Ayoka Chenzira

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Ayoka "Ayo" Chenzira
Born (1953-11-08) November 8, 1953 (age 70)
Philadelphia, Pennsylvania
NationalityAmerican
Occupation(s)Filmmaker and Television Director
Years active1979 -
Known forOne of a handful of Black experimental filmmakers working in the late 1970s, One of the first African American women filmmakers to write, produce, and direct a feature film
Notable work"Hairpiece: A Film for Nappyheaded People", "Zajota & the Boogie Spirit", "Alma's Rainbow", "MOTV", "HERadventure"

Ayoka "Ayo" Chenzira (born November 8, 1953) is an independent

representations of African Americans in the mainstream media.[2]

Chenzira is most well known for her

material objects
with digital environments, and interactive films including Chenzira and her daughter HaJ's collaboration on HERadventure (2013).

Early life

Born in

moving images
since she was 17.

Education

After graduating from high school, Chenzira studied film and photography at

Chenzira is the Division Chair of the Arts at Spelman College and one of the first African Americans to teach film production in higher education.[6]

Career

Chenzira was one of a group of young Black filmmakers who worked outside of mainstream

financing and production systems for films.[5][7] From 1981 to 1984, Chenzira was the programs director of the Black Filmmakers Foundation, where she helped promote and distribute black films.[8] She was one of the first African-American women to produce a feature-length film, Alma's Rainbow (1993).[5][9] In 1984, she was one of seven writer/directors selected for the Sundance Institute.[2]

In the mid-1980s, Chenzira formed Red Carnelian, a New-York based production and distribution company focusing on media productions depicting life and culture of African Americans.[2] The company has a successful production division as well as a distribution division, Black Indie Classics.[2]

Chenzira was the Chair of the Department of

Media and Communication Arts at the City College of New York, where she managed programs in advertising, public relations, journalism, film and video; she also co-created their first M.F.A in media arts production graduate program.[4]

Chenzira was an

Public Television resulted in the first Multicultural Public Television Fund.[2]

In the mid nineties, Chenzira was consultant to the M-Net Television of South Africa.[2] She taught screenwriting and directing in Kenya, Nigeria, Senegal, and South Africa.

In 2001, Chenzira was invited to serve as the first

William and Camille Cosby Endowed Professor in the Arts at Spelman College in Atlanta.[4] There, she created and directed the award-winning Digital Moving Image Salon (DMIS), a year-long research and documentary production course.[4] She also created and served as director of Oral Narratives and Digital Technology, a joint venture between Spelman College and the Durham Institute of Technology (DIT) where she designed and taught documentary filmmaking primarily for Zulu students at DIT.[4] in 2015, Chenzira's films are in several notable permanent collections including those at Museum of Modern Art and the Whitney Museum of American Art. She was also invited to show her early films at Lincoln Center as part of a celebration of Black filmmakers titled " Tell it like it is : Black independents in New York, 1968–1986.[10] and the touring exhibition, We Wanted a Revolution: Black Radical Women 1965–1985
.

Films

Hair Piece: A Film for Nappyheaded People is a 1984 satirical short film incorporating

kinky hair seen as broken?"[5] Chenzira, noted for her feminist topics, points out "self image for African-American women living in a society where beautiful hair is viewed as hair that blows in the wind".[11] The pioneering short animated film tackles matters of space and personal rights for Black women and their bodies.[12] The award-winning ten-minute, 16-mm color animation contrasts the hair experiences and culture of Black women against white beauty standards.[12] Chenzira depicts the salon locale as an engaging space, calling for an initiation in scholarly and film discourse about Black hair culture and Black female agency.[12] Using humor, music, and mixed media of magazine photographs, Chenzira examines African American beauty trends as well as issues for Black women from the early 1900s to the early 1980s.[12] In 2018, Hair Piece: A Film for Nappyheaded People was included in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress being deemed "culturally, historically, or aesthetically significant" and recommended for preservation.[13][14]

Chenzira produced and directed Alma's Rainbow in 1993, a "coming-of-age" comedy-drama about middle-class black women in Brooklyn.[15] This was one of the first 35mm feature films produced, written and directed by an African-American woman.[5] It is one of Billboard Magazine’s top 40 home video rentals.[1] Through the course of the film, Alma Gold, her daughter Rainbow, and Rainbow’s semi-estranged Aunt Ruby work to reinstate themselves and their various types of "work" with a sense of value in society, to find happiness in life, love and finances.[16] The film explores the tensions and pitfalls that arise in a journey of this nature—most paths are fraught with risk, while others should not be pursued under any circumstances.[16] Though assumptions were made about the film on the "palette of the movie’s mise en scene", "bubble gum dialogue" and "splashy costumes", the subject matter had intellectual weight in its deconstruction of roles based on race, class, and gender.[16] Chenzira dismantles the sexist, capitalist modes of patriarchy that negatively affect women's self-images within the working world; a struggle Black women face in "how to deprogram the ideological brainwashing they have received from the capitalist system without sacrificing the spiritual and economic success that such a system allows them access to through its lines of power."[16]

Two of her films, 1979's Sylvilla: They Dance to her Dream and 1989's Zajota & the Boogie Spirit, are explorations of the role of dancing in black history.[8] Sylvilla is a documentary exploring the life of Sylvilla Fort, who was a dance, choreographer and the vital training link between the Katherine Dunham and Alvin Ailey .[5] periods of dance. Zajota & the Boogie Spirit is an animated film about the path of Africans taken to America and the Caribbean. Chenzira said the film grew out of a sense that Black Americans felt discomfort at the idea of dancing well.[5]

Beginning with Zajota & the Boogie Spirit, Chenzira's work began to focus more on in digital and transmedia storytelling in the 2000s. She released the first part of HERadventure, an "interactive sci-fi fantasy film" on her website and YouTube. Created by Chenzira and her daughter HaJ and funded by the National Endowment for the Arts, the part film and part interactive game has been accessible worldwide online since 2014.[6] Her transition from film to a "transmedia storyteller" has been partly inspired by the new multitasking environments people inhabit: "parts of the story can be on a specific website while other parts can be accessed through a smartphone or on Facebook, Instagram, etc. If you look around most people are doing more than one thing. They’re on phone while in conversation with someone else and also looking at some other screen. This is not the linear way of being in the world for which most people have been trained."[6] In 2018, Chenzira began directing episodic television.

Filmography

  • Syvilla: They Dance to Her Drum (Short) (1979)
  • Hair Piece: A Film for Nappy Headed People (Short) (1984)[17]
  • Secret Sounds Screaming (Short) (1985)
  • Five Out of Five (Music Video) (1986)
  • On Becoming a Woman (Animation) (1986)
  • The Lure and the Lore (short) (1989)
  • Zajota and the Boogie Spirit (Short) (1990)
  • Pull Your Head to the Moon (TV Short) (1992)
  • Alma's Rainbow
    (1993)
  • Snowfire (Short) (1994)
  • Sentry at the Gate: The Comedy of Jane Galvin-Lewis (1995)
  • In the Rivers of Mercy Angst (Short) (1997)
  • HERadventure (2014)
  • MOTV (My Own TV)

Television credits

In 2018, Chenzira received a call from Ava DuVernay inviting her to direct an episode in season 3 of Queen Sugar (Here Beside the River). For this episode Chenzira was nominated for an NAACP Award for Best Director. Since then, she has directed the season 4 finale of Queen Sugar, and episodes of Greenleaf, Trinkets, Delilah, Dynasty, A League of Their Own, Octavia Butler's Kindred, and Beacon 23.

Accolades

Black Women Animate and the Cartoon Network honored Ayoka Chenzira in 2020 with the Cultural Innovator Award.

In 2019, the Academy of Motion Picture Arts & Sciences began to restore and preserve the films of Ayoka Chenzira.

Many of Chenzira's films today are in permanent collections including MOMA, the Whitney Museum of American Art and some have been translated into French and Japanese.[6] Her 1984 film short Hair Piece was inducted into the 2018 class of the National Film Registry.[17][18][19][20]

In 2018, Chenzira was nominated for an NAACP Award for her directing work on the television series, Queen Sugar.

Chenzira won the 1991 Sony Innovator Award, and has been honored for her contributions to Black cinema by the mayors of New York City and Detroit.[5]

Additional recognitions and honors

  • Brooklyn Cultural Crossroads Achievement Award, 1981[2]
  • Paul Robeson Award, 1984[2]
  • First Place/Cultural Affairs of National Black Programming Consortium, 1984[2]
  • Mayor's Award for Contributions to the Field —Detroit, 1987[2]
  • First Place for Animation (Zajota, The Boogie Spirit), Black Filmmakers Hall of Fame, 1990[2]
  • Best Producer, National Black Programming Consortium, 1990[2]
  • Silver Apple, National Educational Film and Video Festival, 1990[2]
  • First Place, Sony Innovator Award in Media, 1991[2][21]
  • First Place, John Hanks Award, 1991[2]
  • First Place, Dance Screen, 1992[2]
  • Best Overall, Best Drama, Community Choice Award, Black Filmmakers Hall of Fame 1993[2]
  • Apple Computer Distinguished Educator Award (2003)

References

  1. ^ a b "WOMEN MAKE MOVIES | Ayoka Chenzira". www.wmm.com. Retrieved February 26, 2016.
  2. ^ a b c d e f g h i j k l m n o p q r s Gateward, Frances K. "Chenzira, Ayoka." St. James Women Filmmakers Encyclopedia (1999): 74-76. Film & Television Literature Index with Full Text. Web. February 7, 2016.
  3. ^ Hair Piece by Ayoka Chenzira Enters US National Film Registry|Zippy Frames
  4. ^ a b c d e f g h i "Ayoka Chenzira | The HistoryMakers". www.thehistorymakers.com. Archived from the original on March 5, 2016. Retrieved February 26, 2016.
  5. ^ .
  6. ^ a b c d e "Ayoka Chenzira: Cinema Pioneer Masters the Art of Multitasking | TEDxPeachtree". tedxpeachtree.com. September 5, 2012. Retrieved March 4, 2016.
  7. ^ Lomax, Sara (September 10, 1990). "Black filmmakers set to take on Hollywood". Kingston Gleaner. Retrieved February 4, 2016.Open access icon
  8. ^ .
  9. ^ Cummings, Clarissa (1996). "Red Carnelian opens doors for black film art". No. 4. Brooklyn Advocate.
  10. ^ "Ayoka Chenzira Continues to Thrive". www.spelman.edu. Retrieved May 23, 2018.
  11. ^ Robinson, S. L. (2011). Satire as cultural strategy for coping with racism in america(Order No. 1499375). Available from ProQuest Dissertations & Theses Global. (889251572).
  12. ^ a b c d Weaver, S. Q. (2015). Resurrecting black beauty culture: A critical analysis of the black beauty salon through contemporary film (Order No. 1597097). Available from ProQuest Dissertations & Theses Global. (1712861117).
  13. ^ "National Film Registry Turns 30". Library of Congress. Retrieved October 13, 2020.
  14. ^ "Complete National Film Registry Listing". Library of Congress. Retrieved October 13, 2020.
  15. ^ Beale, Lewis (October 29, 1993). "Real work starts when film is done". New York Daily News. Retrieved February 4, 2016.Open access icon
  16. ^ a b c d Wright, G. W. (2008). The gravity of alma's rainbow: Problems of work and feminism in ayoka chenzira's film. Quarterly Review of Film and Video, XXV(4), 296-305.
  17. ^ a b "Complete National Film Registry Listing | Film Registry | National Film Preservation Board | Programs | Library of Congress". Library of Congress, Washington, D.C. 20540 USA. Retrieved July 15, 2022.
  18. ^ BAM|Alma's Rainbow + Hair Piece: A Film for Nappyheaded People
  19. ^ Hair Piece: A Film for Nappyheaded People. 1984. Directed by Ayoka Chenzira On Becoming a Woman: Mothers and Daughters Talking Together. 1987. Directed by Cheryl Chisolm|MoMA
  20. ^ ‘Cinderella,’ ‘Jurassic Park,’ ‘Hair Piece’ Added to National Film Registry|Animation World Network
  21. ^ "Chenzira Is Innovator." Black Film Review 6.4 (1992): 3. Film & Television Literature Index with Full Text. Web. February 7, 2016.

External links