Ballades (Chopin)
Form
Chopin used the term ballade in the sense of a balletic interlude or dance piece, equivalent to the old Italian ballata. However, the term may also have connotations of the medieval heroic ballad, a narrative minstrel song, often of a fantastical character. There are dramatic and dance-like elements in Chopin's use of the genre, and he is a pioneer of the ballade as an abstract musical form. The four ballades are said to have been inspired by a friend of Chopin's, poet Adam Mickiewicz.[1][4] The exact inspiration for each ballade, however, needs to be clarified and disputed.
Though the ballades do not conform precisely to
Besides sharing the title, the four ballades are entities distinct from each other. According to composer and music critic
.Ballade No. 1
The Ballade No. 1 in G minor, Op. 23, was completed in 1835 in Paris.[5]
Ballade No. 2
The Ballade No. 2 in F major, Op. 38, was composed from 1836 to 1839 in Nohant, France, and on the Spanish island of Mallorca.
Ballade No. 3
The Ballade No. 3 in A♭ major, Op. 47, was composed in 1841 in Nohant.[6]
Ballade No. 4
The Ballade No. 4 in F minor, Op. 52, was composed in 1842 in Paris and Nohant and revised in 1843.[6]
Recordings
The four ballades have been recorded by many pianists, including
References
- ^ a b "Chopin: Complete Music Analysis - Ballades". ourchopin.com. Retrieved 17 December 2020.
- ^ ISBN 1-60303-588-5. Retrieved 5 January 2010.
- ISBN 9780511611650.
- ISSN 1521-6039. Retrieved 12 April 2020.
- ISBN 978-0-415-99884-0.
- ^ a b Bielecki, Artur. "Ballades". Narodowy Instytut Fryderyka Chopina. Retrieved 25 June 2022.
- ^ a b "Building a classical library - Chopin: Four Ballades". The Guardian. 11 August 2000. Retrieved 17 December 2020.
External links
- Ballades (Chopin): Scores at the International Music Score Library Project