Graduation (album)
Graduation | ||||
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Studio album by | ||||
Released | September 11, 2007 | |||
Recorded | 2005–2007 | |||
Studio |
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Genre | ||||
Length | 51:23 | |||
Label | ||||
Producer |
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Kanye West chronology | ||||
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Singles from Graduation | ||||
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Graduation is the third
Inspired by
Graduation debuted at number one on the US Billboard 200, selling over 957,000 copies in the first week of sales. It has since sold over 7 million copies in the United States and been certified quintuple platinum by the Recording Industry Association of America (RIAA). Five accompanying singles were released, including the international hits "Stronger", "Good Life" and "Homecoming", with the former of the three topping the US Billboard Hot 100. The album received widely positive reviews from music critics, with several of them praising the production, and earned West his third Grammy Award for Best Rap Album, as well as his third nomination for Album of the Year. It was named as one of the best albums of 2007 by multiple publications, including Rolling Stone and USA Today. In the years since, it has attracted greater acclaim, being listed among numerous decade-end lists and later named to the lists of Rolling Stone's 500 Greatest Albums of All Time and NME's 500 Greatest Albums of All Time.
The coinciding release dates between Graduation and fellow American rapper 50 Cent's Curtis generated much publicity over the idea of a sales competition, resulting in record-breaking sales performances by both albums. The success of the former and the outcome of its competition with the latter marked the end of the dominance of gangsta rap in mainstream hip-hop. Graduation is credited with paving the way for other hip-hop artists who did not conform to gangster conventions to find commercial acceptance.
Background
Graduation is the third installment of West's planned
West further broadened his musical palette on Graduation by not limiting himself to his customary use of
Kanye West made a conscious decision to abstain from the widespread recording practice of excessive rap albums saturated with
Recording and track leak
West began working on Graduation immediately after releasing his second studio album Late Registration.[20] By late September 2005, West had already completed three songs for the album, which he intended to contain a total of twelve tracks.[20] Around the time of the recording of the third studio album, West would often listen to songs written by folk and country singer-songwriters Bob Dylan and Johnny Cash in hopes of developing methods to augment his word play and storytelling abilities. The former musician had been recommended to West by multiple of his friends, including English disc jockey Samantha Ronson, all of whom claimed his music and the way he dealt with the press reminded them of Dylan. West also listened to his most favorite alternative rock bands, including The Killers, Radiohead, Modest Mouse, and Keane, in order to gain new ideas on how to make his hip-hop production style more stadium-friendly.[21] Additionally, West would often test his new songs on his iPod, in his office, in dance clubs and just about anywhere people might listen to his music. He would then make adjustments to the tracks based on feedback he received, repeating the process as many times as necessary.[17]
In comparison to previous albums, Graduation features fewer
Many songs on Graduation contain
During an interview with Billboard, West revealed that he had worked with Chris Martin, the lead singer of the British alternative rock band Coldplay, on a song entitled "Homecoming", and that it could possibly be released as the lead single for Graduation.[29] The collaboration occurred the year before when West and Martin met one another during an impromptu jam session at the Abbey Road Studios in London, England.[30] West had just finished performing at a show that had been held at Abbey Road and the band just so happened to be recording their music in the recording studio at exactly the same time.[6] The song in itself is actually a re-vamping for "Home (Windy)", a track that originated from a demo tape dating back to the year 2001.[31] It was made available two years later under the new title "Home" on West's 2003 mixtape Get Well Soon... and also on the advance copy of West's debut studio album The College Dropout, which due to a leak was never released.[9][32][33] This original version possesses West's once trademark classic soul vocal sample production style, with singer John Legend on the chorus, which contains lyrics that are different than Martin's.[32] This is due to the fact that Martin asked West to change the song's lyrical content.[34]
Widely considered by
Graduation started taking definite form around the time of the filming of the
The third studio album also sees the return of composer and multi-instrumentalist
More than any other song on the entire studio album, the epic stadium-rap
The hip-hop beat for "The Glory" was originally made for West's GOOD Music associate, close friend, and fellow Chicago hip-hop artist Common, whose seventh album, Finding Forever, was being produced and recorded by West simultaneously with Graduation.[48][49] As was the case with both their previous albums, certain tracks that West originally crafted for Finding Forever that Common declined eventually ended up on his own studio album.[50] "Everything I Am" was yet another song intended for Common but was passed on, a fact which West addresses within the opening lines.[51] The record features turntable scratches contributed by famed hip-hop record producer DJ Premier.[45] After West had played the demo for "Everything I Am" over the phone for DJ Premier and asked him what he thought of it, DJ Premier then replied that he enjoyed the lyrics and the innovative beat and offered to scratch over it.[52] When working on the track, and while following the numerous instructions that were supplied by West, DJ Premier took seven different styles of scratches, including drum breaks, then cut all of them up into different rhythms, and scattered them all throughout the track, providing West with many different ideas to choose from.[52]
While written by West, who envisioned its concept and chorus while riding an elevator, the soul-baring Jay-Z dedication "
Although "Bittersweet Poetry" appears as a Japanese
Musical style
With Graduation, West made a departure from the soul samples of The College Dropout and the heavy orchestration of Late Registration.
West retracted much of the orchestral production that had characterized Late Registration; he replaced the production with heavy,
Graduation's intricate musical environments take a while to comprehend, and at times they seem at odds with West's confrontational lyrics. But this contradictory music makes sense when heard as an attempt to express an internal struggle – between the Kanye West hip-hop made and the West who can't be contained by it or any other genre. It's hard to stop running with the crowd, even for a trendsetter. But West is on the verge, and moving forward.[45]
Despite the latter of the two's predominant synthetic attributes and the overall electronic sound, the emphasis placed on
Songs
Graduation opens on a sparse note with "
"Good Life" utilizes multi-tracked, interlocking vocals that harmonize with guest singer T-Pain's
Being composed with nothing more than a
Lyrics and themes
In comparison to previous albums, which were largely driven by observational commentary on matters pertaining to social welfare, Graduation is more introspective in nature and addresses personal themes.[78][84] West stated that he wanted to make inspirational music and placed more focus on individual perspective and experience that listeners could connect with in an attempt to create "people's theme songs".[2] Dismayed that the messages behind his complex lyricism were frequently lost on listeners and didn't carry well during live performances, West made an attempt to simplify his lyrics and use more skeletal rhyme schemes for more straightforward verses while concentrating on speaking volumes with sparser wording on Graduation.[2] Having committed a significant amount of time towards elevating his storytelling abilities by listening to folk musicians, West manages to form a lyrical narrative within nearly every song on the album.[21] West dedicated a majority of the album towards conducting an analysis himself and conveying his ambivalent outlook on his newfound wealth and fame. As such, West's subversive songwriting fluctuates between playful self-aggrandizement and critical self-doubt.[8] While confident, extroverted and celebratory at face value, many songs contained on Graduation were thematically distanced and retained melancholic subtext.[65] Some music critics remarked that compounded with West's urgent, emotive rapping style, the record sounded as if he were experiencing an existential crisis.[85]
The free-associative "Champion" is primarily composed of motivational lyrics, but West also briefly touches on the strained relationship he had with his father–who divorced from his mother when he was just three-years-old–eventually reaching the conclusion that even with their ups and downs, in the end, his father was a champion in his eyes.[86] West described "Stronger" as an "emancipation", as he uses the song to vent his frustration over mistakes he has made in the past.[37] He describes his tribulation's with music critics and media causing his return as a "Stronger" rapper, as the song title implies.[87] "I Wonder" carries an introspective tone, retaining a chorus about finding one's dreams, while West uses the verses to describe the struggle a person experiences in determining the meaning behind their life and achieving those dreams.[42] Inspired by watching Bono open stadium tours, West concentrated on speaking volumes without using too many words on the song and delivers his raps in an exuberant, staccato manner.[2] Using the same vocal styling, "Flashing Lights" tells the operatic narrative of man contemplating the complexities of a tragic relationship. "Can't Tell Me Nothing" serves as West's reflection on his fame and is characterized by bitter remorse and defiant self-awareness. West begins the song by expounding his conflicted feelings regarding wealth and desire, describing a compulsion to spend that overwhelms any and all other objectives in life.[42] He ties this into his perceived overall inability to keep himself together even as he grows into an increasingly prominent figure in the public eye.[63]
West regains his lyrical dexterity on "Barry Bonds", a competitive, though friendly battle with Lil Wayne in which the two MC exchange
"
Artwork
West collaborated with Japanese contemporary artist
The cover is based on Kanye's theme of student life. School. It's a place of dreams, of righteousness, a place to have fun. It's also occasionally a place where you experience the rigid dogma of the human race. Kanye's music scrapes sentimentality and aggressiveness together like sandpaper, and he uses his grooves to unleash this tornado that spins with the zeitgeist of the times. I too wanted to be swept up and spun around in that tornado.[99]
The artwork's storyline centers around "Dropout Bear", West's
The cover art for Graduation was cited as the fifth best album cover of the year by
Marketing
While hosting a listening session for his second studio album Late Registration on August 3, 2005, at Sony Music Studios, West revealed that he wanted to schedule the release of Graduation sometime around October 2006.[104] Several months later, on March 28, 2007, West appeared on the Los Angeles radio station Power 106. He said that he was working on his third album and Common's seventh album Finding Forever and rapped a few lyrics from one of his songs in a cappella.[105] On May 11, it was announced that the release date for Graduation was September 18.[48] West debuted the album's lead single "Can't Tell Me Nothing" on the New York radio station Hot 97 on May 15.[106] He then released a free mixtape under the same name onto the Internet on May 27.[107] The mixtape features preview clips of songs that would appear on Graduation and showcases various artists signed onto West's record label GOOD Music as well as collaborations with other unaffiliated musicians.[108] It also contains "Us Placers", the debut song of Child Rebel Soldier, a supergroup West formed with Lupe Fiasco and Pharrell.[107]
At the end of May,
The album's release generated much publicity over a sales competition with 50 Cent's Curtis.[113][114] Three months prior to the September 11 release date, West extended his gratitude towards 50 Cent for the enthusiasm and excitement the friendly competition had produced. Though confident that he would emerge victorious, West said that he would be perfectly fine with losing to 50 Cent, saying that he'd rather, "be #2 on that day rather than come out and be #1 on a day nobody cares about".[115] In an interview for USA Today, 50 Cent expressed his view on the idea of a sales competition, stating "It's great marketing – for Kanye West. But I sell way more records than Kanye West, and I generate way more interest than Kanye West. They think they can match us up, but they'll find out when that week goes by and the sales come back. This is no rivalry".[116] "Mine will sell and his will still be on the shelf," 50 Cent told Rolling Stone.[117] On August 10, 50 Cent confirmed during an interview with SOHH that he would end his career as a solo recording artist if Graduation were to sell more copies than Curtis in the United States.[118] However, 50 Cent later retracted his statement within an MTV interview due to his contract agreements with Aftermath Entertainment and Interscope Records.[119] But most retailers and radio programmers interviewed picked West, whose single, "Stronger", was Number Six on Billboard's Hot 100 -while none of 50's four singles climbed higher than the thirty-second spot.[117]
West spent a significant amount of time promoting Graduation during his trip to the
After he returned to the United States, West joined 50 Cent onstage for a surprise performance before an audience of over 20,000 people at a show held on August 22 in
Commercial performance
It's a great promotional tool. To me, it's the greatest thing ever. I think people should do it more often. I'm a fan of both albums. Hip-hop needs this right now.
Timbaland, on the sales competition between West's Graduation and 50 Cent's Curtis.[113]
On the first day of its release, Graduation sold over 437,000 copies.[134] The album debuted at number one on the US Billboard 200 chart, grossing a total of over 957,000 copies in its first week in the United States alone.[135] Graduation became West's second consecutive studio album to top the Billboard 200 and also debuted at number-one on the album charts in the United Kingdom and Canada.[136][137] It was within the very same week that "Stronger" topped the Billboard Hot 100, selling over 205,000 digital downloads and giving West his third number-one single.[138] The album registered the best first-week sales totals of any record released within the last two years, with the last being West's own Late Registration.[139]
Additionally, Graduation became ranked as the 15th highest sales week for an album since
In its second week on the Billboard 200, Graduation outsold Curtis, 226,000 copies to 143,000.[143] By the next week, on October 3, 2007, the former had sold a total of 1.3 million copies in the US.[144] By year's end, Graduation was the third most-downloaded and best-selling album of 2007 on iTunes Store.[145] Graduation became West's third consecutive studio album to sell over two million copies in the United States, and it was certified double platinum by the Recording Industry Association of America (RIAA) for shipping two million copies on October 18, 2007.[146] As of June 14, 2013, Nielsen Soundscan reported that the album has since grossed over 2.7 million copies in the US.[147] The 957,000 copies sold in the first week of Graduation's release stood as the sixth largest first week sales in hip hop history up to January 7, 2019.[148]
In the United Kingdom, Graduation debuted at number-one on the UK Albums Chart dated September 22, 2007.[149] As of January 22, 2021, the album has been certified Double Platinum by the British Phonographic Industry (BPI), with sales of 600,000 copies in the UK.[150] In 2018, Official Charts Company revealed that Graduation was the 25th highest-selling rap album in the UK in the 21st century.[151] For the issue date of September 20, 2007, Graduation debuted atop the Canadian Albums Chart.[137] On January 10, 2008, the album was certified double platinum by Music Canada for sales of 200,000 copies.[152]
Critical reception
Aggregate scores | |
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Source | Rating |
Metacritic | 79/100[153] |
Review scores | |
Source | Rating |
AllMusic | [65] |
The A.V. Club | B+[23] |
Entertainment Weekly | B−[78] |
The Guardian | [72] |
Los Angeles Times | [45] |
MSN Music (Consumer Guide) | A−[154] |
NME | 6/10[30] |
Pitchfork | 8.7/10[64] |
Rolling Stone | [80] |
Spin | [155] |
Graduation was met with widespread critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from professional critics, the album received an average score of 79, based on 32 reviews.[153]
Reviewing for
Some reviewers were more qualified in their praise. For MSN Music, Robert Christgau deemed Graduation a "minor success" in which "every single track offers up its momentary pleasures—choruses that make you say yeah on songs you've already found wanting, confessional details and emotional aperçus on an album that still reduces to quality product when they're over". However, he felt West spent too much of the album rationalizing his obsession with his fame in sketchy fashion and occasionally awkward rhymes, "little stuff like his failure to convert 'this'-'crib'-'shit'-'live'-'serious' into a rhyme" on "Champion" or "'at bay at a distance' into an idiom" on "Big Brother".[154] Dorian Lynskey from The Guardian said West often "undercuts rap cliches with wit and ambivalence", but observed some disappointing lyrics such as on "Can't Tell Me Nothing", which he said revealed his limited perspective.[72] Slant Magazine critic Eric Henderson found West's lyrics "only transparently expressive", saying that the songs' hooks "grab your ear on the first listen (notably bypassing your brain), your balls on the second, and your soul from there on out", and described West's production as having "adopted a beefy, synth-glam sheen".[84] Dave Heaton from PopMatters felt that though the album is good, it lacks the epochal feel of Late Registration, with songs that "aren't as richly dressed" and he claimed that West "doesn't seem to be trying as hard".[42]
Rankings
Graduation was named to year-end lists for 2007 by multiple publications.
Graduation later appeared on numerous other best albums lists. Pitchfork listed the album at number 87 on their ranking of the best albums of the 2000s,
Publication | Accolade | Rank | Ref. |
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Amazon | Top 10 Albums of 2007 | 3
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Billboard | 2007 Billboard Critics' Choice poll | 8
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Blender | Top 10 Albums of 2007 | 4
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Cleveland Magazine | The Best Albums of 2007 | 6
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Complex
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The 100 Best Albums of the Complex Decade (2002–2012) | 1
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The 100 Best Albums of the 2000s | 2
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Consequence of Sound
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Top 50 Albums of 2007 | 8
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Entertainment Weekly | 2007 Readers Picks | 1
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Idolator
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Idolator's 2007 Pop Critics Poll | 8
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LAS Magazine | Top 10 Albums of 2007 | 5
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The Morning News | The Top 10 Albums of 2007 | 8
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My List Pad | Top Music Albums of 2007 | 3
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NME | 500 Greatest Albums of All Time | 470
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NPR | Best Hip-Hop of 2007 | 3
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Paste | Top 100 Albums of 2007 | 15
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Pitchfork | The 50 Best Albums of 2007 | 18
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The 200 Best Albums of the 2000s | 87
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PopMatters | The Albums of 2007 | 3
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Prefix | Top 10 Albums of 2007 | 6
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Rolling Stone | Top 50 Albums of 2007 | 5
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100 Best Albums of the 2000s | 45
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500 Greatest Albums of All Time | 204
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Spin | The 40 Best Albums of 2007 | 4
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Stylus Magazine | Top 10 Albums of 2007 | 6
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Thought Catalog | Top 27 Rap Albums of 2007 | 2
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Time | Top 10 Albums of 2007 | 10
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Time Out | The Best Albums of 2007 (Mike Wolf's List) | 7
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Treblezine | Top 10 Hip-hop Albums of 2007 | 2
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USA Today | USA TODAY's Music Staff Year Review | 1
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The Village Voice | The 2007 Pazz & Jop Critics Poll | 6
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Industry awards
Graduation won the award of
At the
Year | Organization | Award | Result | Ref. |
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2007 | HipHopDX Awards | Album of the Year | Won | [205] |
2008 | American Music Awards | Favorite Rap/Hip-Hop Album
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Won | [190] |
BET Hip Hop Awards | CD of the Year | Nominated | [206] | |
ECHO Music Awards
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Album of the Year Hip-Hop / R&B | Nominated | [207] | |
Grammy Awards | Album of the Year | Nominated | [191] | |
Best Rap Album | Won | |||
Fonogram Hungarian Music Awards | Best Foreign Rap or Hip-Hop Album of the Year | Won | [208] | |
NAACP Image Awards
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Outstanding Album | Nominated | [209] | |
Swiss Music Awards | Best Album Urban International | Nominated | [210] |
Legacy and influence
The sales battle [between Curtis and Graduation] serves as the final battle, the winner-take-all rumble between the present (
postmodernmovement.
—Andrew Doscas, PopMatters (2014)[211]
The critical reception and commercial success of Graduation left a profound influence on both
West's third studio album, particularly with its two
Graduation marked a musical progression towards synth-based production in regards to the art of crafting hip-hop beats.[216] The studio album demonstrated West's shift from sample-orientated hip-hop production and more towards digital synths and drum machines generated by digital audio workstations (DAW).[216] While samples are present throughout the album, they were fewer in number and not nearly as prominent.[216] As hip hop producer Anthony Kilhoffer recalled to Billboard in 2017 for Graduation's 10th anniversary, "I think it was the first time having a heavy hand in the use of electronic music in hip-hop. Previous to that it was very R&B influenced, tracks like 'Stronger' and 'Flashing Lights' contained very electronic type of elements. This was way before EDM became mainstream, and marked the end of the jersey-wearing era in hip-hop".[219] Since Graduation's release, countless other record producers have followed suit in blurring the lines of conventional hip-hop with the incorporation of electronic production.[220] This synth-driven production approach has since been adopted by artists including Future, Young Chop, and Metro Boomin.[216]
The outcome of the highly publicized sales competition between 50 Cent's Curtis and West's Graduation has been accredited to the commercial decline of the
Going further, Noah Callahan-Bever,
Track listing
Credits adapted from liner notes.[26]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | " |
| 3:32 | |
12. | "Homecoming" (featuring Chris Martin) | 3:23 | ||
13. | "Big Brother" |
| Toomp | 4:47 |
Total length: | 51:23 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
14. | "Good Night" (featuring Al Be Back and Mos Def) |
|
| 3:07 |
|
| 4:08 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
14. | "Good Night" (featuring Al Be Back and Mos Def) |
|
| 3:06 |
15. | "Stronger" (A-Trak Remix) |
| West | 4:34 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
14. | "Good Night" (featuring Al Be Back and Mos Def) |
|
| 3:06 |
15. | "Bittersweet Poetry" (featuring John Mayer) |
| West | 4:01 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
14. | "Stronger" (A-Trak Remix) |
| West | 4:34 |
15. | "Stronger" (AD Remix Main) |
| West | 4:48 |
Notes:[26]
- ^[a] – co-production
- ^[b] – additional production
- ^[c] – extended outro co-production
- ^[d] – bridge section
Sample credits:
- "Good Morning" contains samples from "Someone Saved My Life Tonight" performed by Elton John.
- "Champion" contains elements of "Kid Charlemagne" performed by Steely Dan.
- "Stronger" contains a sample of "Harder, Better, Faster, Stronger" performed by Daft Punk and master use of "Cola Bottle Baby" performed by Edwin Birdsong.
- "I Wonder" contains a sample from "My Song" performed by Labi Siffre.
- "Good Life" contains a sample of "P.Y.T. (Pretty Young Thing)" performed by Michael Jackson.
- "Barry Bonds" contains a sample of "Long Red" performed by Mountain.
- "Drunk and Hot Girls" contains elements of "Sing Swan Song" performed by Can.
- "Everything I Am" contains elements of "If We Can't Be Lovers" performed by Public Enemy.
- "The Glory" contains elements of "Save the Country" performed by Laura Nyro and contains a sample of "Long Red" performed by Mountain.
- "Good Night" contains elements of "Nuff Man a Dead" performed by Super Cat and "Wake the Town" performed by U-Roy.
- "Bittersweet Poetry" interpolates "Bittersweet" performed by Chairmen of the Board.
Personnel
Credits are adapted from liner notes.[26]
- Kanye West – executive producer, primary artist (all tracks), producer (all tracks except 13)
- Lil Wayne – featured artist (track 7)
- Mos Def– featured artist (track 8), backing vocals (8, 11)
- T-Pain – featured artist (track 5)
- Dwele – featured artist (track 9)
- DJ Premier – featured artist, DJ scratching (track 10)
- Young Jeezy– rap vocals (track 6)
- Jay-Z – executive producer, additional rap vocals (track 1)
- Chris Martin – additional vocals (sung by) (track 12), piano (track 12)
- Connie Mitchell – additional vocals (tracks 1-2, 6, 9)
- Tanya Herron – additional vocals (track 8)
- John Legend – backing vocals (tracks 5, 11)
- Ne-Yo – backing vocals (track 5)
- Jalil Williams – additional backing vocals (track 11)
- Jehireh Williams – additional backing vocals (track 11)
- Daphne Chen – violin (tracks 5, 8)
- Eric Gorfain – violin (tracks 5, 8)
- Luigi Mazzocchi – violin (tracks 4, 9)
- Charles Parker – violin (tracks 4, 9)
- Igor Szwec – violin (tracks 4, 9)
- Emma Kummrow – violin (tracks 4, 9)
- Olga Konopelsky – violin (tracks 4, 9)
- Gloria Justen – violin (tracks 4, 9)
- Peter Nocella – viola (tracks 4, 9)
- Leah Katz – viola (tracks 5, 8)
- Alexandra Leem – viola (tracks 4, 9)
- Alma Fernandez – viola (track 5)
- Wired Strings – string section performed by (track 11)
- Gus Dudgeon - producer (track 1)
- DJ Toomp - producer (tracks 5, 6, 13, 14)
- Mike Dean – keyboards (track 3, 7), music arranger (3), string arrangements (5, 8), recording engineer (3), guitar (3), mixing (5-8, 10, 12), producer (3, 5)
- Jon Brion – keyboards (track 4), percussion (12), record producer (8)
- Darryl Beaton – keyboards (track 6)
- Andy Chatterley – keyboards (tracks 1, 3, 8, 11)
- Chris Rob – keyboards (track 6)
- Richard Dodd – cello (tracks 5, 8)
- John Krovoza – cello (track 5)
- Jennie Lorenzo – cello (tracks 4, 9)
- Tim Resler – bass (tracks 4, 9)
- Vincent "Biggs" James – bass guitar (track 7)
- Omar Edwards – piano (tracks 4-5, 10), keyboards (3, 11) synthesizer (4-5, 8), synthesizer bass (8).
- Nottz Raw – producer (track 7), recording engineer (track 7)
- Tony Rey – recording engineer (track 6)
- Seiji Sekine – recording engineer (track 3)
- Greg Koller – recording engineer (tracks 4, 8, 12)
- Bruce Buechner – recording engineer (track 12)
- Andrew Dawson – recording engineer (all tracks), mixing (tracks 2, 4-6, 9, 12-13)
- Anthony Kilhoffer – recording engineer (tracks 1-6, 9-12), mixing (1, 11)
- Anthony Palazzole – assistant recording engineer (track 2, 5-10, 12)
- Andy Marcinkowski – assistant recording engineer (tracks 2, 5-10, 12-13)
- Richard Reitz – assistant recording engineer (tracks 3, 6)
- Jared Robbins – assistant recording engineer (track 3)
- Kengo Sakura – assistant recording engineer (track 3)
- Bram Tobey – assistant recording engineer (tracks 1-6, 8, 10-11)
- Matty Green – assistant recording engineer (tracks 1, 9, 11-12)
- Nate Hertweck – assistant recording engineer (tracks 1-6, 10-11)
- Jason Agel – assistant recording engineer (tracks 1-6, 8, 10-11)
- Keke Smith - production coordination for DJ Toomp (tracks 5, 6, 13, 14)
- Tracey Waples – marketing
- Al Brancch – marketing
- Takashi Murakami – artwork
- Carol Corless – package production
- Eric Hudson – all other instruments (track 9), producer (9)
- Warryn Campbell – producer (track 12)
- Larry Gold – string arrangements, string conductor (tracks 4, 9)
- Rosie Danvers – string arrangements (track 11)
- Sandra Campbell – project coordinator
- Sean Cooper – sound designer (track 12)
- Tommy D – string section producer (track 11)
- Vlado Meller – mastering
- Terese Joseph – A&R
- Kyambo Joshua – executive producer
- Manny Marroquin – mixing (track 3)
- Kazuhiro Mizuno – design
- Patrick "Plain Pat" Reynolds – A&R, producer (track 11)
- Timbaland – additional drum machine (track 5), additional music programming (3)
Charts
Weekly charts
|
Year-end charts
|
Certifications
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA)[303] | Platinum | 70,000^ |
Canada (Music Canada)[152] | 2× Platinum | 200,000^ |
Denmark (IFPI Danmark)[304] | 3× Platinum | 60,000‡ |
Germany (BVMI)[305] | Gold | 100,000‡ |
Iceland (FHF)[306] | Gold | 2,500‡[307] |
Ireland (IRMA)[308] | Platinum | 15,000^ |
Italy (FIMI)[309] | Gold | 25,000‡ |
Japan (RIAJ)[310] | Gold | 100,000^ |
New Zealand (RMNZ)[311] | 3× Platinum | 45,000‡ |
Russia ( NFPF)[312]
|
Gold | 10,000* |
Switzerland (IFPI Switzerland)[313] | Gold | 15,000^ |
United Kingdom (BPI)[314] | 2× Platinum | 600,000‡ |
United States (RIAA)[315] | 7× Platinum | 7,000,000‡ |
* Sales figures based on certification alone. |
See also
- 2007 in hip hop music
- Can't Tell Me Nothing (mixtape)
- The College Dropout
- Curtis (50 Cent album)
- Kanye West albums discography
- Kanye West production discography
- Late Registration
- List of best-selling albums in the United States of the Nielsen SoundScan era
- List of number-one albums of 2007 (Canada)
- List of UK Albums Chart number ones of the 2000s
- List of UK R&B Albums Chart number ones of 2007
- List of Billboard 200 number-one albums of 2007
- List of Billboard number-one rap albums of 2007
- List of Billboard number-one R&B albums of 2007
References
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External links
- Graduation at Discogs (list of releases)