Ben-Hur: A Tale of the Christ (1925 film)
Ben-Hur: A Tale of the Christ | |
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Directed by |
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Screenplay by |
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Based on | Ben-Hur: A Tale of the Christ 1880 novel by General Lew Wallace |
Produced by |
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Starring | |
Cinematography |
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Edited by |
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Music by |
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Distributed by | Metro-Goldwyn-Mayer |
Release dates |
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Running time | 141 minutes |
Country | United States |
Language | Silent (English intertitles) |
Budget | $4 million[1][2] |
Box office | $10.7 million[1][2] |
Ben-Hur: A Tale of the Christ is a 1925 American silent epic adventure-drama film directed by Fred Niblo and written by June Mathis based on the 1880 novel Ben-Hur: A Tale of the Christ by General Lew Wallace. Starring Ramon Novarro as the title character, the film is the first feature-length adaptation of the novel and second overall, following the 1907 short.
In 1997, Ben-Hur: A Tale of the Christ was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."[3][4]
Plot
At the
Judah Ben-Hur, a wealthy Jewish prince, returns from Antioch and reconnects with his Roman childhood friend, Messala. Judah invites him to his palace with his mother, Miriam, and younger sister, Tirzah. Messala fully embraces Rome's glory and imperial power over the Jewish people while Judah remains devoted to the Jewish people's freedom.
Valerius Gratus, the new Roman governor of Judaea, and his procession enter the city, as Judah and Tirzah watch from the upper terrace. Loose roof tiles fall, spooking the governor's horse and throwing him off. Messala condemns Judah to the galleys and imprisons Miriam and Tirzah. Judah vows revenge upon Messala. As he and other slaves are marched to the galleys, they stop in Nazareth. Denied water, Judah collapses but is revived when Jesus, the carpenter's son, offers him water.
Judah is sentenced to slave labor in a Roman war galley. Once aboard ship, his attitude of defiance and strength impresses a Roman admiral, Quintus Arrius, who allows him to remain unchained. Soon, his ship is attacked and sunk by pirates, and Judah saves him from drowning. Arrius then adopts Judah as his son, and over the years, Ben-Hur becomes a victorious chariot racer. He receives permission from Arrius to travel to Antioch, where he meets with Simonides, a former merchant for the Hur family. Judah remeets with Esther, Simonides's daughter, whom he encountered years earlier. He is told by Simonides that Miriam and Tirzah are dead. Meanwhile, Sheik Ilderim is competing in a chariot race and selects Judah to drive his horses. He refuses at first until he learns Messala will compete in the race.
At the arena, Judah has a flirtatious romance with Iras, who then tells Messala that Judah is alive. Before the chariot race, Ben-Hur and Messala confront each other, in which Judah wages fifty-thousand pieces of gold if he wins. During the race, Messala wrecks his chariot when it comes too close to Judah's. He is trampled by another chariot while Judah wins the race. However, Messala does not die.
In Ilderim's tent, he is visited by
The next day, convinced that Jesus can heal them, Esther takes Miriam and Tirzah to meet him. During the crucifixion, Judah hears Jesus's voice, stating his kingdom is not of this world and to put away his sword. Jesus later revives a dead child and miraculously cures Miriam and Tirzah. Judah sees his healed mother and sister and reunites with them. Jesus dies and an earthquake erupts. Balthazar informs the legion armies of Jesus's death and disperses them, telling them to forgive their enemies and love one another.
Reunited with his family, Judah states Jesus is not dead but he will live forever in the hearts of men.
Cast
Main
- Ramon Novarro as Ben-Hur
- Francis X. Bushman as Messala
- Esther
- Betty Bronson as Mary
- Claire McDowell as Princess of Hur
- Kathleen Key as Tirzah
- Carmel Myers as Iras
- Nigel de Brulieras Simonides
- Sheik Ilderim
- Leo White as Sanballat
- Frank Currier as Arrius
- Balthazar
- Dale Fulleras Amrah
- Winter Hall as Joseph
- Jesus Christ(uncredited)
- George Walsh (he recorded almost the entire film, but was replaced by Ramon Novarro)[5]
Some notable crowd extras during chariot race
- Reginald Barker
- John Barrymore
- Lionel Barrymore
- Clarence Brown
- Joan Crawford
- Marion Davies
- Douglas Fairbanks
- George Fitzmaurice
- Sidney Franklin
- John Gilbert
- Dorothy Gish
- Lillian Gish
- Samuel Goldwyn
- Sid Grauman
- Rupert Julian
- Henry King
- Harold Lloyd
- Carole Lombard
- Myrna Loy
- Colleen Moore
- Mary Pickford
Production
Ben-Hur: A Tale of The Christ had been a great success as a novel, and was adapted into a stage play which ran for twenty-five years. In 1922, two years after the play's last tour, the Goldwyn company purchased the film rights to Ben-Hur. The play's producer, Abraham Erlanger, put a heavy price on the screen rights. Erlanger was persuaded to accept a generous profit participation deal and total approval over every detail of the production.
Choosing the title role was difficult for June Mathis. Rudolph Valentino and dancer Paul Swan were considered until George Walsh was chosen. When asked why she chose him, she answered it was because of his eyes and his body. Gertrude Olmstead was cast as Esther.[6][7] While on location in Italy, Walsh was fired and replaced by Ramon Novarro.[5] The role of Esther went to May McAvoy.
Shooting began in Rome, Italy in October 1923 under the direction of Charles Brabin who was replaced shortly after filming began. Other re-castings (apart from Ramon Novarro as Ben-Hur) and a change of director caused the production's budget to skyrocket. After two years of difficulties and accidents, the production was eventually moved back to Metro-Goldwyn-Mayer in Culver City, California and production resumed in the spring of 1925. B. Reeves Eason and Christy Cabanne directed the second unit footage.[8]
Production costs eventually rose to $3,900,000 ($67,760,000 today) compared to MGM's average for the season of $158,000 ($2,750,000 today),
A total of 200,000 feet (61,000 m) of film was shot for the chariot race sequence, which led editor Lloyd Nosler eventually cut to 750 feet (230 m) for the released print.
Some of the scenes in the 1925 film were shot in two-color Technicolor, most notably the sequences involving Jesus. One of the assistant directors for this sequence was a young William Wyler, who would direct the 1959 MGM remake. The black-and-white footage was color tinted and toned in the film's original release print. MGM released a second remake of Ben-Hur in 2016.[8]
Reception
The studio's publicity department was relentless in promoting the film, advertising it with lines like: "The Picture Every Christian Ought to See!" and "The Supreme Motion Picture Masterpiece of All Time". Ben Hur went on to become MGM's highest-grossing film, with rentals of $9 million worldwide. Its foreign earnings of $5 million were not surpassed at MGM for at least 25 years. Despite the large revenues, its huge expenses and the deal with Erlanger made it a net financial loss for MGM. It recorded an overall loss of $698,000.[2]
In terms of publicity and prestige however, it was a great success. "The screen has yet to reveal anything more exquisitely moving than the scenes at Bethlehem, the blazing of the star in the heavens, the shepherds and the Wise Men watching. The gentle, radiant Madonna of Betty Bronson's is a masterpiece," wrote a reviewer for Photoplay. "No one," they concluded, "no matter what his age or religion, should miss it. And take the children."[14] It helped establish the new MGM as a major studio.[15][16]
The film was re-released in 1931 with an added musical score, by the original composers William Axt and David Mendoza, and sound effects. As the decades passed, the original two-color Technicolor segments were replaced by alternative black-and-white takes. Ben-Hur earned $1,352,000 during its re-release, including $1,153,000 of foreign earnings, and made a profit of $779,000 meaning it had an overall profit of $81,000.[2] The review aggregator website Rotten Tomatoes reported that 96% of critics have given the film a positive review based on 23 reviews, with an average rating of 7.8/10.[17]
The film became controversial after its release for the harm to animals involved in the filming. A reported one hundred horses were tripped and killed merely to produce the set piece footage of the major chariot race. Animal advocates especially criticized the use of the "running W" on set, a wire device that could trip a galloping horse. It would take a decade before such devices lost favor in Hollywood.[18]
The movie was banned in the 1930s in China under the category of "superstitious films" due to its religious subject matter involving gods and deities.[19]
Restoration
The Technicolor scenes were considered lost until the 1980s when
Home media
Ben-Hur was released on DVD, complete with the Technicolor segments, in the four-disc collector's edition of the 1959 version starring Charlton Heston, as well as in the 2011 "Fiftieth Anniversary Edition" Blu-ray Collector's Edition three-disc box set.
See also
- List of early color feature films
- List of films featuring slavery
- Francis X. Bushman filmography
- List of films with a 100% rating on Rotten Tomatoes, a film review aggregator website
References
Explanatory notes
Citations
- ^ a b "Ben-Hur (1925)". Turner Classic Movies. Retrieved January 7, 2012.
- ^ a b c d e H. Mark Glancy, 'MGM Film Grosses, 1924–28: The Eddie Mannix Ledger', Historical Journal of Film, Radio and Television, Vol 12 No. 2 1992 pp. 127–44 at p. 129
- ^ "New to the National Film Registry (December 1997) - Library of Congress Information Bulletin". Library of Congress. Retrieved May 18, 2020.
- ^ "Complete National Film Registry Listing". Library of Congress. Retrieved August 12, 2021.
- ^ a b Keel, A. Chester (November 1924). "The Fiasco of Ben Hur". Photoplay. 26 (6). Chicago, Illinois: Photoplay Magazine Publishing Company: 32–33, 101.
- ^ Marshall, Eunice (April 1924). "What Will Happen to Ben-Hur?". Screenland. New York. Retrieved January 31, 2016.
- ^ Marshall, Eunice (April 1924). "What Will Happen to Ben-Hur? (Continued)". Screenland. New York. Retrieved January 31, 2016.
- ^ a b "Ben-Hur: A Tale of the Christ". silentera.com. Retrieved May 26, 2013.
- ISBN 978-0-8143-3008-1.
- ISBN 978-0-5200-3068-8.
- ^ Brownlow, p. 413.
- ^ Bowman, James (1998). "Prince of Egypt, The", article published 1 December 1998, online journal of the Ethics and Public Policy Center (EPPC), Washington, D.C. Retrieved 13 August 2021.
- YouTube, scene-by-scene video comparison of race in Star Wars: Episode I – The Phantom Menace with the races in Ben Hur and in the 1975 Norwegian stop-motion animated feature The Pinchcliffe Grand Prix; uploaded 12 August 2021 to YouTube(San Bruno, California). Retrieved 13 August 2021.
- ^ "The Shadow Stage". Photoplay. New York. March 1926. Retrieved August 26, 2015.
- ^ Hoffman, Scott W. (2002). "The Making and Release of Ben-Hur". St. James Encyclopedia of Pop Culture. Archived from the original on May 5, 2009. Retrieved August 12, 2021 – via BNET.
- ^ Hagopian, Kevin. "Film Notes: Ben-Hur". New York State Writers Institute. Archived from the original on December 5, 2006. Retrieved August 12, 2021.
- ^ "Ben-Hur: A Tale of the Christ (1926)". Rotten Tomatoes. Retrieved November 16, 2021.
- ^ "8 troubling tales of animal abuse on film shoots". The Week. November 19, 2012. Retrieved August 12, 2021.
- ISBN 978-0-8047-3572-8.
Further reading
- Keel, A. Chester, "The Fiasco of 'Ben Hur'," Photoplay, November 1924, p. 32.
External links
- Ben-Hur essay by Fritzi Kramer at National Film Registry.[1]
- Ben-Hur essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 ISBN 0826429777, pages 109-111 [2]
- Ben-Hur at IMDb
- Ben-Hur at the American Film Institute Catalog
- Ben-Hur at the TCM Movie Database
- Ben-Hur at AllMovie
- Ben-Hur at Rotten Tomatoes
- Ben-Hur: original score composed for the film by David Mendoza and William Axt at the International Music Score Library Project