Bikaner style of painting

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Mount Govardhan by Ustad Sahibdin, c. 1690. British Museum

The Bikaner style of painting is a

Deccan style.[1]

During the reign of Raja Karan Singh (r. 1632–69) there were close connections with the court of the emperor Shah Jahan, while the imperial workshops were still flourishing, and some Mughal-style subject matter began to appear late in this reign. Karan Singh's youngest son, Anup Singh (later raja, 1674–98), was a general commanding Mughal forces, especially in the Deccan, where he was based in Hyderabad for some time. This very likely accounts for the Deccan influences apparent in later paintings. His best artist, Ruknuddin (Rukn/h ud din Firuz), travelled with him, and many other Bikaner painters were relatives of his; other artists emigrated from the Deccan to Bikaner.[2]

Description

The subjects painted often originate from Indian mythology. Raja Rai Singh was particularly influenced by Mughal art. They painted scenes from the Ragmala, Bhagavata Purana, and Rasalila.

What distinguishes the Bikaner style of painting[3] from other Rajasthani styles of painting are finer lines and a more reserved range of colours than what are typically present in Mughal artwork. Ali Raza painted paintings of Lakshmi Narayana and a portrait of Karan Singh. Ruknuddin used the technique of painting fountains and court scenes using a nature-based background. Later Bikaneri art focused on Bikaner’s architecture such as havelis in the city. Bikaneri artists displayed their work outside royal courts giving businessmen and landlords the chance to appreciate this style of art.[4]

References

  1. ^ Harle, 394-395
  2. ^ Kossak, 17
  3. ^ "About Bikaner Miniature Painting Style Rajasthani Miniature Style". Raju Swami. Retrieved 8 June 2016.
  4. ^ Swami, Mahaveer (9 July 2013). "History of Bikaner Style of Painting and its Contemporary Contexts".

Further reading