Badal Sircar

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Badal Sircar
Sangeet Natak Akademi Fellowship

Sudhindra Sircar (15 July 1925 - 13 May 2011), also known as Badal Sarkar, was an influential Indian dramatist and theatre director, most known for his anti-establishment plays during the

Indian theatre.[4] Today, his rise as a prominent playwright in 1960s is seen as the coming of age of Modern Indian playwriting in Bengali, just as Vijay Tendulkar did it in Marathi, Mohan Rakesh in Hindi, and Girish Karnad in Kannada.[5]

He was awarded the

Govt. of India, in 1997.[6]

Early life and education

Badal Sircar, whose real name was 'Sudhindra Sarkar', was born in

Bengal Engineering College (now IIEST), Shibpur, Howrah then affiliated with the University of Calcutta.[10] In 1992, he finished his Master of Arts degree in comparative literature from Jadavpur University
in Calcutta.

Career

While working as a town planner in India, England and Nigeria, he entered theatre as an actor, moved to direction, but soon started writing plays, starting with comedies. Badal Sirkar did experiments with theatrical environments such as stage, costumes and presentation and established a new genre of theatre called "Third Theatre".[11] In Third Theatre approach, he created a direct communication with audience and emphasised on expressionist acting along with realism. He started his acting career in 1951, when he acted in his own play, Bara Trishna, performed by Chakra, a theatre group.

Eventually still employed in Nigeria, he wrote his landmark play Ebong Indrajit (And Indrajit) in 1963, which was first published and performed in 1965 and catapulted him into instant fame, as it captured "the loneliness of post-Independence urban youth with dismaying accuracy". He followed them with plays like Baaki Itihaash (Remaining History) (1965), Pralap (Delirium) (1966), Tringsha Shatabdi (Thirtieth Century) (1966), Pagla Ghoda (Mad Horse) (1967), Shesh Naai (There's No End) (1969), all performed by Sombhu Mitra's Bohurupee group.[1][2]

In 1967, he formed the "Shatabdi" theatre group, and the first production he directed was Ebang Indrajit in 1967, a play about three people – Amal, Bimal, Kamal and a loner Indrajit. In the next five years of its existence the troupe performed several of his plays and had a profound impact on contemporary theatre, especially after 1969 when it started performing plays both indoors and outside amidst people, and evolved the angan manch (courtyard stage) and inspired by the direct communication techniques of

Indian theatre
. In 1976, his group "Satabdi", started performing at Surendranath Park (then Curzon Park) Kolkata on weekends. These open-air and free performances led to his troupe travelling to nearby villages on other weekends, where it employed minimal props and improvised dialogues to involve audience further into the performance.

Though he continued to hold his job till 1975, as a playwright he rose to prominence in the 1970s and was one of the leading figures in the revival of street theatre in Bengal. He revolutionised

Naxalite movement.[12][13][14][15]

His plays reflected the atrocities that prevailed in the society, the decayed hierarchical system and were socially enlightening. He is a proponent of the "Third theatre" movement that stood ideologically against the state. Third theatre involved street plays, with actors being attired no differently than the audience. Also the formal bindings of the

arena stage, his subsequent plays, Michhil (Juloos), Bhoma, Basi Khobor, Spartacus based on Howard Fast's historical novel by the same name, were performed in parks, street corners and remote villages with the audience sitting all around.[12][16][17]

Sircar directed his last play in 2003, and after that his movements were restricted after a road accident, but even many years later till 2011 he continued performing at play readings and writing new works like adapting William Shakespeare's Macbeth, two stories by Graham Greene and a novel, History of Love.[18]

Kerala Sangeetha Nataka Akademi awarded the prestigious 'Ammannur Puraskaram' in 2010 for his lifetime achievements in Indian Theatre. The award was presented to him by Girish Karnad during the inaugural function of 3rd edition of International Theatre Festival of Kerala (ITFoK)

Death

Sarkar was diagnosed with

colon cancer
in April 2011. He died on 13 May at Kolkata at the age of 85.

Awards and recognition

Sarkar was awarded the prestigious

Govt. of India, in 1997, given by Sangeet Natak Akademi
, India's National Academy for Music, Dance and Drama.

The "Tendulkar Mahotsav" held at the National Film Archive of India (NFAI), Pune in October 2005, organised by director Amol Palekar to honour playwright Vijay Tendulkar, was inaugurated with the release of a DVD and a book on the life of Badal Sircar.[20]

In July 2009, to mark his 85th birthday, a five-day-long festival titled Badal Utsava as tribute to him was organised by several noted theatre directors.[21] He was offered the Padma Bhushan by the Government of India in 2010, which he declined, stating that he is already a Sahitya Akademi Fellow, which is the biggest recognition for a writer.[22]

In media

Sarkar is the subject of two documentaries, one directed by filmmaker and critic, Amshan Kumar,[23] and another A Face in the Procession by Sudeb Sinha, which was shot over two years.

Legacy

Badal Sircar influenced a number of film directors, theatre directors as well as writers of his time. Film director Mira Nair in an interview mentioned, "For me, Kolkata was a formative city while growing up.... I learned to play cricket in Kolkata, but more than anything, I learned to read Badal Sircar and watch plays written by him for street theatre. "[24] To Kannada director and playwright, Girish Karnad, Sircar's play Ebong Indrajit taught him fluidity between scenes, while as per theatre director-playwright Satyadev Dubey, "In every play I've written and in every situation created, Indrajit dominates." To Actor-director Amol Palekar, "Badalda opened up new ways of expression."[25] Recently (2013), a newly established cultural group, Maniktala Kolpokatha has started their theatrical career paying homage to the great play writer, staging "Ballavpurer Roopkatha". To the group, it is one of the plays that is not often staged in the Kolkata Theatre Circuit, and has all the spices of love, laughter and fear.

List of plays

  • Ebong Indrajit
     (And Indrajit) (1963)
  • Basi Khabar
  • Baaki Itihaash (Remaining History) (1965)
  • Pralap (Delirium) (1966)
  • Tringsha Shatabdi (Thirtieth Century) (1966)
  • Pagla Ghoda (Mad Horse) (1967)
  • Shesh Naai (There's No End) (1969)
  • Spartacus
  • “Ram, Shyam, Jadu”
  • Prastava
  • Michhil (Procession)
  • Bhoma
  • Solution X
  • Baropishima
  • Saara Raattir
  • Baro Pisima
  • Kabi Kahini
  • Manushe Manushe
  • Hottomalar oparey
  • Bollovpurer rupkatha
  • Sukhapathya bharoter itihash(Indian History Made Easy)
  • Gondi (adaptation from 'Caucasian Chalk Circle' by Bertolt Brecht)
  • Nadite Dubiye Dao (Adaptation from 'We come to the river' by Edward Bond)
  • Sinri
  • bagh
  • Ka Cha Ta Ta Pa (A satire)
  • Bagala Charit Manas
  • Ore Bihanga
  • Dwirath
  • Manushe Manushe
  • Janmavumi Aaj (A poetry Monaz)
  • Mara-Saad
  • Choruivati (An adaptation from "Picnic in the Battlefield" by Fernando Arrabal)

Works

Plays in translation

See also

  • Theatre in India

References

  1. ^
    Live Mint
    . 3 February 2010.
  2. ^
    Indian Express
    . 30 August 2004.
  3. ^ "A tribute to Badal Sircar". The Times of India. 19 July 2009. Archived from the original on 11 August 2011.
  4. ^ "Drama of the Indian theatre journey". Financial Express. 17 September 2006.
  5. ^ "Drama between the lines". Financial Express. 28 January 2007.
  6. ^ Sangeet Natak Akademi Awards Archived 23 November 2007 at the Wayback Machine Sangeet Natak Akademi website.
  7. ^ "The theatre of Badal Sircar".
  8. ^ "GB pays tribute to Badal Sircar, the revolutionary voice of Bengal's theatre".
  9. ^ Mustard memories: Stage On & Off The Telegraph.
  10. ^ Badal Sircar Profile at Indiaprofile
  11. ISBN 0-87745-961-4
    .
  12. ^
    ISBN 978-0-231-14424-7
    .
  13. ISBN 81-208-0981-5
    .
  14. ISBN 0-521-58822-7
    .
  15. ISBN 0-415-26087-6
    .
  16. ISBN 81-269-0655-3
    .
  17. ISBN 81-241-0870-6
    .
  18. ^ "At 86, Badal Sircar frenziedly writes, reads plays". siliconindia.com. 12 March 2011.
  19. Jawaharlal Nehru Memorial Fund
    .
  20. ^ "He moulded Nihalani, Dubey, Palekar and Deshpande". Indian Express. 4 October 2005. Archived from the original on 13 June 2013.
  21. ^ "A tribute to Badal Sircar". The Times of India. 19 July 2009. Archived from the original on 11 August 2011.
  22. ^ "Look who declined Padma Bhushan this year: two giants of art, literature". Indian Express. 9 February 2010.
  23. ^ "Charmed by celluloid". The Hindu. 3 March 2011.
  24. ^ "Why Rani, Abhishek lost out on Namesake". Rediff.com Movies. 23 March 2007.
  25. ^ "Badal rises once more". Mint. 11 March 2011.

Bibliography

External links
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