Pillars of Ashoka

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Pillars of Ashoka
Rummindei
Known locations of the Pillars of Ashoka[1]

The pillars of Ashoka are a series of

Ashoka the Great, who reigned from c. 268 to 232 BC.[2] Ashoka used the expression Dhaṃma thaṃbhā (Dharma stambha), i.e. "pillars of the Dharma" to describe his own pillars.[3][4] These pillars constitute important monuments of the architecture of India, most of them exhibiting the characteristic Mauryan polish. Twenty of the pillars erected by Ashoka still survive, including those with inscriptions of his edicts. Only a few with animal capitals survive of which seven complete specimens are known.[5] Two pillars were relocated by Firuz Shah Tughlaq to Delhi.[6] Several pillars were relocated later by Mughal Empire rulers, the animal capitals being removed.[7] Averaging between 12 and 15 m (40 and 50 ft) in height, and weighing up to 50 tons each, the pillars were dragged, sometimes hundreds of miles, to where they were erected.[8]

The pillars of Ashoka are among the earliest known stone sculptural remains from India. Only another pillar fragment, the

Greeks.[9] A graphic representation of the Lion Capital of Ashoka from the column there was adopted as the official State Emblem of India in 1950.[10]

All the pillars of Ashoka were built at Buddhist monasteries, many important sites from the life of the

Buddha and places of pilgrimage. Some of the columns carry inscriptions addressed to the monks and nuns.[11] Some were erected to commemorate visits by Ashoka. Major pillars are present in the Indian States of Bihar, Uttar Pradesh, Madhya Pradesh and some parts of Haryana
.

Ashoka and Buddhism

Lion Capital of Ashoka from Sarnath, with Wheel of the Moral Law (reconstitution). 3rd century BC.[12][13][14]

Ashoka ascended to the throne in 269 BC inheriting the

Mauryan empire founded by his grandfather Chandragupta Maurya. Ashoka was reputedly a tyrant at the outset of his reign. Eight years after his accession he campaigned in Kalinga where in his own words, "a hundred and fifty thousand people were deported, a hundred thousand were killed and as many as that perished..." As he explains in his edicts, after this event Ashoka converted to Buddhism in remorse for the loss of life. Buddhism became a state religion and with Ashoka's support it spread rapidly. The inscriptions on the pillars set out edicts about morality based on Buddhist tenets.[15][16]
They were added in the 3rd century BC.

Construction

The traditional idea that all were originally quarried at Chunar, just south of Varanasi and taken to their sites, before or after carving, "can no longer be confidently asserted",[19] and instead it seems that the columns were carved in two types of stone. Some were of the spotted red and white sandstone from the region of Mathura, the others of buff-colored fine grained hard sandstone usually with small black spots quarried in the Chunar near Varanasi. The uniformity of style in the pillar capitals suggests that they were all sculpted by craftsmen from the same region. It would therefore seem that stone was transported from Mathura and Chunar to the various sites where the pillars have been found, and there was cut and carved by craftsmen.[20]

The pillars have four component parts in two pieces: the three sections of the capitals are made in a single piece, often of a different stone to that of the monolithic shaft to which they are attached by a large metal dowel. The shafts are always plain and smooth, circular in cross-section, slightly tapering upwards and always chiselled out of a single piece of stone. There is no distinct base at the bottom of the shaft. The lower parts of the capitals have the shape and appearance of a gently arched bell formed of lotus petals. The abaci are of two types: square and plain and circular and decorated and these are of different proportions. The crowning animals are masterpieces of Mauryan art, shown either seated or standing, always in the round and chiselled as a single piece with the abaci.[21][22] Presumably all or most of the other columns that now lack them once had capitals and animals. They are also used to commemorate the events of the Buddha's life.

Lion designs
Left image: Vaishali lion of Ashoka. Right image: Assyrian relief of a lion at Nineveh (c. 640 BC). Many stylistic elements (design of the whiskers, the eyes, the fur etc...) point to similarities.[23]

Currently seven animal sculptures from Ashoka pillars survive.[5][24] These form "the first important group of Indian stone sculpture", though it is thought they derive from an existing tradition of wooden columns topped by animal sculptures in copper, none of which have survived. It is also possible that some of the stone pillars predate Ashoka's reign.[25]

Floral designs
Allahabad pillar, with lotuses alternating with "flame palmettes" over a bead and reel pattern.
Bottom image: A quite similar frieze from Delphi
, 525 BC.

Origin

Western origin

There has been much discussion of the extent of influence from

Achaemenid Persia,[26] where the column capitals supporting the roofs at Persepolis have similarities, and the "rather cold, hieratic style" of the Sarnath Lion Capital of Ashoka especially shows "obvious Achaemenid and Sargonid influence".[27] India and the Achaemenid Empire had been in close contact since the Achaemenid conquest of the Indus Valley
, from c. 500 to 330 BC.

lotuses, which likely originated from Greek and Near-Eastern arts.[23] Such examples can also be seen in the remains of the Mauryan capital city of Pataliputra
.

It has also been suggested that 6th century Greek columns such as the Sphinx of Naxos, a 12.5m Ionic column crowned by an animal in the religious centre of Delphi, may have been an inspiration for the pillars of Ashoka.[17] Many similar columns crowned by sphinxes were discovered in ancient Greece, as in Sparta, Athens or Spata, and some were used as funerary steles.[17] The Greek sphinx, a lion with the face of a human female, was considered as having ferocious strength, and was thought of as a guardian, often flanking the entrances to temples or royal tombs.[29]

Pillar as Dhvaja, military standard
Heliodorus pillar in Vidisha, India, 2nd Century BC
Shunga horseman carrying portable garuda standard, Bharhut 2nd Century BC

Indian origin

Some scholars such as John Irwin emphasized a reassessment from popular belief of Persian or Greek origin of Ashokan pillars. He makes the argument that Ashokan pillars represent Dhvaja or standard which Indian soldiers carried with them during battle and it was believed that the destruction of the enemy's dhvaja brought misfortune to their opponents. A relief of Bharhut stupa railing portrays a queenly personage on horseback carrying a Garudadhvaja.[30] Heliodorus pillar has been called Garudadhvaja, literally Garuda-standard, the pillar dated to 2nd century BC is perhaps the earliest recorded stone pillar which has been declared a dhvaja.[31]

Ashokan edicts themselves state that his words should be carved on any stone slab or pillars available indicating that the tradition of carving stone pillars was present before the period of Ashoka.

John Irwin also highlights the fact that carvings on pillars such as Allahabad pillar was done when it had already been erected indicating its pre Ashokan origins.[32]

Ashoka called his own pillars Silā Thabhe (𑀲𑀺𑀮𑀸𑀣𑀪𑁂, Stone Stambha, i.e. stone pillars). Lumbini inscription, Brahmi script.

Stylistic argument

Though influence from the west is generally accepted, especially the Persian columns of Achaemenid Persia, there are a number of differences between these and the pillars. Persian columns are built in segments whereas Ashokan pillars are monoliths, like some much later Roman columns. Most of the Persian pillars have a fluted shaft while the Mauryan pillars are smooth, and Persian pillars serve as supporting structures whereas Ashokan pillars are individual free-standing monuments. There are also other differences in the decoration.[33] Indian historian Upinder Singh comments on some of the differences and similarities, writing that "If the Ashokan pillars cannot in their entirety be attributed to Persian influence, they must have had an undocumented prehistory within the subcontinent, perhaps a tradition of wooden carving. But the transition from stone to wood was made in one magnificent leap, no doubt spurred by the imperial tastes and ambitions of the Maurya emperors."[34]

Whatever the cultural and artistic borrowings from the west, the pillars of Ashoka, together with much of Mauryan art and architectural prowesses such as the city of Pataliputra or the Barabar Caves, remain outstanding in their achievements, and often compare favourably with the rest of the world at that time. Commenting on Mauryan sculpture, John Marshall once wrote about the "extraordinary precision and accuracy which characterizes all Mauryan works, and which has never, we venture to say, been surpassed even by the finest workmanship on Athenian buildings".[35][36]

Complete list of the pillars

Five of the pillars of Ashoka, two at

Rampurva, one each at Vaishali, Lauriya Araraj and Lauria Nandangarh possibly marked the course of the ancient Royal highway from Pataliputra to Nepal. Several pillars were relocated by later Mughal Empire rulers, the animal capitals being removed.[7]

The two Chinese medieval pilgrim accounts record sightings of several columns that have now vanished: Faxian records six and Xuanzang fifteen, of which only five at most can be identified with surviving pillars.[37] All surviving pillars, listed with any crowning animal sculptures and the edicts inscribed, are as follows:[21][38]

Complete standing pillars, or pillars with Ashokan inscriptions

Geographical spread of known pillar capitals.

The

Brahmi which are hardly decipherable. Only the word vijaya (victory) can be made out, arguably a word also used by Ashoka.[39] Sircar, who provides a detailed study, considers it as probably belonging to an Ashokan pillar.[40]

Complete standing pillars, or pillars with Ashokan inscriptions

Pillars without Ashokan inscriptions

There are also several known fragments of Ashokan pillars, without recovered Ashokan inscriptions, such as the

Rajagriha and Mahasala, which have not been recovered to this day.[44]

Fragments of Pillars of Ashoka, without Ashokan inscriptions

The capitals (Top Pieces)

Allahabad pillar
of Ashoka, the only remaining portion of the capital of the Allahabad pillar.

There are altogether seven remaining complete capitals, five with lions, one with an elephant and one with a zebu bull. One of them, the four lions of Sarnath, has become the State Emblem of India. The animal capitals are composed of a lotiform base, with an abacus decorated with floral, symbolic or animal designs, topped by the realistic depiction of an animal, thought to each represent a traditional directions in India.

The horse motif on the Sarnath Lion Capital of Ashoka, is often described as an example of Hellenistic realism.[46]

Various foreign influences have been described in the design of these capitals.

Allahabad pillar. These designs likely originated in Greek and Near-Eastern arts.[49] They would probably have come from the neighboring Seleucid Empire, and specifically from a Hellenistic city such as Ai-Khanoum, located at the doorstep of India.[25] Most of these designs and motifs can also be seen in the Pataliputra capital
.

The

geese, similar to those found on several of the Pillars of Ashoka.[50]

Chronological order

Based on stylistic and technical analysis, it is possible to establish a tentative chronological orders for the pillars. The earliest one seems to be the

Dharma wheel) for the Sarnath lion.[51]

Other chronological orders have also been proposed, for example based on the style of the Ashokan inscriptions on the pillars, since the stylistically most sophisticated pillars actually have the engravings of the

Known capitals of the pillars of Ashoka
Ordered chronologically based on stylistic and technical analysis.[51]

Of the

Allahabad pillar, only the abacus remains, the bottom bulb and the crowning animal having been lost. The remains are now located in the Allahabad Museum
.

relief, 100 BC.

A few more possibly Ashokan capitals were also found without their pillars:

It is also known from various ancient sculptures (reliefs from Bharhut, 100 BC), and later narrative account by Chinese pilgrims (5-6th century AD), that there was a pillar of Ashoka at the Mahabodhi Temple founded by Ashoka, that it was crowned by an elephant.[55]

The same Chinese pilgrims have reported that the capital of the Lumbini pillar was a horse (now lost), which, by their time had already fallen to the ground.[55]

Inscriptions

Major Pillar Edict. Brahmi script.[3]

The inscriptions on the columns include a fairly standard text. The inscriptions on the columns join other, more numerous, Ashokan inscriptions on natural rock faces to form the body of texts known as the Edicts of Ashoka. These inscriptions were dispersed throughout the areas of modern-day Bangladesh, India, Nepal, Afghanistan and Pakistan and represent the first tangible evidence of Buddhism. The edicts describe in detail Ashoka's policy of Dhamma, an earnest attempt to solve some of problems that a complex society faced.[56] In these inscriptions, Ashoka refers to himself as "Beloved servant of the Gods" (Devanampiyadasi). The inscriptions revolve around a few recurring themes: Ashoka's conversion to Buddhism, the description of his efforts to spread Buddhism, his moral and religious precepts, and his social and animal welfare program. The edicts were based on Ashoka's ideas on administration and behaviour of people towards one another and religion.

Alexander Cunningham, one of the first to study the inscriptions on the pillars, remarks that they are written in eastern, middle and western Prakrits which he calls "the Punjabi or north-western dialect, the Ujjeni or middle dialect, and the Magadhi or eastern dialect."[57] They are written in the Brahmi script.

Minor Pillar Edicts

These contain inscriptions recording their dedication, as well as the Schism Edicts and the Queen's Edict. They were inscribed around the 13th year of Ashoka's reign.

  • Sanchi pillar (Schism Edict)
  • Sarnath pillar (Schism Edict)
  • Allahabad
    pillar (Schism Edict, Queen Edict, and also Major Pillar Edicts)
  • Lumbini (Rummindei), Nepal (the upper part broke off when struck by lightning; the original horse capital mentioned by Xuanzang is missing) was erected by Ashoka where Buddha was born.
  • Nigali Sagar (or Nigliva), near Lumbini, Rupandehi district, Nepal (originally near the Buddha Konakarnana stupa)
  • Kosambi-Allahabad Schism Edict.
    Kosambi-Allahabad Schism Edict.
  • Sanchi Schism Edict.
    Sanchi Schism Edict.
  • Sarnath Schism Edit.
    Sarnath Schism Edit.
  • Rummindei, in Lumbini.
    Rummindei, in Lumbini.
  • Nigali Sagar.

Major Pillar Edicts

Fragment of the 6th Major Pillar Edict, from the Delhi-Meerut Pillar of Ashoka, British Museum.[58]

Asoka's 6 Major Pillar Edicts have been found at Kausambhi (Allahabad), Topra (now Delhi), Meerut (now Delhi), Lauriya-Araraj, Lauriya-Nandangarh, Rampurva (Champaran), and a 7th one on the Delhi-Topra pillar.

These pillar edicts include:[59]

  • I Asoka's principle of protection to people
  • II Defines dhamma as minimum of sins, many virtues, compassion, liberality, truthfulness and purity
  • III Abolishes sins of harshness, cruelty, anger, pride etc.
  • IV Deals with duties of government officials
  • V List of animals and birds which should not be killed on some days and another list of animals which cannot be killed on any occasion. Describes release of 25 prisoners by Asoka.
  • VI Works done by Asoka for Dhamma Policy. He says that all sects desire both self-control and purity of mind.
  • VII Testimental edict.
  • Major Pillar Edicts I, II, III (Delhi-Topra)
    Major Pillar Edicts I, II, III (Delhi-Topra)
  • Major Pillar Edicts IV (Delhi-Topra)
    Major Pillar Edicts IV (Delhi-Topra)
  • Major Pillar Edicts V-VII (Delhi-Topra)
    Major Pillar Edicts V-VII (Delhi-Topra)
  • Major Pillar Edicts VII, second part (Delhi-Topra)
    Major Pillar Edicts VII, second part (Delhi-Topra)

Description of the pillars

Front view of the single lion capital in Vaishali.

Pillars retaining their animals

The most celebrated capital is the four-lion one at

National Emblem of India and the wheel "Ashoka Chakra" from its base was placed onto the centre of the flag of India
.

The lions probably originally supported a

Dharma Chakra wheel with 24 spokes, such as is preserved in the 13th century replica erected at Wat Umong near Chiang Mai, Thailand by Thai king Mangrai.[60]

Satavahana period, South gateway of stupa
3.

The pillar at Sanchi also has a similar but damaged four-lion capital. There are two pillars at Rampurva, one crowned with a bull and the other with a lion. Sankissa has only a damaged elephant capital, which is mainly unpolished, though the abacus is at least partly so. No pillar shaft has been found, and perhaps this was never erected at the site.[61]

The Vaishali pillar has a single lion capital.[62] The location of this pillar is contiguous to the site where a Buddhist monastery and a sacred coronation tank stood. Several stupas suggesting a far-flung campus for the monastery have been discovered. The lion faces north, the direction Buddha took on his last voyage.[63] Identification of the site for excavation in 1969 was aided by the fact that this pillar still jutted out of the soil. More such pillars exist in this greater area but they are all devoid of the capital.

Pillar at Prayagraj

In

Koshala kingdom, and moved to Allahabad, presumably under Muslim rule.[64]

The pillar is now located inside the

Indian fig tree of great antiquity. The Ramayana refers to this tree under which Lord Rama
is supposed to have prayed while on exile.

Pillars at Lauriya-Areraj and Lauriya-Nandangarh

The column at

Lauriya-Nandangarh, 23 km from Bettiah in West Champaran district, Bihar has single lion capital. The hump and the hind legs of the lion project beyond the abacus.[21] The pillar at Lauriya-Areraj in East Champaran district, Bihar
is presently devoid of any capital.

Erecting the Pillars

The Pillars of Ashoka may have been erected using the same methods that were used to erect the ancient

obelisk erecting experiments including a successful attempt to erect a 25ton obelisk in 1999. This followed two experiments to erect smaller obelisks and two failed attempts to erect a 25-ton obelisk.[65][66]

Rediscoveries

Rediscovery of the Ashoka pillar in Sarnath, 1905.

A number of the pillars were thrown down by either natural causes or iconoclasts, and gradually rediscovered. One was noticed in the 16th century by the English traveller Thomas Coryat in the ruins of Old Delhi. Initially he assumed that from the way it glowed that it was made of brass, but on closer examination he realized it was made of highly polished sandstone with upright script that resembled a form of Greek. In the 1830s James Prinsep began to decipher them with the help of Captain Edward Smith and George Turnour. They determined that the script referred to King Piyadasi which was also the epithet of an Indian ruler known as Ashoka who came to the throne 218 years after Buddha's enlightenment. Scholars have since found 150 of Ashoka's inscriptions, carved into the face of rocks or on stone pillars marking out a domain that stretched across northern India and south below the central plateau of the Deccan. These pillars were placed in strategic sites near border cities and trade routes.

The

F.O. Oertel, with no real experience in archaeology, was allowed to excavate there in the winter of 1904–05. He first uncovered the remains of a Gupta shrine west of the main stupa, overlying an Ashokan structure. To the west of that he found the lowest section of the pillar, upright but broken off near ground level. Most of the rest of the pillar was found in three sections nearby, and then, since the Sanchi capital had been excavated in 1851, the search for an equivalent was continued, and the Lion Capital of Ashoka, the most famous of the group, was found close by. It was both finer in execution and in much better condition than that at Sanchi. The pillar appeared to have been deliberately destroyed at some point. The finds were recognised as so important that the first onsite museum in India (and one of the few then in the world) was set up to house them.[67]

Other Ashokan structures

The Buddha's Diamond Throne and the Pillars of Ashoka
Side decorative bands of the Diamond Throne (top) and the Sanchi pillar capital (bottom), both featuring geese and flame palmettes.
Front decorative friezes of the Diamond Throne (top) and the Sankissa pillar capital (bottom), both alternating flame palmettes, rosettes
and lotuses.
Stupas

According to legend, Ashoka built 84,000 stupas commemorating the events and relics of Buddha's life. Some of these stupas contained networks of walls containing the hub, spokes and rim of a wheel, while others contained interior walls in a swastika (卐) shape. The wheel represents the sun, time, and Buddhist law (the wheel of law, or dharmachakra), while the swastika stands for the cosmic dance around a fixed centre and guards against evil.[15][16]

"Diamond throne" in Bodh Gaya

Ashoka also built the

Buddha had reached enlightenment some 200 years earlier.[68][69] This purely Buddhist monument to the Buddha is a thick slab of polished grey sandstone with Mauryan polish[70]

The sculpted decorations on the Diamond Throne clearly echo the decorations found on the Pillars of Ashoka.

geese, which can also be found on several of the Pillars of Ashoka,[50] such as the Rampurva capitals or the Sanchi capital.[70] The geese (hamsa) in particular are a very recurrent symbol on the pillars of Ashoka, and may refer to the devotees flocking to the faith.[69] The same throne is also illustrated in later reliefs from Bharhut, dated to circa 100 BC.[72]

Similar pillars

The 6th-century pillar at the tomb of Xiao Jing, or

Emperor Jing of Western Liang, is similar to the Ashoka pillar.[73]

See also

Related topics

Other similar topics

Notes

  1. ^ a b c d e f g h i j k l m n Buddhist Architecture, Huu Phuoc Le, Grafikol, 2010 p.36-40
  2. OCLC 299661763
    .
  3. ^ a b Inscriptions of Asoka. New Edition by E. Hultzsch (in Sanskrit). 1925. p. 132, Edict No 7 line 23.
  4. .
  5. ^ .
  6. ^ India: The Ancient Past: A History of the Indian Subcontinent from c. 7000 BCE to CE 1200, Burjor Avari Routledge, 2016 p.139
  7. ^ a b Krishnaswamy, 697-698
  8. ^ "KING ASHOKA: His Edicts and His Times". www.cs.colostate.edu. Retrieved 29 October 2017.
  9. ^ India: The Ancient Past: A History of the Indian Subcontinent from c. 7000 BCE to CE 1200, Burjor Avari, Routledge, 2016 p.149
  10. ^ State Emblem, Know India india.gov.in
  11. ^ Companion, 430
  12. ^ "Lion Capital of Ashoka At Sarnath Archaeological Museum Near Varanasi India". YouTube.
  13. ^ Agrawala, Vasudeva Sharana (1965). Studies In Indian Art. p. 67.
  14. ^ "Remains of the topmost wheel in the Sarnath Archaeological Museum". 17 February 2019.
  15. ^ a b Time Life Lost Civilizations series: Ancient India: Land Of Mystery (1994) p. 84-85,94-97
  16. ^ a b Oliphant, Margaret "The Atlas Of The Ancient World" 1992 p. 156-7
  17. ^ . It can also be suggested that Lāțs topped by animal figures also have an ancestor in the sphinx - topped pillars of Greece of the Middle Archaic period (c.580-40 B.C), Delphi Museum at Delphi, Greece, has an elegant winged sphinx figure sitting on an Ionic capital with side volutes. It was the Naxian sphinx pillar datable to about 575-560 BC. Many more sphinx-pillars have been found from different parts of Greece like Sparta, Athens and Spata (Attica). Rowland traces western Asiatic inspirations in the addorsed animal capitals of Aśokas Lāțs. But the inspiration for the single animal figure Lāțs, should be traced in the sphinx pillars of Greece. Asoka's direct link with his contemporaneous Greek states of Western Asia , Africa and Greece itself can result in the conception of single animal topped Lățs , from the Delphi type sphinx pillars. Such a possibility should not be ruled out in Mauryan Age.
  18. .
  19. ^ Harle, 22
  20. , pp.267-70
  21. ^ , pp.350-3
  22. ^ Companion,
  23. ^ a b Buddhist Architecture, by Huu Phuoc Le, Grafikol, 2010 p.44
  24. ^ Rebecca M. Brown, Deborah S. Hutton. A Companion to Asian Art and Architecture. John Wiley & Sons. pp. 423–429.
  25. ^ a b Boardman (1998), 15
  26. ^ Boardman (1998), 13
  27. ^ Harle, 22, 24, quoted in turn
  28. ^ A Comprehensive History Of Ancient India, Sterling Publishers Pvt. Ltd, 2003, p.87
  29. ^ Stewart, Desmond. Pyramids and the Sphinx. [S.l.]: Newsweek, U.S., 72. Print.
  30. JSTOR 877843
    .
  31. ^ Agrawala, Vasudeva S. (1977). Gupta Art Vol.ii.
  32. S2CID 162953368
    .
  33. ^ Boardman (1998), 13-19
  34. . Retrieved 10 April 2018.
  35. ^ The Early History of India by Vincent A. Smith
  36. ^ Annual report 1906-07 p.89
  37. ^ Ashoka, 2
  38. .
  39. ^ Buddhist Architecture, Le Huu Phuoc, Grafikol 2009, p.169
  40. ^ Sircar, D. C. (1979). Asokan studies. pp. 118–122.
  41. ^ Sircar, D. C. (1979). Asokan studies. p. 118.
  42. ^ Mapio
  43. ^ Asoka by Radhakumud Mookerji p.85
  44. ^ a b Buddhist Architecture, Le Huu Phuoc, Grafikol 2009, p.40
  45. .
  46. ^ A Brief History of India, Alain Daniélou, Inner Traditions / Bear & Co, 2003, p.89-91 [1]
  47. ^ The pillars "owe something to the pervasive influence of Achaemenid architecture and sculpture, with no little Greek architectural ornament and sculptural style as well. Notice the florals on the bull capital from Rampurva, and the style of the horse of the Sarnath capital, now the emblem of the Republic of India." "The Diffusion of Classical Art in Antiquity" by John Boardman, Princeton University Press, 1993, p.110
  48. . Retrieved 29 October 2017 – via Google Books.
  49. . Retrieved 29 October 2017 – via Google Books.
  50. ^ a b Buddhist Architecture, Huu Phuoc Le, Grafikol, 2010 p.240
  51. ^ a b Le Huu Phuoc, Buddhist Architecture, p.42
  52. ^ a b c The True Chronology of Aśokan Pillars, John Irwin, Artibus Asiae, Vol. 44, No. 4 (1983), pp. 247-265 [2]
  53. ^ Story of the Delhi Iron Pillar, R. Balasubramaniam p.19
  54. ^ The Past Before Us, Romila Thapar p.361
  55. ^ a b Buddhist Architecture, Le Huu Phuoc, Grafikol 2009, pp 238-248
  56. ^ "The Ashokan rock edicts are a marvel of history".
  57. ^ Inscriptions of Ashoka by Alexander Cunningham, Eugen Hultzsch. Calcutta: Office of the Superintendent of Government Printing. Calcutta: 1877
  58. ^ "British Museum Highlights". Retrieved 29 October 2017.
  59. ^ Full texts, An English rendering by Ven. S. Dhammika, 1993
  60. ^ "Wat Umong Chiang Mai". Thailand's World. Archived from the original on 3 December 2013. Retrieved 26 November 2013.
  61. ^ Companion, 428-429
  62. ^ "Destinations :: Vaishali". Archived from the original on 22 July 2015. Retrieved 25 December 2006.
  63. ^ "Destinations :: Vaishali ::Bihar State Tourism Development Corporation". bstdc.bih.nic.in. Archived from the original on 22 July 2015. Retrieved 29 October 2017.
  64. ^ Krishnaswamy, 697-700
  65. ^ "NOVA Online - Mysteries of the Nile - August 27, 1999: The Third Attempt". www.pbs.org. Retrieved 29 October 2017.
  66. ^ Time Life Lost Civilizations series: Ramses II: Magnificence on the Nile (1993)p. 56-57
  67. ^ Allen, Chapter 15
  68. ^ A Global History of Architecture, Francis D. K. Ching, Mark M. Jarzombek, Vikramaditya Prakash, John Wiley & Sons, 2017 p.570ff
  69. ^ a b Buddhist Architecture, Huu Phuoc Le p.240
  70. ^ a b Alexander Cunningham, Mahâbodhi, or the great Buddhist temple under the Bodhi tree at Buddha-Gaya p.19 Public Domain text
  71. .
  72. ^ Mahâbodhi, Cunningham p.4ff Public Domain text
  73. ^ Buddhist Architecture by Huu Phuoc Le p.45

References

Further reading

External links