Harvard Art Museums
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The Harvard Art Museums are part of
The collections include approximately 250,000 objects in all media,[1] ranging in date from antiquity to the present and originating in Europe, North America, North Africa, the Middle East, South Asia, East Asia, and Southeast Asia. The main building contains 204,000 square feet (19,000 m2) of space for public exhibitions, classrooms, conservation and research labs, and other related functions.[9] Approximately 43,000 square feet (4,000 m2) of space are dedicated to exhibitions.[3]
Renovation and expansions
In 2008, the Harvard Art Museums' historic building at 32 Quincy Street, Cambridge, was closed for a major renovation and expansion project. During the beginning phases of this project, the Arthur M. Sackler Museum at 485 Broadway, Cambridge, displayed selected works from the collections of the Fogg, Busch-Reisinger, and Sackler museums from September 13, 2008, through June 1, 2013.
The renovated building at 32 Quincy Street united the three museums in a single facility designed by architect
The renovation added six levels of galleries, classrooms, lecture halls, and new study areas providing access to parts of the 250,000-piece collection of the museums.[11] The new building was opened in November 2014.[12]
Directors
- Charles Herbert Moore: 1896–1909
- Edward W. Forbes: 1909–1944
- John Coolidge: 1948–1968
- Agnes Mongan: 1968–1971
- Daniel Robbins: 1972–1974
- Seymour Slive: 1975–1984
- Edgar Peters Bowron: 1985–1990
- James Cuno: 1991–2002
- Thomas W. Lentz: 2003–2015
- Martha Tedeschi: 2016–present
Fogg Museum
The Fogg Museum, opened to the public in 1896, is the oldest and largest component of the Harvard Art Museums.
History
The museum was originally housed in an
Collection
The Fogg Museum is renowned for its holdings of Western paintings, sculpture, decorative arts, photographs, prints, and drawings from the
The museum's
The art museum has Late Medieval Italian paintings by the
In the fall of 2021, the Harvard Art Museums launched the "ReFrame" initiative, with the goal of promoting greater representation and presenting more perspectives within their exhibits. The initiative aims to bring unseen artwork out of storage and re-contextualize existing exhibits, to tell the stories of marginalized individuals in each curation.[17]
Gallery
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Titian, Rustic Idyll, 1507–1508
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Nicolas Poussin, Holy Family, 1645–1650
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Piazza San Marco, Venice], c. 1730–1735
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Albert Bierstadt, In the Sierras, 1868
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Summer Scene, 1869
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Edgar Degas, Cotton Merchants in New Orleans, 1873
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Edgar Degas, The Rehearsal, 1873
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Claude Monet, The Gare Saint-Lazare, Arrival of a Train, 1877
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Vincent van Gogh, Three Pairs of Shoes, 1886
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Paul Gauguin, Still Life with Apples, a Pear, and a Ceramic Portrait Jug, 1889
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Henri de Toulouse-Lautrec, Gueule de bois ("Hangover"), c. 1888
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Jean Metzinger, Landscape (Marine, Composition Cubiste), 1912
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John Singleton Copley, Mrs. Daniel Denison Rogers (Abigail Bromfield), 1784
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Ammi Phillips, Harriet Leavens, c. 1815
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Paul Gauguin, Self portrait, c. 1875–1877
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Edgar Degas, The Singer with the Glove, 1878
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John Singer Sargent, Madame Gautreau (Madame X), c. 1883
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Self-portrait dedicated to Paul Gauguin, 1888
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Paul Gauguin, Poèmes barbares, 1896
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Thomas Eakins, Miss Alice Kurtz, 1903
Busch–Reisinger Museum
Founded in 1903 as the Germanic Museum, the Busch–Reisinger Museum was renamed in 1920 when it was moved to Adolphus Busch Hall, named after the brewer and philanthropist Adolphus Busch, former president of the Anheuser-Busch company. The museum’s name also commemorates Busch’s son-in-law Hugo Reisinger.
The Busch-Reisinger is the only museum in North America dedicated to the study of art from the German-speaking countries of Central and Northern Europe in all media and in all periods.
The Busch–Reisinger Art Museum has oil paintings by artists Lovis Corinth, Max Liebermann, Gustav Klimt, Edvard Munch, Paula Modersohn-Becker, Max Ernst, Ernst Ludwig Kirchner, Franz Marc, Karl Schmidt-Rottluff, Emil Nolde, Erich Heckel, Heinrich Hoerle, Georg Baselitz, László Moholy-Nagy, and Max Beckmann. It has sculpture by Alfred Barye, Käthe Kollwitz, George Minne, and Ernst Barlach.
From 1921 to 1991, the Busch–Reisinger was located in
In 2018, Busch–Reisinger featured the exhibition Inventur–Art in Germany, 1943–55, which was named after a 1945 poem by Günter Eich.[20] In 2019, The Bauhaus and Harvard celebrated the centennial of the founding of the influential design school in Germany. Following its closure by the Nazis in 1933, a number of its former students and faculty made their way to Harvard, where they continued and expanded their work.[21]
Curators
- Kuno Francke, 1903–1930[22]
- Charles L. Kuhn, 1930–1968[23]
- Peter Nisbet
- Lynette Roth[24]
Arthur M. Sackler Museum
The Arthur M. Sackler Museum opened in 1985, and was located at 485 Broadway, directly across the street from the original Fogg Museum building. The Sackler building, designed by British architect James Stirling, was named for its major donor Arthur M. Sackler, who was a psychiatrist, entrepreneur, and philanthropist.[25] Upon its opening in 1984, the building also housed new offices for the History of Art and Architecture faculty, as well as the Digital Images and Slides Collection of the Fine Arts Library. The Sackler building continues to house the History of Art and Architecture Department and the Media Slide Library.[2]
Naming controversy
Since at least 2018,
Collection
The museum collection holds important collections of Asian art, most notably, archaic Chinese jades (the widest collection outside of China)[34] and Japanese surimono, as well as outstanding Chinese bronzes, ceremonial weapons, Buddhist cave-temple sculptures, ceramics from China and Korea, Japanese works on paper, and lacquer boxes.[34] The ancient Mediterranean and Byzantine collections comprise significant works in all media from Greece, Rome, Egypt, and the Near East. Strengths include Greek vases, small bronzes, and coins from throughout the ancient Mediterranean world. The museum also holds works on paper from Islamic lands and India, including paintings, drawings, calligraphy, and manuscript illustrations, with particular strength in Rajput art, as well as important Islamic ceramics from the 8th through to the 19th century.[citation needed]
Architecture
The Sackler building, which was originally designed as an extension to the Fogg Museum, elicited worldwide attention from the time of Harvard's commission of Stirling to design the building, following a selection process that evaluated more than 70 architects.[35][36] The university mounted an exhibition of the architects' preliminary design drawings in 1981 (James Stirling's Design to Expand the Fogg Museum), and issued a portfolio of Stirling's drawings to the press.[citation needed]
After its completion in 1984, the building received widespread press coverage,[37] with general acknowledgment of its significance as a Stirling design and a Harvard undertaking.[8] Stirling employed an inventive design in an effort to let the museum peacefully co-exist with neighboring buildings in an area that he termed "an architectural zoo".[35] Harvard published a 50-page book on the Sackler, with extensive color photos by Timothy Hursley, an interview with Stirling by Michael Dennis, a tribute to Arthur M. Sackler, and essays by Slive, Coolidge, and Rosenfield.[citation needed]
In spite of international critical acclaim upon its opening, there have been outspoken critics of the building; Martin Peretz even proposed its demolition (though his case was undermined by mis-attributing the building to another British architect,
The Sackler building was originally intended to include a 18-foot (5.5 m) wide by 150-foot (46 m) long "connector" or bridge to the second floor of the original Fogg Museum building located on the other side of Broadway, a major Cambridge thoroughfare. The massive addition was planned to house two galleries, a lounge, and a completely-enclosed connection between the buildings, accessible to visitors and museum staff.[8] The suspended structure was to include a large oculus window high above the middle of the street, at the level of the large square opening still visible on the front of the Sackler building.[39]
The connector was postponed and never built, because of strong opposition from the Mid-Cambridge Neighborhood Association and local politicians.[40] Eventually, an extensive renovation and expansion of the original Fogg Museum building would render the unbuilt connector proposal moot. In front of the entrance to the Sackler building, two monolithic reinforced concrete pillars still stand, which were originally intended to support the connector structure.[8][39][41][42]
In 2013, the future use of the Sackler building was uncertain,[43][44] as its collection had been relocated to the Renzo Piano expansion of the Fogg building.
In January 2019, after undergoing an 18-month renovation, the Sackler building was re-opened as an educational and research facility containing no significant public exhibition spaces. The building continues to house a sizable lecture hall at its basement level, which is primarily used for educational purposes. From its original opening in 1984, the building has encompassed the university's department of the History of Art and Architecture.[45][46]
See also
- National Register of Historic Places listings in Cambridge, Massachusetts
- List of university museums in the United States
References
- ^ a b "Browse Our Collections". Harvard Art Museums. Retrieved 2021-09-17.
- ^ a b c d "History and the Three Museums". Harvard Art Museums. Retrieved 29 July 2016.
- ^ a b c "Harvard Art Museums, Cambridge / 2014". Art & Architecture Quarterly. AAQ East End. 22 November 2014. Retrieved 2021-09-18.
- ^ a b c "History". Harvard Art Museums. Archived from the original on 2013-06-18. Retrieved 2013-07-20.
- ^ "Archaeological Exploration of Sardis". Harvard Art Museums. Retrieved 2013-07-20.
- ^ "Center for the Technical Study of Modern Art". Harvard Art Museums. Retrieved 2013-07-20.
- ^ "Straus Center for Conservation and Technical Studies". Harvard Art Museums. 2008-02-18. Retrieved 2013-07-20.
- ^ a b c d Wolf, Gary (9 April 1984). "Sackler Museum at Harvard University by Stirling and Wilford". Architectural Review. Retrieved 2021-09-17.
- ^ "Harvard's new home for art". Harvard Gazette. 31 October 2014. Retrieved 2021-09-17.
- ^ "After 6 years, Harvard Art Museums reemerging". Boston Globe. 12 April 2014. Retrieved 6 October 2016.
- ^ "Renzo Piano reconfigures Harvard Art Museums around a grand courtyard atrium". Dezeen magazine. Retrieved 19 November 2014.
- ^ Farago, Jason (15 November 2014). "Renzo Piano reboot of Harvard art museums largely triumphs". The Guardian.
- JSTOR 1343788.
- ^ Harvard News Office (2002-04-04). "Harvard Gazette: Color, form, action and teaching". News.harvard.edu. Retrieved 2013-07-18.
The first Fogg Museum, known as Hunt Hall, was built in 1893 and demolished in 1974 to make way for Canaday. The "new" Fogg was built in 1925 where the home of Harvard naturalist Louis Agassiz once stood — the original Agassiz neighborhood. The building is named for William Hayes Fogg, a Maine merchant who was born in 1817, left school at 14, and grew rich in the China trade. After he died in 1884, his widow, Elizabeth, left $200,000 and the couple's Asian art collection to Harvard.
- ^ "The Virgin and Child Enthroned; Christ on the Cross between the Virgin and Saint John the Evangelist". Harvard Art Museums. Retrieved 29 July 2016.
- ^ "The Virgin and Child Enthroned". Harvard Art Museums. Retrieved 29 July 2016.
- ^ "Harvard Art Museums Implement 'ReFrame' Initiative | News | The Harvard Crimson". www.thecrimson.com. Retrieved 2024-03-03.
- ^ The Dedication of the Germanic Museum of Harvard University. German American Press. 1904. p. 28.
dedication germanic museum william james.
{{cite book}}
:|work=
ignored (help) - ^ "The Bauhaus". Harvard Art Museums. Retrieved 2021-09-17.
- ^ Scharmann, Allison (February 12, 2018). "Inventur: Forgotten Art Rediscovered at the Harvard Art Museums". The Harvard Crimson. Retrieved February 20, 2018.
- ^ "Exhibitions, The Bauhaus and Harvard". Harvard Art Museums. Retrieved 2021-09-17.
- ^ Lenger, John. "Busch–Reisinger marks a century". The Harvard Gazette. Retrieved 4 November 2015.
- ^ "Busch–Reisinger's Kuhn to Retire After 38 Years as Museum Head". The Harvard Crimson. March 26, 1968. Retrieved 4 November 2015.
- ^ "Staff and Contact". Harvard Art Museums. Retrieved 29 July 2016.
- ^ Glueck, Grace (October 18, 1985). "Sackler Art Museum to open at Harvard". The New York Times. Retrieved July 30, 2016.
- ^ "Nan Goldin's P.A.I.N. Group Teams Up with Med Students for Sackler Protest at Harvard". Artforum. July 23, 2018. Retrieved 2023-04-21.
- ^ Berger, Jonah S. (January 22, 2019). "Activists Call on Harvard to Strip Art Museum of Sackler Name". The Harvard Crimson. Retrieved 2021-09-17.
- ^ Keefe, Patrick Radden (23 October 2017). "The Family That Built an Empire of Pain". The New Yorker. Condé Nast. Retrieved 2021-09-18.
- ^ "Activists Demand Removal of Sackler Name from Harvard Buildings". Artforum. January 22, 2019. Retrieved 2021-09-18.
- ^ LeBlanc, Steve (12 April 2019). "Parents press Harvard to remove Sackler name from art museum". Boston Herald. Retrieved 2021-09-18.
- ^ a b c Bishara, Hakim (20 April 2023). "In Surprise "Die-In," Protesters Demand Harvard Take Down Sackler Name". Hyperallergic. Retrieved 2023-04-21.
- ^ a b Hill, J. Sellers; Orakwue, Nia L. (April 20, 2023). "Student Activists Call on University to Dename Sackler Buildings at Harvard Art Museums 'Die-In'". The Harvard Crimson. The Harvard Crimson, Inc. Retrieved 2023-04-21.
- ^ Lu, Vivi E.; Teichholtz, Leah J. (October 4, 2022). "Undergrads Submit Proposal to Remove Sackler Name From Campus Buildings". The Harvard Crimson. The Harvard Crimson, Inc. Retrieved 2023-04-21.
- ^ a b "Arthur M Sackler Museum". Time Out North America. Retrieved July 30, 2012.
- ^ a b Stapen, Nancy (October 28, 1985). "Harvard's startling Sackler: Challenge was to fit museum into 'architectural zoo' - CSMonitor.com". Csmonitor.com. Retrieved July 30, 2016.
- .
- ^ Jennifer A. Kingson (October 22, 1984). "Warehouse or Museum?". The Harvard Crimson. Retrieved July 30, 2016.
- ^ Peretz, Martin (29 June 2008). "A List Of Buildings To Demolish In Cambridge, Massachusetts". New Republic. Retrieved 2016-12-09.
- ^ a b "Arthur M. Sackler Museum, Harvard University, Cambridge, Massachusetts: elevation for bridge". Canadian Centre for Architecture. Montréal, Québec, Canada. Retrieved 2021-09-17.
- ^ Winslow, Thomas J. (October 17, 1985). "Still Trying to Bridge the Gap: Plans to Connect Fogg and Sackler on Hold". The Harvard Crimson. Retrieved 2021-09-17.
- ^ "Museums Ponder Missing Link". John Harvard's Journal. Harvard Magazine. July 1998. Retrieved 2021-09-17.
- ^ "A Sneak Peek at New Museums Designed by Shigeru Ban and Renzo Piano". Architectural Digest. Condé Nast. 30 June 2014. Retrieved 2021-09-17.
- ^ MacGregor, Brianna D. (September 26, 2013). "Sackler Building Faces Uncertain Future". The Harvard Crimson. Retrieved 2016-12-09.
- ^ Waite, Richard (26 May 2011). "Fears over future for Stirling's Harvard gem". The Architects’ Journal. Retrieved 2021-09-18.
- ^ "Sackler Building Renovation". Harvard Capital Projects. Harvard University. Retrieved 2021-09-18.
- ^ "Harvard University, Sackler Building Renovation | Vanderweil Engineers". Vanderweil Engineers. Retrieved 2021-09-18.
Further reading
- Manuel, Steven (13 December 2014). "Connected Dialogues: experiencing Harvard Art Museums". ArtsEditor. Retrieved 11 January 2015. Review of the renovation
External links
- Harvard Art Museums
- Harvard Art Museums within Google Arts & Culture
- Archaeological Exploration of Sardis
- Center for the Technical Study of Modern Art
- Harvard Art Museums Archives
- The Straus Center for Conservation and Technical Studies
- Harvard listing of Sackler building, including bibliography
- AAQ Museum Architecture Portfolio, including multiple photos