Biology in fiction
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Speculative evolution enables authors with sufficient skill to create what the critic Helen N. Parker calls biological parables, illuminating the human condition from an alien viewpoint. Fictional alien animals and plants, especially humanoids, have frequently been created simply to provide entertaining monsters. Zoologists such as Sam Levin have argued that, driven by natural selection on other planets, aliens might indeed tend to resemble humans to some extent.
Major themes of science fiction include messages of optimism or pessimism; Helen N. Parker has noted that in biological fiction, pessimism is by far the dominant outlook. Early works such as H. G. Wells's novels explored the grim consequences of Darwinian evolution, ruthless competition, and the dark side of human nature; Aldous Huxley's Brave New World was similarly gloomy about the effects of genetic engineering.
Fictional biology, too, has enabled major science fiction authors like
Aspects of biology
Aspects of biology found in fiction include evolution, disease, ecology, ethology, genetics, physiology, parasitism, and mutualism (symbiosis).[1][2][3]
Evolution
Disease
Tuberculosis was a common disease in the 19th century. In
Genetics
Aspects of
The lack of scientific understanding of genetics in the 19th century did not prevent science fiction works such as
Physiology
The creation scene in
The ability to produce electricity is central to Naomi Alderman's 2016 science fiction novel
Parasitism
Some fictional parasites, like the deadly parasitoidSymbiosis
Ethology
Ecology
In the 1970s, the impact of human activity on the environment stimulated a new kind of writing,
Fictional organisms
Fiction, especially science fiction, has created large numbers of fictional species, both alien and terrestrial.[49][50] One branch of fiction, speculative evolution or speculative biology, consists specifically of the design of imaginary organisms in particular scenarios; this is sometimes informed by precise science.[51][52]
Functions
Fictional biology serves a variety of function in film and literature, including the supply of suitably terrifying monsters,[53] the communication of an author's worldview,[5][6] and the creation of aliens for biological parables to illuminate what it is to be human.[54] Real biology, such as of infectious diseases, equally provides a variety of contexts, from personal to highly dystopian, that can be exploited in fiction.[7]
Monsters and aliens
A common use of fictional biology in science fiction is to provide plausible alien species, sometimes simply as terrifying subjects, but sometimes for more reflective purposes.
Humanoid (roughly human-shaped) aliens are common in science fiction.[61] One reason is that authors use the only example of intelligent life that they know: humans. The zoologist Sam Levin points out that aliens might indeed tend to resemble humans, driven by natural selection.[62] Luis Villazon points out that animals that move necessarily have a front and a back; as with bilaterian animals on Earth, sense organs tend to gather at the front as they encounter stimuli there, forming a head. Legs reduce friction, and with legs, bilateral symmetry makes coordination easier. Sentient organisms will, Villazon argues, likely use tools, in which case they need hands and at least two other limbs to stand on. In short, a generally humanoid shape is likely, though octopus- or starfish-like bodies are also possible.[63]
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Alphonse de Neuville, 1871
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A bug-eyed monster, a trope of early science fiction. Illustration shows Stanley G. Weinbaum's 1951 story "A Man, A Maid, and Saturn's Temptation".
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Nathan H. Juran's 1957 The Deadly Mantis
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Man-eating plant: 1962 poster by Steve Sekely for a film adaptation of John Wyndham's 1951 novel The Day of the Triffids
Optimism and pessimism
A major theme of science fiction and of speculative biology is to convey a message of optimism or pessimism according to the author's worldview.[5][6] Whereas optimistic visions of technological progress are common enough in hard science fiction, pessimistic views of the future of humanity are far more usual in fiction based on biology.[4]
A rare optimistic note is struck by the evolutionary biologist
The grim possibilities of Darwinian evolution with its ruthless "survival of the fittest" has been explored repeatedly from the beginnings of science fiction, as in H. G. Wells's novels The Time Machine (1895), The Island of Dr Moreau (1896), and The War of the Worlds (1898); these all pessimistically explore the possible dire consequences of the darker sides of human nature in the struggle for survival.[5] Aldous Huxley's 1931 novel Brave New World is similarly gloomy about the oppressive consequences of advances in genetic engineering applied to human reproduction.[68]
Biological parables
The literary critic Helen N. Parker suggested in 1977 that speculative biology could serve as biological parables which throw light on the human condition. Such a parable brings aliens and humans into contact, allowing the author to view humanity from an alien perspective. She noted that the difficulty of doing this at length meant that only a few major authors had attempted it, naming
In her 1969
Structure and themes
Modern novels sometimes make use of biology to provide structure and themes. Thomas Mann's 1912 Death in Venice relates the feelings of the protagonist to the progress of an epidemic of cholera, which eventually kills him.[74] Richard Flanagan's 2001 novel Gould's Book of Fish makes use of the illustrations from artist and convict William Buelow Gould's book of 26 paintings of fish for chapter headings and as the inspiration for the various characters in the novel.[75]
Realism
The geneticist Dan Koboldt observes that the science in science fiction is often oversimplified, reinforcing popular myths to the point of "pure fiction". In his own field, he gives as examples the idea that first-degree relatives have the same hair, eyes and nose as each other, and that a person's future is predicted by their genetic code, as (he states) in Gattaca.[76] Koboldt points out that eye colour changes as children grow up: adults with green or brown eyes often had blue eyes as babies; that brown-eyed parents can have children with blue eyes, "and vice versa"; and that the brown pigment melanin is controlled by around 10 different genes, so inheritance is along a spectrum rather than being a blue/brown switch.[77] Other authors in his edited collection Putting the Science in Fiction point out a wide variety of errors in the portrayal of other biological sciences.[78]
References
- ^ Stableford, Brian (3 September 2018). "Biology". The Encyclopedia of Science Fiction.
- ^ Parker 1977, pp. 11-16 and passim.
- ^ Koboldt 2018, pp. 37–65.
- ^ a b Parker 1977, p. 80 and passim.
- ^ a b c d e f Stableford, Brian M.; Langford, David R. (5 July 2018). "Evolution". The Encyclopedia of Science Fiction. Gollancz. Retrieved 24 July 2018.
- ^ a b c Levine, George (5 October 1986). "Darwin and the Evolution of Fiction". The New York Times. Retrieved 24 July 2018.
- ^ a b Dugdale, John (1 August 2014). "Plague fiction – why authors love to write about pandemics". The Guardian. Retrieved 26 July 2018.
- ^ Stableford, Brian (25 September 2018). "Medicine". The Encyclopedia of Science Fiction.
- ^ I.S. (12 April 2017). "Charting trends in apocalyptic and post-apocalyptic fiction". The Economist. Retrieved 5 November 2018.
- ISBN 978-0-12-803708-9.
- ^ Lawlor, Clark. "Katherine Byrne, Tuberculosis and the Victorian Literary Imagination". British Society for Literature and Science. Retrieved 11 June 2017.
- ISBN 978-1-107-67280-2.
- ^ Parker 1977, p. 13.
- ISBN 978-1-78138-332-2.
- ISBN 978-0060776091.
- ISBN 9788126910366.
- ^ Stableford, Brian (15 May 2017). "Genetic Engineering". The Encyclopedia of Science Fiction. Retrieved 19 July 2018.
- ^ Zimmer, Carl (November 10, 2008). "Now: The Rest of the Genome". The New York Times.
- ^ Koboldt, Daniel (1 August 2014). "Genetics Myths in Fiction Writing". Retrieved 19 July 2018.
- ^ Koboldt 2018.
- ^ a b c Moraga, Roger. "Modern Genetics in the World of Fiction". Clarkesworld magazine. Retrieved 19 July 2013.
- JSTOR 4240876.
- ^ Koboldt 2018, p. 51.
- ^ a b Charles, Ron (10 October 2017). "'The Power' is our era's 'Handmaid's Tale'". The Washington Post.
Teenage girls everywhere suddenly discover that their bodies can produce a deadly electrical charge. The science is unsettled, but not entirely fantastical. After all, electric eels can generate a jolt, why not humans? Alderman describes "a strip of striated muscle across the girls' collarbones which they name the organ of electricity, or the skein for its twisted strands."
- ISBN 0-7864-2064-2.
- ^ "Focusing on Physiology". Arizona State University. October 2018. Retrieved 4 April 2019.
- ^ Armitstead, Claire (28 October 2016). "Naomi Alderman: 'I went into the novel religious and by the end I wasn't. I wrote myself out of it'". The Guardian.
- ^ Jordan, Justine (2 November 2016). "The Power by Naomi Alderman review – if girls ruled the world". The Guardian.
- ^ Budanovic, Nikola (10 March 2018). "An explanation emerges for how the 12th century Paisley Abbey in Scotland could feature a gargoyle out of the film "Alien"". The Vintage News. Retrieved 17 June 2018.
- ^ British Broadcasting Corporation. 23 August 2013. Retrieved 17 June 2018.
- ^ "Parasitism and Symbiosis". The Encyclopedia of Science Fiction. 10 January 2016.
- ^ Guarino, Ben (19 May 2017). "Disgusting 'Alien' movie monster not as horrible as real things in nature". The Washington Post.
- ISBN 978-1-4766-0822-8.
- ^ Moisseeff, Marika (23 January 2014). Aliens as an Invasive Reproductive Power in Science Fiction. pp. 239–257.
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ignored (help) - ^ Williams, Robyn; Field, Scott (27 September 1997). "Behaviour, Evolutionary Games and .... Aliens". Australian Broadcasting Corporation. Retrieved 30 November 2017.
- ^ a b c Stableford, Brian M. (10 January 2016). "Parasitism and Symbiosis". The Encyclopedia of Science Fiction. Gollancz. Retrieved 25 July 2018.
- OCLC 779266095.
- ^ Brooks, Terry (1999). Star Wars Episode I: The Phantom Menace. Ballantine Books.
- ^ ISBN 978-0-7352-1909-0.
- ^ Lawson, Mark (12 January 2019). "Fiction: A US bestseller, this debut about a nature-loving girl growing up alone in southern swampland has wide appeal". The Guardian. Retrieved 13 January 2019.
- ^ DeNardo, John (23 July 2014). "Recent Ecological Fiction". Kirkus Reviews.
- ^ Stableford, Brian (3 September 2018). "Ecology". The Encyclopedia of Science Fiction.
- ISBN 0-521-01657-6.
- ISBN 0-7425-3364-6.
- ^ Dwyer, Jim (2010). Where the Wild Books are: A Field Guide to Ecofiction. University of Nevada Press. pp. Chapter 2.
- ^ Murphy, Patrick D. (2000). Further Afield in the Study of Nature-Oriented Literature. University Press of Virginia. p. 1.
- ISBN 978-0671824785.
- ISBN 3-437-30083-0.
- ISBN 978-1846318153.
- JSTOR 25475137.
- ^ Nastrazzurro, Sigmund (8 December 2010). "A xenobiological conference call". Furahan Biology and Allied Matters. Retrieved 26 July 2018.
- ^ "Science Meets Speculation in All Your Yesterdays – Phenomena: Laelaps". 26 September 2013. Archived from the original on September 27, 2013. Retrieved 8 June 2015.
- ^ a b Hardwick, Kayla M. (22 October 2014). "Natural selection at the movies: Only the bad guys evolve". Nothing in Biology Makes Sense [except in the light of evolution]. Retrieved 24 July 2018.
- ^ a b Parker 1977, p. 63.
- ISBN 0-313-32951-6.
- ISBN 978-0-7864-2916-5.
- ^ Sercel, Alex (19 May 2017). "Parasitism in the Alien Movies". Signal to Noise Magazine.
- ISBN 978-1-137-49639-3.
- ISBN 978-1-4766-2505-8.
- ISBN 978-1-55490-330-6.
- ^ Munkittrick, Kyle (12 July 2011). "The Only Sci-Fi Explanation of Hominid Aliens that Makes Scientific Sense". Discover Magazine. Archived from the original on 16 July 2011. Retrieved 8 August 2018.
- ^ Griffin, Andrew (1 November 2017). "What would aliens look like? More similar to us than people realise, scientists suggest". The Independent. Retrieved 8 August 2018.
- ^ Villazon, Luis (16 December 2017). "What are the odds that aliens are humanoid?". Science Focus (BBC Focus Magazine Online). Retrieved 14 June 2018.
- ^ Anon (4 September 2013). "'They're like triffids' - garderner grows 6ft courgette". The Daily Telegraph. Retrieved 7 August 2018.
- .
- ^ Hoffelder, Kate (20 August 2015). "Infographic: Eighty Fictional Plants". The Digital Reader. Retrieved 7 August 2018.
- ISBN 978-0-472-13017-7.
- ^ Parker 1977, p. 80.
- ^ Parker 1977, pp. 64–66.
- ^ Moskowitz, Samuel (1934). Introduction. Lancer Books.
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:|work=
ignored (help) - ^ Parker 1977, pp. 67–71.
- ^ Parker 1977, pp. 73–76.
- ^ Parker 1977, pp. 70–77.
- ^ Crace, John (30 August 2008). "Digested classics: Death in Venice by Thomas Mann". The Guardian.
- ^ MacFarlane, Robert (26 May 2002). "Con fishing | Gould's Book of Fish". The Guardian. Retrieved 8 August 2018.
- ^ Koboldt 2018, pp. 4–5 and passim.
- ^ Koboldt, Dan (5 May 2015). "Eye-based Paternity Testing & Other Human Genetics Myths". Apex Magazine (72).
- ^ Koboldt 2018, pp. 7–135.
Sources
- Koboldt, Dan, ed. (16 October 2018). Putting the Science in Fiction. Writer's Digest Books. ISBN 978-1-4403-5338-3.
- Parker, Helen N. (1977). Biological Themes in Modern Science Fiction. UMI Research Press. ISBN 978-0835715775.