B'Day
B'Day | ||||
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The Underdogs | ||||
Beyoncé chronology | ||||
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Alternative cover | ||||
Singles from B'Day | ||||
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B'Day is the second studio album by American singer
Originally set to be released in 2004, B'Day was planned as a follow-up to Beyoncé's solo debut was employed in recording most of the tracks as part of Beyoncé's vision of creating a record using live instruments.
Upon its release, B'Day received generally favorable reviews from music critics, who directed most of the acclaim towards its sonic quality and Beyoncé's vocal performance. A commercial success, the album debuted atop the US Billboard 200, selling over 541,000 copies in its first week. Among numerous additional accolades, it won Best Contemporary R&B Album at the 49th Annual Grammy Awards (2007). B'Day Anthology Video Album, which featured 13 music videos to accompany the album's tracks, was released alongside the album's Deluxe Edition reissue in April 2007. B'Day has been certified quintuple platinum by the Recording Industry Association of America (RIAA) and, as of 2013, has sold over 8 million copies worldwide.
B'Day produced six singles. "Déjà Vu" peaked at number four on the US Billboard Hot 100, while "Ring the Alarm" became Beyoncé's highest-debuting single at the time but broke her string of top-ten singles after peaking at number 11. "Irreplaceable" became her fourth Billboard Hot 100 number-one, while "Beautiful Liar" peaked at number three; both singles achieved widespread international success. "Get Me Bodied" was released exclusively in the United States, while "Green Light" was released internationally; neither replicated the success of their predecessors. To further promote B'Day, Beyoncé embarked on her second solo concert tour The Beyoncé Experience (2007); a live album titled The Beyoncé Experience Live was also released.
Background and development
Between March 2002 and March 2003, Beyoncé had productive studio sessions while recording her debut solo studio album Dangerously in Love, recording up to 45 songs.[1] After the release of Dangerously in Love in June 2003, Beyoncé had planned to produce a follow-up album using several of the leftover tracks.[1] However, on January 7, 2004, a spokesperson for her record label Columbia Records announced that Beyoncé had put her plans on hold in order to concentrate on the recording of Destiny Fulfilled, the final studio album by Destiny's Child, and to sing "The Star-Spangled Banner" at the Super Bowl XXXVIII in Houston, Texas, which was a childhood dream of hers.[1] Furthermore, she starred as Xania in the 2006 comedy-mystery film The Pink Panther, which was filmed in 2004.[2] She also spent the following two years promoting Destiny Fulfilled and Destiny's Child's first greatest hits album #1's (2005), embarking on their final world tour Destiny Fulfilled... and Lovin' It; the group would disband in 2006.
Beyoncé originally recorded "
Recording and production
While having a month-long vacation after filming Dreamgirls, Beyoncé went to the studio to start working on B'Day. She said: "[When filming ended] I had so many things bottled up, so many emotions, so many ideas",
Beyoncé rented the Sony Music Studios in New York City, and was influenced by her now-husband Jay-Z's method of collaborating with multiple record producers;[10] she used four recording studios simultaneously.[11] She booked Harrison, Jerkins and Garrett, each with a room to work in.[6] During the sessions, Beyoncé would move from studio to studio to check her producers' progress, later claiming this fostered "healthy competition" among producers.[6] When Beyoncé conceived a potential song, she would tell the group who would deliberate, and after three hours the song would be created.[4] While Beyoncé and the team brainstormed the lyrics, other collaborators such as the Neptunes, Jerkins and Swizz Beatz would simultaneously produce the tracks.[4] They would sometimes spend up to 14 hours a day in the studios during the recording process.[4] Beyoncé arranged, co-wrote and co-produced all of the songs on the album.[6] Riddick, in an interview with MTV News, recounted her experience in the production:
[Beyoncé] had multiple producers in Sony Studios. She booked out the whole studio and she had the biggest and best producers in there. She would have us in one room, we would start collaborating with one producer, then she would go and start something else with another producer. We would bounce around to the different rooms and work with the different producers. It was definitely a factory type of process.[4]
B'Day was completed within three weeks, ahead of the originally scheduled six weeks.
Music and lyrics
Many of the themes and musical styles of B'Day were inspired by Beyoncé's role in
Beyoncé crafted most songs on B'Day through live
"Upgrade U", which features Jay-Z, speaks about a woman offering luxuries to a man in order to upgrade his lifestyle and reputation,
"
Title and packaging
B'Day was titled as a reference to Beyoncé's birthday.
Release and promotion
In collaboration with
Seven months after the release of B'Day, an expanded double-disc reissue, subtitled Deluxe Edition, was released in the US on April 3, 2007.[68] In addition to the original track listing, the Deluxe Edition featured five new songs, including "Beautiful Liar", a duet with Colombian singer Shakira. "Amor Gitano", a Spanish-language flamenco-pop duet with Mexican singer Alejandro Fernández, served as a soundtrack for Telemundo's telenovela El Zorro,[69] and was included in the Deluxe Edition bonus disc alongside Spanish re-recordings of "Listen" ("Oye"), "Irreplaceable" ("Irreemplazable") and "Beautiful Liar" ("Bello Embustero"). The idea of recording songs in a foreign language emanated from her experience when Destiny's Child performed "Quisiera Ser" with Alejandro Sanz at the 44th Annual Grammy Awards (2002). Beyoncé worked with producer Rudy Pérez for the recordings in order to retain the same feeling of the English versions of the songs into the Spanish translation.[70][71] The bonus disc was later released as the standalone extended play (EP) Irreemplazable.[72]
In mid-2006, Beyoncé looked for an all-female band for her tour
Singles
"
"
"
After
"Get Me Bodied" was released as the fifth single from B'Day on July 10, 2007, exclusively in the US.[114] It originally peaked at number 68 on the US Billboard Hot 100 in August, becoming Beyoncé's lowest-peaking single on the chart at the time.[115][116] However, as a video of a woman named Deborah Cohen and her doctors dancing to "Get Me Bodied" before she underwent a double mastectomy was posted onto YouTube and went viral in 2013, the song found a new peak position at number 46 on the Billboard Hot 100.[117][118] The song's 1960s-influenced accompanying music video was directed by Mandler and features Beyoncé's sister Solange and former Destiny's Child bandmates Kelly Rowland and Michelle Williams.[73]
"Green Light" was released as the fourth and final international single from B'Day on July 27, 2007.[119] It was originally planned to be released as the second single for the international markets, but Columbia Records opted for "Irreplaceable" instead. The remix extended play (EP) titled Green Light: Freemasons EP was released for digital download simultaneously with the single.[120] The single was also planned to be released physically in the United Kingdom, but the plans were cancelled last-minute, which resulted with it not obtaining a higher peak than number 12 on the UK Singles Chart.[121] Beyoncé co-directed the song's accompanying music video with Melina Matsoukas; the video features the second appearance by the Suga Mamas.[122]
Although they were not released as singles, "
Critical reception
Aggregate scores | |
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Source | Rating |
Metacritic | 70/100[131] |
Review scores | |
Source | Rating |
AllMusic | [13] |
Blender | [132] |
Entertainment Weekly | B+[133] |
The Guardian | [134] |
MSN Music (Consumer Guide) | A−[135] |
NME | 5/10[136] |
Pitchfork | 7.2/10[28] |
Q | [137] |
Rolling Stone | [17] |
Slant Magazine | [138] |
B'Day received generally positive reviews from
In a mixed review, Jon Pareles of The New York Times found the album "tense, high-strung and obsessive", and said that it was neither "ingratiating or seductive".[35] Richard Cromelin of the Los Angeles Times observed that Beyoncé "heads into a new, more challenging terrain", but "some of the experiments don't click".[139] Although he found the album "solid", Mike Joseph of PopMatters said that "aside from its relatively short running time, it sounds suspiciously under produced".[140] Brian Hiatt of Rolling Stone averred that "while the mostly up-tempo disc never lacks for energy, some of the more beat-driven tracks feel harmonically and melodically undercooked, with hooks that don't live up to 'Crazy in Love' or the best Destiny's Child hits".[17] Priya Elan of NME cited only "Freakum Dress" and "Ring the Alarm" as highlights and criticized that "too many tracks sound like updated versions of former glories", with no song on-par with "Crazy in Love".[136]
Accolades
Awards and nominations
Year | Award | Category | Nominee(s) | Result | Ref. |
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2007 | Grammy Award
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Best Contemporary R&B Album | B'Day | Won | |
2007 | NAACP Image Award
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Outstanding Album | Nominated | ||
2007 | Soul Train Music Award
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Best R&B/Soul Album – Female | Nominated | ||
2007 | American Music Award
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Favorite Soul/R&B Album | Nominated |
Listings
Year | Publication | List | Position | Ref. |
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2006 | Q | Recordings of the Year | 72
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The Village Voice | Pazz & Jop | 79
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2008 | The Daily Telegraph | 120 Essential Pop Albums | –
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2013 | Entertainment Weekly | 100 Greatest Albums Ever | 94
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Vibe | The Greatest 50 Albums Since '93 | 41
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2015 | Spin | The 300 Best Albums of the Past 30 Years | 109
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Commercial performance
Despite an average commercial performance of the album's first two singles, "Déjà Vu" and "Ring the Alarm", B'Day debuted at number one on the US Billboard 200 on September 23, 2006,[151] selling over 541,000 units in its first week.[151] B'Day scored Beyoncé's highest debut-week album sales,[152] until it was surpassed by her self-titled fifth studio album (2013), which sold 617,213 digital copies in its first three days.[153][154] The album gave Beyoncé her second number-one debut on the chart following Dangerously in Love (2003), which was noted by Keith Caulfield of Billboard, surmising that perhaps "its handsome debut was generated by goodwill earned from the performance of her smash first album Dangerously in Love".[155] B'Day fell to number three in its second week,[156] and to number six the following week,[157] falling out of the top ten in its fourth week at number 11.[158] After seven weeks of being outside the top ten, B'Day reached number nine on the chart dated December 2,[159] due to the success of its single "Irreplaceable", which helped the album regain its strength.[155] It climbed to number six the following week, becoming the week's "greatest gainer",[160] before exiting the top ten again.[161] By the end of 2006, the album was certified platinum by the Recording Industry Association of America (RIAA),[162] and became the 38th best-selling album of that year in the United States.[163]
B'Day re-entered the top ten again at number six on the chart dated January 27, 2007, while Dreamgirls: Music from the Motion Picture was at the top.[164] It remained within the top ten the following week at number ten,[165] before falling to number 13 on the chart dated February 10.[166] The RIAA re-certified B'Day triple platinum on April 16, combining the sales from the standard and Deluxe Edition releases.[162] On the Billboard 200 chart dated April 21, B'Day jumped from number 69 to number six due to the release of its Deluxe Edition, gaining 903% in sales and becoming the week's "greatest gainer".[167] It remained within the top ten the following week at number seven,[168] before falling to number 13 on the chart dated May 5.[169] The album has spent a total of 74 weeks on the Billboard 200.[170] It became the 11th best-selling album of 2007 in the US.[171] As of August 2022, the album has sold 5 million copies in the country.[172][173]
Internationally, B'Day was met with similar success. In Canada, it reached number two on the
In the United Kingdom, B'Day debuted at numbers three and one on the
Controversies
B'Day was a subject of various controversies. The music video for its lead single "Déjà Vu" caused controversy due to its sexually suggestive content. A news article published by Hindustan Times reported that a particular scene in the video is suggestive of oral sex.[91] Natalie Y. Moore of In These Times echoed the latter's commentary, writing that the video showcases Beyoncé "strutting her sexuality", and that in Jay-Z's scenes it "looks as if any minute now she'll give him fellatio".[190] The video later appeared on Yahoo! Music News' list "Real Turkeys: The Worst Videos of All Time", which pointed to the negative fan reaction and stated: "It's probably the least horrific video listed ... but as far as Beyoncé videos go, it is a stinker."[191] According to an MTV News staff report, as of July 2006, over two thousand people had signed an online petition addressed to Beyoncé's record label Columbia Records, demanding a reshoot for the video.[192] By the end of August 2006, over five thousand additional fans had signed it.[193] The petition requested the video to be taped again because it was considered to be "an underwhelming representation of the talent and quality of previous music-video projects of Ms. Beyoncé".[192] Included in the list of offenses towards the video were "a lack of theme, dizzying editing, over-the-top wardrobe choices, and unacceptable interactions" between Beyoncé and Jay-Z. Beyoncé's dance moves were also called into question by the petition, qualifying them as "erratic, confusing and alarming at times".[192] Additionally, fans complained about sexual theme depicted in the video, describing that some scenes as "unacceptable interactions [between Beyoncé and Jay-Z]" while also complaining of a "non-existent sexual chemistry" between the two.[191]
The lyrics of "Ring the Alarm" were rumored to be about Barbadian singer Rihanna's relationship with rapper and Beyoncé's now-husband Jay-Z.[194][195] According to a media speculation, Beyoncé, Rihanna and Jay-Z were part of a love triangle in 2006. It was rumored that Jay-Z had always been faithful to Beyoncé until he met Rihanna, whose popularity grew considerably during that year, who tempted Jay-Z to be in a romantic relationship with her while he was still with Beyoncé.[196] As commented by Tom Breihan of The Village Voice, Beyoncé took advantage of "[people's] sympathy and unleash[ed] a burst of public rage in the form of ['Ring the Alarm']".[196] In an interview for Seventeen, she, however, clarified that the lyrics had no connection with Rihanna, before adding that she was unaware of the rumors that had been circulating.[196][197] Concerned that someone was trying to sabotage the release of B'Day, her father and manager Mathew Knowles released an official statement:
It is apparent that there is a consistent plan by some to create chaos around Beyoncé's B'Day album release on September 4 in the US. First, it was a petition against the single, 'Déjà Vu', then a rumor regarding conflict between Beyoncé and Rihanna, seizures caused by the 'Ring the Alarm' video, putting out a single to compete with LeToya's album and now to add to all the ridiculous rumors, is my plan to postpone the release of her 'B'Day' album. What will be next? Beyoncé's cut off all her hair? Dyed it green? Maybe she's singing the songs in reverse with some hidden subliminal message![198]
The
Controversy also arose over the writing credits on "Irreplaceable". Ne-Yo, who co-wrote the song, told MTV: "Apparently Beyoncé was at a show somewhere and right before the song came on she said, 'I wrote this for all my ladies' and then the song came on ... The song is a co-write. I wrote the lyrics, I wrote all the lyrics. Beyoncé helped me with the melodies and the harmonies and the vocal arrangement and that makes it a co-write. Meaning my contribution and her contribution made that song what it is."[200] In 2011, Ne-Yo said that he wrote the song for himself, but thought that it would suit Beyoncé better, and later regretted giving the song to her.[201] Some of Beyoncé's fans read Ne-Yo's remark as disrespectful towards her.[202] However, he clarified his comment later through Twitter, writing: "I said I originally wrote the song for me. ... Once I realized how the song comes across if sung by a guy, that's when I decided to give it away."[202]
In 2007, Beyoncé appeared on billboards and newspapers across Australia holding an antiquated
Impact and legacy
According to an editor of web publication
The website also wrote an article about B'Day Anthology Video Album on April 3, 2017, the tenth anniversary of its release, also calling it Beyoncé's first "visual album" and stating that it "laid the groundwork for Beyoncé to become the pioneering visual artist she is revered to as today."
Track listing
No. | Title | Lyrics | Music | Producer(s) | Length |
---|---|---|---|---|---|
1. | "Déjà Vu" (featuring Jay-Z) |
|
| 4:00 | |
2. | "Get Me Bodied" |
|
|
| 3:25 |
3. | "Suga Mama" |
|
|
| 3:26 |
4. | "Upgrade U" (featuring Jay-Z) |
|
|
| 4:33 |
5. | "Ring the Alarm" |
|
|
| 3:23 |
6. | "Kitty Kat" |
|
|
| 3:56 |
7. | "Freakum Dress" |
|
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| 3:20 |
8. | "Green Light" |
|
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| 3:29 |
9. | "Irreplaceable" | Shaffer Smith |
| 3:49 | |
10. | "Resentment" |
|
| 4:40 | |
11. | "Encore for the Fans" | 0:39 | |||
12. | "Listen" (from the Motion Picture Dreamgirls) (hidden track) |
|
|
| 3:38 |
13. | "Get Me Bodied" (Extended Mix) (hidden track) |
|
|
| 5:59 |
Total length: | 48:18 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
11. | "Creole" |
| Harrison | 3:52 |
12. | "Check on It" (featuring Bun B and Slim Thug) |
|
| 3:30 |
Total length: | 55:41 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
11. | "Check on It" (featuring Bun B and Slim Thug) |
|
| 3:30 |
Total length: | 51:49 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
12. | "Déjà Vu" (The Remix) (featuring Jay-Z) |
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| 3:52 |
Total length: | 55:00 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Beautiful Liar" (with Shakira) |
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| 3:19 |
2. | "Irreplaceable" |
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| 3:47 |
3. | "Green Light" |
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| 3:29 |
4. | "Kitty Kat" |
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| 3:55 |
5. | "Welcome to Hollywood" |
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| 3:18 |
6. | "Upgrade U" (featuring Jay-Z) |
|
| 4:32 |
7. | "Flaws and All" |
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| 4:08 |
8. | "World Wide Woman" |
|
| 3:41 |
9. | "Get Me Bodied" (Extended Mix) |
|
| 6:19 |
10. | "If[a]" |
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| 3:18 |
11. | "Freakum Dress" |
|
| 3:20 |
12. | "Suga Mama" |
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| 3:24 |
13. | "Déjà Vu" (featuring Jay-Z) |
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| 3:59 |
14. | "Ring the Alarm" |
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| 3:23 |
15. | "Resentment" |
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| 4:40 |
16. | "Listen" (from the Motion Picture Dreamgirls) |
|
| 3:37 |
Total length: | 62:25 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
8. | "If[a]" |
|
| 3:18 |
9. | "Get Me Bodied" (Extended Mix) |
|
| 6:19 |
10. | "Freakum Dress" |
|
| 3:20 |
11. | "Suga Mama" |
|
| 3:24 |
12. | "Déjà Vu" (featuring Jay-Z) |
|
| 4:00 |
13. | "Ring the Alarm" |
| Swizz Beatz | 3:23 |
14. | "Resentment" |
|
| 4:40 |
15. | "Listen" (from the Motion Picture Dreamgirls) |
| The Underdogs | 3:38 |
16. | "World Wide Woman" |
|
| 3:41 |
17. | "Check on It" (featuring Bun B and Slim Thug) |
|
| 3:30 |
18. | "Amor Gitano" (with Alejandro Fernández) |
|
| 3:48 |
19. | "Beautiful Liar" (Radio Edit) (with Shakira) |
| 3:00 | |
Total length: | 72:45 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
20. | "Creole" |
| Harrison | 3:53 |
Total length: | 77:00 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
16. | "Check on It" (featuring Bun B and Slim Thug) |
|
| 3:30 |
17. | "Creole" |
| Harrison | 3:52 |
18. | "World Wide Woman" |
|
| 3:41 |
Total length: | 66:14 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
17. | "Amor Gitano" (with Alejandro Fernández) |
|
| 3:48 |
18. | " Irreemplazable " |
| 3:48 | |
19. | "Oye" |
|
| 3:41 |
20. | "Bello Embustero" |
| 3:20 | |
Total length: | 77:09 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Amor Gitano" (with Alejandro Fernández) |
|
| 3:48 |
2. | "Oye" |
|
| 3:41 |
3. | "Irreemplazable" |
| 3:48 | |
4. | "Bello Embustero" |
| 3:20 | |
5. | "Beautiful Liar" (Radio Edit) (with Shakira) |
| 3:01 | |
6. | "Beautiful Liar" (Spanglish version) (featuring Sasha Fierce) |
| 3:21 | |
7. | "Irreemplazable" (Norteña Remix) |
|
| |
Total length: | 24:48 |
No. | Title | Director(s) | Length |
---|---|---|---|
1. | "Beautiful Liar" (with Shakira) |
| 3:34 |
2. | "Irreplaceable" | Anthony Mandler | 4:17 |
3. | "Kitty Kat" |
| 1:03 |
4. | "Green Light" | Matsoukas | 3:31 |
5. | "Upgrade U" (featuring Jay-Z) |
| 4:38 |
6. | "Flaws and All" |
| 4:14 |
7. | "Get Me Bodied" (Extended Mix) |
| 6:42 |
8. | "Freakum Dress" |
| 3:21 |
9. | "Suga Mama" |
| 3:37 |
10. | "Déjà Vu" (featuring Jay-Z) | Muller | 4:06 |
11. | "Ring the Alarm" | Muller | 3:33 |
12. | "Listen" (Performance version) | Diane Martel | 3:49 |
13. | "Still in Love (Kissing You)[a]" |
| 4:41 |
14. | "Credits" | 0:51 | |
15. | "Behind the Scenes" | Burke | 17:39 |
Total length: | 66:56 |
Retailer-exclusive bonus tracks
- Digital standard Walmart edition includes "Déjà Vu (The Remix)" (featuring Jay-Z).[223]
- Standard Circuit City edition includes "Back Up".[224] "Back Up" is written by B. Knowles, Jerkins, LaShawn Daniels, Delisha Thomas, Fred Jerkins III, Anesha Birchett, Antea Birchett and Beyincé, and produced by Darkchild and B. Knowles.
- International standard iTunes Store pre-order and New Zealand iTunes Store editions include "Lost Yo Mind".[213][225] "Lost Yo Mind" is written by B. Knowles, Dean and Garrett, and produced by Swizz Beatz, B. Knowles and Garrett.
- Best Buy exclusive Deluxe Edition includes "First Time" as a hidden track.[226] "First Time" is written by B. Knowles, Williams and Chad Hugo, and produced by The Neptunes and B. Knowles.
Notes
- Some standard edition digital releases of B'Day do not include the album's hidden tracks.[227]
- Timothy Atack, and produced by Knowles and Nellee Hooper.
- ^b signifies an additional producer
- ^c signifies a co-producer
- ^d signifies a vocal producer
Sample credits
- "Suga Mama" contains a sample from "Searching for Soul" by Jake Wade and the Soul Searchers.
- "Upgrade U" contains a sample from "Girls Can't Do What the Guys Do" by Betty Wright.
- "Resentment" contains a sample from "Think" by Curtis Mayfield.
Personnel
Credits are adapted from the deluxe edition liner notes of B'Day.[9]
- Jason Agel – engineering assistance (track 5)
- Omar Al-Musfi – Arabic percussion (track 1)
- Roberto Almodovar – engineering (track 1)
- Allen "Al Geez" Arthur – horns (track 12)
- April Baldwin – A&R administration
- Aureo Baqueiro – vocal direction[k] (track 18)
- Reyli Barba – songwriting (track 18)
- Robert Becker – viola (track 15)
- Andres Bermudez – engineering (track 18), engineering assistance (track 5)
- Angela Beyince – songwriting (tracks 6, 9, 10, 16 and 17)
- Beyoncé – executive production, mixing (track 12), production (all tracks), songwriting (all tracks), vocal production (tracks 14 and 17), vocals (all tracks)
- Amund Bjørklund – songwriting (track 2)
- Tim Blacksmith – management[l]
- Aaron Brougher – A&R coordination
- Denyse Buffum – viola (track 15)
- Bun B – songwriting (track 17), vocals (track 17)
- Eduardo "Visitante" Cabra – additional production (tracks 1 and 19), programming (track 1), remix production (track 19)
- David Campbell– string arrangement (track 15), string conducting (track 15)
- Roberto Cani – violin (track 15)
- Tim Carmon – keyboards (track 15)
- Sean Carrington – guitar (track 16)
- Jim Caruana – engineering (tracks 1–4, 6–14 and 17)
- Gustavo Celis – engineering (track 1), mixing (track 1)
- Olgui Chirino – vocal production (track 1)
- Fusako Chubachi – art direction, design
- Willie Clarke – songwriting (track 6)
- Andrew Coleman – engineering assistance (tracks 3 and 4)
- Larry Corbett – cello (track 15)
- Tom Coyne – mastering (tracks 1, 5, 7, 8 and 19)
- Jasmin Cruz – backing vocals (track 18)
- Scott Cutler – songwriting (track 15)
- Danny D. – management[l]
- LaShawn Daniels – songwriting (track 16)
- Mario Deleon – violin (track 15)
- Ian Dench – songwriting (tracks 1 and 19)
- Robert "LB" Dorsey – engineering assistance (tracks 5, 7 and 8)
- Andrew Duckles – viola (track 15)
- Bruce Dukov – violin concertmastering (track 15)
- Nathan East – bass (track 15)
- Paco "El Sevillano" – gypsy chanting (track 18)
- Alejandro Fernández – vocals (track 18)
- Jaime Flores – songwriting (track 18)
- Paul Forat – A&R[k]
- Brian "Big Bass" Gardner – mastering (tracks 2–4, 6 and 9–17)
- Sean Garrett – production (tracks 9, 13), songwriting (tracks 3, 6, 9, 13, 16 and 17)
- Amanda Ghost – songwriting (tracks 1 and 19)
- Jason Goldstein – mixing (tracks 2–4, 6 and 9–14)
- Aaron "Goody" Goode – horns (track 12)
- Erwin Gorostiza – art direction
- Max Gousse – A&R
- Alan Grunfeld – violin (track 15)
- Rich Harrison – mixing (tracks 10 and 11), production (tracks 10 and 11), songwriting (tracks 10 and 11)
- Geraldo Hilera – violin (track 15)
- Jean-Marie Horvat – mixing (tracks 1, 5, 7, 8 and 16)
- Dabling "Hobby Boy" Howard – engineering (track 15)
- Ty Hunter – styling
- ILoveDust – logo design
- Jun Ishizeki – engineering (track 12)
- Eric Jackson – guitars (track 15)
- Quincy S. Jackson – marketing
- Jay-Z – songwriting (tracks 4–6 and 12), vocals (tracks 5, 6 and 12)
- Nathan Jenkins – engineering (track 17)
- Rodney "Darkchild" Jerkins – horn arrangement (track 12), instrumentation (track 12), mixing (track 12), production (tracks 12 and 16), songwriting (track 12)
- James Johnson – bass (track 15)
- Jon Jon – bass (track 12), production assistance (track 12)
- Ronald Judge – horns (track 12)
- Suzie Katayama – cello (track 15)
- Gimel "Young Guru" Keaton – engineering (track 5)
- Hannah Khoury – viola (track 1), violin (track 1)
- Kimberly Kimble – hair styling
- Rob Kinelski – engineering assistance (tracks 1–4, 6 and 9–14)
- Julia Knapp – A&R operation
- Mathew Knowles – A&R, executive production, management
- Solange Knowles – songwriting (tracks 6, 7 and 9)
- Tina Knowles – styling
- Henry Krieger – songwriting (track 15)
- Ricky Lawson – drums (track 15)
- Jolie Levine – music contracting (track 15)
- Espen Lind – guitar (track 2), songwriting (track 2)
- Dave "D-Lo" Lopez – engineering assistance (tracks 14 and 18), mixing assistance (track 18), Pro Tools editing (track 14)
- Riley Mackin – engineering assistance (track 15)
- Manny Marroquin – mixing (track 15)
- Harvey Mason Jr. – percussion (track 15)
- Curtis Mayfield – songwriting (track 14)
- Vlado Meller – mastering (track 18)
- Chuck Middleton – songwriting (track 11)
- Colin Miller – digital prep engineering (tracks 7 and 8), mixing assistance (track 1), Pro Tools prep (track 16)
- Walter W. "Lil Walt" Millsap III – engineering (track 14), instrumentation (track 14), Pro Tools editing (track 14), production (track 14), songwriting (track 14)
- MK – songwriting (track 6)
- Mo Horns – horns (track 16)
- Naser Musa – oud (track 1)
- Candice "G.G." Nelson – instrumentation (track 14), production (track 14), songwriting (track 14)
- The Neptunes – production (tracks 3 and 4)
- Sara Parkins – violin (track 15)
- Dave "Hard Drive" Pensado – mixing (track 17)
- Rudy Pérez – arrangement (track 18), backing vocals (track 18), keyboards (track 18), production (track 18), programming (track 18), Spanish guitar (track 18), vocal direction[k] (track 18), vocal production (track 1)
- Clay Perry – engineering (track 18), keyboards (track 18), Pro Tools editing (track 18), programming (track 18)
- Denaun Porter – programming (track 1)
- Anne Preven – songwriting (track 15)
- Keli Nicole Price – songwriting (track 12)
- Boujemaa Razgui – ney (track 1)
- Clarence Reid – songwriting (track 6)
- Aaron Renner – engineering (track 15)
- Geoff Rice – engineering (track 2)
- Michele Richards – violin (track 15)
- Makeba Riddick – songwriting (tracks 4, 6, 9–12 and 16)
- Jared Robbins – engineering assistance (track 15)
- Jamie Rosenberg – engineering assistance (track 10)
- Kareem Roustom – additional string arrangement (track 1), violin arrangement (track 1)
- Shakira – arrangement (track 1), production (tracks 1 and 19), violin arrangement (track 1), remix production (track 19), vocal production (track 1), vocals (tracks 1 and 19)
- Haim Shtrum – violin (track 15)
- Dexter Simmons – mixing (track 17)
- Slim Thug – songwriting (track 17), vocals (track 17)
- Daniel Smith – cello (track 15)
- Chris Spilfogel – engineering (track 15)
- Stargate– arrangement (track 1), engineering (track 1), instrumentation (tracks 1, 2 and 8), production (tracks 1, 2, 8 and 19), programming (track 1), songwriting (tracks 1, 2, 8 and 19), strings (track 8), string arrangement (track 8)
- David Stearns – engineering assistance (track 1)
- Swizz Beatz – additional production (track 6), mixing (tracks 9 and 13), production (tracks 9, 13 and 17), songwriting (tracks 9, 13 and 17)
- Shaffer "Ne-Yo" Smith – production (tracks 2, 7 and 8), songwriting (tracks 2, 5, 7 and 8)
- Chris Spilfogel – engineering (track 15)
- Syience – production (track 5), songwriting (track 5)
- Shea Taylor – production (track 7), songwriting (track 7)
- Delisha Thomas – songwriting (track 12)
- Michael Tocci – engineering (track 7)
- Rene Luis Toledo – Spanish guitar (track 18)
- Steve Tolle – mixing assistance (tracks 2–4, 6, 9–11, 13 and 14)
- Francesca Tolot – make-up
- The Underdogs– production (track 15)
- Max Vadukul – photography
- Jeff Villanueva – engineering (tracks 12 and 16)
- Rommel Nino Villanueva – engineering (track 15)
- Cameron Wallace – production (track 6)
- Bruce Weeden – mixing (track 18)
- John Weston – engineering (track 1), string digital editing (track 1)
- Pharrell Williams – songwriting (tracks 3 and 4)
- John Wittenburg – violin (track 15)
- Shane Woodley – engineering (track 7), engineering assistance (track 18)
- Kenneth Yerke – violin (track 15)
Charts
Weekly charts
|
Year-end charts
Decade-end charts
All-time charts
|
Certifications
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA)[179] | Platinum | 70,000^ |
Belgium (BEA)[286] | Gold | 25,000* |
Brazil (Pro-Música Brasil)[287] | Platinum | 60,000‡ |
Canada (Music Canada)[288] | 2× Platinum | 200,000‡ |
Denmark (IFPI Danmark)[289] | Gold | 20,000^ |
France ( SNEP)[290]
|
Gold | 75,000* |
Germany (BVMI)[291] | Gold | 100,000^ |
Greece (IFPI Greece)[292] | Gold | 7,500^ |
Hungary (MAHASZ)[293] | Gold | 5,000^ |
Ireland (IRMA)[294] | 3× Platinum | 45,000^ |
Japan (RIAJ)[295] | Platinum | 250,000^ |
Japan (RIAJ)[295] Deluxe Edition |
Gold | 100,000^ |
Mexico (AMPROFON)[296] | Gold | 50,000^ |
Netherlands (NVPI)[297] | Gold | 35,000^ |
New Zealand (RMNZ)[180] | Platinum | 15,000^ |
Portugal (AFP)[298] | Gold | 10,000^ |
Romania ( UPFR)[299]
|
Gold | —
|
Russia ( NFPF)[300]
|
3× Platinum | 60,000* |
South Korea | — | 6,500[301] |
Spain (PROMUSICAE)[302] | Gold | 40,000^ |
Switzerland (IFPI Switzerland)[303] | Gold | 15,000^ |
United Kingdom (BPI)[185] | Platinum | 300,000^ |
United Kingdom (BPI)[304] Deluxe Edition |
Gold | 100,000^ |
United States (RIAA)[305] | 5× Platinum | 5,000,000‡ |
Summaries | ||
Europe (IFPI)[306] | Platinum | 1,000,000* |
Worldwide | — | 8,000,000[189] |
* Sales figures based on certification alone. |
Release history
Region | Date | Edition(s) | Format(s) | Label(s) | Ref. |
---|---|---|---|---|---|
Italy | August 31, 2006 | Standard | CD | Sony BMG | |
Germany | September 1, 2006 | [308][309] | |||
Spain | [310] | ||||
Japan | September 4, 2006 | Sony Music Japan
|
[311][312] | ||
United Kingdom | RCA | [313] | |||
United States | September 5, 2006 |
|
[314] | ||
Canada | September 12, 2006 | Vinyl | Sony BMG | [315] | |
United States |
|
[316] | |||
United Kingdom | September 25, 2006 | RCA | [317] | ||
Australia | December 9, 2006 | Sony BMG | |||
United States | April 3, 2007 | Deluxe | Double CD |
|
|
Japan | April 4, 2007 | CD+DVD | Sony Music Japan | [320] | |
Germany | April 23, 2007 | Sony Music | [321][322] | ||
France | [323] | ||||
United Kingdom | RCA | [324] |
See also
- B'Day Anthology Video Album
- Beyoncé discography
- List of Billboard 200 number-one albums of 2006
- List of Billboard number-one R&B albums of 2006
- List of Billboard number-one R&B albums of 2007
- List of number-one albums of 2006 (Canada)
- List of UK R&B Albums Chart number ones of 2006
Notes
- ^ a b c d International deluxe edition track 1
- ^ International deluxe edition tracks 5, 7, 8 and 18
- ^ International deluxe edition tracks 1–6 and 8–14
- ^ International deluxe edition track 18
- ^ International deluxe edition track 10
- ^ International deluxe edition track 17
- ^ International deluxe edition track 15
- ^ International deluxe edition tracks 3, 4 and 13
- ^ International deluxe edition track 16
- ^ In numerous countries, B'Day was released on September 4, 2006 to coincide with Beyoncé's 25th birthday.
- ^ a b c for Alejandro Fernández
- ^ a b for Stargate
- ^ In Poland, B'Day originally peaked at number 33 on September 18, 2006.[246] Following the release of Beyoncé's self-titled fifth studio album (2013), it reached a new peak at number 29 on February 3, 2014.[247]
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Bibliography
- Arenofsky, Janice (2009). Beyoncé Knowles: A Biography. ISBN 978-0-313-35914-9.
External links
- Official website
- B'Day at Discogs (list of releases)
- B'Day at Metacritic