100 Crore Club

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Bollywood 100 Crore Club
)

100 Crore Club is an unofficial designation by the

Indian film community.[3]

It was succeeded by the 1000 Crore Club in 2017.[4] Actors Salman Khan (17) and Akshay Kumar (16) are currently the highest holders.[5]

Overview

The first Indian film to cross ₹100 crore worldwide was the 1982

Hum Aapke Hain Kaun (1994),[7][8] which was also the first to reach ₹200 crore worldwide.[9] The next film to cross ₹100 crore worldwide was the Shah Rukh Khan and Kajol starrer Dilwale Dulhania Le Jayenge (1995).[10]

The 100 Crore Club emerged more than a decade later, when the

My Name is Khan (2010),[12] followed by 3 Idiots in 2011.[13][14]

Beyond Bollywood, the first

KGF directed by Prashanth Neel, released in 2018, starring Yash and Srinidhi Shetty
crossing 153 crores in 11 days.

When adjusted for inflation, the first Indian film to gross an adjusted 100 crore was the 1940 film

P.C. Barua and written by Javed Hussain.[n 3] The first Indian film to gross an adjusted 100 crore overseas was the 1951 film Awaara, directed by Raj Kapoor, written by Khwaja Ahmad Abbas, and starring Raj Kapoor and Nargis, becoming a blockbuster in the Soviet Union.[n 6]

The Hindustan Times claims that their magazine Brunch coined the term.[26] Initially the term applied only to the lead male actor.[1] Komal Nahta stated that "excluding women from the group is characteristic of an industry which exercises gender discrimination more than other industries."[1] By 2013, the usage had expanded to variously include the film itself, the director,[27] and the lead female actor.[28] The Zee Cine Awards added a category "The Power Club Box Office" to recognise directors whose films had reached the 100 crore mark.[27] The 100 Crore Club designation has replaced previous Bollywood indications of success which had included great music, the "Silver Jubilee"[29] or the "Diamond Jubilee" (films that ran for 75 weeks in theatres).[30]

However, DNA reported that "Filmmakers and distributors are known to leave no stone unturned in their attempt to cross over to the right side" of the 100 crore mark."[27][31] The Times of India cancelled its "Box Office" column in November 2013 because "The stakes of filmmakers have increased so much that they are willing to go any distance to manipulate and jack up their numbers to beat each other's records." and the Times felt they were no longer able to provide accurate enough figures because "Films that have not reached the '100 crore mark but are close will insist that they have reached the '100 crore figure as they can't resist being in the '100 crore club.'"[32]

The concentration on reaching the club has been criticised, with actor and producer Arshad Warsi stating, "I find this whole Rs. 100 crore club very stupid. How can every film releasing lately do a business of Rs. 100 crores all of a sudden? Instead of this, we need to concentrate on making good films."[33] Shahid Kapoor called the designation a "fad" which was leading to "massy films which are very basic in their understanding and high on entertainment. But if we run only to achieve those figures then we will restrict ourselves as actors"[2] On the other hand, Dibakar Banerjee, while agreeing with Kapoor about the impact on content stated, "I hope the club stays and grows to many more crores. Films as they do more business boost the confidence of audience and investors alike and everybody benefits."[34] Priyanka Chopra said that being part of films in the 100 Crore Club allowed her to also do less commercial "women-oriented films", and lamented that as of December 2013, no woman oriented films had achieved the 100 Crore Club designation.[35]

Variations of the "Bollywood 100 Crore Club" came into use, such as the "Bollywood 400 Crore Club" when the Shah Rukh Khan-Deepika Padukone-starrer Chennai Express reported box office receipts of 400 crore in 2013,[36] and the "Tollywood 600 Crore Club", which relates to Telugu films that have earned over 600 crore (US$75 million) in 2015, such as film Baahubali: The Beginning which earned 650 crore (US$81 million).[37] They were eventually succeeded by the 1000 Crore Club, when Baahubali 2: The Conclusion crossed the ₹1,000 crore mark ($135 million) in 2017.

Milestones

See 1000 Crore Club for milestones beyond ₹1,000 crore.

Worldwide

Worldwide milestones
Nominal gross
Film Year Milestone Ref
Disco Dancer (1982) 1984 100 crore [n 1]
Hum Aapke Hain Koun..! (1994) 1994 ₹200 crore [9]
Dilwale Dulhania Le Jayenge (1995) 1996 ₹250 crore [42][43][44]
3 Idiots (2009) 2009 ₹300 crore [n 10]
2013 400 crore
Chennai Express (2013) ₹400 crore [48]
Dhoom 3 (2013) 500 crore [49]
2014 550 crore
PK (2014) 600 crore [50]
2015 700 crore [51]
800 crore
Baahubali 2: The Conclusion (2017) 2017 900 crore [52]
₹1,000 crore
Dangal (2016) 2,000 crore [53]

Domestic

Domestic milestones
Nominal
Film Year Nett milestone Gross milestone Ref
Hum Aapke Hain Kaun
1994 ₹50 crore ₹100 crore [54]
1995 ₹60 crore ₹150 crore [55]
Ghajini 2008 ₹100 crore ₹150 crore [56]
3 Idiots 2009 ₹150 crore ₹200 crore [57]
₹200 crore ₹250 crore
Chennai Express 2013 ₹200 crore ₹300 crore [58]
Dhoom 3 ₹250 crore ₹350 crore [59][60]
PK 2014 ₹300 crore ₹450 crore [60]
Baahubali: The Beginning 2015 ₹400 crore ₹500 crore [61][62]
Dangal 2016 ₹400 crore ₹550 crore [63]
Baahubali 2: The Conclusion 2017 ₹500 crore ₹600 crore [64][52][65]
₹1,000 crore ₹1,000 crore [52]

Overseas

Overseas milestones
Nominal gross
Film Year Milestone Ref
My Name is Khan
(2010)
2010 100 crore [12]
3 Idiots (2009) 2011 120 crore [13]
2013 150 crore [n 10]
Dhoom 3 (2013) 2014 200 crore [n 11]
PK (2014) 2015 250 crore [51]
300 crore
Dangal (2016) 2017 400 crore [67]
500 crore
600 crore
1,000 crore
Inflation adjusted gross
Film Year Milestone Ref
Awaara (1951) 1954 100 crore (US$13 million) [n 6]
200 crore (US$25 million)
300 crore (US$38 million)
400 crore (US$50 million)
Char Dil Char Rahen (1959) 1962 500 crore (US$63 million) [n 14]
550 crore (US$69 million)
Mamta (1966) 1969 600 crore (US$75 million) [n 17]
Bobby (1973) 1975 600 crore (US$75 million) [n 21]
Disco Dancer (1982) 1984 700 crore (US$88 million) [n 1]
1985 800 crore (US$100 million)
1986 900 crore (US$110 million)
1987 1,000 crore (US$130 million)

See also

Notes

  1. ^ a b c Disco Dancer:
    • India: 6.4 crore[38] (US$6.54 million)[n 7] in 1982 (124 crore (US$16 million) in 2016)
    • Soviet Union: US$75.9 million[n 8] (94.34 crore)[n 9] in 1984 (US$214 million (1176 crore)[21] in 2016)
  2. ^ 3.4804 Indian rupees per US dollar in 1940: 13.33 per pound,[19] $3.83 per pound[20]
  3. ^ 55 lakh[18] (US$1.58 million)[n 2] in 1940 (US$33 million or 181 crore[21] in 2016)
  4. ^ a b c 4.7619 Indian rupees per US dollar from 1951 to 1965[23]
  5. ^ 4 Soviet rubles per US dollar from 1950 to 1960[25]
  6. ^ a b Awaara: 5.75 crore (US$12.08 million) in 1954 (739 crore (US$110 million) in 2016)
    • India: 2.3 crore[22] (US$4.83 million)[n 4] in 1951 (US$54 million (302 crore)[21] in 2016)
    • Soviet Union: 29 million SUR[24] (US$7.25 million,[n 5] 3.45 crore)[n 4] in 1954 (US$79 million (437 crore)[21]
      in 2016)
  7. ^ 9.79 Indian rupees per US dollar in 1982[39]
  8. ^ Disco Dancer: 60 million Soviet rubles in 1984,[40] 0.791 rubles per US dollar in 1984[25]
  9. ^ 12.43 Indian rupees per US dollar in 1984[41]
  10. ^ a b 3 Idiots worldwide gross: 453.82 crore (US$87.55 million)
    • Domestic: 273.82 crore[45] (US$57.05 million)[46]
    • Overseas: US$30.5 million[12] (180 crore)[47]
  11. ^ Dhoom 3 overseas gross: US$35.6 million,[12] 2.172 billion (equivalent to 3.7 billion or US$46 million in 2023)[66]
  12. ^ 39.8 million tickets sold,[68] average ticket price of 25 kopecks[69]
  13. ^ a b 0.9 Soviet rubles per US dollar from 1961 to 1971[25]
  14. ^ Char Dil Char Rahen in Soviet Union: 9.95 million SUR[n 12] (US$11.06 million,[n 13] 52.7 million)[n 4] in 1962[68] (US$107 million or 5.91 billion[21] in 2016)
  15. ^ 52.1 million tickets sold,[68] average ticket price of 25 kopecks[69]
  16. ^ 7.5 Indian rupees per US dollar from 1967 to 1970[23]
  17. ^ Mamta in Soviet Union: 13.025 million SUR[n 15] (US$14.47 million,[n 13] 108.5 million)[n 16] in 1969[68] (US$115 million or 6.38 billion[21] in 2016)
  18. ^ 62.6 million tickets sold,[68] average ticket price of 25 kopecks[69]
  19. ^ 0.73 Soviet rubles per US dollar in 1975[25]
  20. ^ 8.973 Indian rupees per US dollar in 1975[70]
  21. ^ Bobby in Soviet Union: 15.65 million SUR[n 18] (US$21.44 million,[n 19] 192.4 million)[n 20] in 1975 (US$117 million (6.38 billion)[21] in 2016)

References

  1. ^ a b c Nahta, Komal (31 May 2012). "Bollywood's 100 crore club". Hindustan Times. Archived from the original on 3 June 2012. Retrieved 1 June 2016.
  2. ^ a b "100 crore club is just a fad: Shahid Kapoor". Hindustan Times. PTI. 18 June 2012. Retrieved 29 December 2013.
  3. .
  4. ^ "Bahubali 2 - 1000 Cr NETT In 30 Days - Box Office India". www.boxofficeindia.com.
  5. ^ "Bollywood Crore Club Movies | Bollywood Crore Clubs". Bollywood Hungama.
  6. ^ Cain, Rob (2 October 2017). "For Indian Movies, 1,000 Crore Rupees Is The New 100". Forbes.
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  9. ^ a b Chopra, Anupama (15 December 1996). "The Great Gamblers". India Today.
  10. ^ Chandra, Anupama (30 April 1996). "String of big flops trigger Bombay's dream merchants to struggle with changing audience". India Today.
  11. ^ "The 100-crore Club". The Times of India. 18 January 2009.
  12. ^ a b c d Hooli, Shekhar (1 May 2017). "Baahubali 2 overseas box office collection: Rajamouli's film beats Chennai Express, Kabali's lifetime record in 1st weekend". International Business Times.
  13. ^ a b Chumbhale, Ameya (29 December 2011). "3 Idiots wins over Chinese, collects Rs 11 crore in two weeks". The Economic Times.
  14. ^ "Three Idiots Creates History in China". 30 December 2011. BoxOfficeIndia.Com. Archived from the original on 7 January 2012. Retrieved 30 December 2011.
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  17. ^ "Success ka effect: Sairat to now be remade in 4 different languages! | Latest News & Updates at Daily News & Analysis". dna. 12 June 2016. Retrieved 12 June 2016.
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  19. ^ V. S. Somanath, International Financial Management, page 53, I. K. International, 2011
  20. ^ Computing 'Real Value' Over Time with a Conversion between U.K. Pounds and U.S. Dollars, 1774 to Present, MeasuringWorth
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  34. ^ Pant, Aditi (27 December 2012). "I miss Delhi winter: Dibakar Banerjee". Hindustan Times. Archived from the original on 29 December 2012. Retrieved 29 December 2013.
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    . Producer Yash Chopra scored one of the biggest hits in Bollywood history in the $60 million-grossing "Dilwale Dulhania Le Jayenge" ("Only the Loverboy Will Take Away the Bride"), a love story that spends an awful lot of time at a traditional Hindi wedding.
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