Arthur Foote

Source: Wikipedia, the free encyclopedia.
Arthur Foote as a young man
Autograph of Arthur Foote

Arthur William Foote (March 5, 1853 in

.

Biography

Foote was appointed organist of the First Church in Boston (Unitarian) in 1878, remaining there 32 years. A founder of the American Guild of Organists, he was one of the examiners at the first Guild Fellowship examination. He helped organize the New England chapter of the AGO, and from 1909 to 1912 (when the office was discontinued) he served as National Honorary President of the AGO, succeeding Horatio Parker in that position.[3] He was one of the editors of Hymns of the Church Universal, a Unitarian hymnal published in 1890.[4]

The modern tendency is to view Foote's music as "Romantic" and "European" in the light of the later generation of American composers such as Aaron Copland, Roy Harris and William Schuman, all of whom helped to develop a recognizably American sound in classical music. A Harvard graduate and the first noted American classical composer to be trained entirely in the U.S.,[5] in some sense he is to music what American poets were to literature before Walt Whitman.

Foote was an early advocate of Brahms and Wagner and promoted performances of their music. Foote was an active music teacher and wrote a number of pedagogical works, including Modern Harmony in Its Theory and Practice (1905), written with Walter R. Spalding. It was republished as Harmony (1969). He also wrote Some Practical Things in Piano-Playing (1909) and Modulation and Related Harmonic Questions (1919). He contributed many articles to music journals, including "Then and Now, Thirty Years of Musical Advance in America" in Etude (1913) and "A Bostonian Remembers" in Musical Quarterly (1937).

A good part of Foote's compositions consists of

Piano Quartet
, Op.23, are singled out for special praise. With regard to the Piano Quintet, the author writes, "Each of the movements is a gem. The Scherzo is particularly fine and the rousing finale beyond reproach. I believe that the only reason this work never received the audience it deserved and deserves is because it was written by an American who was 'out of the loop.'" As for the Piano Quartet, the opinion is that "it is as good as any late 19th century piano quartet."

Foote lived in

Society in Dedham for Apprehending Horse Thieves.[7] His students included Isabel Stewart North.[8]

Selected works

References

  1. ^ "MusicSack". Retrieved February 14, 2011.
  2. ^ "LOC Authority Reference". Retrieved February 14, 2011.
  3. ^ AGO Founders Hymnal, 2009, pp. 95-96
  4. ^ "Arthur Foote › Hymnals | Hymnary.org". hymnary.org.
  5. ^ AGO Founders Hymnal, 2009, p. 95
  6. ^ Tawa 1997, p. 189.
  7. ^ Tawa 1997, p. 11.
  8. ^ "7 Mar 1929, Page 1 - Bradford Evening Star and The Bradford Daily Record at Newspapers.com". Newspapers.com. Retrieved 2021-11-23.

Works cited

Further reading

External links