Brian Wood (comics)
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Brian Wood | |
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Brian Wood (born January 29, 1972) is an American writer, illustrator, and
Wood's work is well known for
Early life
Brian Wood was born January 29, 1972, and grew up in the village of
He moved to New York City in 1991,
After graduating in 1997 from Parsons School of Design with a BFA in illustration, Wood worked a series of design jobs at internet startups, including iVillage, Bigfoot, and Nerve.[23]
Career
Early work
Wood's first professional work in comics was the five-issue
ComicsAlliance has identified Channel Zero as "The Unofficial Bible of Comics Activism,"[26] and noted its "eerie prescience" and "represents an arduous, expressly DIY method of comic book-making that new technology has dramatically changed."[27] Publishers Weekly called it "significant" and "unapologetically experimental," and "Wood is far more interested in trying out a variety of visual techniques than in creating something that is slick and polished. The result is a graphic novel whose form and content could not be more perfectly matched."[28] Bleeding Cool placed Channel Zero within a larger cyberpunk movement.[29]
Following Channel Zero, Wood took a two-year break from comics. In early 2000, comic book writer
AiT/Planet Lar and original graphic novels
Wood was employed as a staff designer for Rockstar Games, designing for video game franchises such as Grand Theft Auto, Midnight Club, Max Payne, Smuggler's Run and Manhunt.[31] He nonetheless produced a series of original graphic novels, coinciding with a trend within independent comic publishers that favored that format. The first was Couscous Express with artist Brett Weldele, an action romp about food delivery people.[32] This was followed by a trilogy of bike messenger books, The Couriers, The Couriers: Dirtbike Manifesto, and The Couriers: Ballad of Johnny Funwrecker, all drawn by Rob G.[33] Several characters are shared between Couscous Express and The Couriers, and in 2012 all four books were collected together and published by Image Comics.[34] Wood created and wrote the limited series' Pounded for Oni Press and Fight for Tomorrow for DC Comics's imprint Vertigo. He also produced Public Domain and Channel Zero: Jennie One during this time, the first of what will come to be several collaborations with artist Becky Cloonan.[citation needed]
Larry Young's AiT/Planet Lar heavily promoted Wood during this time, including designating the month of January as "Brian Wood Month" to exclusively offer his titles only.[35] Wood also served as AIT's branding designer and overall creative director for a short period of time, and designed covers for Warren Ellis' Come In Alone, Badlands, and Black Heart Billy. In January 2007, Intrepid Pictures optioned the feature film rights to Wood and Rob G.'s graphic novel The Couriers with Javier Grillo-Marxuach set to pen the screenplay.[36]
Demo, Local ,and the single issue format
In 2003, Wood partnered with artist
Wood and Cloonan moved Demo from AiT/Planet Lar to Vertigo Comics in 2008,[39] announcing a "Volume 2" of the series, upping the total number of short stories to 18.[40] In 2015, Wood and Cloonan took the publishing rights to Dark Horse Comics, producing the single volume The Complete Demo.[41]
The Demo format proved successful so Wood went on to replicate it, with some changes, for his 12-issue series Local at Oni Press, which launched in 2005 and was drawn by artist Ryan Kelly.[42] NPR named it one of its Best Graphic Novels of the year and called it a "contemporary ballad to the idea of the open road... Megan moves from state to state, dealing with roommates and dead-end jobs and looking for an existence that befits her intelligence and desire for authenticity. She's not a lost cause; she simply chooses, for personal reasons, to drift a while."
DMZ, Northlanders, and DC Comics exclusivity
Demo was the book with which Wood and Becky Cloonan first gained Vertigo's attention.
DMZ launched as a monthly series on August 9, 2005. It ran for seventy-two issues, one of the longest runs in Vertigo history,[47] and was collected in twelve trade paperbacks. A Deluxe Edition of five hardcovers were published in 2014, followed by softcover editions of same in 2016. A two volume compendium set was published in 2020.[48]
In August 2006, DC Comics announced that Wood was signed to an exclusive contract.[49] This was announced at the same time as Wood's second monthly title for Vertigo, the historical series Northlanders.[50] Described as an anthology series that takes a realistic, "street level" looking at Vikings, the series ran for 50 issues before being cancelled due to low sales.[51] It was collected into seven trade paperbacks, and then re-cut into three volumes that presents the stories in a different sequence than originally published.
In 2006, editor Shelly Bond announced Minx, a young adult graphic novel imprint aimed at the teenage girl market.[52] Wood and artist Ryan Kelly produced The New York Four for the imprint.[53] Years later, they would return for The New York Five, published under the Vertigo label. The sequel was nominated for an Eisner award in 2012 for Best New Limited Series.[54] In 2014, Wood and Kelly took the books to Dark Horse Comics and produced the collected edition The New York Four, containing the complete story.[55]
In 2008, Wood was nominated for Best Writer at that year's Eisner Awards, for DMZ, Northlanders, and Local.[56]
During the term of his exclusivity to DC Comics, Wood also wrote DV8 Gods And Monsters for the
In 2021, Wood reported that DC Entertainment had renewed the Northlanders publishing agreement.[61]
Outside of the exclusivity, Wood wrote the miniseries Supermarket and the graphic novel The Tourist during this time, for publishers IDW and Image Comics respectively.[62][63]
Return to Marvel and the "all-female" X-Men
In late 2011, Bleeding Cool reported that during Fan Expo Canada, Marvel teased a Brian Wood return in 2012, alongside an image of Wolverine's claw marks.[64] CBR later revealed the project as Wolverine & the X-Men: Alpha and Omega, a four issue series with Mark Brooks on art.[65] Wood then took over on the main, "adjective-less" X-Men title starting with #30[66] and wrapping up with #37.[67]
Wood returned in 2013 with the #1 selling relaunch of X-Men with an all-female "A-list" roster: Jubilee, Storm, Rogue, Kitty Pryde, Rachel Grey and Psylocke.
Brian Wood and
Concurrent with the X-Men, Wood also took over monthly writing duties on Ultimate Comics: The X-Men with issue #13.[78] He continued until issue #33.[79] He and artist Paco Medina created the mutant Nomi Blume aka Mach Two.[80] His final work for Marvel during this time was to take over writing the Moon Knight reboot Warren Ellis began. He scripted issues #7-12.[81]
Image Comics and Dark Horse
Wood returned to Image with three miniseries:
The bulk of Wood's post-DC Comics creator-owned work happened at Dark Horse Comics. After exiting his exclusive contract, Wood signed on to write the publisher's long-running Conan the Barbarian title, adapting the well-loved "Queen of the Black Coast" short story with Becky Cloonan on art. The series ran for 25 issues. Wood also launched The Massive, a creator-owned series with artist Garry Brown, depicting a group of environmentalists grappling with an unexplained failing of the earth's ecosystems.[83] After the series conclusion at issue #30,[84] Wood and Brown created the six-issue prequel Ninth Wave. In the environmental novel Apocalyptic Ecology in the Graphic Novel by Clint Jones, he states, "[The Massive] comes closest to representing the complexity of real destruction in the case of a global catastrophe."[85]
In 2013 Wood was approached by Dark Horse to head up a brand new Star Wars monthly title, one that uses the original cast of the 1977 film, a first for the publisher. Star Wars #1 debuted to positive reviews, selling out of its initial print run in 24 hours.[86] Wood wrote the series up until issue #20, when Dark Horse lost the license to Marvel Comics.[87] Wood's run is known for making Princess Leia an X-wing pilot, generating a lot of commentary, positive and negative.[88][89][90][91]
Italian artist Andrea Mutti joined Wood in creating Rebels, a historical comic series set during the
Wood's final creator-owned project during this time was Briggs Land, a generational crime drama set in an American secessionist community, "the Sopranos as secessionists," Wood said.
That same year, Wood co-wrote the video game 1979 Revolution: Black Friday, with Navid Khonsari.[99]
Aliens: Defiance, Zula Hendricks, and Amanda Ripley
Wood has written a number of series for the
Zula Hendricks, created by Wood and artist Tristan Jones, is canon, featured in the 2019 novelization of the video game Alien: Isolation[105] and the novel Alien: Prototype.[101]
In September 2018, Dark Horse announced Aliens: Resistance,
A fourth Alien series, Colonial Marines: Rising Threat, was cancelled prior to publication.
Sword Daughter and DMZ at HBOMax
In June 2018, Wood and his Briggs Land collaborator Mack Chater launched a new monthly series, Sword Daughter.[112] Described as a Norse - Samurai Cinema revenge mash-up,[113] the team enlisted José Villarrubia as colorist. Dark Horse described the series as "a raw and violent story that is a testament to the power of redemption and the resiliency of family, and a visually stunning tribute to samurai cinema." There would be a total of nine issues of the series, published in three hardcovers, titled She Brightly Burns, Folded Metal, and Elsbeth Of The Island.[114]
Wood also wrote and co-wrote several licensed comics during the late 2010s, EVE Online: Valkyrie, Terminator: Sector War, Mono, John Carter: The End, Planet of The Apes: Memorial, a short story for Megadeth: Death By Design, and RoboCop: Citizens' Arrest.
In 2014
Unrealized projects
In 2001, Wood and artist
A catalog entry for Dogs Day End appeared in 2008 from the publisher Top Shelf.[123] Created by Wood with art by Nikki Cook, it never appeared. The catalog described it thusly: "Following up on the time-honored adage "you can't go home again", Dogs Day End details the personal journey of 30-year-old Andrew Maguire, pulled back to the small upstate hometown of his childhood by his mother as she enters the final stages of cancer." Chris Arrant of CBR asked Wood about it in 2010, and he explained, "A bunch of shit went wrong, ranging from schedule problems to my own writing problems, and after a few years I shelved it for a bit, reworked the story, found a new artist, and tried again. And it was at that point I realized that really the only problem was with me, and my inability to write that goddamn story. I think time's just passed it by, to be honest. I love the idea of it, but I just cannot make it work."[124]
In 2012, Bleeding Cool and MTV reported a list of comic book projects Wood described as never making it off the ground.[125][126] There were several DC Comics properties on the list - Green Arrow, Supergirl, Superman Beyond, Rima The Jungle Girl, "Gotham: Neighborhood Rebellion aka Catwoman Year 100", and what he termed "The Re-Imagined Wildstorm Universe." Three creator-owned titles are mentioned: QC, Anthem, and Starve. Starve was published by Image Comics in 2015.[127] That same year, Wood was named as the new writer of Todd McFarlane's "resurrected" Spawn for the #251 relaunch.[128] Shortly after appearing with MacFarlane at New York Comic Con,[129] Wood announced he was no longer employed on the book, issuing this statement: "For the sake of readers and retailers who read the current Image solicits (March 2015), I just want to sent out a little PSA and say that I am not the writer of Spawn #251. I'm actually not the writer of the Spawn title after all. I delivered, to spec, the script for February's Spawn Resurrection #1 special but raised objections to the considerable extent to which my script and the larger plot was being rewritten during production. I was then removed from the job. I'm not trying to complain or spark drama, but I do think that the audience and the retailers laying down money for the book should be aware when there is a creative team change, especially this close to the book's release. I'm sorry to anyone who was looking forward to my work on Spawn – its a bummer for me too."[130] Paul Jenkins replaced Wood.[131]
Awards and nominations
Nominations
- 2004 Eisner Award for Talent Deserving of Wider Recognition[132]
- 2004 Eisner Award for Best Cover Artist (for Global Frequency)[132]
- 2005 Eisner Award for Best Limited Series and Best Single Issue (for Demo #7)[133]
- 2009 Harvey Award for Excellence In Presentation (for Local)[134]
- 2017 Eisner Award for Best Limited Series (for Briggs Land)[135]
- 2017 Games for Change Awards: Best Learning Game Finalist (for 1979 Revolution: Black Friday)[136]
Wins
- 2007 Lucca Comics & Games Grand Jury Best Short Story (Demo's "Emmy")[137]
- 2007 American Library Association's YALSA Great Graphic Novels for Teens (for Demo)[138]
- 2008 Eisner Award for Best Writer (for DMZ, Northlanders, Local)[139]
- 2015 American Library Association's YALSA Great Graphic Novels for Teens (for The Massive)[140]
- 2015 Sundance Film Festival Official Selection (for 1979 Revolution: Black Friday)[136]
- 2015 American Library Association's YALSA Great Graphic Novels for Teens (for Mara)[141]
- 2016 IndieCade Award for Grand Jury Prize Winner (for 1979 Revolution: Black Friday)[136]
- 2016 Bit Award for Best PC Game Winner (for 1979 Revolution: Black Friday)[136]
- 2016 Serious Play Award for Best Game Winner (for 1979 Revolution: Black Friday)[136]
- 2018 Facebook Game of the Year (for 1979 Revolution: Black Friday)[142]
Accusations of sexual misconduct
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On November 13, 2013, cartoonist Tess Fowler publicly accused Wood of sexual harassment in offering her his hotel room number at a bar encounter during San Diego Comic-Con in 2003.[143] Later that same month, Wood responded to Fowler with an apology, stating in part, "when she declined, that was the conclusion of the matter for me. There was never an exertion of power, no threats, and no revenge... I think the larger issues of abuse in the comics industry are genuine and I share everyone's concerns. I don't want our difference of accounts to take attention away from that industry-wide discussion that needs to happen." Fowler responded in part, "I've forgiven Brian years ago for the following story... I've moved on from what he did. I never asked for a boycott, or blacklisting, as I am being accused. I actually spoke very openly about the opposite. Brian Wood has every right to be a part of comics. To make books and make a living unhindered. I believe that. I also believe his behavior is a symptom of a much bigger disease."[144]
On November 20, Fowler posted a series of tweets detailing a separate, private apology Wood sent her, writing:
"Since Brian discussed it on Twitter I guess it's ok for me to mention it: After reaching out to him I did get a very specific apology.[145] He said it was 'not for publication', and so I didn't because I wanted him to feel safe enuf to go further. I feel it's necessary to openly acknowledge this, for the sake of all the women talking about their own experiences right now. To me, what he accepted ownership of felt genuine."[146][147][148]
On November 25, former DC Comics employee Anne Scherbina stated that, following a rejected pass sometime in 2002, Wood had relayed a rumor to journalist Rich Johnston about her having used a storeroom at DC for sex. Johnston subsequently published the rumor in his Lying in the Gutters column at Comic Book Resources. While Scherbina admitted that Wood had not named her specifically, she also admitted to having invited Wood into the storeroom in question for sex, categorizing that as "a joke."[149] She believes the rumor and that its publication damaged her reputation at DC, saying, "No one talked about it online, or called me a slut or even said anything to me directly. But the suspicion was there. The subject had been raised in the office and now it was in people's minds. My job didn't change, but I was not given any new responsibilities." She posted her emails with Wood, where he said he had no idea he had gotten her in trouble at work. He apologized. Scherbina appeared not to accept it.[150] Rich Johnston later expressed regret for publishing the rumor, offering a private apology.[151]
In August 2019, Laura Hudson accused Wood of "grabbing" her and "forcing" her into a kiss at a bar in 2007.
On June 19, 2020, Fowler posted screenshots of another exchange with Wood on Twitter, writing:[156]
"Brian Wood e-mailed me. It did not end well. I do not take it as a genuine apology. But others might feel differently. And the fact is, technically, this IS an apology (below) which I accepted before it went bad. Take it as you will. I just don't want my situation used to detract from someone else possibly having a healing exchange with a man who wronged them. Was it a genuine apology? That's up to you. I don't feel it was. But YMMV. FYI: The only person who regularly invoked his daughter into public discourse about his behavior was him. I feel I was more than fair in my responses. Judge for yourself but please don't use my name to detract from the accounts and voices of others."[156]
Bibliography
Early work
- Junkfoodcity Comics #1–3 (anthology self-published by Wood and Gavin Spielman, 1995–1996)
- Each issue featured short stories written and drawn by Wood: "Beer Run" (#1), "The Evictor" and "Let's Lynch the Landlord" (#2), "Hyperkarma" (#3)
- The Daedalus Foundation (as artist, written by Dominic Lopez, one-shot, Big Wednesday Comics, 1995)
- ISBN 1-5958-2936-9) includes:
- Hectic (script and art, self-published mini-comic, 1996)
- Clean (script and art, self-published mini-comic, 1997)
- Pure #1–2: "Channel Zero 1.0" (script and art, anthology, Oxygen Studios, 1997)
- Tales of Midnight: "Response" (script and art, anthology one-shot, Blue Silver, 1998)
- No Justice/No Piece #2: "Cold Transfer" (as artist, written by Michelle Lo, anthology, Head Press, 1998)
- Astronauts in Trouble: Live from the Moon #1: "Stone, Cold" (as artist, written by Larry Young, co-feature, Gun Dog Comics, 1999)
- Just 1 Page: Heroes: "Buddy Bradley" (script and art, one-page strip in the anthology one-shot, Comic Festival, 2001)
Image Comics
- ISBN 1-5958-2936-9) includes:
- Channel Zero #1–5 (script and art, 1998) also collected as Channel Zero (tpb, 120 pages, 1998, ISBN 1-5824-0082-2)
- Channel Zero: Dupe (script and art, one-shot containing the 14-page Channel Zero story previously self-published by Wood, a new 3-page comic story and a 6-page prose story, 1999)
- ISBN 1-6070-6996-2)
- Channel Zero #1–5 (script and art, 1998) also collected as Channel Zero (tpb, 120 pages, 1998,
- ISBN 1-58240-597-2)
- ISBN 1-6070-6810-9)
- Liberty Annual(anthology):
- Liberty Annual '14: "Girl Band: In Space" (co-written by Wood and his daughter Audrey, art by Terry Dodson, 2014)
- Liberty Annual '15: "Coming Next Year" (one-page illustration, 2015)
- Starve (with Danijel Žeželj, 2015–2016) collected as:
- Volume 1 (collects #1–5, tpb, 120 pages, 2016, ISBN 1-6321-5546-X)
- Volume 2 (collects #6–10, tpb, 120 pages, 2016, ISBN 1-6321-5832-9)
- Volume 1 (collects #1–5, tpb, 120 pages, 2016,
- ISBN 1-5343-0670-6)
AiT/Planet Lar
- ISBN 1-5958-2936-9) includes:
- Public Domain: A Channel Zero Designbook (collection of sketches and other miscellaneous material, 152 pages, 2002, ISBN 0-9709-3605-2)
- Channel Zero: Jennie One (with ISBN 1-9320-5107-4)
- Public Domain: A Channel Zero Designbook (collection of sketches and other miscellaneous material, 152 pages, 2002,
- ISBN 1-6070-6641-6) collects:
- Couscous Express (with ISBN 0-9709360-2-8)
- The Couriers (with Rob G., series of graphic novels):
- The Couriers (sc, 88 pages, 2003, ISBN 1-932051-06-6)
- The Couriers: Dirtbike Manifesto (sc, 88 pages, 2004, ISBN 1-932051-18-X)
- The Couriers: The Ballad of Johnny Funwrecker (sc, 88 pages, 2005, ISBN 1-932051-31-7)
- The Couriers (sc, 88 pages, 2003,
- Couscous Express (with
- Demo (with Becky Cloonan):
- Demo #1–12 (2003–2004) collected as Demo: The Collected Edition (tpb, 328 pages, 2005, ISBN 1-932051-42-2)
- In 2010, Wood and Cloonan produced a 6-issue sequel limited series, published by DC Comics' Vertigo imprint.
- Both series were later collected by ISBN 1-6165-5682-X)
- Demo: The Twelve Original Scripts (sc, 144 pages, 2005, ISBN 1-932-05130-9)
- Demo #1–12 (2003–2004) collected as Demo: The Collected Edition (tpb, 328 pages, 2005,
Marvel Comics
- Generation X (with Steve Pugh, Ron Lim (#68, 73, 75) and Alan Evans (#69); issue #63 is co-written by Wood and Warren Ellis, issues #64–70 are scripted by Wood from Ellis' plots, 2000–2001) collected as:
- Counter-X Volume 2 (collects #63–70, tpb, 192 pages, 2008, ISBN 0-7851-3305-4)
- Counter-X: Generation X — Four Days (collects #71–75, tpb, 160 pages, 2013, ISBN 0-785-16730-7)
- Counter-X Volume 2 (collects #63–70, tpb, 192 pages, 2008,
- ISBN 0-7851-6401-4)
- X-Men (with David López, Roland Boschi (vol. 3 #34–35), Olivier Coipel (vol. 4 #1–3), Terry Dodson (vol. 4 #7–9), Kris Anka (vol. 4 #10–12), Clay Mann (vol. 4 #10–14), Philippe Briones (vol. 4 #13–15, 17) and Matteo Buffagni (vol. 4 #15–16), 2012–2014) collected as:
- Blank Generation (collects vol. 3 #30–35, tpb, 120 pages, 2013, ISBN 0-7851-6459-6)
- Reckless Abandonment (includes vol. 3 #36–37, tpb, 136 pages, 2013, ISBN 0-7851-6461-8)
- Primer (collects vol. 4 #1–4, tpb, 120 pages, 2013, ISBN 0-7851-6800-1)
- ISBN 0-7851-8907-6)
- Also collects an epilogue from X-Men: Battle of the Atom #2 (of 2) (written by Wood, art by Kris Anka, 2013)
- Muertas (collects vol. 4 #7–12, tpb, 136 pages, 2014, ISBN 0-7851-6801-X)
- Bloodline (collects vol. 4 #13–17, tpb, 120 pages, 2014, ISBN 0-7851-8972-6)
- Blank Generation (collects vol. 3 #30–35, tpb, 120 pages, 2013,
- Mahmud Asrar (#24–28) and Álvaro Martínez (#29–33); issues #21–22 are co-written by Wood and Nathan Edmondson, 2012–2013) collected as:
- Ultimate Comics: Divided We Fall, United We Stand (includes #13–18, hc, 408 pages, 2013, ISBN 0-785-18416-3)
- Ultimate Comics: X-Men by Brian Wood Volume 1 (collects #18.1, 19–23, tpb, 136 pages, 2013, ISBN 0-7851-6136-8)
- Ultimate Comics: X-Men by Brian Wood Volume 2 (collects #24–28, tpb, 112 pages, 2013, ISBN 0-7851-6720-X)
- Ultimate Comics: X-Men by Brian Wood Volume 3 (collects #29–33, tpb, 112 pages, 2014, ISBN 0-7851-6721-8)
- Ultimate Comics: Divided We Fall, United We Stand (includes #13–18, hc, 408 pages, 2013,
- ISBN 0-7851-5409-4)
DC Comics
- Vertigo:
- Transmetropolitan: I Hate It Here (one-page illustration, text by Warren Ellis, one-shot, 2000)
- Collected in Transmetropolitan: Tales of Human Waste (tpb, 112 pages, 2004, ISBN 1-4012-0244-6)
- Collected in ISBN 1-4012-5430-6)
- Collected in Transmetropolitan: Tales of Human Waste (tpb, 112 pages, 2004,
- ISBN 1-4012-1562-9)
- DMZ (with Riccardo Burchielli, Kristian Donaldson (#11, 20, 35–36), Nathan Fox (#18–19, 27, 56), Viktor Kalvachev (#19), Danijel Žeželj (#25 and 58), Nikki Cook (#41), Ryan Kelly (#42–44, 50), Rebekah Isaacs + Jim Lee + Fábio Moon + Lee Bermejo + Philip Bond + John Paul Leon + Eduardo Risso + Dave Gibbons (#50), Andrea Mutti (#55), Cliff Chiang (#57), David Lapham (#59) and Shawn Martinbrough (#60–61), 2006–2012) collected as:
- Book One (collects #1–12, hc, 304 pages, 2014, ISBN 1-4012-6135-3)
- Book Two (collects #13–28, hc, 416 pages, 2014, ISBN 1-4012-6357-7)
- Book Three (collects #29–44, hc, 392 pages, 2015, ISBN 1-4012-6548-0)
- Book Four (collects #45–59, hc, 384 pages, 2015, ISBN 1-4012-7463-3)
- Book Five (collects #60–72, hc, 296 pages, 2015, ISBN 1-4012-8583-X)
- Compendium One (collects #1–36, tpb, 804 pages, ISBN 1-7795-0435-7)
- Compendium Two (collects #37–72, tpb, 824 pages, DC Black Label, 2021, ISBN 1-779-51482-4)
- Book One (collects #1–12, hc, 304 pages, 2014,
- Northlanders (with Davide Gianfelice, Dean Ormston (#9–10), Ryan Kelly (#11–16), Vasilis Lolos (#17), Danijel Žeželj (#18–19, 48–50), Leandro Fernández (#21–28), Fiona Staples (#29), Riccardo Burchielli (#30–34), Becky Cloonan (#35–36), Simon Gane (#37–39), Matt Woodson (#40), Marian Churchland (#41), Paul Azaceta (#42–44) and Declan Shalvey (#45–47), 2008–2012) collected as:
- The Anglo-Saxon Saga (collects #1–16, 18–19 and 41, tpb, 464 pages, 2016, ISBN 1-40126-3313)
- The Icelandic Saga (collects #20, 29, 35–36 and 42–50, tpb, 296 pages, 2016, ISBN 1-4012-6508-1)
- The European Saga (collects #17, 21–28, 30–34 and 37–40, tpb, 424 pages, 2017, ISBN 1-4012-7379-3)
- The Anglo-Saxon Saga (collects #1–16, 18–19 and 41, tpb, 464 pages, 2016,
- ISBN 1-4012-2995-6)
- Sequel to the 12-issue limited series of the same name published by AiT/Planet Lar between 2003 and 2004.
- Both series were later collected by ISBN 1-6165-5682-X)
- ISBN 1-4012-4394-0)
- Transmetropolitan: I Hate It Here (one-page illustration, text by Warren Ellis, one-shot, 2000)
- ISBN 1-6165-5605-6) collects:
- The New York Four (with Ryan Kelly, graphic novel, 176 pages, ISBN 1-4012-1154-2)
- The New York Five #1–4 (with Ryan Kelly, Vertigo, 2010–2011) also collected as The New York Five (tpb, 144 pages, 2011, ISBN 1-4012-3291-4)
- The New York Four (with Ryan Kelly, graphic novel, 176 pages,
- ISBN 1-4012-2973-5)
- The Lord of the Rings: War in the North (with Simon Coleby, 16-page digital comic available to those who pre-ordered the eponymous video game via Toys "R" Us, 2011)
- ISBN 1-4012-3506-9)
Dark Horse Comics
- Conan the Barbarian vol. 3 (with Becky Cloonan (#1–3, 7), James Harren (#4–6), Vasilis Lolos (#8–9), Declan Shalvey (#10–12), Mirko Colak (#13–15), Davide Gianfelice (#16–18), Paul Azaceta (#19–21), Riccardo Burchielli (#22–24) and Leandro Fernández (#25), 2012–2014) collected as:
- Conan: Queen of the Black Coast (collects #1–6, hc, 152 pages, 2013, ISBN 1-6165-5043-0)
- Conan: The Death (collects #7–12, hc, 152 pages, 2013, ISBN 1-6165-5123-2)
- Conan: Nightmare of the Shallows (collects #13–18, hc, 152 pages, 2014, ISBN 1-6165-5385-5)
- Conan: The Song of Bêlit (collects #19–25, hc, 176 pages, 2014, ISBN 1-6165-5524-6)
- Conan Chronicles: Horrors Beneath the Stones (includes #1–6, tpb, 432 pages, ISBN 1-3029-2327-7)
- Conan Chronicles: The Song of Bêlit (collects #7–25, tpb, 448 pages, Marvel, 2021, ISBN 1-3029-2328-5)
- Conan: Queen of the Black Coast (collects #1–6, hc, 152 pages, 2013,
- The Massive:
- The Massive (with Kristian Donaldson (#1–3), Garry Brown, Gary Erskine (#10), Declan Shalvey (#11) and Danijel Žeželj (#12, 22–24), 2012–2014) collected as:
- Volume 1 (collects #1–15, Library Edition, hc, 392 pages, 2016, ISBN 1-5067-1332-7)
- Includes the prelude short stories (art by Kristian Donaldson) from Dark Horse Presents vol. 2 #8–10 (anthology, 2012)
- Volume 2 (collects #16–30, Library Edition, hc, 392 pages, 2016, ISBN 1-5067-1333-5)
- Volume 1 (collects #1–15, Library Edition, hc, 392 pages, 2016,
- The Massive: Ninth Wave #1–6 (with Garry Brown, 2015–2016) collected as The Massive: Ninth Wave (hc, 152 pages, 2016, ISBN 1-5067-0009-8)
- The Massive (with Kristian Donaldson (#1–3), Garry Brown, Gary Erskine (#10), Declan Shalvey (#11) and Danijel Žeželj (#12, 22–24), 2012–2014) collected as:
- Star Wars vol. 3 (with Carlos D'Anda, Ryan Kelly (#7–9), Facundo Percio (#13–14) and Stéphane Créty (#15–18), 2013–2014) collected as:
- In the Shadow of Yavin (collects #1–6, tpb, 152 pages, 2013, ISBN 1-6165-5170-4)
- Includes "The Assassination of Darth Vader" short story (art by Ryan Odagawa) from the Free Comic Book Day: Avatar the Last Airbender/Star Wars one-shot (2013)
- From the Ruins of Alderaan (collects #7–12, tpb, 144 pages, 2014, ISBN 1-6165-5311-1)
- Rebel Girl (collects #15–18, tpb, 96 pages, 2014, ISBN 1-6165-5483-5)
- A Shattered Hope (collects #13–14 and 19–20, tpb, 112 pages, 2014, ISBN 1-6165-5483-5)
- Star Wars Legends: The Rebellion Volume 1 (includes #1–12, tpb, 504 pages, Marvel, 2016, ISBN 0-7851-9546-7)
- Star Wars Legends: The Rebellion Volume 2 (includes #13–20, tpb, 488 pages, Marvel, 2017, ISBN 1-3029-0696-8)
- In the Shadow of Yavin (collects #1–6, tpb, 152 pages, 2013,
- Rebels:
- Rebels #1–10 (with Andrea Mutti, Matt Woodson (#7), ISBN 1-6165-5908-X)
- Rebels: These Free and Independent States #1–8 (with Andrea Mutti, ISBN 1-5067-0203-1)
- Rebels #1–10 (with Andrea Mutti, Matt Woodson (#7),
- ISBN 1-6165-5767-2)
- Aliens:
- Aliens: Defiance (with Tristan Jones, Riccardo Burchielli (#3), Tony Brescini (#4, 8–9), Stephen Thompson (#7 and 10) and Eduardo Francisco (#11–12), 2016–2017) collected as:
- Volume 1 (collects #1–6 and the Free Comic Book Day 2016: Serenity special, tpb, 160 pages, 2017, ISBN 1-5067-0126-4)
- Volume 2 (collects #7–12, tpb, 160 pages, 2017, ISBN 1-5067-0168-X)
- Library Edition (collects #1–12 and the Free Comic Book Day 2016: Serenity special, hc, 320 pages, 2019, ISBN 1-5067-1458-7)
- Volume 1 (collects #1–6 and the Free Comic Book Day 2016: Serenity special, tpb, 160 pages, 2017,
- ISBN 1-5067-1126-X)
- ISBN 1-5067-1127-8)
- Aliens: Colonial Marines — Rising Threat (with Werther Dell'Edera, 8-issue limited series — initially announced for 2019)[157]
- Aliens: Defiance (with Tristan Jones, Riccardo Burchielli (#3), Tony Brescini (#4, 8–9), Stephen Thompson (#7 and 10) and Eduardo Francisco (#11–12), 2016–2017) collected as:
- Briggs Land:
- Briggs Land #1–6 (with ISBN 1-5067-0059-4)
- Briggs Land: Lone Wolves (tpb, 160 pages, 2017, ISBN 1-5067-0168-X) collects:
- Briggs Land: Lone Wolves #1–6 (with Mack Chater, Vanesa del Rey (#4) and Werther Dell'Edera (#5–6), 2017)
- Free Comic Book Day: Avatar: "The Village" (with Werther Dell'Edera, co-feature in one-shot, 2017)
- Briggs Land #1–6 (with
- Sword Daughter (with Mack Chater, 2018–2020) collected as:
- She Brightly Burns (collects #1–3, hc, 96 pages, 2018, ISBN 1-5067-0782-3)
- Folded Metal (collects #4–6, hc, 96 pages, 2019, ISBN 1-5067-0783-1)
- Elsbeth of the Island (collects #7–9, hc, 96 pages, 2020, ISBN 1-5067-0784-X)
- She Brightly Burns (collects #1–3, hc, 96 pages, 2018,
- ISBN 1-5067-0681-9)
Other publishers
- Oni Press:
- ISBN 1-929998-37-6)
- ISBN 1-934964-00-X)
- Harris):
- ISBN 0-910-69290-4)
- Vampirella Comics Magazine #8: "Kickstart My Heart" (with Dean Haspiel, anthology, 2004)
- ISBN 0-9721794-8-8)
- ISBN 1-60010-009-0)
- ISBN 0-9719012-7-9)
- ISBN 1-8918-3059-7)
- An excerpt from this story was published in Top Shelf 2008 Seasonal Sampler (anthology graphic novel, 256 pages, 2008, ISBN 1-6030-9032-0)
- An excerpt from this story was published in Top Shelf 2008 Seasonal Sampler (anthology graphic novel, 256 pages, 2008,
- digital/motion comics):
- Mono: Pacific #1–2 (with Sergio Sandoval, 2014)
- The story was first published in print as Mono: Pacific #1–2 (Titan, 2015)
- Collected in Mono (hc, 192 pages, Titan, 2015, ISBN 1-7827-6285-X)
- Planet of the Apes: Memorial (with Daniel Sampere, 5-page mini-comic, 2016)
- Mono: Pacific #1–2 (with Sergio Sandoval, 2014)
- ISBN 1-5067-0499-9)
- ISBN 1-5241-0438-8)
- Robotech vol. 3 (with Marco Turini; issues #5–8 are scripted by Simon Furman from Wood's plots, Titan, 2017–2008) collected as:
- Volume 1 (collects #1–4, tpb, 112 pages, 2017, ISBN 1-7858-5913-7)
- Volume 2 (collects #5–8, tpb, 112 pages, 2018, ISBN 1-7858-5914-5)
- Volume 1 (collects #1–4, tpb, 112 pages, 2017,
- ISBN 1-6841-5270-4)
- ISBN 1-94778-412-9)
Cover illustrations
- AiT/PlanetLar, 2001)
- Overtime gn (Cyberosia Publishing, 2002)
- Vince Giarrano, AiT/PlanetLar):
- Badlands tpb (2002)
- Badlands: The Unproduced Screenplay sc (2002)
- Black Heart Billy tpb (AiT/PlanetLar, 2002)
- Nobody tpb (AiT/PlanetLar, 2002)
- Wildstorm):
- Global Frequency #1–12 (2002–2004)
- Global Frequency: Planet Ablaze tpb (2004)
- Global Frequency: Detonation Radio tpb (2004)
- Human Target vol. 3 #4 (DC Comics, 2010)
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External links
- Official website
- Brian Wood at the Grand Comics Database
- Brian Wood at the Comic Book DB (archived from the original)
- Q&A Interview with Brian Wood at Scripts and Scribes