Brian Syron

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Brian Gregory Syron (19 November 1934 – 14 October 1993) was an actor, teacher,

Aboriginal National Theatre Trust. He worked on several television productions and was appointed head of the ABC
's new Aboriginal unit in 1988.

Life

Brian Gregory Syron was born on 19 November 1934 in the inner city suburb of

Newcastle-upon-Tyne, England, while his father, a general labourer, was a Birrbay man.[1] Brian was one of eight children.[2]

Syron also lived an Indigenous life with his paternal

Human Rights and Equal Opportunity Commission (HREOC) on 15 November 1992:[3]

I have no mortgage on being dispossessed or having a tough life. We've all had it. Every

Aboriginal
person I know of in my generation has had one hell of a time. Nobody has a mortgage on that. We've all been through it. Our obligation, our mandate, as artists is to communicate with our people first.{Syron, HREOC, 15.11.92}

Brian Syron died of

Matraville.[1]

Theatre

Syron did not identify as Aboriginal through the 1950s and 1960s. He moved to

King's Cross in Sydney,[1] and began his artistic career in 1960 at the Ensemble Theatre in Kirribilli, Sydney under the guidance of New York-trained American actor/director and esteemed teacher of the Strasberg Method, the late Hayes Gordon.[3]

New York and London

Syron decided to go to the United States because he was unhappy with the English style of acting being taught in Australia.[2] He was forced to deny that he was Aboriginal in order to obtain an Australian passport. This was because Indigenous Australians were not allowed to have passports.[4] Syron left Australia in 1961 to work in Europe as a fashion model with Dior, Cardin and Balenciaga. In 1961, he moved to New York City, living initially on Fifth Avenue with one of Australia's first "supermodels", Pauline Kiernan. He was accepted as a student with the Stella Adler Studio, where he studied with fellow students Robert De Niro, Warren Beatty and Peter Bogdanovich, and became a teacher himself.[1]

Completing his American training, he spent 12 months in Britain studying with

The New Theatre, and also toured through the southern states.[3]

Return to Australia

Syron returned to

The Playhouse, Perth for a short time, before being invited to return to Sydney and direct Fortune and Men's Eyes at his old alma mater the Ensemble. For this he received the inaugural Drama Critics' Award for Best Production and his leading man Max Phipps received Best Actor for his role of "Queenie". [citation needed] He began teaching master classes to in the Stella Adler method to Aboriginal students.[1]

Syron was invited to join Sydney's

Australia Council for the Arts, headed for the first time by an Indigenous person, the artist Wandjuk Marika.[citation needed
]

Australian National Playwrights Conference

The following year, 1973, Syron co-founded the

Australia Council
in September 1993:

The National Playwrights Conference of Australia exists because Brian Syron visited the National Playwrights Conference in

Lloyd G. Richards
, 9.5.1993}

Syron returned to the theatre again in 1976 with his direction of

New Theatre, Newtown, Sydney, and in 1978 he played the role of "The Actor" in a production of Maxim Gorky's The Lower Depths which ran for six weeks at the Sydney Opera House.[8] In this same year, he opened the New Group Theatre at the All Nations Club, Kings Cross, where he directed among other productions A Tribute to Tennessee Williams, before the ongoing costs of keeping an independent theatre going forced Syron to close after 12 months.[citation needed
]

Eora Centre

In conjunction with the Aboriginal Educational Unit of TAFE, Syron founded the

Denver, Colorado,[13] Returning to Australia, Syron directed a season of The Cake Man at the Universal Theatre in Fitzroy, Melbourne after which it was funded by Australian federal government's Ministry of Aboriginal Affairs to play at the 1983 Warana - Commonwealth Arts Festival, Brisbane in Queensland where it was performed at the Edward Street Theatre.[14]

In 1986, Syron, on behalf of the Aboriginal Arts Board, published a "Questionnaire seeking support for establishment of National Aboriginal Theatre Company", ahead of a National Black Playwrights Workshop at James Cook University in Townsville.[15]

National Black Playwrights Conference

In January 1987, Syron founded the National Black Playwrights Conference (NPBC), which was held at the Australian National University, Canberra. In an interview with Angela Bennie, Australia's leading Indigenous actress Justine Saunders commented :

It was Brian Syron, in fact, who was the instigator not only of the first National Black Playwrights Conference but the National Playwrights Conference. Syron always said our culture is an oral one, it comes through our painting, through our singing, through our stories that's how we pass down our laws, that's how we have passed down our history for 60,000 years[16]

Eva Johnson was writer/director of the conference.[17] During the conference, the delegates awarded Syron the 1987 inaugural Harold Blair Award for his Lifetime Achievements in the Performing Arts,[18] which brought with it the additional honour of the title "Elder".[19]

ANTT

As a result of the first NBPC, Syron, as a member of a

Aboriginal National Theatre Trust (ANTT).[1][18][24]

ANTT was constituted as a limited company in May 1988, and was staffed by Aboriginal artists who were committed to the promotion and protection of all Aboriginal arts. It founded a National Aboriginal Theatre, and provided advice to a number of Aboriginal and non-Indigenous production companies, theatre companies and educational institutions, and individuals.[23]

In May 1988 ANTT staged The Keepers, by

Belvoir Street Theatre, which was the first all-Aboriginal production staged in Australia.[23]

The Second National Black Playwrights Conference was held in 1989 at Macquarie University, which gave rise to the Corroboree of Aboriginal National Storytellers.[23]

In March 1990 ANTT staged the world premiere of Munjong, by

Victorian Arts Centre.[23]

In June 1991, after its board of directors in protest against the lack of financial support from government, the ANTT ceased operations.

Last work

Syron carried out a two-week workshop, a stage reading, plus a production in 1991 at the

Heiner Muller and starring Justine Saunders, Michael Watson, David Kennedy, Pamela Young, Ray Kelly and Graham Cooper. The play and the production are also the subject of Mudrooroo Narogin's book The Mudrooroo/Muller Project - A Theatrical Casebook, with a chapter by Syron and edited by Gerhard Fischer in collaboration with leading Indigenous academic Paul Behrendt and Syron.[citation needed] Syron was too ill to do more than direct the stage reading of the play.[1]

Teaching

Following the success of "Fortune", Syron was approached by Sydney drama professionals to set up the Actors Master Class for those interested in studying the Stanislavski/Adler technique and for which Syron had applied to his award-winning production. Following the success of the Master Class, Syron was requested to introduce an Intermediate classes and then a Beginners class, both of limited numbers. The School was kept open on an ad hoc basis over the next 23 years and moved many times between 1969 and 1992.[citation needed]

In 1969 Syron taught the first group of urban Aboriginal actors to every study Stanislavski or acting from an Indigenous perspective. The classes were held at the Foundation of Aboriginal Affairs,

Redfern, about 10 minutes' walk away, to avoid arrest by the police.[citation needed
]

He followed this in the early 1972 with workshops and acting classes held at the Black Theatre Arts & Cultural Centre (aka

Black Theatre), Cope Street, Redfern where his pupils included Jack Davis, Hyllus Maris, Lester Bostock, Maureen Watson and Gerry Bostock.[citation needed
]

In 1973, as a foundation member of the Peter Summerton Foundation, Syron organised with his mentor Stella Adler to travel to Australia and conduct a series of

prison system of New South Wales.[citation needed
]

At the end of 1974 Syron went to Los Angeles to take up a Adler's invitation to work at the Stella Adler Los Angeles Acting Studio on Hollywood Boulevard.[citation needed]

Leading Indigenous academic and

Black Women's Action (BWA) group in 1976 with Syron as a foundation member, joining other Indigenous and non-Indigenous Australians in the support of the educational advancement of Indigenous women in their pursuit of academic success at leading international universities.[28]

Over the period 1986–1987 Syron became the first Indigenous Australian to lecture at the Australian Film, Television and Radio School (AFTRS). In Australia's Bi-Centennial Year, 1988, Syron, as representative of actors and the Aboriginal National Theatre Trust, was invited back to AFTRS as a guest lecturer for the "Writing '88" Course.[citation needed]

Television

Syron was employed as children's dialogue coach on ABC Television's award-winning television production Seven Little Australians (1974), a series adapted from the Ethel Turner novel of the same name. In 1976 Syron was cast as Sweet William in the television adaptation of the Robert Merritt play The Cake Man (1977). Almost immediately after this production Syron was cast as Ray in "Ray's Story" a one-hour episode of Pig in a Poke (1977) a five-part series screened on ABC TV starring Justine Saunders, Athol Compton, Gary Foley and Paul Coe, and described as the first modern urban Aboriginal drama screened on Australian television. Syron then played the leading role of "The Wife Abuser" in director Stephen Wallace's telemovie Women Who Kill (1983) which screened on ATN Channel 9.[citation needed]

In 1987 Syron was executive producer of the documentary-drama film production Karbara: First Born (1987), directed and produced by Richard Guthrie, during and following the 1987 Australian National Playwrights Conference. The film featured Lydia Miller and Ernie Dingo and screened at the Sydney Film Festival in 1987 and on ABC TV.[citation needed]

In 1988 he was appointed head of the ABC's new Aboriginal unit.[1] Syron and Saunders were co-presenters of the ABC TV Aboriginal entertainment series The First Australians (1988–1990). This series of 18 × 1-hour programs featured leading Aboriginal people in the fields of performance, music and art, and presented Indigenous Australian political and commercial leaders in discussions on various topics important to Indigenous Australians.[citation needed]

Film

In 1970 Syron left Australia for the USA where he took up a position as Attachment / Assistant on the feature film What's Up Doc? directed by Peter Bogdanovich. Syron's next film project was the short film Jeremy and Teapot (1976) starring Patrick Thompson as Jeremy and Syron as Teapot with the Narrator Jack Thompson, shot on location at Thompson's property at Upper Bo Bo, via Ulong, northern New South Wales. The film went on to win Best Film, 1982 Women's International Film/Video Festival, Tucson, Arizona, USA.[citation needed]

Syron was employed on director Peter Weir's feature film The Last Wave (1977) as a consultant.[citation needed]

The

Charles Perkins, academic Miriam Rose Ungunmeer-Bauman and artists Jimmy Bienderry and Stumpy Martin Jempijimpa. The script never received production funding and was later used as the basis for the Clare Dunn book People Under the Skin - An Irish Immigrant's Experience of Aboriginal Australia.[citation needed
]

In 1981, Syron played a small role of "The Neighbour" in

Coolangatta Gold (1983).[citation needed
]

Backlash (1986) directed and produced by Bill Bennett featured Lydia Miller with Syron in the role of The Executioner or Kadachi Man. Syron and the lead actors were the co-writers of this production although they were uncredited by Bennett.[citation needed] The script improvisation by the actors is confirmed by Encore

"Bill Bennett's "Backlash", for instance, is a film for which the principals improvised their dialogue...in this his latest effort he tested this technique to its limit" (Encore, 24 April - 7 May 1986 : 6)

Syron and Rosalie Kunoth-Monks were employed as Co-Aboriginal Consultants on the television production Naked Under Capricorn (1989) directed by Rob Stewart, produced by Syron's brother-in-law Ray Alchin and starring Nigel Havers.[citation needed]

From 1990 to 1992 Syron directed the first feature film by an Indigenous Australian, Jindalee Lady (1992), and he is recognised as being the first First Nations director of a feature film. Nearly all cast and crew were also Aboriginal, and one scene featured the Bangarra Dance Theatre.[1] Lowitja O'Donoghue, Chair of the Aboriginal and Torres Strait Islander Commission wrote saying

Mr Syron is held in high esteem by both indigenous and non-indigenous Australians for his work as our first indigenous feature film director..He has made a valuable contribution to indigenous art in this country and has been a strong and articulate advocate in the movement to raise and promote the status of indigenous theatre and film as an integral part of Australia's cultural heritage" (O'Donoghue, letter to Russell Mulvey, Edmonton, Canada, 8.12.1992)

HREOC submission.[citation needed
]

Founder / member

  • Black Theatre Arts & Cultural Centre (1972) - Artistic Director / Foundation Member
  • Bondi Pavilion Theatre (1973) - Co founder / Artistic Director
  • Peter Summerton Foundation (1969) - Foundation member / Organiser "Stella Adler Master Classes" (1973)
  • The Artists' Group Theatre (1973) - Foundation member
  • The Australian National Playwrights Conference (1973) - Co-founder
  • The New Group Theatre(1978) - Founder
  • The Aboriginal Theatre Company (1981) - Co-founder
  • Black Women's Action Group (1985) - Foundation Member / Honorary Secretary
  • The Australian Black Playwrights Conference (1987) - Founder
  • The Aboriginal National Theatre Trust (1987) - co-Founder / co-Director

Recognition

  • 1969 Winner, Inaugural Drama Critics Award - Best Production, Fortune and Men's Eyes
  • 1970 Polish Government Scholarship to study with
    Wroclaw
    ($10,000)
  • 1978 Script development grant, Australian Film Commission, "Cape Hawk - A Work in Progress"
  • 1978 Department of Aboriginal Affairs, Aboriginal Overseas Study Grant
  • 1978
    BBC TV
    Specials Directors' Course for Emerging Nations
  • 1987 Winner, inaugural Harold Blair Award for Lifetime Achievement in the Performing Arts
  • 1987 Awarded the title of "Elder" by BNPC Delegates
  • 1990 Ikkeman Sacred Feather, International First Nations Film and Art Festival, Canada
  • 1992 Best Feature Film and first feature film by a First Nations Director, Dreamspeaker International Film and Arts Festival, Edmonton, Alberta, Canada
  • 1992 Nominee, East West Award - Best Feature Film,
    Hawaii, USA
  • 1993 Co-recipient, Literary Fellowship - Australia Council, for "Kicking Down the Doors: A History of Australian Indigenous Filmmakers: 1968 to 1993"

Selected publications

Papers

  • "The Population Future of Indigenous Peoples", 1983 United Nations Working Group on Indigenous Populations, Representative of the Aboriginal Arts Board of Australia Council, Bucharest Romania
  • "Colonialism, Loss of Land & Our Legal Rights", 1988 Fifth Festival of Pacific Arts, Representative of the Aboriginal National Theatre Trust, Townsville, North Queensland, Australia
  • "Indigenous Feature Filmmaking", 1991 World Festival of Indigenous Motion Pictures, Pincher Creek, Canada
  • "Indigenous Fimmaking in Australia". 1991 AFC Film Funding Policy Conference, Institute of Cultural Policy, Griffith University, Brisbane, Qld. Australia.
  • 1992 Human Rights & Equal Right Commission submission dealing with Australian Film Commission's denial of Equal opportunity in the Australian feature film industry.
  • "The Making of an Indigenous Feature Film", 1992 Hawaii International Film Festival, Honolulu, Hawaii, USA
  • "Aboriginal Films in Focus", The 1993 Writers Festival, Mitchell Library, Sydney, NSW, Australia
  • "History of Indigenous Oppression", 1993 Pacific Islanders in Communication, Honolulu, Hawaii
  • "Aboriginal Theatre in the 90s - Still Working from the Fringe", 1993 National Playwrights Conference, Australian National University, Canberra, ACT, Australia

References

  1. ^ a b c d e f g h i j Fischer, Gerhard (15 November 2018). "Syron, Brian Gregory (1934–1993)". Australian Dictionary of Biography. Retrieved 16 December 2021. This article was published in hardcopy in Australian Dictionary of Biography, Volume 19, (ANU Press), 2021
  2. ^
    AIATSIS.{{cite web}}: CS1 maint: others (link
    )
  3. ^ a b c d e "Jindalee Lady". Ozmovies. Retrieved 25 August 2021.
  4. ^ Eckersley, M. (2012). Australian Indigenous Drama. Tasman Press. Altona.
  5. ^ "Records of the Australian National Playwrights Conference [catalogue entry]". Trove. Retrieved 8 August 2022.
  6. ABC Radio National
    . Retrieved 8 August 2022.
  7. ANU
    . 10 March 2021. Retrieved 8 August 2022.
  8. ^ "Production History" (PDF). New Theatre History. Retrieved 6 December 2023.
  9. ^ Katharine Brisbane, Theatre Critic, Sydney Morning Herald
  10. ISBN 978-1-329-91764-4
    . Retrieved 8 August 2022.
  11. ^ Lewis, Berwyn (27 June 1982). "Return of The Cake Man" (PDF). The National Times. p. 29.
  12. Washington Post
    . 31 August 1982. Retrieved 8 August 2022.
  13. The Weekend Australian
    . Retrieved 8 August 2022 – via Debbie Kruger website.
  14. ^ Eckersley M. (2012). Australian Indigenous Drama. Tasman Press. Altona.
  15. Aboriginal Arts Board (1986), [Questionnaire regarding a proposed National Aboriginal Theatre Company]
    , Australia Council, retrieved 8 August 2022
  16. ^ Bennie, Angela, "A Modern Stage for Stories yet Unheard" Sydney Morning Herald, 6.28.1993:19
  17. ^ "Eva Johnson". AustLit. 4 July 2017. Retrieved 8 August 2022.
  18. ^
    ISBN 978-1-329-91764-4
    . Retrieved 8 August 2022.
  19. ^ Eckersley. M.(ed.) 2009. Drama from the Rim: Asian Pacific Drama Book. Drama Victoria. Melbourne. 2009. (p7-9)
  20. ABC Radio National
    . Retrieved 8 August 2022.
  21. AIATSIS
  22. Australian Screen Online
    . Retrieved 8 August 2022.
  23. ^ a b c d e "Aboriginal National Theatre Trust Limited - records, 1902-1991 [Catalogue record]". State Library of New South Wales. Old Catalogue. Retrieved 8 August 2022.
  24. ^ Reich, Hannah (17 July 2020). "Indigenous theatre leaders on stage representation, storytelling and Australian theatre". ABC News. Australian Broadcasting Corporation. Retrieved 8 August 2022.
  25. ^ "Kabul Oodgeroo Noonuccal, 1953-". Fryer Library Manuscripts. 19 February 2020. Retrieved 8 August 2022.
  26. ^ "Kabul Oodgeroo Noonuccal". AustLit. 23 July 2014. Retrieved 8 August 2022.
  27. ^ Syron, Kicking Down the Doors: 370
  28. ^ "History". Roberta Sykes Indigenous Education Foundation. Archived from the original on 28 September 2022. Retrieved 26 September 2022.

Further reading

External links

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