Atilio Malinverno
Atilio Malinverno | |
---|---|
Painter | |
Notable work | Los Eucaliptos |
Atilio Malinverno (
Known as "the philosopher of trees",
He moved for a period to the Córdoba hills, painting in the open air, and on returning to Buenos Aires staged exhibitions at which he successfully sold all his works.
He studied art at the Asociación de Estímulo de Bellas Artes (Fine Arts Association), and made several trips to study art in the Argentine interior, Bolivia, Chile and Uruguay.
Biography
Malinverno was born in Buenos Aires on 20 April 1890. He studied at the Fine Arts Association with teachers
More recently his work has featured repeatedly in exhibitions at the Alvear de Zurbarán Collection in Buenos Aires: individual exhibitions in 1986, 1991, 1994 and 1998, and as part of collective exhibitions in 1982 and 1997. Also in 1986 his work was included in the "Italian Roots in Argentine Art" exhibition at the Estudio de Buenos Aires.
Present displays
Malinverno's work is on display at:
- Blue Room of the Casa Rosada presidential palace, Buenos Aires[4]
- Permanent collection, Museo de Arte del Tigre[5]
- Eduardo Sívori Museum, Buenos Aires
- Museo Nacional de Bellas Artes, Buenos Aires
- Museo de Arte Hispanoamericano Isaac Fernandez Blanco, Buenos Aires
References
- ^ Rafael F. Squirru, "Arte y humanismo", p. 88 et seq. Fundación Praxis para la Difusión del Arte, 1993. [1]
- ^ Galeria Witcomb, "Memorias de una galería de arte: Archivo Witcomb, 1896-1971". p. 134. Fundación Espigas, 2000. [2]
- ^ "Memorabilia: Acontecimientos, Nacimientos y Fallecimientos importantes de la historia dia a dia". p. 151. Kreactiva Editorial. [3]
- ^ El salón de Pintores y Pinturas Argentinas del Bicentenario, Casa Rosada
- ^ La Colección Permanente - Atilio Malinverno Archived 2012-10-07 at the Wayback Machine, Museo de Arte Tigre
Further reading
- "Malinverno", Talleres Gráficos "La Suiza", 1937. [4]
- Rafael F. Squirru, Ignacio Gutiérrez Zaldívar. "40 Maestros Del Arte de Los Argentinos", p. 186. Zurbarán Ediciones, 1990. [5]
- Rodrigo Gutiérrez Viñuales. "La pintura argentina: identidad nacional e hispanismo (1900-1930)", p. 63-65. Editorial Universidad de Granada, 2003. [6]