Barely Real
Barely Real | ||||
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EP by | ||||
Released | November 1992 | |||
Recorded | March–July 1992[1] | |||
Genre | Slowcore | |||
Length | 24:49 | |||
Label | Sub Pop | |||
Producer | Mike McMackin, Codeine | |||
Codeine chronology | ||||
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Singles from Barely Real | ||||
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Barely Real is the
The music on Barely Real continued the slowcore music style of their previous album. Barely Real also featured contributions from guest musicians such as Jon Fine of Bitch Magnet playing additional guitar on the song "Jr" and a piano cover of the song "Wird" performed by David Grubbs. Following the recording sessions, the group's drummer Chris Brokaw left the group being replaced by Doug Scharin.
Barely Real had one single ("Realize") released and was initially released in
Background and production
Following the well received release of
"1992 was a very hard year for Codeine. Unlike the two Frigid Stars sessions, all our recordings went terribly"
Stephen Immerwahr on the failed recording sessions of The White Birch which became Barely Real.[4]
Towards the end of 1991,
Codeine decided to continue their recording sessions in July at the studio in Boston where "Barely Real" and their third recording of "Jr" were completed.[6] The band then continued to Night Owl studio to record "Hard To Find" with a drum machine.[6] Jon Fine of the band Bitch Magnet added guitar to "Jr" while Mike McMackin began to EQ the tracks from Toxic Shock, Night Owl, and the Boston studio.[6] Immerwahr also contributed to the mixing of the album without McMackin, stating that they were not getting along after their extended periods of time spent recording.[4] The band quickly noticed that the amount of material they had recorded would not be enough for the length of an LP which lead the group to releasing what they had as an EP.[6] To balance out the EP's sides, the band revisited the instrumental song "Wird" that was made as a tribute to the band Slint.[6] Immerwahr described "Wird" as a song he regretted making, as it was an attempt to do a version of a song from Slint's album Tweez.[4] He sent a tape of the track to David Grubbs to do a piano version of the song that was re-titled "W.".[6] John McEntire recorded the song in a music room at the University of Chicago where he was working on an undergraduate degree.[4]
After completing the album, Brokaw left Codeine to focus on his band Come.[7] The group shot the video for "Realize" without him.[6] Engle took longer than he expected to replace Brokaw as after placing a classified ad, he ended up "flooded with calls" and that "Half of them hadn't heard Codeine. I'd say, well, we play a very particular style that you should really know about."[7] The group chose Doug Scharin, who had attended Codeine's first show in Boston.[7]
Music
Stephen Immerwahr, who wrote the lyrics to the original songs on Barely Real described composing these lyrics as "probably the hardest work. Not that we have these prodigious texts, but there's a consistency between the lyrical subject and content and the presentation of the music".[7] Immerwhar described his lyrics as expressing feelings of alienation and banality.[7]
When he was asked regarding the lyrics on Barely Real and
The Toronto Star described the Codeine's music as slowcore, a style AllMusic stated was famous for having a slow pace and skeletal music with "melodies linger forever and rhythms lurch forward, all shrouded in thick, dank atmospherics."[7][8] Stewart Mason of AllMusic described the music of Barely Real as a continuation of the style made on their previous album", while comparing a review of the compilation album When I See The Sun in Exclaim! proposed that the group's music "didn't change much during their five years together ― all the songs are relentlessly slow and possess an emotional detachment verging on apathy."[9][10] When asked about the music's pace, on Barely Real, Immerwahr said the music was in contrast to grunge music of the era, and that slowing it down made it "challenging for people and challenging for audiences. And I actually kind of like that."[11] In a contemporary review, Ned Raggett of AllMusic stated this style is exemplified on songs like "Realize", which continued the hybrid of a deliberate pace with electric guitar playing with softly sung vocals.[12] Some tracks contained a variation on Codeine's music, such as "Promise of Love", which Raggett characterized as having a "late-night jazz club style" that only contains more traditional Codeine styled music towards the end.[12] Other songs that veried the sound included the piano-based track "W." performed by David Grubbs and quick stuttering guitar riff on "Jr".[9][12] Immerwahr spoke about the tracks "W." and "Promise of Love", opining that "W." created a "nice transition from the severity of 'Hard to Find' to the jazzy 'Promise of Love'"[4]
Release and tour
Prior to the release of the EP, a single for "Realize" was released on July 1, 1992.[13] It was released on as a seven-inch single on clear and white vinyl limited to 2,933 copies.[13] Barely Real was released by Sub Pop in Germany in November 1992.[6][14][9] The cover of the album is taken from a postcard of Belvedere Palace Stephen Immerwahr had found on their 1991 tour of Europe.[2][15] Immerwahr felt that the image reminded him of the film Last Year at Marienbad, which he described as a film that was "all stylish surface to the point where time itself seems suspended, and without the possibility of human emotional connection."[15] Immerwahr related the image with his own lyrical themes of what he described as "an impossible need to connect with others."[15] Codeine and the band Love Child did a five-week European tour in late 1992 after the release of the EP.[15] When the tour went through Vienna in 1992, the group stopped to visit the palace.[15] During the tour, Codeine would occasionally encore with the song "Broken Hearted Wine", a B-side on the single for "Barely Real".[15][16]
The album received a released in the United States through Sub Pop on July 1, 1993.[14][17] In 1993, Codeine opened for Mazzy Star on selected dates in the Midwest and toured through North America.[7][18] This tour had Codeine perform their first shows in Canada.[7] Stephen Immerwahr spoke about the audiences to the Toronto Star, noting that they were people "who sit and really listen to stuff...Not people drinking themselves into oblivion."[7] Reviewing one of their 1993 shows, Mark Jenkins of The Washington Post stating that Codeine "pursues the intoxicating dislocation offered by slow-mo cinematography" and that the drumming of Doug Scharin "rattled rib cages throughout the club".[19] The review concluded that despite the self-imposed limitations that Codeine's music had, the result was a "curiously effective marriage of meditation and aggression."[19]
The Numero Group re-released Barely Real with nine bonus tracks on both compact disc and
Reception
Review scores | |
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Source | Rating |
Pitchfork Media | 8.6/10[20] |
Spin | 7/10[21] |
In contemporary reviews,
From retrospective reviews, The Virgin Encyclopedia of Nineties Music commented that Barely Real was "on first hearing, slightly soporific and listless, but it rewards repeated listening with its depth and emotional texture."
Track listing
All lyrics are written by Stephen Immerwahr, except where noted[12][26][27]
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All lyrics are written by Stephen Immerwahr, except where noted[12][26][27]
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Personnel
Credits adapted from Barely Real initial releases liner notes and Numero Group's 2012 reissue.[1][26][28]
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See also
References
- ^ a b "Barely Real: Credits". Barely Real (booklet). The Numero Group. 2012. p. 14. 201.2.
- ^ a b c Picco, Judson; Shipley, Ken (2012). "Codeine: Barely Real". Barely Real (booklet). The Numero Group. p. 4. 201.2.
- ^ a b c d e f g h i Picco, Judson; Shipley, Ken (2012). "Codeine: Barely Real". Barely Real (booklet). The Numero Group. p. 6. 201.2.
- ^ a b c d e f g Kulkarni, Neil (August 30, 2012). "A New Nineties US Edition Part Three: Codeine, A New Kind Of Stillness". The Quietus. Archived from the original on September 2, 2012. Retrieved April 23, 2016.
- ^ a b c Picco, Judson; Shipley, Ken (2012). "Codeine: Barely Real". Barely Real (booklet). The Numero Group. p. 9. 201.2.
- ^ a b c d e f g h i j k Picco, Judson; Shipley, Ken (2012). "Codeine: Barely Real". Barely Real (booklet). The Numero Group. p. 10. 201.2.
- ^ a b c d e f g h i Punter, Jennie (November 11, 1993). "Codeine Trio Feeling No Pain With Unique 'Slowcore' Sound". Toronto Star. Toronto Syndication Services. p. WO11.
- ^ "Slowcore". AllMusic. Archived from the original on June 5, 2012. Retrieved April 24, 2016.
- ^ a b c Mason, Stewart. "Codeine". AllMusic. Archived from the original on November 27, 2015. Retrieved April 23, 2016.
- ^ Edwards, Michael (May 22, 2012). "When I See The Sun". Exclaim!. Archived from the original on June 10, 2016. Retrieved May 8, 2016.
- L.A. Weekly. Archived from the originalon July 17, 2012. Retrieved May 8, 2016.
Whatever kind of oppositional nature that Codeine had, I think it was more just the kind of over-the-top histrionic singing, the screaming of grunge bands and riffing and so on. Part of our reaction was a different mood, a different mood to our music and playing … It wasn't like, 'Oh, we're going to slow things down, that's gonna mess people up.' But certainly slowing things down and experiencing that, it was challenging for people and challenging for audiences. And I actually kind of like that.
- ^ a b c d e f g Raggett, Ned. "Barely Real". AllMusic. Archived from the original on March 11, 2016. Retrieved 23 December 2015.
- ^ a b "Realize / Broken-Hearted Wine". Sub Pop. Archived from the original on April 24, 2016. Retrieved April 23, 2016.
- ^ a b Robbins & Sprague 1997, p. 158.
- ^ a b c d e f Light, Alan (2012). "Codeine: A Palace in the Sun". Barely Real (booklet). The Numero Group. p. 2. 201.2.
- ^ a b c Raggett, Ned. "Barely Real [bonus tracks]". AllMusic. Archived from the original on June 10, 2016. Retrieved April 23, 2016.
- ^ "Barely Real by Codeine on Sub Pop Records". Sub Pop. Archived from the original on April 24, 2016. Retrieved April 23, 2016.
- ^ "What About the Lonely?". The Numero Group. Archived from the original on April 2, 2014. Retrieved April 24, 2016.
- ^ a b Jenkins, Mark (July 28, 1993). "Codeine's Narcotic Influence". The Washington Post. p. C7.
- ^ Pitchfork. Archived from the originalon December 24, 2015. Retrieved December 23, 2015.
- ISSN 0886-3032. Archived from the originalon February 15, 2016. Retrieved April 23, 2016.
- ^ Picco, Judson; Shipley, Ken (2012). "Codeine: Barely Real". Barely Real (booklet). The Numero Group. p. 12. 201.2.
- ^ Jenkins, Mark (November 5, 1993). "Dreamy Mazzy; Effective Codeine". The Washington Post. p. N18.
- ISSN 0886-3032.
- ^ Larkin 2000, p. 91.
- ^ a b c Barely Real (Back cover). The Numero Group. 2012. 201.2.
- ^ a b Barely Real (Vinyl track stickers). The Numero Group. 2012. 201.2.
- ^ Barely Real (Media notes). Sub Pop. 1993. liner notes. SP207b.
Works cited
- Larkin, Colin (2000). The Virgin Encyclopedia of Nineties Music. Virgin. ISBN 0753504278.
- Robbins, Ira A.; Sprague, David (1997). The Trouser Press Guide to '90s Rock: The All-new Fifth Edition of The Trouser Press Record Guide. ISBN 0684814374.