Bhand
| Total population | |
|---|---|
| 33,000 | |
| Regions with significant populations | |
| • India • Pakistan • Nepal • Bangladesh | |
| Languages | |
| • Hindu, Islam | |
| Related ethnic groups | |
| Naqqal |
Bhānds (Devanagari: भांड; Urdu: بھانڈ, Gurmukhi: ਭੰਡ, Bengali: ভাঁড়) are the traditional folk entertainers of India, Pakistan,[1] Bangladesh, and Nepal. In India and Nepal, the Bahand are now an endogamous Hindu and Muslim community, which is no longer involved in their traditional occupation of folk entertainment.[2] They include actors, dancers, minstrels, storytellers and impressionists.[3]
Payment for performances is usually voluntary: often, one performer goes around the audience collecting money on a "pay-what-you-can" basis while the others continue to perform.[3]
Bahand Pather of Kashmir
Bahand Pather is a bahand of the Kashmir region in which stories commemorating the lives of reshis (Sufi sages, both Hindus and Muslims) or more contemporary real or fictional figures are enacted. The storylines (or pathers) are often humorous and satirical, and farce is an essential component of the plays.[4]
Naqal of Punjab
Naqal (mimicry) is a strong bahand tradition in the Punjab region.
References
- ISBN 9781000177077.
- ISBN 978-81-7017-278-9,Bhand means jester ... Bhands were patronised by the people and royalty alike ... small skits with extempore jokes, humour laced with social criticism ...
... The most popular of the medieval folk entertainers who still linger on the Indian scene are the Bhands. In Sanskrit
- ^ ISBN 978-0-415-26087-9,
... one actor goes around collecting money (pay-what-you-can) from the audience ... In the swang tradition is the naqal of Punjab: farcical in nature, it relies heavily on improvisation by the naqalchi ... The bhands are itinerant clowns. It is a centuries-old tradition in the villages, and very popular at marriages. It may be a solo performance, or a troupe may have two or three people. Dressed in rustic clothes ...
- ISBN 978-0-415-93919-5,
... At the heart of the form, though, is the broad, farcical playing of the maskharas, or clowns ...