Balyan family

Source: Wikipedia, the free encyclopedia.
Graves of the Balyan family in the Armenian cemetery on Nuh Kuyusu Caddesi, Bağlarbaşı, Üsküdar, Istanbul.
Recently renovated graves of the Balyan family in the Armenian cemetery in Üsküdar, Istanbul.

The Balyan family (

Constantinople (present-day Istanbul
).

Ancestors

Bali the Mason

Bali or Balen the Mason (Turkish: Meremmetçi Bali Kalfa or Meremmetçi Balen Kalfa), a masonry craftsman from the Belen village of Karaman in central Anatolia, was the founder of the dynasty. He moved to Istanbul, where he learned of an Armenian palace architect of Sultan Mehmed IV (1648–1687), whom he met and replaced, being Armenian himself. When Bali died in 1725, his son Magar took his place as architect at the sultan's court.[citation needed]

Magar the Architect

Magar the Architect (Turkish: Mimar Magar) was charged with important projects and was consequently frequently promoted to higher ranks. However, as a result of a denunciation, he was driven away from the court of Sultan Mahmud I (1730–1754) to exile in the eastern Anatolian town of Bayburt. There, Magar taught his elder son Krikor architecture before being pardoned and returning to Istanbul. Following his retirement, his son Krikor took over his position. Magar's second son Senekerim collaborated with his brother Krikor. Magar died in Bayburt.[citation needed]

Family tree

Members

Abdülaziz, the 19th-century Dolmabahçe, Çırağan, Beylerbeyi and Küçüksu palaces on the European and Asian shores of the Bosporus were designed by members of the Armenian Balyan family of court architects.[2]

Krikor Balyan

Krikor Balyan (

Gregorian and Catholic Armenians. He was pardoned and allowed to return to Istanbul shortly after a friend of his in the palace, Amira Bezjian.[citation needed
]

Krikor died in 1831 after serving the empire during the reigns of four sultans, Abdul Hamid I (r. 1774–87), Selim III (r. 1789–1807), Mustafa IV (r. 1807–8)), and Mahmud II (r. 1808–39). His young and inexperienced son Garabet Amira succeeded him.

Krikor's major works include

Senekerim Balyan

Senekerim Balyan (

Beyazit Fire Tower, which had been constructed in wood in 1826 by his brother Krikor, but destroyed after a fire. He died in Jerusalem and was buried in the Armenian church yard.[specify
]

Senekerim's works include the

Beyazıt Fire Tower (1828) and the Surp Asdvadzazdin Armenian Church in Ortaköy
(1824).

Garabet Amira Balyan

Garabet Amira Balyan (

Abdul Mecid I (1839–1861), and Abdulaziz (1861–1876), and constructed numerous buildings in Istanbul. The best known of his works is Dolmabahçe Palace, which he built in collaboration with his son Nigoğayos.[3] Another notable architectural work of his is Beylerbeyi Palace
, which was built in cooperation with his other son Sarkis.

Garabet Balyan was also active in the Armenian community's educational and administrative matters and carried out research work on Armenian architecture. His four sons, Nigoğayos, Sarkis, Hagop, and Simon, succeeded him after he died of a heart attack in 1866 while conversing with friends.[4]

Dolmabahçe Palace
Ortaköy Mosque in front of the Bosphorus Bridge

Garabet’s notable works:[citation needed]

  • Dolmabahçe Palace, with Nigoğayos Balyan (1848–56)[5]
  • New Çırağan Palace
  • Yeşilköy Hünkar Kiosk
  • Old Yıldız Palace
  • Ortaköy Mosque, with Nigoğayos Balyan (1854)
  • Nusretiye Clock Tower (1848)
  • Beşiktaş Soorp Asdvadzazin Armenian Church (1834)
  • Kuruçeşme Soorp Nişan Armenian Church (1834)
  • Beyoğlu Soorp Yerrortutyun Church (1838)
  • Kumkapı Soorp Asdvadzazin Church
  • Academy of Fine Arts (former cannon foundry) building in Tophane
  • Fındıklı Cemile and Münire Sultan Palaces (1856–1859; today Mimar Sinan University)
  • İzmit Hünkar Palace
  • Academy of War
  • Mausoleum of Mahmut II with fountain (1840)
  • Bakırköy textile factory
  • Beykoz tannery (1842)
  • Hereke textile factory (1843)
  • Armenian hospital (1832–1834)[specify]

Nigoğayos Balyan

Nigoğayos Balyan (1826–1858)

Nigoğayos Balyan (

Abdulmecid I (1839–1861). He founded also a school for domestic architects in order to teach Western architecture.[citation needed
]

Nigoğayos worked together with his father on the building of Dolmabahçe Palace (1842–1856). He participated in the preparations for the Armenian National Constitution.[6] Nigoğayos died in Istanbul in 1858 of typhoid fever at the age of 32.

Nigoğayos's notable works:

  • Küçük Mecidiye Mosque (1843)
  • Ihlamur Pavilion (1849)
  • Dolmabahçe Mosque, aka Bezm-i Alem Valide Sultan Mosque (1852–1854)
  • Adile Sultan Pavilion, Validebağ (1853)
  • Ortaköy Mosque, together with Garabet Amira Balyan (1854)
  • Küçüksu Pavilion
    , aka Göksu Pavilion (1857)
  • Armenian Hospital

Sarkis Balyan

Sarkis Balyan (1835–1899)

Sarkis Balyan (Armenian: Սարգիս Պալեան; 1835–1899) was the second son of Garabet Balyan. In 1843, he followed his elder brother Nigoğayos to Paris. He had to return to Istanbul in 1845 due to an illness of his brother. In 1847, Sarkis went to Paris again to attend Collège Sainte-Barbe de Paris, which he finished after three years. Later, he studied at the Academy of Fine Arts.[specify]

After returning to Istanbul, Sarkis began working alongside his father and his brother Nigoğayos.[citation needed] Following the deaths of these two, he continued his work with the younger brother Hagop.[citation needed] Sarkis won greater fame than Hagop because he constructed the structures his brother designed.[citation needed] Sarkis is also known as the designer of many buildings.[citation needed]

Known as a fast worker, his professional life was interrupted by the death of brother Hagop in 1875 and by Abdülhamid II's accession to the throne (1876–1909). Due to political accusations, he was forced into exile in Europe for 15 years, but eventually returned to Turkey through the intercession of Hagop Kazazian Pasha on his behalf.[7]

His most important work is the Valide Sultan Kiosk. Interested in all branches of the fine arts, Sarkis supported Armenian writers, musicians, and particularly theater actors. He was also a member of the Armenian Patriarchate’s Assembly. He was awarded the title Ser Mimar (Chief Architect of Ottoman Empire).[citation needed]

Beylerbeyi Palace

Sarkis's notable works:

Hagop Balyan

Hagop Balyan (Armenian: Հակոբ Պալեան; 1838–1875) was the third son of Garabet Balyan. He worked alongside his brother Sarkis on various projects in Istanbul. Hagop died in Paris in 1875 at the age of 37; he was buried in the Père Lachaise Cemetery.

Simon Balyan

Simon Balyan (Armenian: Սիմոն Պալեան; 1848–1894) was the youngest son of Garabet Balyan. He was also an architect.

Levon Balyan

Levon Balyan (Armenian: Լեւոն Պալեան; 1855–1925) was the son of Nigoğayos Balyan. He attended Collège Sainte-Barbe in Paris in 1869.

Buildings and structures

Buildings and structures designed and constructed by Balyan family members:[9]

Royal residences

Religious buildings

Public buildings

  • Istanbul Mint
  • Selimiye Barracks (1800)
  • Davutpaşa Barracks (1826–1827)
  • Beyoğlu Barracks
  • Maçka Arsenal
  • Ministry of War
  • Academy of War
  • Palace School of Medicine
  • Academy of Fine Arts
  • Beşiktaş Makruhyan Armenian Primary School (1866)
  • Beyazit Tower
    (1828)
  • Dolmabahçe Clock Tower (1895)
  • Nusretiye Clock Tower (1848)
  • Topuzlu Dam
  • Valide Dam
  • Beşiktaş-Akaretler 138 Terraced Houses (1874)
  • Surp Prgiç Armenian National Hospital
    (1827–1834)

Production facilities

See also

Wikimedia Commons has media related to Balyan family.

References

  1. ^ Robinson, Francis (1996). The Cambridge Illustrated History of the Islamic World. Cambridge University Press. p.286; "In Istanbul they were propagated in buildings designed for the Ottoman sultans by the Armenian Balyan family of architects..."
  2. ^ "Continuity and Change in Nineteenth-Century Istanbul: Sultan Abdulaziz and the Beylerbeyi Palace", Filiz Yenisehirlioglu, Islamic Art in the 19th Century: Tradition, Innovation, And Eclecticism, 65.
  3. ^ Continuity and Change in Nineteenth-Century Istanbul:Sultan Abdulaziz and the Beylerbeyi Palace, Filiz Yenisehirlioglu, Islamic Art in the 19th Century: Tradition, Innovation, And Eclecticism, ed. Doris Behrens-Abouseif, Stephen Vernoit, (Brill, 2006), 65.
  4. ^ [1] Turkis Cultural Foundation, Garabed Amira Balyan
  5. ^ Continuity and Change in Nineteenth-Century Istanbul:Sultan Abdulaziz and the Beylerbeyi Palace, Filiz Yenisehirlioglu, Islamic Art in the 19th Century: Tradition, Innovation, And Eclecticism, 65.
  6. ISBN 0520009142
    .
  7. ISBN 975-7265-54-5
    .
  8. ^ "A beautiful mosque and the dark period of the Armenian genocide". The Independent. 2016-10-15. Retrieved 2021-01-26.
  9. ^ [2] Turkish Cultural Foundation
  • Finkel, Caroline, Osman's Dream (Basic Books, 2005), 57: "Istanbul was only adopted as the city's official name in 1930 ...".
  • Göyünç, Nejat, Turkish-Armenian Cultural Relations at the Wayback Machine (archived March 22, 2003) (Turkish National Assembly, n.d.).
Retrieved from "https://en.wikipedia.org/w/index.php?title=Balyan_family&oldid=1195519594"