Architecture of Bengal

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Ramachandra Temple, Guptipara

The Architecture of Bengal, which comprises the modern country of

country houses and modern urban styles. The bungalow style is a notable architectural export of Bengal. The corner towers of Bengali religious buildings were replicated in medieval Southeast Asia. Bengali curved roofs, suitable for the very heavy rains, were adopted into a distinct local style of Indo-Islamic architecture, and used decoratively elsewhere in north India in Mughal architecture
.

Bengal is not rich in good stone for building, and traditional Bengali architecture mostly uses brick and wood, often reflecting the styles of the wood, bamboo and thatch styles of local vernacular architecture for houses. Decorative carved or moulded plaques of terracotta (the same material as the brick) are a special feature. The brick is extremely durable and disused ancient buildings were often used as a convenient source of materials by local people, often being stripped to their foundations over the centuries.

Antiquity and Buddhism

Ruins of the central Buddhist stupa of the Grand Vihara of Somapura in modern Bangladesh, a Pala royal project of around 800.

Bengal delta.[citation needed
]

Ancient Bengali architecture reached its pinnacle during the

UNESCO World Heritage Site. Historians believe Somapura was a model for the architects of Angkor Wat in Cambodia.[1]

Medieval and early modern periods

Hindu and Jain

Kantanagar Temple

Bengal was one of the

Gupta era, Shashanka, Pala and Sena dynasty who ruled since 5th century until the conquest. However, most of temples are in ruins and relatively small. The Sena dynasty built the relatively modest Dhakeshwari Temple in Dhaka, although this has been greatly rebuilt, which is the national temple of Bangladesh now. The stone temple at Garui in Bardhaman district of West Bengal, was built in the14th century.[2]

Jor Bangla Temple, Bishnupur with a curved Do-chala style roof

The term

deul above it. The type arose between the 6th and 10th centuries, and most examples are now ruins; it was revived in the 16th to 19th century.[3] The later representatives of this style were generally smaller and included features influenced by Islamic architecture.[3]

Hindu ritual platform, the Rasmancha, Bishnupur, c. 1600

Most temples surviving in reasonable condition date from about the 17th century onwards, after temple building revived; it had stopped after the Muslim conquest in the 13th century.[4] The roofing style of Bengali Hindu temple architecture is unique and closely related to the paddy roofed traditional building style of rural Bengal.[5] The "extensive improvisation within a local architectural idiom"[4] which the temples exhibit is often ascribed to a local shortage of expert Brahmin priests to provide the rather rigid guidance as to correct forms that governed temple architecture elsewhere. In the same way the terracotta reliefs often depict secular subjects in a very lively fashion.

Roofing styles include the jor-bangla, do-chala, char-chala, at-chala, and ek-ratna. The do-chala type has only two hanging roof tips on each side of a roof divided in the middle by a ridge-line; in the rare char-chala type, the two roof halves are fused into one unit and have a dome-like shape; the double-storey at-chala type has eight roof corners.[6][3]

Many of these temples are covered on the outer walls with

Malla dynasty
.

In larger, and later, temples, small towers rise up from the centre or corners of the curving roof. These are straight-sided, often with conical roofs. They have little resemblance to a typical north Indian

navaratna ("nine towers") styles are varieties of this type.[3]

The temple structures contain gabled roofs which are colloquially called the chala, For example, a gabled roof with an eight sided pyramid structured roof will be called "ath chala" or literally the eight faces of the roof. And frequently there is more than one tower in the temple building. These are built of laterite and brick bringing them at the mercy of severe weather conditions of southern Bengal. Dakshineswar Kali Temple is a nine-spired temple [7] while the additional small temples of Shiva along the river bank are example of southern Bengal roof style though in much smaller dimension.

  • A deul Jain temple
    A deul Jain temple
  • A Pancharatna temple
    A Pancharatna temple
  • Classification of Bengal Temple Architecture
    Classification of Bengal Temple Architecture

Islamic

Choto Sona Mosque (around 1500)

minarets. While clay bricks and terracotta were the most widely used materials, stone was used from mines in the Rarh region. The Sultanate style also includes gateways and bridges. The style is widely scattered across the region.[8][page needed
]

hammams and fountains. Mughal Bengali mosques also developed a distinct provincial style. Dhaka and Murshidabad were the hubs of Mughal architecture. The Mughals copied the do-chala roof tradition in North India.[9]

Bengal Sultanate

Interior of the hypostyle hall of the Adina Mosque

The Bengal Sultanate (1352–1576) normally used brick as the primary construction material, as pre-Islamic buildings had done.[10] Stone had to be imported to most of Bengal, whereas clay for bricks is plentiful. But stone was used for columns and prominent details, often re-used from Hindu or Buddhist temples.[11] The early 15th century Eklakhi Mausoleum at Pandua, Malda or Adina, is often taken to be the earliest surviving square single-domed Islamic building in Bengal, the standard form of smaller mosques and mausoleums. But there is a small mosque at Molla Simla, Hooghly district, that is probably from 1375, earlier than the mausoleum.[12] The Eklakhi Mausoleum is large and has several features that were to become common in the Bengal style, including a slightly curved cornice, large round decorative buttresses and decoration in carved terracotta brick.[13]

These features are also seen in the

char-chala.[14] For larger mosques, Bengali architects multiplied the numbers of domes, with a nine-domed formula (three rows of three) being one option, surviving in four examples, all 15th or 16th century and now in Bangladesh,[15] although there were others with larger numbers of domes.[16]

A 17th century haveli in Old Dhaka

Buildings in the style are the

UNESCO World Heritage Site. These show other distinctive features, such as a multiplicity of doors and mihrabs; the Sixty Dome Mosque has 26 doors (11 at the front, 7 on each side, and one in the rear). These increased the light and ventilation. Further mosques include the Baro Shona Masjid; the Pathrail Mosque, the Bagha Mosque, the Darasbari Mosque, and the Kusumba Mosque. Single-domed mosques include the Singar Mosque, and the Shankarpasha Shahi Masjid
.

Both capitals of the Bengal Sultanate, first Pandua or Adina, then from 1450 Gauda or Gaur, started to be abandoned soon after the conquest of the sultanate by the Mughals in 1576, leaving many grand buildings, mostly religious. The materials from secular buildings were recycled by builders in later periods.[10] While minarets are conspicuously absent in most mosques, the Firoz Minar was built in Gauda to commemorate Bengali military victories.

The ruined Adina Mosque (1374–75) is very large, which is unusual in Bengal, with a barrel vaulted central hall flanked by hypostyle areas. It is said to be the largest mosque in the sub-continent, and modeled after the Ayvan-e Kasra of Ctesiphon, Iraq, as well as the Umayyad Mosque of Damascus.[17] The heavy rainfall in Bengal necessitated large roofed spaces, and the nine-domed mosque, which allowed a large area to be covered, was more popular there than anywhere else.[18] After the Islamic consolidation of Bengal was complete, some local features continued, especially in smaller buildings, but the Mughals used their usual style in imperial commissions.[10]

  • A multi-domed Sultanate era mosque
    A multi-domed Sultanate era mosque
  • A Bengali mihrab
    A Bengali mihrab
  • The Naulakha Pavilion at the Lahore Fort in Pakistan displays the distinct Bengali Do-chala style roof.[19]
    The
    Do-chala style roof.[19]
  • 3D model of a reconstructed Bara Katra (Great Caravanserai of Dhaka) from the Mughal era
    3D model of a reconstructed Bara Katra (Great Caravanserai of Dhaka) from the Mughal era
  • Mughal era domes in Murshidabad
    Mughal era domes in Murshidabad
  • A Sultanate era gateway
    A Sultanate era gateway
  • A Sultanate era standalone minaret
    A Sultanate era standalone minaret
  • A Sultanate era arch
    A Sultanate era arch
  • A Sultanate era stone mosque
    A Sultanate era stone mosque
  • An early Sultanate era mosque and tomb
    An early Sultanate era mosque and tomb
  • The Sultanate era Adina Mosque
    The Sultanate era Adina Mosque
  • Interior of a Sultanate era imperial mosque
    Interior of a Sultanate era imperial mosque
  • A Sultanate era mausoleum
    A Sultanate era mausoleum
  • A Sultanate era stone mosque
    A Sultanate era stone mosque
  • A Mughal era bridge in Sonargaon
    A Mughal era bridge in Sonargaon
  • South-East Gate of Lalbagh Fort in 1875
    South-East Gate of Lalbagh Fort in 1875

British Colonial period

The facade of a courtyard in a 19th-century Bengali townhouse.[20]
Curzon Hall at University of Dhaka

The period of

Art deco
influences began in Calcutta in the 1930s.

Neoclassical

ahsan manzil dhaka

European influence on architecture.

Indo-Saracenic architecture can be seen in the Ahsan Manzil and Curzon Hall in Dhaka, Chittagong Court Building in Chittagong, and Hazarduari Palace in Murshidabad. The Victoria Memorial in Kolkata, designed by Vincent Esch also has Indo-Saracenic features, possibly inspired from the Taj Mahal.

Bungalows

A wooden bungalow which serves as Momin Mosque since 1920

The origin of the bungalow has its roots in the vernacular architecture of Bengal.[21] The term baṅgalo, meaning "Bengali" and used elliptically for a "house in the Bengal style".[22] Such houses were traditionally small, only one storey and detached, and had a wide veranda were adapted by the British, who used them as houses for colonial administrators in summer retreats in the Himalayas and in compounds outside Indian cities.[23] The Bungalow style houses are still very popular in the rural Bengal. In the rural areas of Bangladesh, it is often called “Bangla Ghar” (Bengali Style House). The main construction material used in modern time is corrugated steel sheets. Previously they had been constructed from wood, bamboo and a kind of straw called “Khar”. Khar was used in the roof of the Bungalow house and kept the house cold during hot summer days. Another roofing material for Bungalow houses has been red clay tiles.

Art Deco

Art deco, which originated after the first World war, became prevalent all over India. Art deco is seen in the bungalows of Kolkata as well, which are being destroyed and replaced by high-rise buildings.[20][24][25] Art Deco influences continued in Chittagong during the 1950s.

Modernism

*

Jatiyo Sangshad Bhaban, the preeminent symbol of modern Bangladeshi architecture. The cityscapes of modern Bengali cities are dominated by midsized skyscrapers and often called concrete jungles. Architecture services form a significant part of urban economies in the region, with acclaimed architects such as Rafiq Azam
.

In 2015, Marina Tabassum and Kashef Mahboob Chowdhury were declared winners of the Aga Khan Award for Architecture for their mosque and community center designs respectively, which were inspired by the region's ancient heritage.[26]

See also

Notes

References

Further reading