Baltimore club

Source: Wikipedia, the free encyclopedia.

Baltimore Club, also called B'more Club, B'more House or simply B'more, is a music genre that fuses

Luther Campbell, Frank Ski, and DJ K-Swift, among others.[1]

Baltimore club is based on an 8/4 beat structure, and includes tempos around 130 beats per minute.

breakbeats sampled include "Sing Sing" by disco band "Gaz"[5][6] and "Think (About It)" by Lyn Collins.[7][6]

History

Origins

Early promoters of Baltimore Club included

Scottie B and his colleagues at Unruly Records.[6]

UK breakbeat hardcore records were influential to the genre. "The Blapps!" Records label released several British rave classic records between 1989 and 1992 that have often been sampled by Baltimore producers. "Don't Hold Back", "Too Much Energy" and "Let the Freak" were sampled and played heavily by DJs and producers.[citation needed] Other UK breakbeat tracks cited by Baltimore DJs as influential include "On 33" by Stereo MC's, the "State of Mind" EP by Is That It, and "Hoovers & Spray Cans" by Mark One.[8]

The Ensoniq ASR-10 keyboard sampler, released in 1992, was used to produce many tracks in the genre.[5][6]

2000s

In the mid-2000s, the genre gained crossover popularity in Baltimore's rock underground due to dance nights at venues such as the Talking Head Club. Baltimore club was featured in

Spin Magazine in December 2005.[9][7]

Rod Lee was described as "the original don of Baltimore club" by The Washington Post in 2005.[10]

DJ K-Swift was known as a prominent personality in the genre. In addition to DJing at "Hammerjacks" and The Paradox, she hosted a radio show on WERQ-FM from 1998 until her death in 2008.[4]

2010s

In 2019, James Nasty & Soohan's club track "Pop!" was featured in Season 5, episode 4 of the Comedy Central series Broad City.[11]

2020s

Dark City Beneath the Beat, a documentary featuring Baltimore club music, was released on streaming platforms in August 2020.[12]

In 2023, June 17 was declared Baltimore Club Music Day by mayor Brandon Scott. A ceremony recognizing club music pioneers was held at Baltimore's annual AFRAM celebration.[13]

Offshoots

In the 1990s, Baltimore club music developed a cult following in the

Boston-area radio shows in the mid-1990s that played Baltimore club music. It also spread south to the Virginia club scene and to Alabama where DJ Seven, formerly known as DJ Taj, developed Bamabounce. It had also started to spread to New York City
.

Jersey club
, which smoothed out the rugged, raw, and violent edges of Baltimore club music.

Baltimore club dance

Baltimore club dance became very popular with Baltimore's African-American community. Throughout the city, dance crews battled against each other at recreation centers and nightclubs, and music from famous disc jockeys was at its peak. These dance moves, created from Baltimore club music, were usually high-paced and intense due to the fact that Baltimore club music evolved from house music and hip hop, two fast-paced music genres.

One move born out of Baltimore club music is the "crazy legs", a shaking of both legs with simultaneous foot tapping and shoulder shrugging. Another dance move that evolved out of Baltimore club music was the “what what”, involving footwork where one raises up one bent leg over the other, in a fast, hopping-like movement. A video featuring girls wearing face coverings while doing versions of the "crazy legs" and the "what what" to a remix of Miss Tony's "How You Wanna Carry It" entitled "Put Your Mask On" went viral in April 2020.[14]

During its peak, Baltimore club DJs received international recognition and were featured on the records of major artists. International recognition given to Baltimore club music and dance was short-lived. Many attribute the downfall of Baltimore club culture to the radio, as new tracks could be listened to without going to the club. The decrease in popularity of Baltimore club culture can also be attributed to the closing of major Baltimore clubs, such as Paradox and Hammerjacks.[15]

References

  1. .
  2. from the original on 11 January 2008. Retrieved 2008-01-19.
  3. ^ a b Bernard, Patrick (2006-07-03). "Scottie B and Baltimore Club". The Wire. Archived from the original on 2008-01-12. Retrieved 2008-01-19.
  4. ^ a b Hiaasen, Rob (21 August 2005). "Breaking Out". baltimoresun.com. Retrieved 2021-01-09.
  5. ^ a b Host, Vivian (September 7, 2014). "Sing Sing: A Loop History". Red Bull Music Academy. Retrieved April 13, 2015.
  6. ^ a b c d Embert, Casey (21 June 2016). "We Made All This Shit! The history of Unruly Records, which just celebrated 20 years, tells the history of Baltimore club music". Baltimore City Paper. The Baltimore Sun. Retrieved 8 January 2021.
  7. ^ a b Shipley, Al (2006-01-19). "The Best Of Both Worlds". Baltimore City Paper. Retrieved 2008-01-19.
  8. ^ "An oral history of Baltimore club". Wax Poetics. 2015-04-30. Retrieved 2021-01-09.
  9. ^ "Dance the Pain Away". Spin. 2005-12-03. Retrieved 2017-06-04.
  10. ^ Inoue, Todd (July 31, 2005), "Rod Lee, Putting B-More On the Map", The Washington Post
  11. ^ "BROAD CITY Soundtrack (Season 5) - Songs / Music List". Soundtracks. 2019-01-24. Retrieved 2021-01-10.
  12. ^ Artist, TT the (2020-08-21), Dark City Beneath the Beat (Documentary), Michael Antonio Hunter, Colada Pen, Jimmy Pope, retrieved 2024-04-05
  13. ^ "AFRAM kicks off with city's first ever Baltimore Club Music Day". WMAR 2 News Baltimore. 2023-06-16. Retrieved 2024-04-05.
  14. ^ "Put Your Mask On (Baltimore)- BALTIMORE CLUB MIX". YouTube. Apr 3, 2020. Archived from the original on 2021-12-21.
  15. Baltimore Sun

Further reading

External links