Boris Legran

Source: Wikipedia, the free encyclopedia.

Boris Legran

Boris Vasilyevich Legran or Legrand (

Transcaucasia, during the 1920s and worked as a consular official in China
during the 1920s.

He also was the director of the

Leningrad
in 1931–1934.

Biography

Legran was born into the family of a

Transcaucasia, beginning in 1920. Legran officially joined the Communist Party
in 1919.

Legrand was appointed head of the Soviet consulate in Harbin in 1926, but was recalled the following year, after being reprimanded for his performance at the consulate by the Central Committee.

In 1931 Legran was appointed director of the

Leningrad, and was replaced by Joseph Orbeli
in 1934.

Legran died in Leningrad in 1936 at fifty-two.

State Hermitage Museum

The Alba Madonna by Raphael
The Annunciation, c. 1434, now National Gallery of Art, Washington, DC, 93 x 37 cm
Saint George and the Dragon, by Raphael, was purchased for the Hermitage by Catherine the Great
in 1772, and later hung in the gallery of portraits of the generals who had defeated Napoleon. It was sold to Andrew Mellon in 1931.

In 1931 Legran was appointed to run the

Fabergé
jewelry) into a kind of "evidence to the oppression of peoples under the Tsarist regime".

Legran's three years in office are remembered for the

).

During his time, some innovations were adopted. For instance, he introduced the so-called music exhibitions, a product of his work with S. Ginzburg. Also, in 1934, he provided for the development and transfer to the Hermitage museum of methodologies for restoring especially complicated metal objects. This was done through an agreement signed with the "State Academy of the History of Material Culture". A dedicated laboratory was provided and fully equipped for this purpose - the forerunner of today's restoration laboratory for works of applied art.

As director of the Hermitage, Legrand unyieldingly followed the principles of revolutionary art, striving to present luxurious works of art from bygone eras as evidence of the exploitation of the people by the tsarist regime. For the sake of the "political reconstruction" of the museum, the publishing activity was also rebuilt.[1] On the basis of the so-called Marxist-Leninist methodology, Legrand published in 1934 the book The Socialist Reconstruction of the Hermitage.

References

  1. ^ "Reality and Socialist Realism: The Hermitage in 1917-1941". Archived from the original on 31 July 2003.