culture by civilizations on all seven continents.[7] For this reason, architecture is considered to be a form of art. Texts on architecture have been written since ancient times. The earliest surviving text on architectural theories is the 1st century AD treatise De architectura by the Roman architect Vitruvius, according to whom a good building embodies firmitas, utilitas, and venustas (durability, utility, and beauty). Centuries later, Leon Battista Alberti developed his ideas further, seeing beauty as an objective quality of buildings to be found in their proportions. In the 19th century, Louis Sullivan declared that "form follows function". "Function" began to replace the classical "utility" and was understood to include not only practical but also aesthetic, psychological, and cultural dimensions. The idea of sustainable architecture was introduced in the late 20th century.

Architecture began as rural, oral

engineers
became separated.

Modern architecture began after World War I as an avant-garde movement that sought to develop a completely new style appropriate for a new post-war social and economic order focused on meeting the needs of the middle and working classes. Emphasis was put on modern techniques, materials, and simplified geometric forms, paving the way for high-rise superstructures. Many architects became disillusioned with modernism which they perceived as ahistorical and anti-aesthetic, and postmodern and contemporary architecture developed. Over the years, the field of architectural construction has branched out to include everything from ship design to interior decorating.

Definitions

Architecture can mean:

Theory

Main articles: Architectural theory and Philosophy of architecture
Illustration of bracket arm clusters containing cantilevers from Yingzao Fashi, a text on architecture by Li Jue (1065–1110)
Plan d'exécution du second étage de l'hôtel de Brionne (dessin) De Cotte 2503c – Gallica 2011 (adjusted)
Plan of the second floor (attic storey) of the Hôtel de Brionne in Paris – 1734.

The philosophy of architecture is a branch of

philosophy of art, dealing with aesthetic value of architecture, its semantics and in relation with development of culture. Many philosophers and theoreticians from Plato to Michel Foucault, Gilles Deleuze,[11] Robert Venturi and Ludwig Wittgenstein
have concerned themselves with the nature of architecture and whether or not architecture is distinguished from building.

Historic treatises

The earliest surviving written work on the subject of architecture is De architectura by the Roman architect Vitruvius in the early 1st century AD.[12] According to Vitruvius, a good building should satisfy the three principles of firmitas, utilitas, venustas,[13][14] commonly known by the original translation – firmness, commodity and delight. An equivalent in modern English would be:

  • Durability – a building should stand up robustly and remain in good condition
  • Utility – it should be suitable for the purposes for which it is used
  • Beauty – it should be aesthetically pleasing

According to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leon Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, De re aedificatoria, saw beauty primarily as a matter of proportion, although ornament also played a part. For Alberti, the rules of proportion were those that governed the idealized human figure, the Golden mean. The most important aspect of beauty was, therefore, an inherent part of an object, rather than something applied superficially, and was based on universal, recognizable truths. The notion of style in the arts was not developed until the 16th century, with the writing of Giorgio Vasari.[15] By the 18th century, his Lives of the Most Excellent Painters, Sculptors, and Architects had been translated into Italian, French, Spanish, and English.

In the 16th century, Italian Mannerist architect, painter and theorist Sebastiano Serlio wrote Tutte L'Opere D'Architettura et Prospetiva (Complete Works on Architecture and Perspective). This treatise exerted immense influence throughout Europe, being the first handbook that emphasized the practical rather than the theoretical aspects of architecture, and it was the first to catalog the five orders.[16]

In the early 19th century,

Seven Lamps of Architecture, published 1849, was much narrower in his view of what constituted architecture. Architecture was the "art which so disposes and adorns the edifices raised by men ... that the sight of them" contributes "to his mental health, power, and pleasure".[18] For Ruskin, the aesthetic was of overriding significance. His work goes on to state that a building is not truly a work of architecture unless it is in some way "adorned". For Ruskin, a well-constructed, well-proportioned, functional building needed string courses or rustication, at the very least.[18]

On the difference between the ideals of architecture and mere construction, the renowned 20th-century architect Le Corbusier wrote: "You employ stone, wood, and concrete, and with these materials you build houses and palaces: that is construction. Ingenuity is at work. But suddenly you touch my heart, you do me good. I am happy and I say: This is beautiful. That is Architecture".[19] Le Corbusier's contemporary Ludwig Mies van der Rohe is said to have stated in a 1959 interview that "architecture starts when you carefully put two bricks together. There it begins."[20]

The view shows a 20th-century building with two identical towers very close to each other rising from a low building which has a dome at one end, and an inverted dome, like a saucer, at the other.
The National Congress of Brazil, designed by Oscar Niemeyer

Modern concepts

The notable 19th-century architect of skyscrapers, Louis Sullivan, promoted an overriding precept to architectural design: "Form follows function". While the notion that structural and aesthetic considerations should be entirely subject to functionality was met with both popularity and skepticism, it had the effect of introducing the concept of "function" in place of Vitruvius' "utility". "Function" came to be seen as encompassing all criteria of the use, perception and enjoyment of a building, not only practical but also aesthetic, psychological and cultural.

Nunzia Rondanini stated, "Through its aesthetic dimension architecture goes beyond the functional aspects that it has in common with other human sciences. Through its own particular way of expressing values, architecture can stimulate and influence social life without presuming that, in and of itself, it will promote social development.... To restrict the meaning of (architectural) formalism to art for art's sake is not only reactionary; it can also be a purposeless quest for perfection or originality which degrades form into a mere instrumentality".[21]

Among the philosophies that have influenced modern architects and their approach to building design are

Poststructuralism, Deconstruction and Phenomenology
.

In the late 20th century a new concept was added to those included in the compass of both structure and function, the consideration of sustainability, hence sustainable architecture. To satisfy the contemporary ethos a building should be constructed in a manner which is environmentally friendly in terms of the production of its materials, its impact upon the natural and built environment of its surrounding area and the demands that it makes upon the natural environment for heating, ventilation and cooling, water use, waste products and lighting.

History

Main article: History of architecture

Origins and vernacular architecture

Main article: Vernacular architecture

Building first evolved out of the dynamics between needs (e.g. shelter, security, and worship) and means (available building materials and attendant skills). As human cultures developed and knowledge began to be formalized through oral traditions and practices, building became a craft, and architecture became the term used to describe the highly formalized and respected aspects of the craft. It is widely assumed that architectural success was achieved through trial and error, with progressively less trial and more replication as results became satisfactory over time. Vernacular architecture continues to be produced in many parts of the world.

Prehistoric architecture

Early human settlements were mostly

rural. Expanding economies resulted in the creation of proto-cities or urban areas, which in some cases grew and evolved very rapidly, such as Çatalhöyük in modern-day Turkey and Mohenjo-daro in modern-day Pakistan
.

Neolithic archaeological sites include Göbekli Tepe and Çatalhöyük in Turkey, Jericho in the Levant, Mehrgarh in Pakistan, Skara Brae in Orkney, and Cucuteni-Trypillian culture settlements in Romania, Moldova and Ukraine.

Classical era

In many ancient civilizations such as those of

divine and the supernatural
, and many ancient cultures resorted to monumentality in their architecture to symbolically represent the political power of the ruler or the state itself.

The architecture and urbanism of classical civilizations such as the Greek and Roman civilizations evolved from civic ideals rather than religious or empirical ones. New building types emerged and architectural style developed in the form of the classical orders. Roman architecture was influenced by Greek architecture as they incorporated many Greek elements into their building practices.[22]

Texts on architecture have been written since ancient times—these texts provided both general advice and specific formal prescriptions or canons. Some examples of canons are found in the writings of Vitruvius in the 1st century BC. Some of the most important early examples of canonic architecture are religious.

Asian architecture

Asian architecture developed differently compared to Europe, and the Buddhist, Hindu and Sikh architectural styles have different characteristics. Unlike Indian and Chinese architecture, which had great influence on the surrounding regions, Japanese architecture did not. Some Asian architecture showed great regional diversity, in particular Buddhist architecture. Moreover, other architectural achievements in Asia is the Hindu temple architecture, which developed from around the 5th century CE, is in theory governed by concepts laid down in the Shastras, and is concerned with expressing the macrocosm and the microcosm.

In many Asian countries, pantheistic religion led to architectural forms that were designed specifically to enhance the natural landscape. Also, the grandest houses were relatively lightweight structures mainly using wood until recent times, and there are few survivals of great age. Buddhism was associated with a move to stone and brick religious structures, probably beginning as rock-cut architecture, which has often survived very well.

Early Asian writings on architecture include the Kao Gong Ji of China from the 7th–5th centuries BC; the Shilpa Shastras of ancient India; Manjusri Vasthu Vidya Sastra of Sri Lanka and Araniko of Nepal .

Islamic architecture

Main article: Islamic architecture

Islamic architecture began in the 7th century, incorporating architectural forms from the ancient Middle East and Byzantium, but also developing features to suit the religious and social needs of the society. Examples can be found throughout the Middle East, Turkey, North Africa, the Indian Sub-continent and in parts of Europe, such as Spain, Albania, and the Balkan States, as the result of the expansion of the Ottoman Empire. [23][24]

European medieval architecture

Main article: Medieval architecture

In

Medieval period, guilds
were formed by craftsmen to organize their trades and written contracts have survived, particularly in relation to ecclesiastical buildings. The role of architect was usually one with that of master mason, or Magister lathomorum as they are sometimes described in contemporary documents.

The major architectural undertakings were the buildings of abbeys and cathedrals. From about 900 onward, the movements of both clerics and tradesmen carried architectural knowledge across Europe, resulting in the pan-European styles Romanesque and Gothic.

Also, a significant part of the Middle Ages architectural heritage is numerous

fortifications
across the continent. From the Balkans to Spain, and from Malta to Estonia, these buildings represent an important part of European heritage.

Renaissance architecture

Main article: Renaissance architecture

In

Palladio – and the cult of the individual had begun. There was still no dividing line between artist, architect and engineer
, or any of the related vocations, and the appellation was often one of regional preference.

A revival of the Classical style in architecture was accompanied by a burgeoning of science and engineering, which affected the proportions and structure of buildings. At this stage, it was still possible for an artist to design a bridge as the level of structural calculations involved was within the scope of the generalist.

Early modern and the industrial age

The emerging knowledge in scientific fields and the rise of new materials and technology, architecture and

Scottish baronial
styles. Formal architectural training in the 19th century, for example at École des Beaux-Arts in France, gave much emphasis to the production of beautiful drawings and little to context and feasibility.

Meanwhile, the Industrial Revolution laid open the door for mass production and consumption. Aesthetics became a criterion for the middle class as ornamented products, once within the province of expensive craftsmanship, became cheaper under machine production.

Vernacular architecture became increasingly ornamental. Housebuilders could use current architectural design in their work by combining features found in pattern books and architectural journals.

Modernism

Main article: Modern architecture

Around the beginning of the 20th century, general dissatisfaction with the emphasis on revivalist architecture and elaborate decoration gave rise to many new lines of thought that served as precursors to Modern architecture. Notable among these is the Deutscher Werkbund, formed in 1907 to produce better quality machine-made objects. The rise of the profession of industrial design is usually placed here. Following this lead, the Bauhaus school, founded in Weimar, Germany in 1919, redefined the architectural bounds prior set throughout history, viewing the creation of a building as the ultimate synthesis – the apex – of art, craft, and technology.

When modern architecture was first practiced, it was an avant-garde movement with moral, philosophical, and aesthetic underpinnings. Immediately after World War I, pioneering modernist architects sought to develop a completely new style appropriate for a new post-war social and economic order, focused on meeting the needs of the middle and working classes. They rejected the architectural practice of the academic refinement of historical styles which served the rapidly declining aristocratic order. The approach of the Modernist architects was to reduce buildings to pure forms, removing historical references and ornament in favor of functional details. Buildings displayed their functional and structural elements, exposing steel beams and concrete surfaces instead of hiding them behind decorative forms. Architects such as Frank Lloyd Wright developed organic architecture, in which the form was defined by its environment and purpose, with an aim to promote harmony between human habitation and the natural world with prime examples being Robie House and Fallingwater.

Architects such as

International Style, an aesthetic epitomized in many ways by the Twin Towers of New York's World Trade Center designed by Minoru Yamasaki
.

Postmodernism

Main article: Postmodern architecture

Many architects resisted

Brutalism
, buildings with expressive sculpture façades made of unfinished concrete. But an even younger postwar generation critiqued modernism and Brutalism for being too austere, standardized, monotone, and not taking into account the richness of human experience offered in historical buildings across time and in different places and cultures.

One such reaction to the cold aesthetic of modernism and Brutalism is the school of metaphoric architecture, which includes such things as bio morphism and zoomorphic architecture, both using nature as the primary source of inspiration and design. While it is considered by some to be merely an aspect of postmodernism, others consider it to be a school in its own right and a later development of expressionist architecture.[27]

Beginning in the late 1950s and 1960s,

architectural phenomenology emerged as an important movement in the early reaction against modernism, with architects like Charles Moore in the United States, Christian Norberg-Schulz in Norway, and Ernesto Nathan Rogers and Vittorio Gregotti, Michele Valori, Bruno Zevi in Italy, who collectively popularized an interest in a new contemporary architecture aimed at expanding human experience using historical buildings as models and precedents.[28] Postmodernism produced a style that combined contemporary building technology and cheap materials, with the aesthetics of older pre-modern and non-modern styles, from high classical architecture to popular or vernacular regional building styles. Robert Venturi famously defined postmodern architecture as a "decorated shed" (an ordinary building which is functionally designed inside and embellished on the outside) and upheld it against modernist and brutalist "ducks" (buildings with unnecessarily expressive tectonic forms).[29]

Architecture today

Main article: Contemporary architecture

Since the 1980s, as the complexity of buildings began to increase (in terms of structural systems, services, energy and technologies), the field of architecture became multi-disciplinary with specializations for each project type, technological expertise or project delivery methods. Moreover, there has been an increased separation of the 'design' architect[Notes 1] from the 'project' architect who ensures that the project meets the required standards and deals with matters of liability.[Notes 2] The preparatory processes for the design of any large building have become increasingly complicated, and require preliminary studies of such matters as durability, sustainability, quality, money, and compliance with local laws. A large structure can no longer be the design of one person but must be the work of many. Modernism and Postmodernism have been criticized by some members of the architectural profession who feel that successful architecture is not a personal, philosophical, or aesthetic pursuit by individualists; rather it has to consider everyday needs of people and use technology to create livable environments, with the design process being informed by studies of behavioral, environmental, and social sciences.

Environmental

LEED (Leadership in Energy and Environmental Design) rating system has been instrumental in this.[31][quantify
]

Concurrently, the recent movements of

globally uniform architecture, as well as leaning against solitary housing estates and suburban sprawl.[34] Glass curtain walls, which were the hallmark of the ultra modern urban life in many countries surfaced even in developing countries like Nigeria where international styles had been represented since the mid 20th Century mostly because of the leanings of foreign-trained architects.[35]

Types

Stourhead in Wiltshire, England, designed by Henry Hoare (1705–1785)

Residential architecture

Residential architecture is the design of functional fits the user's lifestyle while adhering to the building codes and zoning laws.

Commercial architecture

Commercial architecture is the design of commercial buildings that serves the needs of businesses, the government and religious institutions.[36]

Industrial architecture

Main article: Industrial architecture

Industrial architecture is the design of specialized industrial buildings whose primary focus is designing buildings that are can fulfill its function while ensuring the safe movement of labor and goods in the facility.

Landscape architecture

Main article: Landscape architecture

Landscape architecture is the design of outdoor public areas, landmarks, and structures to achieve environmental, social-behavioral, or aesthetic outcomes.

site planning; stormwater management; environmental restoration; parks and recreation planning; visual resource management; green infrastructure planning and provision; and private estate and residence landscape master planning and design; all at varying scales of design, planning and management. A practitioner in the profession of landscape architecture is called a landscape architect
.

Interior architecture

Main article: Interior architecture
Charles Rennie Mackintosh – Music Room 1901

Interior architecture is the design of a space which has been created by structural boundaries and the human interaction within these boundaries. It can also be the initial design and plan for use, then later redesigned to accommodate a changed purpose, or a significantly revised design for adaptive reuse of the building shell.[38] The latter is often part of sustainable architecture practices, conserving resources through "recycling" a structure by adaptive redesign. Generally referred to as the spatial art of environmental design, form and practice, interior architecture is the process through which the interiors of buildings are designed, concerned with all aspects of the human uses of structural spaces.

Urban design

Main article: Urban design

Urban design is the process of designing and shaping the physical features of cities, towns, and villages. In contrast to architecture, which focuses on the design of individual buildings, urban design deals with the larger scale of groups of buildings, streets and public spaces, whole neighborhoods and districts, and entire cities, with the goal of making urban areas functional, attractive, and sustainable.[39]

Urban design is an interdisciplinary field that uses elements of many built environment professions, including

municipal engineering.[40] It is common for professionals in all these disciplines to practice urban design. In more recent times different sub-subfields of urban design have emerged such as strategic urban design, landscape urbanism, water-sensitive urban design, and sustainable urbanism
.

Other types of architecture

Naval architecture

Main article: Naval architecture
Body plan of a ship showing the hull form

Naval architecture, also known as naval engineering, is an

statutory
and non-statutory requirements.

Metaphorical "architectures"

"Architecture" is used as a metaphor for many modern techniques or fields for structuring abstractions. These include:

Seismic architecture

Main article: Earthquake engineering

The term '

seismic architecture' or 'earthquake architecture' was first introduced in 1985 by Robert Reitherman.[45] The phrase "earthquake architecture" is used to describe a degree of architectural expression of earthquake resistance or implication of architectural configuration, form or style in earthquake resistance. It is also used to describe buildings in which seismic design considerations impacted its architecture. It may be considered a new aesthetic approach in designing structures in seismic prone areas.[46] The wide breadth of expressive possibilities ranges from metaphorical uses of seismic issues, to the more straightforward exposure of seismic technology. While outcomes of an earthquake architecture can be very diverse in their physical manifestations, architectural expression of seismic principles can also take many forms and levels of sophistication.[47]

See also

Notes

  1. ^ A design architect is one who is responsible for the design.
  2. ^ A project architect is one who is responsible for ensuring the design is built correctly and who administers building contracts – in non-specialist architectural practices the project architect is also the design architect and the term refers to the differing roles the architect plays at differing stages of the process.

References

  1. ^ Museo Galileo, Museum and Institute of History and Science, The Dome of Santa Maria del Fiore Archived 1 April 2013 at the Wayback Machine, (accessed 30 January 2013)
  2. ^ Giovanni Fanelli, Brunelleschi, Becocci, Florence (1980), Chapter: The Dome pp. 10–41.
  3. ^ "architecture – Expression of technique". Britannica. Retrieved 21 September 2022.
  4. doi:10.1007/978-1-84882-733-2_21. Archived
    from the original on 18 April 2023 – via ResearchGate.
  5. ^ "architecture". Encyclopedia Britannica. Archived from the original on 16 November 2017. Retrieved 27 October 2017.
  6. ISBN 978-9990985085
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  7. ^ "7 Things I Learned About "Home" from Talking to Architects on Every Continent". Apartment Therapy. Archived from the original on 8 November 2020. Retrieved 5 December 2020.
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  10. ^ "Gov.ns.ca". Gov.ns.ca. Archived from the original on 21 July 2011. Retrieved 2 July 2011.
  11. ^ Deleuze, Gilles (1990). Pourparlers. Paris: Minuit. p. 219. It is not the line that is between two points, but the point that is at the intersection of several lines.
  12. ISBN 0-521-00292-3
  13. ^ "Vitruvius Ten Books on Architecture, with regard to landscape and garden design". gardenvisit.com. Archived from the original on 12 October 2007. Retrieved 14 November 2005.
  14. ^ "Vitruvius". Penelope.uchicago.edu. Archived from the original on 30 July 2022. Retrieved 2 July 2011.
  15. ^ Françoise Choay, Alberti and Vitruvius, editor, Joseph Rykwert, Profile 21, Architectural Design, Vol. 49 No. 5–6
  16. ^ Sebastiano Serlio – On domestic architecture Archived 16 April 2021 at the Wayback Machine, Columbia University Libraries, accessed February 5, 2021
  17. S2CID 110313708
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  18. ^
    ISBN 0-486-26145-X
  19. ISBN 0-486-25023-7
  20. ^ Verney, Harriet (25 July 2017). "9 innovative contemporary buildings that test the limits of humble brick". CNN. Archived from the original on 29 May 2023. Retrieved 29 May 2023.
  21. ^ Rondanini, Nunzia Architecture and Social Change Heresies II, Vol. 3, No. 3, New York, Neresies Collective Inc., 1981.
  22. ^ "Introduction to Greek architecture". Khan Academy. Archived from the original on 14 October 2014. Retrieved 23 June 2017.
  23. ^ Marika Sardar (October 2004). "Essay: The Later Ottomans and the Impact of Europe". www.metmuseum.org. The Met. Archived from the original on 13 February 2019. Retrieved 12 February 2019.
  24. ISBN 978-9004290365. Archived from the original on 13 February 2019. Retrieved 12 February 2019. {{cite book}}: |website= ignored (help
    )
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  26. ISBN 978-606-8839-09-7
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  27. ^ Fez-Barringten, Barie (2012). Architecture: The Making of Metaphors. Newcastle upon Tyne: Cambridge Scholars Publishing.
    ISBN 978-1-4438-3517-6
    .
  28. ISBN 978-0816666041. Archived
    from the original on 19 March 2022. Retrieved 30 July 2022.
  29. ^ Venturi, Robert (1966). Complexity and Contradiction in Architecture. New York: Museum of Modern Art. complexity and contradiction in architecture.
  30. ^ OneWorld.net (31 March 2004). "Vernacular Architecture in India". El.doccentre.info. Archived from the original on 3 March 2021. Retrieved 2 July 2011.
  31. ^ Other energy efficiency and green building rating systems include Energy Star, Green Globes, and CHPS (Collaborative for High Performance Schools).
  32. ^ "The Charter of the New Urbanism". cnu.org. 20 April 2015. Archived from the original on 29 June 2015. Retrieved 23 March 2014.
  33. ^ "Beauty, Humanism, Continuity between Past and Future". Traditional Architecture Group. Archived from the original on 5 March 2018. Retrieved 23 March 2014.
  34. ^ Issue Brief: Smart-Growth: Building Livable Communities Archived 19 November 2018 at the Wayback Machine. American Institute of Architects. Retrieved on 23 March 2014.
  35. ^ "Architecture". Litcaf. 10 February 2016. Archived from the original on 19 November 2018. Retrieved 4 June 2017.
  36. ^ Scott Zurn. (2023, May 16). Types of commercial architecture & how to find success. Level Engineering & Inspection. https://www.levelengineering.com/architecture/commercial-architecture/
  37. ISBN 978-0500274316
  38. ^ "Interior Architecture". RISD Interior Architecture Graduate Department. Archived from the original on 30 July 2022. Retrieved 28 February 2017.
  39. doi:10.5070/BP327120808. Archived
    from the original on 4 July 2019. Retrieved 15 April 2015.
  40. ^ Van Assche, K., Beunen, R., Duineveld, M., & de Jong, H. (2013). "Co-evolutions of planning and design: Risks and benefits of design perspectives in planning systems" Archived 28 June 2013 at the Wayback Machine. Planning Theory, 12(2), 177–198.
  41. ^ RINA. "Careers in Naval Architecture". www.rina.org.uk. Archived from the original on 20 October 2017. Retrieved 26 February 2017.
  42. ISBN 0-7506-4988-7
  43. ^ OMG Business Architecture Special Interest Group "What Is Business Architecture? Archived 13 July 2017 at the Wayback Machine" at bawg.omg.org, 2008 (archive.org). Accessed 2015-04-03; Cited in: William M. Ulrich, Philip Newcomb Information Systems Transformation: Architecture-Driven Modernization Case Studies. (2010), p. 4.
  44. ^ Hannu Jaakkola and Bernhard Thalheim. (2011) "Architecture-driven modelling methodologies." In: Proceedings of the 2011 conference on Information Modelling and Knowledge Bases XXII. Anneli Heimbürger et al. (eds). IOS Press. p. 98
  45. ^ Reitherman, Robert (1985). Earthquake Engineering and Earthquake Architecture. Part of the AIA Workshop for Architects and Related Building Professionals on Designing for Earthquakes in the Western Mountain States.
  46. ISBN 978-9940979409
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  47. ^ Charleson, Andrew (2000). Towards An Earthquake Architecture. 12th World Conference on Earthquake Engineering.

External links

Wikivoyage has a travel guide for Architecture.
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