sacrificing at the Temple of Jupiter
|Practices and beliefs|
The Bacchanalia were unofficial, privately funded popular
Livy, writing some 200 years after the event, offers a scandalized and extremely colourful account of the Bacchanalia, with frenzied rites, sexually violent initiations of both sexes, all ages and all social classes; he represents the cult as a murderous instrument of conspiracy against the state. Livy claims that seven thousand cult leaders and followers were arrested, and that most were executed. Livy believed the Bacchanalia scandal to be one of several indications of Rome's inexorable moral decay. Modern scholars take a skeptical approach to Livy's allegations.
The cult was not banned. Senatorial legislation to reform the Bacchanalia in 186 BC attempted to control their size, organisation, and priesthoods, under threat of the death penalty. This may have been motivated less by the kind of lurid and dramatic rumours that Livy describes than by the Senate's determination to assert its civil, moral and religious authority over Rome and its allies, after the prolonged social, political and military crisis of the Second Punic War (218–201 BC). The reformed Bacchanalia rites may have been merged with the Liberalia festival. Bacchus, Liber and Dionysus became virtually interchangeable from the late Republican era (133 BC and onward), and their mystery cults persisted well into the Principate of Roman Imperial era.
Background and development
The Bacchanalia were Roman festivals of Bacchus, the Greco-Roman god of wine, freedom, intoxication and ecstasy. They were based on the Greek
Livy claims the earliest version of the Bacchanalia was open to women only, and held on three days of the year, in daylight; while in nearby Etruria, north of Rome, a "Greek of humble origin, versed in sacrifices and soothsaying" had established a nocturnal version, added wine and feasting to the mix, and thus acquired an enthusiastic following of women and men. The nocturnal version of the Bacchanalia involved wine-drinking to excess, drunkenness and the free mingling of the sexes and classes; the rites also involved loud music.
According to Livy's account, Publius Aebutius of the
The Legislation of 186 survives in the form of an inscription. Known as the
Despite their official suppression, illicit Bacchanals persisted covertly for many years, particularly in Southern Italy, their likely place of origin. The reformed, officially approved Bacchic cults would have borne little resemblance to the earlier crowded, ecstatic and uninhibited Bacchanalia. Similar attrition may have been imposed on Liber's cults; his perceived or actual association with the Bacchanalia may be the reason that his Liberalia ludi of 17 March were temporarily moved to Ceres' Cerealia of 12–19 April. They were restored when the ferocity of reaction eased, but in approved, much modified form.
Livy's account of the Bacchanalia has been described as "tendentious to say the least". As a political and social conservative, he had a deep mistrust of mystery religions, and probably understood any form of Bacchanalia as a sign of Roman degeneracy. Though most of his dramatis personae are known historical figures, their speeches are implausibly circumstantial, and his characters, tropes and plot developments draw more from Roman satyr plays than from the Bacchanalia themselves. Paculla Annia is unlikely to have introduced all the changes he attributes to her.
For Livy, the cult's greatest offences arose from indiscriminate mixing of freeborn Romans of both sexes and all ages at night, a time when passions are easily aroused, especially given wine and unrestricted opportunity. Women at these gatherings, he says, outnumbered men; and his account has the consul Postumius stress the overwhelmingly female nature and organisation of the cult. Yet the Senatus consultum de Bacchanalibus itself allows women to outnumber men, by three to two, at any permitted gathering; and it expressly forbids Bacchic priesthoods to men. Livy's own narrative names all but one of the offending cult leaders as male, which seems to eliminate any perceived "conspiracy of women". Gender seems to have motivated the Senate's response no more than any other cause.
Livy's consistent negative description of the cult's Greek origins and low moral character—not even Bacchus is exempt from this judgment—may have sought to justify its suppression as a sudden "infiltration of too many Greek elements into Roman worship". The cult had, however, been active in Rome for many years before its supposedly abrupt discovery, and Bacchic and Dionysiac cults had been part of life in Roman and allied, Greek-speaking Italy for many decades. Greek cults and Greek influences had been part of Rome's religious life since the 5th century BC, and Rome's acquisition of foreign cults—Greek or otherwise—through the alliance, treaty, capture or conquest was a cornerstone of its foreign policy, and an essential feature of its eventual hegemony. While the pace of such introductions had gathered rapidly during the 3rd century, contemporary evidence of the Bacchanalia reform betrays no anti-Greek or anti-foreign policy or sentiment.
Gruen interprets the Senatus consultum as a piece of Realpolitik, a display of the Roman senate's authority to its Italian allies after the Second Punic War, and a reminder to any Roman politician, populist and would-be generalissimo that the Senate's collective authority trumped all personal ambition. Nevertheless, the extent and ferocity of the official response to the Bacchanalia was probably unprecedented, and betrays some form of moral panic on the part of Roman authorities; Burkert finds "nothing comparable in religious history before the persecutions of Christians".
In modern usage, bacchanalia can mean any uninhibited or drunken revelry. The bacchanal in art describes any small group of revellers, often including satyrs and perhaps Bacchus or Silenus, usually in a landscape setting. The subject was popular from the Renaissance onwards, and usually included a large degree of nudity among the figures.
Konstantin Makovsky, Spring Bacchanalia, 1891
Nicolas Poussin, Bacchanal before a Statue of Pan, 1631–1633
Lovis Corinth, Bacchanalia, 1898
A. Meyer, frieze in Seefeld (Zürich), 1900
- Maenads, female worshippers of Dionysus
- Saturnalia, a Roman festivity
- Thriambus, a hymn sung in processions in honour of Dionysus
- ^ JSTOR 643095.
- ^ JSTOR 3185221.
- ^ JSTOR j.ctt1fzhh5b.10.
- ISBN 978-1-907222-43-6.
- ^ JSTOR 4238789.
- ^ JSTOR 3297899.
- ^ ISBN 978-0-19-084960-3.
- ^ Riedl, M. (2012). "The Containment of Dionysos: Religion and Politics in the Bacchanalia Affair of 186 BCE". International Political Anthropology. 5 (2): 113–133.
- ^ Beard, M., Price, S., North, J., Religions of Rome: Volume 1, a History, illustrated, Cambridge University Press, 1998, pp. 93–96.
- T.P. Wiseman, Remus: a Roman myth, Cambridge University Press, 1995, p.133.
- ^ For the changes attributed to Paculla Annia as unlikely, see Erich S. Gruen, Studies in Greek Culture and Roman Policy, University of California Press, 1996, pp 48–54: Hispala Faecina is the standard "golden-hearted prostitute" whose courage and loyalty outweigh her low origin and profession, and her fear of reprisal, see Victoria Emma Pagán, Conspiracy Narratives in Roman History, University of Texas Press, 2004, pp. 61–65.
- ^ cf later descriptions of Liber's "aged priestesses" who offer sacrifice at the Liberalia festival.
- ^ Gruen, E. Studies in Greek culture and Roman policy, University of California Press, 1996, Ch. 2.
- ^ Schultz, C., Women's religious activity in the Roman Republic, UNC Press Books, 2006, p. 93.
- ISBN 978-1-4051-2943-5.
- ISBN 978-0-470-69097-0.
- ^ Erich S. Gruen, Studies in Greek culture and Roman policy, University of California Press, 1996, Ch. 2.
- ^ Walter Burkert, Ancient Mystery Religions, Harvard University Press, 1987, p. 52.
- ISBN 978-90-04-09051-4.
- Senatus consultum de Bacchanalibus, in Latin at The Latin Library
- Decree of the Senate Concerning the Rites of Bacchus (Senatus Consultum de Bacchanalibus), in English at forumromanum.org
- Description of the Bacchanalia and the Senate's ruling, from Fordham