Brian Wood (comics)

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Brian Wood
Northlanders

Brian Wood (born January 29, 1972) is an American writer, illustrator, and

HBO Max's DMZ adaptation of his own work.[1]

Wood's work is well known for

Jubilee's adopted son, to the X-Men/Marvel Universe,[11] and created Nomi Blume for the Ultimate Marvel universe.[12]

Early life

Brian Wood was born January 29, 1972, and grew up in the village of

stutterer,[17][18] has spoken publicly about seeking therapy to deal with childhood trauma[19] and the loss of his mother to cancer.[20]

He moved to New York City in 1991,

bike messenger, which instilled in him a love and a knowledge for New York City that would inform many of his future projects.[22]

After graduating in 1997 from Parsons School of Design with a BFA in illustration, Wood worked a series of design jobs at internet startups, including iVillage, Bigfoot, and Nerve.[23]

Career

Channel Zero #1 by Brian Wood, 1998

Early work

Wood's first professional work in comics was the five-issue

dystopian near-future New York City where the tenets of then-Mayor Rudy Giuliani have grown into a freedom-restricting government initiative called "The Clean Act". The protagonist is Jennie 2.5, a DIY media personality who sets out to stir the complacent population into revolution. Channel Zero was orphaned shortly after Image Comics sold out of the first print run of the collected edition, opting not to return to press, and AiT/Planet Lar acquired it soon afterwards. In 2012 Wood regained the publishing rights and Dark Horse Comics took up the publishing, releasing a "Complete Collection" that included the original graphic novel, the prequel series Channel Zero: Jennie One with Becky Cloonan, his Public Domain design book material, and numerous other extras from the early development of the property.[24][25]

ComicsAlliance has identified Channel Zero as "The Unofficial Bible of Comics Activism,"[26] and noted its "eerie prescience" and "represents an arduous, expressly DIY method of comic book-making that new technology has dramatically changed."[27] Publishers Weekly called it "significant" and "unapologetically experimental," and "Wood is far more interested in trying out a variety of visual techniques than in creating something that is slick and polished. The result is a graphic novel whose form and content could not be more perfectly matched."[28] Bleeding Cool placed Channel Zero within a larger cyberpunk movement.[29]

Following Channel Zero, Wood took a two-year break from comics. In early 2000, comic book writer

Counter-X run. Wood co-wrote issues #63–70 with Ellis and 71–75 on his own, before the series was canceled as part of incoming Editor-in-Chief Joe Quesada's attempts to simplify the X-Men franchise. Wood would not work again with Marvel until 2012.[30]

AiT/Planet Lar and original graphic novels

Wood was employed as a staff designer for Rockstar Games, designing for video game franchises such as Grand Theft Auto, Midnight Club, Max Payne, Smuggler's Run and Manhunt.[31] He nonetheless produced a series of original graphic novels, coinciding with a trend within independent comic publishers that favored that format. The first was Couscous Express with artist Brett Weldele, an action romp about food delivery people.[32] This was followed by a trilogy of bike messenger books, The Couriers, The Couriers: Dirtbike Manifesto, and The Couriers: Ballad of Johnny Funwrecker, all drawn by Rob G.[33] Several characters are shared between Couscous Express and The Couriers, and in 2012 all four books were collected together and published by Image Comics.[34] Wood created and wrote the limited series' Pounded for Oni Press and Fight for Tomorrow for DC Comics's imprint Vertigo. He also produced Public Domain and Channel Zero: Jennie One during this time, the first of what will come to be several collaborations with artist Becky Cloonan.[citation needed]

Larry Young's AiT/Planet Lar heavily promoted Wood during this time, including designating the month of January as "Brian Wood Month" to exclusively offer his titles only.[35] Wood also served as AIT's branding designer and overall creative director for a short period of time, and designed covers for Warren Ellis' Come In Alone, Badlands, and Black Heart Billy. In January 2007, Intrepid Pictures optioned the feature film rights to Wood and Rob G.'s graphic novel The Couriers with Javier Grillo-Marxuach set to pen the screenplay.[36]

Demo, Local ,and the single issue format

In 2003, Wood partnered with artist

neurodiverse themes and tragic love stories.[37] The series was well-received, and Wizard, a steadfastly superhero-oriented comics magazine, named Demo its 2004 "Indie of the Year". The series was also nominated for two Eisner Awards in 2005, for "Best Limited Series" and "Best Single Issue" (for #7, "One Shot, Don't Miss"). Thirteen Minutes cites Wood and Demo as " blipping a young artist named Becky Cloonan onto everyone's collective radar screen, and cementing Wood's relationship with this frequent collaborator."[38]

Wood and Cloonan moved Demo from AiT/Planet Lar to Vertigo Comics in 2008,[39] announcing a "Volume 2" of the series, upping the total number of short stories to 18.[40] In 2015, Wood and Cloonan took the publishing rights to Dark Horse Comics, producing the single volume The Complete Demo.[41]

The Demo format proved successful so Wood went on to replicate it, with some changes, for his 12-issue series Local at Oni Press, which launched in 2005 and was drawn by artist Ryan Kelly.[42] NPR named it one of its Best Graphic Novels of the year and called it a "contemporary ballad to the idea of the open road... Megan moves from state to state, dealing with roommates and dead-end jobs and looking for an existence that befits her intelligence and desire for authenticity. She's not a lost cause; she simply chooses, for personal reasons, to drift a while."

DMZ Book One by Brian Wood

DMZ, Northlanders, and DC Comics exclusivity

Demo was the book with which Wood and Becky Cloonan first gained Vertigo's attention.

Giuliani-era New York City. After the "Wartime" title had been disqualified as too close a title to a recent Books Of Magic miniseries, Wood considered a host of alternatives including "Embedded", "No Man's Land" and "The War for New York" before settling on "DMZ".[45]

DMZ launched as a monthly series on August 9, 2005. It ran for seventy-two issues, one of the longest runs in Vertigo history,[47] and was collected in twelve trade paperbacks. A Deluxe Edition of five hardcovers were published in 2014, followed by softcover editions of same in 2016. A two volume compendium set was published in 2020.[48]

In August 2006, DC Comics announced that Wood was signed to an exclusive contract.[49] This was announced at the same time as Wood's second monthly title for Vertigo, the historical series Northlanders.[50] Described as an anthology series that takes a realistic, "street level" looking at Vikings, the series ran for 50 issues before being cancelled due to low sales.[51] It was collected into seven trade paperbacks, and then re-cut into three volumes that presents the stories in a different sequence than originally published.

In 2006, editor Shelly Bond announced Minx, a young adult graphic novel imprint aimed at the teenage girl market.[52] Wood and artist Ryan Kelly produced The New York Four for the imprint.[53] Years later, they would return for The New York Five, published under the Vertigo label. The sequel was nominated for an Eisner award in 2012 for Best New Limited Series.[54] In 2014, Wood and Kelly took the books to Dark Horse Comics and produced the collected edition The New York Four, containing the complete story.[55]

In 2008, Wood was nominated for Best Writer at that year's Eisner Awards, for DMZ, Northlanders, and Local.[56]

During the term of his exclusivity to DC Comics, Wood also wrote DV8 Gods And Monsters for the

New 52 initiative,[57] but it did not come to pass. This generated some confusion and commentary, particularly after DC's New 52 website inadvertently leaked Wood's name as the series writer.[58][59] Wood stated, "I don't really know what I can and can't say about it, even now. But to answer at least part of your question, I did not turn down "Supergirl." I would have loved to be the writer on "Supergirl." I have over a year's worth of "Supergirl" story outlines and several scripts sitting right here." Soon after, Wood declined to renew his DC Exclusive.[60]

In 2021, Wood reported that DC Entertainment had renewed the Northlanders publishing agreement.[61]

Outside of the exclusivity, Wood wrote the miniseries Supermarket and the graphic novel The Tourist during this time, for publishers IDW and Image Comics respectively.[62][63]

Return to Marvel and the "all-female" X-Men

In late 2011, Bleeding Cool reported that during Fan Expo Canada, Marvel teased a Brian Wood return in 2012, alongside an image of Wolverine's claw marks.[64] CBR later revealed the project as Wolverine & the X-Men: Alpha and Omega, a four issue series with Mark Brooks on art.[65] Wood then took over on the main, "adjective-less" X-Men title starting with #30[66] and wrapping up with #37.[67]

Wood returned in 2013 with the #1 selling relaunch of X-Men with an all-female "A-list" roster: Jubilee, Storm, Rogue, Kitty Pryde, Rachel Grey and Psylocke.

Wired Magazine, and quoted him as saying, ""There's too much cheesecake out there that is sold, or at least marketed, as a 'strong female' character or book when it's anything but, it just reinforces the worst opinions of the most sexist fans, and we gain no new ground. We probably lose ground. I'm not approaching this new X-Men as a 'female book,' but I'm writing it as a high action X-Men comic, and with some luck that will nullify some of these poisonous critics who go looking for something to feel angry/uncomfortable/threatened by."[69] The title was included in the Battle of The Atom miniseries.[74] Wood left the series in 2014 with issue #17, saying, "I left the title on my own accord, no drama, no pressure, just moving on,"[75] and writer G. Willow Wilson took over.[76]

Brian Wood and

Jubilee's adopted infant son. He appeared as a time-traveling adult hero Sentinel-X in Battle of the Atom.[77]

Concurrent with the X-Men, Wood also took over monthly writing duties on Ultimate Comics: The X-Men with issue #13.[78] He continued until issue #33.[79] He and artist Paco Medina created the mutant Nomi Blume aka Mach Two.[80] His final work for Marvel during this time was to take over writing the Moon Knight reboot Warren Ellis began. He scripted issues #7-12.[81]

Image Comics and Dark Horse

Wood returned to Image with three miniseries:

The bulk of Wood's post-DC Comics creator-owned work happened at Dark Horse Comics. After exiting his exclusive contract, Wood signed on to write the publisher's long-running Conan the Barbarian title, adapting the well-loved "Queen of the Black Coast" short story with Becky Cloonan on art. The series ran for 25 issues. Wood also launched The Massive, a creator-owned series with artist Garry Brown, depicting a group of environmentalists grappling with an unexplained failing of the earth's ecosystems.[83] After the series conclusion at issue #30,[84] Wood and Brown created the six-issue prequel Ninth Wave. In the environmental novel Apocalyptic Ecology in the Graphic Novel by Clint Jones, he states, "[The Massive] comes closest to representing the complexity of real destruction in the case of a global catastrophe."[85]

In 2013 Wood was approached by Dark Horse to head up a brand new Star Wars monthly title, one that uses the original cast of the 1977 film, a first for the publisher. Star Wars #1 debuted to positive reviews, selling out of its initial print run in 24 hours.[86] Wood wrote the series up until issue #20, when Dark Horse lost the license to Marvel Comics.[87] Wood's run is known for making Princess Leia an X-wing pilot, generating a lot of commentary, positive and negative.[88][89][90][91]

Italian artist Andrea Mutti joined Wood in creating Rebels, a historical comic series set during the

abolitionist movement, and the great lead-up to the War of 1812, America's second war with England."[94]

Wood's final creator-owned project during this time was Briggs Land, a generational crime drama set in an American secessionist community, "the Sopranos as secessionists," Wood said.

AMC TV, with Wood both writing and executive producing.[96] Wood said to Bleeding Cool, "I'm writing both, simultaneously. As a comic, its unfolding a little slower, since the 'container' of a 22-page comic is smaller than an hour-long premium cable show, which requires a hell of a lot of story and there's an expectation to get into the meat of it much quicker. In my head, it's two separate Briggs Lands – the one for comics, which is being done one way, and the TV one, which I'm developing differently."[97] There has been no updates on the live action version of the project since Wood posted an image of a completed script.[98]

That same year, Wood co-wrote the video game 1979 Revolution: Black Friday, with Navid Khonsari.[99]

Aliens: Defiance, Zula Hendricks, and Amanda Ripley

Wood has written a number of series for the

Amanda Ripley, her first media appearance since the Alien: Isolation video game. "A pre-Isolation Amanda Ripley is [Zula's] only friend." Wood said.[104]

Zula Hendricks, created by Wood and artist Tristan Jones, is canon, featured in the 2019 novelization of the video game Alien: Isolation[105] and the novel Alien: Prototype.[101]

In September 2018, Dark Horse announced Aliens: Resistance,

xenomorph.[107] It was followed by Aliens: Rescue in 2019[108]

A fourth Alien series, Colonial Marines: Rising Threat, was cancelled prior to publication.

Sword Daughter and DMZ at HBOMax

In June 2018, Wood and his Briggs Land collaborator Mack Chater launched a new monthly series, Sword Daughter.[112] Described as a Norse - Samurai Cinema revenge mash-up,[113] the team enlisted José Villarrubia as colorist. Dark Horse described the series as "a raw and violent story that is a testament to the power of redemption and the resiliency of family, and a visually stunning tribute to samurai cinema." There would be a total of nine issues of the series, published in three hardcovers, titled She Brightly Burns, Folded Metal, and Elsbeth Of The Island.[114]

Wood also wrote and co-wrote several licensed comics during the late 2010s, EVE Online: Valkyrie, Terminator: Sector War, Mono, John Carter: The End, Planet of The Apes: Memorial, a short story for Megadeth: Death By Design, and RoboCop: Citizens' Arrest.

Titan Comics, writing two volumes of the series before turning the job over to Simon Furman.[116]

In 2014

HBO Max has ordered DMZ to series with actors Hoon Lee, Freddie Miyares and Jordan Preston Carter joining the cast and Patino writing all four episodes.[119]

Unrealized projects

In 2001, Wood and artist

MAX imprint.[120][121] Although the project was shelved at the time, it was later released with a different creative team, while Wood used his ideas to develop the creator-owned series Demo with artist Becky Cloonan.[122]

A catalog entry for Dogs Day End appeared in 2008 from the publisher Top Shelf.[123] Created by Wood with art by Nikki Cook, it never appeared. The catalog described it thusly: "Following up on the time-honored adage "you can't go home again", Dogs Day End details the personal journey of 30-year-old Andrew Maguire, pulled back to the small upstate hometown of his childhood by his mother as she enters the final stages of cancer." Chris Arrant of CBR asked Wood about it in 2010, and he explained, "A bunch of shit went wrong, ranging from schedule problems to my own writing problems, and after a few years I shelved it for a bit, reworked the story, found a new artist, and tried again. And it was at that point I realized that really the only problem was with me, and my inability to write that goddamn story. I think time's just passed it by, to be honest. I love the idea of it, but I just cannot make it work."[124]

In 2012, Bleeding Cool and MTV reported a list of comic book projects Wood described as never making it off the ground.[125][126] There were several DC Comics properties on the list - Green Arrow, Supergirl, Superman Beyond, Rima The Jungle Girl, "Gotham: Neighborhood Rebellion aka Catwoman Year 100", and what he termed "The Re-Imagined Wildstorm Universe." Three creator-owned titles are mentioned: QC, Anthem, and Starve. Starve was published by Image Comics in 2015.[127] That same year, Wood was named as the new writer of Todd McFarlane's "resurrected" Spawn for the #251 relaunch.[128] Shortly after appearing with MacFarlane at New York Comic Con,[129] Wood announced he was no longer employed on the book, issuing this statement: "For the sake of readers and retailers who read the current Image solicits (March 2015), I just want to sent out a little PSA and say that I am not the writer of Spawn #251. I'm actually not the writer of the Spawn title after all. I delivered, to spec, the script for February's Spawn Resurrection #1 special but raised objections to the considerable extent to which my script and the larger plot was being rewritten during production. I was then removed from the job. I'm not trying to complain or spark drama, but I do think that the audience and the retailers laying down money for the book should be aware when there is a creative team change, especially this close to the book's release. I'm sorry to anyone who was looking forward to my work on Spawn – its a bummer for me too."[130] Paul Jenkins replaced Wood.[131]

Awards and nominations

Nominations

Wins

  • 2007 Lucca Comics & Games Grand Jury Best Short Story (Demo's "Emmy")[137]
  • 2007 American Library Association's YALSA Great Graphic Novels for Teens (for Demo)[138]
  • 2008 Eisner Award for Best Writer (for DMZ, Northlanders, Local)[139]
  • 2015 American Library Association's YALSA Great Graphic Novels for Teens (for The Massive)[140]
  • 2015 Sundance Film Festival Official Selection (for 1979 Revolution: Black Friday)[136]
  • 2015 American Library Association's YALSA Great Graphic Novels for Teens (for Mara)[141]
  • 2016 IndieCade Award for Grand Jury Prize Winner (for 1979 Revolution: Black Friday)[136]
  • 2016 Bit Award for Best PC Game Winner (for 1979 Revolution: Black Friday)[136]
  • 2016 Serious Play Award for Best Game Winner (for 1979 Revolution: Black Friday)[136]
  • 2018 Facebook Game of the Year (for 1979 Revolution: Black Friday)[142]

Accusations of sexual misconduct

On November 13, 2013, cartoonist Tess Fowler publicly accused Wood of sexual harassment in offering her his hotel room number at a bar encounter during San Diego Comic-Con in 2003.[143] Later that same month, Wood responded to Fowler with an apology, stating in part, "when she declined, that was the conclusion of the matter for me. There was never an exertion of power, no threats, and no revenge... I think the larger issues of abuse in the comics industry are genuine and I share everyone's concerns. I don't want our difference of accounts to take attention away from that industry-wide discussion that needs to happen." Fowler responded in part, "I've forgiven Brian years ago for the following story... I've moved on from what he did. I never asked for a boycott, or blacklisting, as I am being accused. I actually spoke very openly about the opposite. Brian Wood has every right to be a part of comics. To make books and make a living unhindered. I believe that. I also believe his behavior is a symptom of a much bigger disease."[144]

On November 20, Fowler posted a series of tweets detailing a separate, private apology Wood sent her, writing:

"Since Brian discussed it on Twitter I guess it's ok for me to mention it: After reaching out to him I did get a very specific apology.[145] He said it was 'not for publication', and so I didn't because I wanted him to feel safe enuf to go further. I feel it's necessary to openly acknowledge this, for the sake of all the women talking about their own experiences right now. To me, what he accepted ownership of felt genuine."[146][147][148]

On November 25, former DC Comics employee Anne Scherbina stated that, following a rejected pass sometime in 2002, Wood had relayed a rumor to journalist Rich Johnston about her having used a storeroom at DC for sex. Johnston subsequently published the rumor in his Lying in the Gutters column at Comic Book Resources. While Scherbina admitted that Wood had not named her specifically, she also admitted to having invited Wood into the storeroom in question for sex, categorizing that as "a joke."[149] She believes the rumor and that its publication damaged her reputation at DC, saying, "No one talked about it online, or called me a slut or even said anything to me directly. But the suspicion was there. The subject had been raised in the office and now it was in people's minds. My job didn't change, but I was not given any new responsibilities." She posted her emails with Wood, where he said he had no idea he had gotten her in trouble at work. He apologized. Scherbina appeared not to accept it.[150] Rich Johnston later expressed regret for publishing the rumor, offering a private apology.[151]

In August 2019, Laura Hudson accused Wood of "grabbing" her and "forcing" her into a kiss at a bar in 2007.

Comics Beat regarding the allegations, Dark Horse issued a statement to The Beat saying, "Effective immediately, Dark Horse will not pursue any new projects with Brian Wood."[154] On August 21, 2020, The Comics Journal reported that following Hudson's employment on the Ava DuVernay-helmed adaptation of Wood's DMZ, she deleted the accusations against Wood.[155]

On June 19, 2020, Fowler posted screenshots of another exchange with Wood on Twitter, writing:[156]

"Brian Wood e-mailed me. It did not end well. I do not take it as a genuine apology. But others might feel differently. And the fact is, technically, this IS an apology (below) which I accepted before it went bad. Take it as you will. I just don't want my situation used to detract from someone else possibly having a healing exchange with a man who wronged them. Was it a genuine apology? That's up to you. I don't feel it was. But YMMV. FYI: The only person who regularly invoked his daughter into public discourse about his behavior was him. I feel I was more than fair in my responses. Judge for yourself but please don't use my name to detract from the accounts and voices of others."[156]

Bibliography

Early work

Image Comics

AiT/Planet Lar

Marvel Comics

DC Comics

Dark Horse Comics

Other publishers

Cover illustrations

References

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External links

Preceded by Generation X writer
2000–2001
(with Warren Ellis in 2000)
Succeeded by
Preceded by Conan the Barbarian writer
2012–2014
Succeeded by
Preceded by X-Men writer
2012–2014
Succeeded by
Preceded by Ultimate Comics: X-Men writer
2012–2013
Succeeded by
n/a
Preceded by Star Wars writer
2013–2014
Succeeded by
Jason Aaron
Preceded by
Warren Ellis
Moon Knight writer
2014–2015
Succeeded by