BadBadNotGood

Source: Wikipedia, the free encyclopedia.
(Redirected from
BADBADNOTGOOD
)
BadBadNotGood
hip hop
Years active2010 (2010)–present
Labels
Members
Past members
Websitebadbadnotgood.com

BadBadNotGood (stylized in all caps) is a Canadian instrumental band and production team from Toronto, Canada. The group was founded in 2010 by bassist Chester Hansen, keyboardist Matthew Tavares, and drummer Alexander Sowinski. In 2016, they were joined by frequent collaborator Leland Whitty. Among other projects, the group has released five solo studio albums, with the latest, Talk Memory, released in October 2021. They have had critical and crossover success, finding audiences in the hip hop, jazz, and alternative music communities.

The group combines jazz musicianship with a hip hop production perspective and are well known for their collaborations with artists like

Tyler, The Creator, Daniel Caesar, Mick Jenkins, Kendrick Lamar, Ghostface Killah and Charlotte Day Wilson. For their songwriting and production work, they have been nominated for five Grammy Awards
, winning two.

History

2010–2012: Beginnings and mixtapes

Matthew Tavares, Alexander Sowinski, and Chester Hansen met in 2010 through the Humber College jazz program in Toronto.[1] The trio united over a shared love for hip hop music, including that of MF Doom and Odd Future.[2] In this lineup, Tavares handled keys, playing rhythms on a Prophet '08 and electric piano,[3] joined by Hansen, an acoustic and electric bassist, and drummer Sowinski. Sowinski often donned a pig mask during performances in the first years of the group, in part inspired by MF Doom.[1][4] The name of the band came from the tentative title of a comedy television project that Tavares was working on, which was eventually abandoned.[5][6] In a 2012 interview, the trio commented that both Tavares and Hansen had since withdrawn from Humber, while Sowinski had remained enrolled "for the school's dental plan;"[7] Sowinski later left Humber as well.[8]

One of BadBadNotGood's first collaborations was a cover of "

Tyler, The Creator, who felt differently and helped the trio's video go viral.[9] BadBadNotGood uploaded their first EP BBNG to Bandcamp in June 2011, which included covers of songs from A Tribe Called Quest, Waka Flocka Flame and several tracks from Odd Future.[10]

In September 2011, they released their debut album, BBNG, recorded in a three-hour session. Dante Alighieri on Sputnikmusic called the album "a welcome reinterpretation of modern jazz without the pretense of snotty wine parties and thick rimmed hipster dinosaurs."[11] The trio had their first show together at The Red Light in Toronto that September.[1][12] There, they met hip hop producer Frank Dukes who would become a close collaborator.[13] The album was followed by two live records, BBNGLIVE 1 and BBNGLIVE 2, which were released in November 2011 and February 2012, respectively.[14][15]

BadBadNotGood recorded a live jam session with Tyler, The Creator in Sowinski's basement in October 2011.

Worldwide Awards in London. At a February tribute to J Dilla in Toronto, their covers of "Lemonade" and "Hard in da Paint" had hundreds moshing.[1][17]

BadBadNotGood released their second album, BBNG2, in April 2012. Recorded from a ten-hour studio session, it features Leland Whitty on saxophone and Luan Phung playing electric guitar. The notes to the album indicate that "No one above the age of 21 was involved in the making of this album."[19] The album has original material as well as covers of songs by Kanye West, My Bloody Valentine, James Blake, Earl Sweatshirt, and Feist.[20]

The trio was the band-in-residence at the 2012

Coachella Valley Music and Arts Festival[1] and backed Frank Ocean of Odd Future both weekends.[20]

2013–2015: III and Sour Soul

BadBadNotGood performing in 2014

Prior to the release of the album III, the first single "Hedron", became available on June 20, 2013, when it was featured on the compilation album Late Night Tales: Bonobo.[21] BadBadNotGood assisted in production and musical composition for the soundtrack of The Man with the Iron Fists.[22] On January 14, 2014, the second single from III was released titled "CS60".[23] The third single, "Can't Leave The Night", was released on March 11, 2014, with the B-Side "Sustain" and would later feature in the third season opening episode of Better Call Saul.[24] In March 2014, BBNG took part in SXSW for a second time and played a series of shows, including one with Tyler the Creator.[25]

III was released on May 6, 2014, on CD, vinyl, and digital download, and was the group's first album of entirely original music. Following the release of the record, BBNG toured through the end of the year, first in Europe, then Canada and the US East Coast, ending their tour in December with a hometown show in Toronto.[26]

The fourth album, Sour Soul, was released by Lex Records on Feb 24 2015 in collaboration with Ghostface Killah. Unlike their earlier works, it is more of a heavy hip hop album with light jazz accents. The group toured from April through October 2015, with Ghostface making a few appearances along the way.[26] Leland Whitty joined the band unofficially at this time, with BBNG needing a fourth musician to play tracks from Sour Soul on the road, and continued to work with the group in the studio.[27]

In December 2015, the band posted covers of some holiday classics on their YouTube channel, including a performance of "Christmas Time Is Here" in collaboration with Choir! Choir! Choir!. During this time, the group continued to song write with Frank Dukes and also began extensively collaborating with producer KAYTRANADA, with whom they wrote dozens of songs during this time.[28] Additionally, they produced "Hoarse" on Odd Future member Earl Sweatshirt's studio debut, Doris, and "GUV'NOR", a remix on JJ Doom's Key to the Kuffs (Butter Edition).

2016–2019: IV and production work

James Hill performing for BadBadNotGood as a touring member in 2017

Saxophonist Leland Whitty, a frequent collaborator of the group, joined the band on January 1, 2016.[5] In April, BBNG took part in the Coachella Music Festival, making their first official appearance there.[29]

Their fifth studio album, titled

Samuel T. Herring, saxophonist Colin Stetson, Kaytranada, hip hop artist Mick Jenkins, and singer-songwriter Charlotte Day Wilson. In December 2016, the album was picked as BBC Radio 6 Music's #1 album of the year.[30] In the following two years, the group would release a series of unreleased tracks from their IV sessions as singles, namely collaborative songs with Colin Stetson, Sam Herring, and Little Dragon.[31]

To support the release of IV, the band toured extensively for two years. This included festival and US club dates throughout Summer 2016, followed by European and Australian tours at the end of the year.[26][32][33] In Fall 2016, jazz pianist James Hill joined the group on stage for the first time as a touring member. Hill, who knew Tavares from their time together at Humber College, filled in for Tavares, who stepped away from touring to focus on producing music as well as developing his solo project Matty.[34][35][36] The group continued to tour throughout 2017 and into 2018, playing many more shows in North America, Europe, and Australia. In mid-2018, they toured Canada, before more US and European festival dates through November.[26][37] For this work, the group was awarded the Libera Award for Best Live Act by the American Association of Independent Music in the following year; other nominees in the category included Run the Jewels and King Gizzard & the Lizard Wizard. Outside of a few one-off shows and a short Fall tour in South America and Asia, the band took a break from touring during 2019.[38]

In 2018, the band served as the musical opener and instrumental backdrop to the

Palais Royal. Opening with a cover of Kanye West's "Ghost Town" from his 2018 album Ye and playing a variety of original work and covers for the remainder of the show.[39] The band worked with Benji B and Virgil Abloh, both frequent collaborators with Kanye, to refine the creative direction of the music of the show.[40]

During and following the production of IV, the members of BBNG took time to develop other musical projects together and bringing other artists into their Toronto studio to produce and record. This included artists like

.

In October 2019, Matthew Tavares announced his departure from the band.[45] He continues to collaborate with the group as a songwriter and contributor to side projects.

2020–present: Collaborations and Talk Memory

In a February 2020 interview with Sowinski and Whitty regarding their collaborative film score for the indie thriller Disappearance at Clifton Hill, the two noted that BBNG was currently working on a new album, tentatively due later in 2020.[46] Before the rescheduling and cancellation of live events in 2020, the band was planning to resume touring in April beginning with Coachella.[47] In April 2020, BBNG released the single "Goodbye Blue" backed with "Glide (Goodbye Blue Pt. 2)," their first original release in almost two years.[38]

To promote their new track "

The Chocolate Conquistadors" with MF Doom for Grand Theft Auto Online, the group was interviewed on December 12, 2020, by Gilles Peterson on Worldwide FM during which Sowinski said, “we definitely will have a new album [in 2021], and that will be the first record in, like, five years… hopefully, that is what the music will represent, a path forward, and changing and growing – that’s one record. We’re trying to finish two, I suppose."[48] In July 2021, they once again inferred multiple albums were in the works via Twitter.[49]

In June 2021, their track "

Running Away" by musician VANO 3000 in his viral Adult Swim trend on TikTok.[50] With the band, VANO 3000 officially released the single on June 21, 2021, via Innovative Leisure;[51] as of the release date, videos tagged with "#adultswim" have been viewed some 3.4 billion times.[52]

In July 2021, the band announced their instrumental album Talk Memory via social media.[53] The announcement approximately marks the five year anniversary of their last record, IV. To support the album ahead of the release, the band announced a limited zine series Memory Catalogue distributed via independent record stores and published sheet music for the lead single "Signal from the Noise" on their website.[53][54] On July 15, 2021, they released the nine-minute single "Signal from the Noise", co-produced by Floating Points.[55] On September 8, 2021, the band released "Beside April" as a second album single and announced touring dates in three legs: Canada in December 2021, the United States in March 2022, and Europe in Fall 2022.[56] Talk Memory was well received by critics and is nominated for the 2022 Polaris Music Prize and the 2023 Juno Award for Jazz Album of the Year.[57]

The band produced, arranged, and performed the sophomore album of collaborator Jonah Yano, Portrait of a Dog, released in January 2023.[58][59] Following their 2021–2022 Talk Memory tour, the band took part in a Summer 2023 summer festival tour. On August 11, 2023, the band released the surprise collaborative EP New Heart Designs with hardcore band Turnstile, a reinterpretation of three tracks from their 2021 album Glow On.[60] For this work, they were nominated for the 2024 Grammy Award for Best Remixed Recording, Non-Classical, their first nomination as the primary artist.[61]

Style

Whitty and Hansen at Massey Hall in 2017

Publications have often referred to the band's sound as a combination of jazz and hip hop (or

alt-jazz,[69][70][71] nu jazz,[72][73] jazz-funk,[74][75] free improvisation,[76] cinematic jazz,[71] and psychedelic jazz.[67][77] In all, the band has generally eluded identification with one specific sound or movement, with Stereogum referring to them as "genre-fluid."[66]

BBNG generally eschews being called a jazz band, acknowledging that their music contains elements of rock music, Brazilian music, electronic music, and soul music, and does not maintain jazz tradition, with Whitty commenting, "all we’re really trying to do is create something that’s unique and honest to who we are... we don’t really belong in any sort of box or are following any tradition or anything like that.”[4] When asked in a 2016 interview about the group's relationship with jazz,[78] Sowinski explained:

"We look at what we do as approaching music with jazz training. We use the jazz language when we’re writing, but we’re not proficient. We’re not the top musicians of the genre, so we don’t try to assume ourselves as prolific innovators because jazz has this history of boundary-pushing limitless constant progression, eight hours a day of practice. We’ve learned to find different interests—whether it’s production, recording techniques, writing, exploring totally different genres of music—instead of progressing our instruments per se as soloists. We listen to Coltrane and Sun Ra and all these progressives, but for us because of the internet and the age we’re a part of we love to study everything. It’s this weird ongoing thing for us to keep being educated and learning."

BBNG's relationship with the style is further complicated by the fact that the jazz community at large sees the group as outside of the genre but more mainstream music fans, those with less knowledge of the tradition and musicianship, perceive them to be jazz and representative of a bright future for the genre because of their accessibility. Ethnomusicologist Matthew Neil noted, “BBNG will continue to represent jazz, even as the jazz community, and even the group themselves, wish that they did not speak for jazz. Put simply: BBNG is jazz if people think they are.”[79]

BBNG has cited a wide range of influences, including Brazilian composer Arthur Verocai, Miles Davis, saxophonists John Coltrane and Albert Ayler, Sam Rivers, drummers Tony Williams and Art Blakey, Sun Ra, producer J Dilla, Kurt Cobain, and Wu-Tang Clan.[80]

Reception

Early on, in 2012, a Prefix magazine review called BadBadNotGood "a jazz trio on paper -- but often strange, forever imaginative, and ultimately revolutionary hip-hop and electronic beatmakers at heart."

Huffington Post wrote that the group "deconstruct the four bar loops, understanding how to work crescendos by stretching out and reshaping the music into their own vision of silky smooth key progressions, pounding drums, and tasty bass lines."[1]

Despite BBNG's rising popularity and press coverage by popular music media in the early 2010s, the band went unnoticed by the jazz community at large until after the release of their second album when off-the-cuff comments disregarding the jazz establishment were perceived as inflammatory by the jazz media.[82] Critics quickly jumped to compare BBNG's musicianship to jazz artists that had achieved similar-sized audiences, not accounting for age or experience, and thus comparing them to musicians who had spent years developing their skills.[83] In hindsight, the reactionary response was likely due to the fact that BBNG's popularity and success in popular music preceded any recognition or approval from the jazz community itself. The band was quick to walk back some of their comments and have been increasingly complimentary of their jazz contemporaries; in the following years, sentiments on both sides have relaxed and reversed.[84] In a 2017 retrospective, JazzTimes responded positively to the album IV and their career journey thus far.[76]

Band members

Matthew Tavares (left) and Chester Hansen in 2012

Former member

Touring members

Discography

Production discography

Early in their career, BBNG helped produce two tracks for the soundtrack of The Man with the Iron Fists which were performed by Idle Warship and Wu-Tang Clan with Kool G Rap. This was followed by songs by Earl Sweatshirt, Danny Brown, and multiple tracks for Mick Jenkins, among others. In the late 2010s, BBNG coproduced songs for Freddie Gibbs, Kendrick Lamar ("LUST."), Daniel Caesar (including "Get You"), Kali Uchis (including "After the Storm (feat. Tyler, the Creator and Bootsy Collins)," and Thundercat. In the producer role, BBNG often collaborates with fellow Canadian producers Frank Dukes and KAYTRANADA.

Awards and nominations

Grammy Awards

BadBadNotGood has been nominated for five Grammy Awards, winning two. Their first nomination as the primary artist was in 2024 for Best Remixed Recording, Non-Classical.

Year Category Nominated Work Result Notes Ref.
2018 Album of the Year DAMN. (as a producer) Nominated Co-produced track "Lust"[a]
Best Rap Album DAMN. (as a producer) Won
2019 Album of the Year Black Panther (as a producer) Nominated Co-produced track "The Ways"[a]
2021 Best Progressive R&B Album It Is What It Is (as a producer) Won Co-produced track "King of the Hill"[a] [86]
2024 Best Remixed Recording "Alien Love Call" (as remixers) Nominated Original song by Turnstile feat. Blood Orange [61]

Polaris Music Prize

BadBadNotGood has been nominated for the Polaris Music Prize, Canada's most prestigious music, award four times.

Year Association Nominated Work Result Ref.
2014 Polaris Music Prize III Longlisted [87]
2015 Polaris Music Prize Sour Soul (with Ghostface Killah) Shortlisted [88]
2017 Polaris Music Prize IV Shortlisted [89]
2022 Polaris Music Prize Talk Memory Longlisted [57]

Other awards

Year Association Category Nominated Work Result Notes Ref.
2014 Worldwide Awards Album of the Year III Nominated [90]
2016
Juno Awards
Rap Recording of the Year Sour Soul Nominated With Ghostface Killah [91]
2016 Worldwide Awards Album of the Year IV Nominated
2016 SOCAN Songwriting Prize "
Paradise
" (as a songwriter)
Nominated Primary artist: Daniel Caesar
2018 UK Music Video Awards Best Alternative Video – Newcomer "I Don't Know" Won [92]
2018 SOCAN Awards R&B Music "Get You" (as a songwriter) Won Primary artist: Daniel Caesar [93]
2019 ASCAP Rhythm & Soul Awards R&B/Hip-Hop Songs Won [94]
2019 Libera Awards Best Live Act Won [95][96]
2022 Best Jazz Record Talk Memory Won [97]
"Qadir" (BBNG Remix) Nominated Originally by Nick Hakim [97]
2022 Prism Prize Best Music Video "Love Proceeding" Nominated [98]
"Timid, Intimidating" Nominated
2023 Juno Awards Jazz Album of the Year Talk Memory Nominated [99]
Traditional R&B/Soul Recording of the Year "Please Do Not Lean" Nominated With Daniel Caesar

^[a] Per Grammy guidelines, all fully-credited producers of each track on an album are Grammy-eligible.[100][101]

References

  1. ^ a b c d e f g Tongson, Jerell (April 13, 2012). "Rotten Decay: BADBADNOTGOOD Is Re-Defining the Genre". Huffington Post. Archived from the original on April 16, 2012. Retrieved April 30, 2012.
  2. ^ a b Mistry, Anupa (September 15, 2011). "Odd jazz covers". NOW Magazine. Archived from the original on February 3, 2012. Retrieved April 30, 2012.
  3. ^ a b Lester, Paul (April 18, 2012). "BADBADNOTGOOD (No 1,252)". The Guardian. Archived from the original on December 2, 2016. Retrieved December 14, 2016.
  4. ^ a b "BADBADNOTGOOD: The Canadian band behind hip-hop's latest influence – jazz". Loud And Quiet. Archived from the original on 2020-06-30. Retrieved 2020-06-29.
  5. ^ a b c Josephs, Brian (July 28, 2016). "BADBADNOTGOOD Got the Props". Spin. Archived from the original on October 22, 2017. Retrieved October 22, 2017.
  6. ^ Martin, Andrew (May 5, 2012). "Who Is BadBadNotGood". Complex. Archived from the original on October 22, 2017. Retrieved October 22, 2017.
  7. ^ a b Mistry, Anupa (March 22–29, 2012). "BADBADNOTGOOD Toronto jazz futurists rewrite the rule book". NOW Magazine. Archived from the original on 2012-05-05. Retrieved 2012-04-30.
  8. ^ "BadBadNotGood: Zero to One Hundred". Consequence of Sound. 2015-02-17. Archived from the original on 2020-07-05. Retrieved 2020-06-29.
  9. ^ Tyler, The Creator (April 28, 2011). "I Love Jazz, This Is Fucking Sick! Dave Brubrek Trio Swag". Twitter. Archived from the original on December 18, 2012. Retrieved January 25, 2016.
  10. ^ "Live Sessions". Live Sessions. Archived from the original on 2020-06-29. Retrieved 2020-06-29.
  11. ^ Alighieri, Dante (October 31, 2011). "BADBADNOTGOOD - BBNG (album review)". Sputnikmusic.
  12. ^ "Toronto's Red Light Bar Has Been Sold". exclaim.ca. Archived from the original on 2020-06-29. Retrieved 2020-06-29.
  13. ^ td-sub (2016-10-31). "You're the Worst! An interview with BadBadNotGood". Totally Dublin. Archived from the original on 2020-06-30. Retrieved 2020-06-30.
  14. ^ "BBNGLIVE 1, by BADBADNOTGOOD". BADBADNOTGOOD. Archived from the original on 2020-06-02. Retrieved 2020-06-28.
  15. ^ "BBNGLIVE 2, by BADBADNOTGOOD". BADBADNOTGOOD. Archived from the original on 2020-06-17. Retrieved 2020-06-28.
  16. ^ "@badbadnotgood on Instagram: "when we heard channel ORANGE a few months back"". Instagram. Archived from the original on 2020-09-11. Retrieved 2020-06-28.
  17. ^ a b Mistry, Anupa (February 10, 2012). "BadBadNotGood, great When jazz makes perfect party music". NOW Magazine. Archived from the original on February 13, 2012. Retrieved April 30, 2012.
  18. ^ Dart, Chris (April 24, 2012). "Sound Advice: BBNG2 by Badbadnotgood". Torontoist. Archived from the original on May 3, 2014. Retrieved May 12, 2012.
  19. ^ "BBNG2 by BADBADNOTGOOD". Bandcamp. Archived from the original on May 11, 2012. Retrieved April 30, 2012.
  20. ^ a b Barton, Chris (April 17, 2012). "The Odd Future-endorsed sound of BadBadNotGood comes to the Mint". Los Angeles Times. Archived from the original on May 15, 2012. Retrieved April 30, 2012.
  21. ^ "NEW TRACK". Facebook. June 20, 2013. Archived from the original on January 17, 2016. Retrieved June 22, 2013.
  22. ^ "blog post BADBADNOTGOOD: behind the scenes of The Man with the Iron Fists soundtrack". Music.cbc.ca. November 2, 2012. Archived from the original on March 1, 2016.
  23. ^ "2nd single from III". Facebook. January 14, 2014. Archived from the original on September 11, 2020. Retrieved January 17, 2014.
  24. ^ "Album release date and 3rd single from III". Fader. March 5, 2014. Archived from the original on March 8, 2014. Retrieved March 7, 2014.
  25. ^ Staff, BrooklynVegan (6 March 2014). "BADBADNOTGOOD releasing a new LP on Innovative Leisure, playing BV-SXSW w/ Tyler, the Creator & other shows". BrooklynVegan. Retrieved 2020-06-29.
  26. ^ a b c d "BadBadNotGood Gigography, Tour History & Past Concerts – Songkick". www.songkick.com. Archived from the original on 2020-07-02. Retrieved 2020-06-29.
  27. ^ "BADBADNOTGOOD and Friends". Interview Magazine. 2016-06-29. Archived from the original on 2020-06-30. Retrieved 2020-06-29.
  28. ^ "Kaytranada Reveals He's Recorded a Wealth of Unreleased '99.9%' Material with BADBADNOTGOOD and Little Dragon". exclaim.ca. Archived from the original on 2020-08-13. Retrieved 2020-12-19.
  29. ^ "RA: Badbadnotgood tour dates for 2016". Resident Advisor. 2016. Archived from the original on 2020-06-29. Retrieved 2020-06-29.
  30. ^ "BadBadNotGood: IV in full with commentary from Gilles Peterson". BBC Radio 6 Music. December 23, 2016. Archived from the original on December 26, 2016. Retrieved January 3, 2017.
  31. ^ "Hear BADBADNOTGOOD Connect with Little Dragon for "Tried"". exclaim.ca. Archived from the original on 2020-05-31. Retrieved 2020-06-29.
  32. ^ "BADBADNOTGOOD". www.facebook.com. Archived from the original on 2020-07-02. Retrieved 2020-06-29.
  33. ^ "BADBADNOTGOOD". www.facebook.com. Archived from the original on 2020-08-01. Retrieved 2020-06-29.
  34. ^ Williams, Jeff (20 December 2019). "James Hill: Trailblazer of Electric Jazz". Modern Jazz Today. Archived from the original on 2020-06-30. Retrieved 2020-06-27.
  35. ^ "BADBADNOTGOOD's Matthew Tavares Explains Absence from Band, Shares "Embarassed" [sic]". exclaim.ca. Archived from the original on 2020-06-28. Retrieved 2020-06-27.
  36. ^ "@badbadnotgood on Instagram: ""God Only Knows" with Jonti now live on Triple J Like A Version (link in bio) **luv and miss you on tour Matty**"". Instagram. Archived from the original on 2021-12-26. Retrieved 2020-06-28.
  37. ^ "BADBADNOTGOOD". www.facebook.com. Archived from the original on 2020-08-19. Retrieved 2020-06-29.
  38. ^ a b "BADBADNOTGOOD Return with Two New Songs". exclaim.ca. Archived from the original on 2020-06-28. Retrieved 2020-06-29.
  39. ^ "Watch BadBadNotGood Cover Kanye's "Ghost Town" At Louis Vuitton Show". Stereogum. 2018-06-21. Archived from the original on 2020-07-01. Retrieved 2020-06-28.
  40. ^ "Kid Cudi walks, BadBadNotGood covers Kanye's "Ghost Town" at Paris Fashion Week: Watch". Consequence of Sound. 2018-06-21. Archived from the original on 2020-07-02. Retrieved 2020-06-28.
  41. ^ Ritchie, Kevin (2016-07-20). "In the studio with: BadBadNotGood". NOW Magazine. Retrieved 2020-06-29.
  42. ^ "@badbadnotgood on Instagram: "that new @kaliuchis feat. @feliciathegoat & @bootsy_collins we wrote and recorded the instrumental together at our lovely Studio 69"". Archived from the original on 2021-12-26. Retrieved 2020-06-28 – via Instagram.
  43. ^ "Charlotte Day Wilson - Stone Woman". Discogs. Archived from the original on 2020-08-08. Retrieved 2020-06-28.
  44. ^ "JAUNT - TIGER BOMB PROMO". www.tigerbombpromo.com. Archived from the original on 2020-06-29. Retrieved 2020-06-28.
  45. ^ "Matthew Tavares Leaves BADBADNOTGOOD". Exclaim.ca. Archived from the original on 2020-04-30. Retrieved 2020-03-06.
  46. ^ "BADBADNOTGOOD Members Explain How 'Disappearance at Clifton Hill' Score Led to Forthcoming Album". exclaim.ca. Archived from the original on 2020-06-29. Retrieved 2020-06-29.
  47. ^ Gonzales, Erica (2020-01-03). "The Complete Coachella 2020 Lineup Is Here". Harper's BAZAAR. Archived from the original on 2020-10-22. Retrieved 2020-06-29.
  48. ^ Peterson, Gilles (12 December 2020). WW LOS SANTOS: GILLES PETERSON WITH BADBADNOTGOOD (audio). 38:20-50:59 minutes in.
  49. ^ BADBADNOTGOOD (July 8, 2021). "Wow this 5 year old child gonna need some siblings aha". Twitter. Retrieved 2021-07-10.
  50. ^ "How Adult Swim Remixes Took Over the Internet". www.vice.com. 18 June 2021. Retrieved 2021-06-21.
  51. ^ Innovative Leisure (June 21, 2021). "@supvano x @badbadnotgood x @futureislands Samuel T. Herring Out Now On All Digital Platforms". Twitter. Retrieved 2021-06-21.
  52. ^ "#adultswim Hashtag Videos on TikTok". TikTok. Retrieved 2021-06-21. 3.4B views
  53. ^ a b BADBADNOTGOOD (July 9, 2021). "Memory Catalogue". Instagram. Archived from the original on 2021-12-26. Retrieved 2021-07-10. The Memory Catalogue, is a print series which provides visual language to our next instrumental album, Talk Memory.
  54. ^ BadBadNotGood (2021). Signal to the Noise sheet music (PDF). Canada.{{cite book}}: CS1 maint: location missing publisher (link)
  55. ^ "Credits Signal from the Noise". listen.tidal.com. July 15, 2021. Retrieved 2021-07-15.
  56. ^ "BadBadNotGood Announce Tour, Share Video for New Song "Beside April"". Pitchfork. 2021-09-08. Retrieved 2021-09-08.
  57. ^ a b Renshaw, David (June 15, 2022). "The Weeknd, Arcade Fire, PUP longlisted for 2022 Polaris Prize". The FADER. Retrieved 2022-06-21.
  58. ^ Caraan, Sophie (2022-09-08). "Jonah Yano Announces BADBADNOTGOOD-Produced Album 'Portrait of a Dog'". HYPEBEAST. Retrieved 2022-09-30.
  59. ^ "portrait of a dog, by Jonah Yano". Jonah Yano. Retrieved 2023-02-01.
  60. ^ Deville, Chris (August 11, 2023). "Turnstile & BADBADNOTGOOD Release New EP 'New Heart Designs': Listen". Stereogum. Retrieved 2023-08-11.
  61. ^ a b "2024 GRAMMY Nominations: See The Full Nominees List | GRAMMY.com". www.grammy.com. Retrieved 2023-11-10.
  62. ^ Carter, Bobby (2017-01-23). "BADBADNOTGOOD: Tiny Desk Concert". NPR. Retrieved 2022-04-16.
  63. ^ "BADBADNOTGOOD – "Signal From The Noise"". Stereogum. 2021-07-15. Retrieved 2022-04-16.
  64. ^ "Watch Earl Sweatshirt & BADBADNOTGOOD's Strange Kimmel Performance". Stereogum. 2015-05-14. Retrieved 2022-04-16.
  65. ^ Edmunds, Joshua. "Jazz act BADBADNOTGOOD 'Talk Memory' is brilliantly produced, refined". The Daily Targum. Retrieved 2022-04-16.
  66. ^ a b "BADBADNOTGOOD – "Beside April"". Stereogum. 2021-09-08. Retrieved 2022-04-16.
  67. ^ a b Lozano, Kevin (July 19, 2016). "BADBADNOTGOOD: IV". Pitchfork. Retrieved 2022-04-16.
  68. ^ "BADBADNOTGOOD unveil new single "Beside April": Stream". Consequence. 2021-09-08. Retrieved 2022-04-16.
  69. ^ Van Nguyen, Dean (October 11, 2021). "BADBADNOTGOOD: Talk Memory". Pitchfork. Retrieved 2022-04-16.
  70. ^ "BADBADNOTGOOD on Their 'Vulnerable' New LP 'Talk Memory' and Working With MF DOOM". Complex. Retrieved 2022-04-16.
  71. ^ a b Haglund, Dagny. "BADBADNOTGOOD's Talk Memory: 42 Minutes of Cinematic Jazz". VOICES. Retrieved 2022-04-16.
  72. ^ "BADBADNOTGOOD". JazzMusicArchives.com. Retrieved 2022-04-16.
  73. ^ Talk Memory by BADBADNOTGOOD - RYM/Sonemic, retrieved 2022-04-16
  74. ^ Patrin, Nate (February 16, 2015). "Ghostface Killah / BADBADNOTGOOD: Sour Soul". Pitchfork. Retrieved 2022-04-16.
  75. ^ Corrigan, G (2015-02-20). "Stream BADBADNOTGOOD & Ghostface Killah's Sour Soul". Stereogum. Retrieved 2022-04-16.
  76. ^ a b O'Connell, Sean J. (25 April 2019). "The BadBadNotGood Life". JazzTimes. Retrieved 2022-04-16.
  77. ^ "BADBADNOTGOOD Connect With Kaytranada On "Lavender"". The FADER. Retrieved 2022-04-16.
  78. ^ Hyman, Dan (July 26, 2016). "VICE - BadBadNotGood Are Trying to Be Somewhat Interesting and It's Going Pretty Well". www.vice.com. Archived from the original on 2020-08-08. Retrieved 2020-06-29.
  79. ^ Neil, Matthew Sean (2018). "BadBadNotGood and Jazz Blasphemy". Locating Jazz in 21st Century American Society (PDF). Riverside, CA: University of California Riverside. pp. 242–248. Archived (PDF) from the original on 2020-07-01. Retrieved 2020-07-01.
  80. ^ Neil, Matthew Sean (2018). "BadBadNotGood and Jazz Blasphemy". Locating Jazz in 21st Century American Society (PDF). Riverside, CA: University of California Riverside. pp. 238–239. Archived (PDF) from the original on 2020-07-01. Retrieved 2020-07-01.
  81. ^ Mejia, Paula (April 9, 2012). "Album Review: BADBADNOTGOOD: BBNG2". Prefix. Archived from the original on May 2, 2013. Retrieved April 30, 2012.
  82. ^ Neil, Matthew Sean (2018). "BadBadNotGood and Jazz Blasphemy". Locating Jazz in 21st Century American Society (PDF). Riverside, CA: University of California Riverside. pp. 215–216. Archived (PDF) from the original on 2020-07-01. Retrieved 2020-07-01.
  83. ^ Neil, Matthew Sean (2018). "BadBadNotGood and Jazz Blasphemy". Locating Jazz in 21st Century American Society (PDF). Riverside, CA: University of California Riverside. pp. 232–234. Archived (PDF) from the original on 2020-07-01. Retrieved 2020-07-01. Though criticisms of BBNG might not state this explicitly, I believe there is an implicit criticism in denouncements of BBNG—that the band had defiled the sacralization of jazz tradition by attempting to forego the normative path of development... For some, BBNG's shortcomings offered evidence that they should have in fact stayed in school a little bit longer, the band's lack of playing ability proving the merit of the jazz education mode... For the average local jazz group, lack of mastery at the age of 19 would not be a big deal, but because BBNG had already reached a national audience, a correction in the form of criticism of the band's talent was needed. The backlash then seems to have stemmed from what many felt was undeserved hype for a band whose proficiency did not match the heaps of attention they had received.
  84. ^ Neil, Matthew Sean (2018). "BadBadNotGood and Jazz Blasphemy". Locating Jazz in 21st Century American Society (PDF). Riverside, CA: University of California Riverside. pp. 226–230. Archived (PDF) from the original on 2020-07-01. Retrieved 2020-07-01.
  85. ^ "@badbadnotgood on Instagram: "sound check sounded tight yerrr"". Instagram. Archived from the original on 2021-12-26. Retrieved 2020-06-28.
  86. Grammys. The Recording Academy. November 24, 2020. Archived
    (PDF) from the original on November 29, 2020. Retrieved November 25, 2020.
  87. ^ "2014 Polaris Music Prize Long List Is Here". Polaris Music Prize. 2014-06-19. Archived from the original on 2020-06-30. Retrieved 2020-06-28.
  88. ^ "2015 Polaris Music Prize Short List Is Here". Polaris Music Prize. 2015-07-16. Archived from the original on 2020-06-30. Retrieved 2020-06-28.
  89. ^ "The 2017 Polaris Music Prize Short List Is Here". Polaris Music Prize. 2017-07-13. Archived from the original on 2020-06-30. Retrieved 2020-06-28.
  90. ^ Peterson, Gilles (Dec 10, 2014). BadBadNotGood - III (Innovative Leisure) Worldwide Awards 2015 - Album Of The Year Nominee (video).
  91. ^ "Past Nominees + Winners". The JUNO Awards. Archived from the original on 2020-06-17. Retrieved 2020-06-28.
  92. ^ "UK Music Video Awards 2018: all the nominations! | News | Promonews". Promonewstv. Archived from the original on 2021-01-09. Retrieved 2021-01-06.
  93. ^ "SOCAN Awards | SOCAN". 18 June 2018. Archived from the original on 2021-01-04. Retrieved 2020-12-30.
  94. ^ "2019 ASCAP Rhythm & Soul Music Awards". www.ascap.com. Archived from the original on 2021-01-16. Retrieved 2020-12-30.
  95. ^ "2019 Winners". Libera Awards. Archived from the original on 2020-08-08. Retrieved 2020-06-28.
  96. ^ BWW News Desk. "A2IM Announces 2019 Libera Award Nominees". BroadwayWorld.com. Archived from the original on 2020-07-26. Retrieved 2020-06-28.
  97. ^ a b "2022 A2IM Libera Awards Nominees". Libera Awards. Retrieved 2022-06-17.
  98. ^ Thompson, Bianca (May 18, 2022). "Here Are the Top 10 Canadian Music Videos Nominated for the 2022 Prism Prize". Complex. Retrieved 2022-05-18.
  99. ^ CBC Music (January 31, 2023). "Here are all the 2023 Juno nominees". CBC. Retrieved February 20, 2023.
  100. Producers & Engineers Wing. March 1, 2019. Retrieved November 21, 2020.
  101. (PDF) from the original on June 10, 2020. Retrieved November 21, 2020.

External links