Arrangement

In

Arrangement and transcriptions of classical and serious music go back to the early history of this genre.

Eighteenth century

J. S. Bach frequently made arrangements of his own and other composers' pieces. One example is the arrangement that he made of the Prelude from his Partita No. 3 for solo violin, BWV 1006.

Bach transformed this solo piece into an orchestral Sinfonia that introduces his Cantata BWV29. "The initial violin composition was in E major but both arranged versions are transposed down to D, the better to accommodate the wind instruments".^[4]

"The transformation of material conceived for a single string instrument into a fully orchestrated concerto-type movement is so successful that it is unlikely that anyone hearing the latter for the first time would suspect the existence of the former".^[5]

Nineteenth and twentieth centuries

Piano music

In particular, music written for the

Erik Satie wrote his three Gymnopédies for solo piano in 1888.

Eight years later,

timbres available in a late 19th-century orchestra. "It was Debussy whose 1896 orchestrations of the Gymnopédies put their composer on the map."^[8]

Pictures at an Exhibition, a suite of ten piano pieces by Modest Mussorgsky, has been arranged over twenty times, notably by Maurice Ravel.^[9] Ravel's arrangement demonstrates an "ability to create unexpected, memorable orchestral sonorities".^[10] In the second movement, "Gnomus", Mussorgsky's original piano piece simply repeats the following passage:

Ravel initially orchestrates it as follows:

Repeating the passage, Ravel provides a fresh orchestration "this time with the celesta (replacing the woodwinds) accompanied by string glissandos on the fingerboard".^[10]

Songs

A number of Franz Schubert's songs, originally for voice with piano accompaniment, were arranged by other composers. For example, his "highly charged, graphic" song "Erlkönig" ("The Erl King") has a piano introduction that conveys "unflagging energy" from the start:^[11]

The arrangement of this song by Hector Berlioz uses strings to convey faithfully the driving urgency and threatening atmosphere of the original.

Berlioz adds colour in bars 6–8 through the addition of woodwind, horns, and a timpani. With typical flamboyance, Berlioz adds spice to the harmony in bar 6 with an E flat in the horn part, creating a half-diminished seventh chord which is not in Schubert's original piano part.

There are subtle differences between this and the arrangement of the song by

octaves of the strings by playing on the second main beat.

Unlike Berlioz, Liszt does not alter the harmony, but changes the emphasis somewhat in bar 6, with the note A in the oboes and clarinets grating against rather than blending with the G in the strings.

"Schubert has come in for his fair share of transcriptions and arrangements. Most, like Liszt's transcriptions of the Lieder or Berlioz's orchestration for Erlkönig, tell us more about the arranger that about the original composer, but they can be diverting so long as they are in no way a replacement for the original".^[12]

Gustav Mahler's Lieder eines fahrenden Gesellen ("Songs of a Wayfarer") were originally written for voice with piano accompaniment. The composer's later arrangement of the piano part shows a typical ear for clarity and transparency in re-writing for an ensemble. Here is the original piano version of the closing bars of the second song, "Gieng heit' Morgen über's Feld":

The orchestration shows Mahler's attention to detail in bringing out differentiated orchestral

chromatic melodic line, implied by the left hand in bars 2–4 (above), and gives it to the horn.

Arrangements for small jazz combos are usually informal, minimal, and uncredited. Larger ensembles have generally had greater requirements for notated arrangements, though the early Count Basie big band is known for its many head arrangements, so called because they were worked out by the players themselves, memorized ("in the player's head"), and never written down.^[17] Most arrangements for big bands, however, were written down and credited to a specific arranger, as with arrangements by Sammy Nestico and Neal Hefti for Count Basie's later big bands.^[18]

Don Redman made innovations in jazz arranging as a part of Fletcher Henderson's orchestra in the 1920s. Redman's arrangements introduced a more intricate melodic presentation and soli performances for various sections of the big band.^[19] Benny Carter became Henderson's primary arranger in the early 1930s, becoming known for his arranging abilities in addition to his previous recognition as a performer.^[19] Beginning in 1938, Billy Strayhorn became an arranger of great renown for the Duke Ellington orchestra. Jelly Roll Morton is sometimes considered the earliest jazz arranger. While he toured around the years 1912 to 1915, he wrote down parts to enable "pickup bands" to perform his compositions.

Big-band arrangements are informally called charts. In the swing era they were usually either arrangements of popular songs or they were entirely new compositions.^[20] Duke Ellington's and Billy Strayhorn's arrangements for the Duke Ellington big band were usually new compositions, and some of Eddie Sauter's arrangements for the Benny Goodman band and Artie Shaw's arrangements for his own band were new compositions as well. It became more common to arrange sketchy jazz combo compositions for big band after the bop era.^[21]

After 1950, the big bands declined in number. However, several bands continued and arrangers provided renowned arrangements. Gil Evans wrote a number of large-ensemble arrangements in the late 1950s and early 1960s intended for recording sessions only. Other arrangers of note include Vic Schoen, Pete Rugolo, Oliver Nelson, Johnny Richards, Billy May, Thad Jones, Maria Schneider, Bob Brookmeyer, Lou Marini, Nelson Riddle, Ralph Burns, Billy Byers, Gordon Jenkins, Ray Conniff, Henry Mancini, Ray Reach, Vince Mendoza, and Claus Ogerman.

In the 21st century, the big-band arrangement has made a modest comeback. Gordon Goodwin, Roy Hargrove, and Christian McBride have all rolled out new big bands with both original compositions and new arrangements of standard tunes.^[22]

For instrumental groups

Strings

The

A group of instruments in which each member plays a unique part—rather than playing in unison with other like instruments—is referred to as a chamber ensemble.^[26] A chamber ensemble made up entirely of strings of the violin family is referred to by its size. A string trio consists of three players, a string quartet four, a string quintet five, and so on.

In most circumstances the string section is treated by the arranger as one homogeneous unit and its members are required to play preconceived material rather than improvise.

A string section can be utilized on its own (this is referred to as a string orchestra)^[27] or in conjunction with any of the other instrumental sections. More than one string orchestra can be utilized.

A standard string section (vln., vln 2., vla., vcl, cb.) with each section playing unison allows the arranger to create a five-part texture. Often an arranger will divide each violin section in half or thirds to achieve a denser texture. It is possible to carry this division to its logical extreme in which each member of the string section plays his or her own unique part.

Size of the string section

Artistic, budgetary and logistical concerns, including the size of the orchestra pit or hall will determine the size and instrumentation of a string section. The Broadway musical West Side Story, in 1957, was booked into the Winter Garden theater; composer Leonard Bernstein disliked the playing of "house" viola players he would have to use there, and so he chose to leave them out of the show's instrumentation; a benefit was the creation of more space in the pit for an expanded percussion section.^[28]

• Transcription (music)
• Instrumentation (music)
• Orchestration
• Reduction (music)
• Musical notation
• American Society of Music Arrangers and Composers
• Electronic keyboard (or Electronic Music Arranger), which allows for live music arrangement
• List of music arrangers
• List of jazz arrangers
• Category:Music arrangers

References