Benny Golson
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Benny Golson | |
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Background information | |
Born | Philadelphia, Pennsylvania, U.S. | January 25, 1929
Genres | |
Occupation(s) |
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Instrument(s) | Saxophone |
Years active | 1940s–present |
Formerly of | The Jazztet |
Website | www |
Benny Golson (born January 25, 1929)[1] is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger.[2] He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982.[3]
Many of Golson's compositions have become
Early life and education
Born in Philadelphia, Golson began learning the piano at age nine, then switched to the saxophone when he was 14.[3] While a student at Benjamin Franklin High School in Philadelphia,[6] he played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. He later attended Howard University.
Career
After graduating from Howard University, Golson joined Bull Moose Jackson's rhythm and blues band; Tadd Dameron, whom Golson came to consider the most important influence on his writing, was Jackson's pianist at the time.[1]
From 1953 to 1959, Golson played with Dameron's band and then with the bands of Lionel Hampton, Johnny Hodges, Earl Bostic, Dizzy Gillespie, and Art Blakey and the Jazz Messengers,[1] with whom he recorded the classic Moanin' in 1958.[7]
Golson was working with the Lionel Hampton band at the
In addition to "I Remember Clifford", many of Golson's other compositions have become jazz standards. Songs such as "Stablemates", "Killer Joe", "Whisper Not", "Along Came Betty", and "Are You Real?", have been performed and recorded numerous times by many musicians.[9]
From 1959 to 1962, Golson co-led
During the mid-1970s, Golson returned to jazz playing and recording. Critic Scott Yanow of AllMusic wrote that Golson's sax style underwent a major shift with his performing comeback, more resembling avant-garde Archie Shepp than the swing-era Don Byas influence of Golson's youth.[12] In 1982, Golson re-organized the Jazztet.[13]
Golson played a
Awards and honors
In 1996, Golson received the NEA Jazz Masters Award of the National Endowment for the Arts.[17]
In 1999, Golson was awarded an honorary doctorate of music from Berklee College of Music.[18]
In October 2007, Golson received the Mellon Living Legend Legacy Award,
In November 2009, Golson was inducted into the International Academy of Jazz Hall of Fame, during a performance at the University of Pittsburgh's annual jazz seminar and concert.[citation needed]
The Howard University Jazz Studies program created a prestigious award in his honor called the "Benny Golson Jazz Master Award" in 1996. Many distinguished jazz artists have received this award.[20]
Beliefs
In an interview with "Awake!" on October 08, 1980, Golson said that since the late 60s he had become a member of the religious organization Jehovah's Witnesses
Notable compositions
- "And You Called My Name", 1954
- "Stablemates", 1955
- "Whisper Not", 1956
- "Are You Real?", 1958
- "I Remember Clifford", 1957
- "Just by Myself", 1957
- "Blues March", 1958
- "Park Avenue Petite", aka "From Dream to Dream", 1959
- "Along Came Betty", 1958
- "Killer Joe", 1960
- "Beauty And The Blues"
- "Blues After Dark"
- "Five Spot After Dark"
- "Gipsy Jingle-Jangle"
- "Minor Vamp"
- "Step Lightly"
- "Strut Time"
- "Reggie of Chester"
- "The Stroller"[21]
Gallery
Benny Golson in Denmark (2007)
Discography
- The Modern Touch (Riverside 1958) – recorded in 1957
- The Other Side of Benny Golson (Riverside, 1958)
- Benny Golson and the Philadelphians (United Artists, 1958)
- Benny Golson's New York Scene (Contemporary, 1959) – recorded in 1957
- Gone with Golson (New Jazz, 1959)
- Groovin' with Golson (New Jazz, 1959)
- Winchester Special with Lem Winchester (New Jazz, 1959)
- Gettin' with It (New Jazz, 1960) – recorded in 1959
- Take a Number from 1 to 10 (Argo, 1961) – recorded in 1960-61
- Pop + Jazz = Swing (Audio Fidelity, 1962)
- Turning Point (Mercury, 1962)
- Free (Argo, 1963) – recorded in 1962
- The Roland Kirk Quartet Meets the Benny Golson Orchestra with Roland Kirk (Mercury, 1964)
- Stockholm Sojourn (Prestige, 1965) – recorded in 1964
- Tune In, Turn On (Verve, 1967)
- Killer Joe (Columbia, 1977)
- California Message with Curtis Fuller (Baystate, 1981)
- One More Mem'ry with Curtis Fuller (Baystate, 1982)
- Time Speaks with Freddie Hubbard and Woody Shaw (Baystate, 1983)
- This Is for You, John (Baystate, 1984) – recorded in 1983
- Stardust with Freddie Hubbard (Denon, 1987)
- Benny Golson Quartet Live (Dreyfus, 1991) – recorded in 1989
- Benny Golson Quartet (LRC Ltd. 1990)
- Domingo (Dreyfus, 1992) – recorded in 1991
- I Remember Miles (Alfa Jazz, 1993) – recorded in 1992
- That's Funky (Meldac Jazz, 1995) – recorded in 1994
- Up Jumped Benny (Arkadia Jazz, 1997) – recorded in 1996
- Tenor Legacy (Arkadia Jazz, 1998) – recorded in 1996
- Remembering Clifford (Milestone, 1998) – recorded in 1997
- One Day, Forever (Arkadia Jazz, 2001) – recorded in 1996-2000
- Terminal 1 (Concord, 2004)
- New Time, New 'Tet (Concord, 2009) – recorded in 2008
- Horizon Ahead (HighNote, 2016) – recorded in 2015
See also
References
- ^ .
- ^ "Benny Golson | Biography & History". AllMusic. Retrieved July 27, 2021.
- ^ OCLC 1049898284. Retrieved December 30, 2022 – via Internet Archive.
- .
- ^ "The Recording Academy Announces 2021 Special Merit Awards Honorees: Selena, Grandmaster Flash & The Furious Five, Talking Heads, Lionel Hampton, Marilyn Horne, Salt-N-Pepa And More". Grammy Awards. Santa Monica, CA: The Recording Academy. December 9, 2020. Retrieved December 30, 2022.
- .
- ^ "Moanin' - Art Blakey & the Jazz Messengers, Art Blakey | Songs, Reviews, Credits". AllMusic. Retrieved July 27, 2021.
- ^ "Clifford Brown Discography". Jazz Discography Project.
- ^ Bailey, Phil and Hancock, Benny (1979) Benny Golson: Eight Jazz Classics, p. iii. Jamey Aebersold Jazz.
- OCLC 1035905400. Retrieved December 30, 2022 – via Internet Archive.
- Discogs.com. Retrieved 2017-07-08.
- ^ Yanow, Scott. AllMusic biography, accessed 06 April 2019
- ^ Feather, Leonard & Gitler, Ira (2007) The Biographical Encyclopedia of Jazz, p. 261. Oxford University Press.
- ^ Myers, Marc (November 2, 2018). "A Great Day in Harlem, Revisited". Wall Street Journal. New York. Retrieved December 30, 2022.
- ^ Grandt, Jürgen E. (2018). Gettin' Around: Jazz, Script, Transnationalism. University of Georgia Press. pp. 113–120.
- ^ Fordham, John (July 29, 2004). "Benny Golson, Terminal 1". The Guardian. London. Retrieved December 30, 2022.
- ^ a b "Benny Golson". National Endowment for the Arts. Retrieved March 1, 2021.
- ^ Media, Mountain. "Golson, Benny". Ejazzlines.com. Retrieved April 15, 2020.
- ^ Blake, Sharon S. (November 12, 2007). "Jazz Week Capped With Sold-Out Concert". Pitt Chronicle. Retrieved March 1, 2021.
- ^ "Benny Golson Award". Howard University Jazz Ensemble. Retrieved March 1, 2021.
- ^ "Benny Golson | Songs". AllMusic. Retrieved July 27, 2021.
External links
- Official Site
- Listening In: An Interview with Benny Golson by Bob Rosenbaum, Los Angeles, February 1982 (PDF file)
- Benny Golson at IMDb
- Benny Golson Recreates His Great 'Jazztet' NPR Interview 2009 Jan 24
- Benny Golson Interview at underyourskin on YouTube