Brion Gysin
This article possibly contains original research. (July 2022) |
Brion Gysin | |
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Born | John Clifford Brian Gysin 19 January 1916 Taplow, England |
Died | 13 July 1986 Paris, France | (aged 70)
Occupation |
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Nationality | British/Canadian |
Education | Postmodern, Asemic writing |
Brion Gysin (19 January 1916 – 13 July 1986) was a British-Canadian painter, writer,
He is best known for his use of the
Biography
Early years
John Clifford Brian Gysin was born at the Canadian military hospital in
Surrealism
In 1934, he moved to Paris to study La Civilisation Française, an open course given at the
After World War II
After serving in the U.S. army during World War II, Gysin published a biography of
Morocco and the Beat Hotel
In 1954 in Tangier, Gysin opened a restaurant called The 1001 Nights, with his friend
William Burroughs and I first went into techniques of writing, together, back in room No. 15 of the Beat Hotel during the cold Paris spring of 1958... Burroughs was more intent on Scotch-taping his photos together into one great continuum on the wall, where scenes faded and slipped into one another, than occupied with editing the monster manuscript...
Stanley blade and thought of what I had said to Burroughs some six months earlier about the necessity for turning painters' techniques directly into writing. I picked up the raw words and began to piece together texts that later appeared as "First Cut-Ups" in Minutes to Go (Two Cities, Paris 1960).[10]
When Burroughs returned from London in September 1959, Gysin not only shared his discovery with his friend but the new techniques he had developed for it. Burroughs then put the techniques to use while completing Naked Lunch and the experiment dramatically changed the landscape of American literature. Gysin helped Burroughs with the editing of several of his novels including Interzone, and wrote a script for a film version of Naked Lunch, which was never produced. The pair collaborated on a large manuscript for Grove Press titled The Third Mind, but it was determined that it would be impractical to publish it as originally envisioned. The book later published under that title incorporates little of this material. Interviewed for The Guardian in 1997, Burroughs explained that Gysin was "the only man that I've ever respected in my life. I've admired people, I've liked them, but he's the only man I've ever respected."[11] In 1969, Gysin completed his finest novel, The Process, a work judged by critic Robert Palmer as "a classic of 20th century modernism".[12]
A consummate innovator, Gysin altered the cut-up technique to produce what he called permutation poems in which a single phrase was repeated several times with the words rearranged in a different order with each reiteration. An example of this is "I don't dig work, man / Man, work I don't dig." Many of these permutations were derived using a random sequence generator in an early computer program written by Ian Sommerville. Commissioned by the
With Sommerville, he built the Dreamachine in 1961. Described as "the first art object to be seen with the eyes closed",
Later years
In April 1974, while sitting at a social engagement, Gysin had a very noticeable rectal bleeding. In May he wrote to Burroughs complaining he was not feeling well. A short time later he was diagnosed with
In 1985 Gysin was made an American Commander of the French
Death
On 13 July 1986 Brion Gysin died of lung cancer. Anne Cumming arranged his funeral and for his ashes to be scattered at the Caves of Hercules in Morocco.[17] An obituary by Robert Palmer published in The New York Times described him as a man who "threw off the sort of ideas that ordinary artists would parlay into a lifetime career, great clumps of ideas, as casually as a locomotive throws off sparks".[18] Later that year a heavily edited version of his novel, The Last Museum, was published posthumously by Faber & Faber (London) and by Grove Press (New York).
As a joke, Gysin had contributed a recipe for
Burroughs on the Gysin cut-up
In a 1966 interview by Conrad Knickerbocker for The Paris Review, William S. Burroughs explained that Brion Gysin was, to his knowledge, "the first to create cut-ups":
A friend, Brion Gysin, an American poet and painter, who has lived in Europe for thirty years, was, as far as I know, the first to create cut-ups. His cut-up poem, Minutes to Go, was broadcast by the BBC and later published in a pamphlet. I was in Paris in the summer of 1960; this was after the publication there of Naked Lunch. I became interested in the possibilities of this technique, and I began experimenting myself. Of course, when you think of it,
USA. I felt I had been working toward the same goal; thus it was a major revelation to me when I actually saw it being done.[20]
Influence
According to José Férez Kuri, author of Brion Gysin: Tuning in to the Multimedia Age (2003) and co-curator of a major retrospective of the artist's work at The Edmonton Art Gallery in 1998, Gysin's wide range of "radical ideas would become a source of inspiration for artists of the Beat Generation, as well as for their successors (among them David Bowie, Mick Jagger, Keith Haring, and Laurie Anderson)".[21] Other artists include Genesis P-Orridge, John Zorn (as displayed on the 2013's Dreamachines album) and Brian Jones.
Selected bibliography
Gysin is the subject of John Geiger's biography, Nothing Is True Everything Is Permitted: The Life of Brion Gysin, and features in Chapel of Extreme Experience: A Short History of Stroboscopic Light and the Dream Machine, also by Geiger. Man From Nowhere: Storming the Citadels of Enlightenment with William Burroughs and Brion Gysin, a biographical study of Burroughs and Gysin with a collection of homages to Gysin, was authored by Joe Ambrose, Frank Rynne, and Terry Wilson with contributions by Marianne Faithfull, John Cale, William S. Burroughs, John Giorno, Stanley Booth, Bill Laswell, Mohamed Hamri, Keith Haring and Paul Bowles. A monograph on Gysin was published in 2003 by Thames and Hudson.
Works
Prose
Radio
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Cinema
Music
Painting
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Sources
Primary sources
- Gysin, Brion (1946). To Master, A Long Goodnight: The History of Slavery in Canada. New York: Creative Age Press.
- Gysin, Brion; Beiles, Sinclair; Burroughs, William S.; Corso, Gregory (1960). Minutes to Go. Paris: Two Cities Editions.
- Gysin, Brion; Burroughs, William S. (1960). The Exterminator. San Francisco: Auerhahn Press.
- Gysin, Brion (1969). The Process. New York: Doubleday.
- Gysin, Brion; Burroughs, William S.; Sommerville, Ian (1973). Jan Herman (ed.). Brion Gysin Let The Mice In'. West Glover, VT: Something Else Press.
- Gysin, Brion; Burroughs, William S. (1978). The Third Mind. New York: Viking.
- Gysin, Brion (1982). Here To Go: Planet R-101 (Interviews with Terry Wilson). London: Quartet Books.
- Gysin, Brion (1984). Stories. Oakland: Inkblot Publications.
- Gysin, Brion (1986). The Last Museum. New York: Grove Press.
- Gysin, Brion (2000). Who Runs May Read. Oakland/Brisbane: Inkblot/Xochi.
- Gysin, Brion (2001). Jason Weiss (ed.). Back in No Time: The Brion Gysin Reader. Wesleyan University Press.
- Gysin, Brion (2010). Living With Islam. Providence: Inkblot.
- Gysin, Brion (2018). His Name Was Master (Interviews with Genesis P.Orridge). Stockholm: Trapart Books.
Secondary sources
- Morgan, Ted. Literary Outlaw: The Life and Times of William S. Burroughs. New York and London: W.W. Norton & Company, 1988, 2012. ISBN 978-0393342604
- Kuri, José Férez, ed. Brion Gysin: Tuning in to the Multimedia Age. London: Thames & Hudson, 2003. ISBN 0-500-28438-5
- Geiger, John. Nothing Is True Everything Is Permitted: The Life of Brion Gysin. Disinformation Company, 2005. ISBN 1-932857-12-5
- Geiger, John. Chapel of Extreme Experience: A Short History of Stroboscopic Light and the Dream Machine. Soft Skull Press, 2003.
- Ambrose, Joe, Frank Rynne, and Terry Wilson. Man From Nowhere: Storming the Citadels of Enlightenment with William Burroughs and Brion Gysin. Williamsburg: Autonomedia, 1992
- Vale, V. William Burroughs, Brion Gysin, Throbbing Gristle. San Francisco: V/Search, 1982. ISBN 0-9650469-1-5
See also
References
- ^ Burroughs, William. "Introduction." in Man from Nowhere: Storming the Citadels of Enlightenment with William Burroughs and Brion Gysin. Ambrose, Joe, Frank Rynne, Terry Wilson. Dublin: Sublimin, 1992, n.p.
- ISBN 1-932857-12-5.
- ^ Cf. John Geiger's biographical essay on Gysin titled 'Brion Gysin: His Life and Times' in Brion Gysin: Tuning into the Multimedia Age, ed. José Férez Kuri (London: Thames & Hudson, 2003), p. 201
- ISBN 9781609258719.
Brion's view of Creating soon changed. By age fifteen he was an avowed atheist attending St. Joseph's Catholic High School.
- ^ a b Cf. John Geiger, 'Brion Gysin: His Life and Times' in Brion Gysin: Tuning into the Multimedia Age, p. 204.
- ^ Richard Davenport-Hines, 'Cumming, (Felicity) Anne (1917–1993)', Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Oct 2009 accessed 11 April 2017
- ^ Greene, Michelle, The Dream at the End of the World, (New York, 1991), p. 123, p. 201
- ^ Geiger, John, Nothing is True, Everything is Permitted: the Life of Brion Gysin, (New York, 2005), p. 103
- ^ In his essay "Cut-Ups: A Project for Disastrous Success," Gysin explains that "on January 5, 1958, I lost the business over a signature given to a friendly American couple who 'wanted to help me out.' I was out with the shirt on my back." in A Williams Burroughs Reader, ed. John Calder (London: Picador, 1982), p. 276.
- ^ Brion Gysin: Cut-Ups: A Project for Disastrous Success, published in Evergreen Review and much later in [Brion Gysin] Let the Mice In, Something Else Press, West Clover 1973; also in the A Williams Burroughs Reader, John Calder (editor), Picador, London 1982, p. 272.
- ^ The Guardian, 18 January 1997.
- ^ From Palmer's forward to the novel published by The Overlook Press in 1987.
- ^ Quoted on coverflap of Tuning in to the Multimedia Age.
- ^ Chandarlapaty, R., "Woodard and Renewed Intellectual Possibilities", in Seeing the Beat Generation (Jefferson, NC: McFarland & Company, 2019), pp. 142–146.
- ^ Cf. John Geiger, Nothing Is True – Everything Is Permitted: The Life of Brion Gysin.
- ^ Cf. Ted Morgan, Literary Outlaw: The Life and Times of William S. Burroughs, p. 512.
- ^ "Felicity Mason/Anne Cumming – A Brief Biography and Interview – Jennie Skerl". European Beat Studies Network. 16 October 2012. Retrieved 12 April 2017.
- ^ Cf. John Geiger, 'Brion Gysin: His Life and Times' in Brion Gysin: Tuning into the Multimedia Age, p. 227.
- ^ Biographer John Geiger writes that Gysin's restaurant, The 1001 Nights provided him "with an entrée into Tangiers society. His Moroccan culinary delights even merited an entry in Alice B. Toklas's famous cookbook, with a recipe for hashish fudge. Toklas, however, had no idea what the mysterious ingredient – cannabis – was, protesting later 'of course I didn't know the Latin name'." Cf. John Geiger, 'Brion Gysin: His Life and Times' in Brion Gysin: Tuning into the Multimedia Age, p. 213.
- ^ Knickerbocker, Conrad, Burroughs, Williams S., 'The Paris Review Interview with William S. Burroughs' in A Williams Burroughs Reader, ed. John Calder (London: Picador, 1982), p. 263.
- ^ Kuri, Tuning in to the Multimedia Age, coverflap.
External links
- UBU Sound Article on Brion Gysin
- briongysin.com article What Does Brion Gysin's Art Mean?
- Cutup The Burroughs & Gysin Non-Linear Adding Machine
- The Master Musicians of Jajouka led by Bachir Attar Official website
- Master Musicians of Joujouka Official website
- Village Voice Review of Back in No Time: A Brion Gysin Reader (2001)
- Perilous Passages Terry Wilson's account of his "lifetime apprenticeship" with Brion Gysin
- William Burroughs's letter on Gysin and Jajouka
- Interzone documentation on the Dream Machine and free Dream Machine plans
- Official website of FLicKeR a film on Brion Gysin and the Dream Machine based on Geiger's book
- The Third Mind at Le Palais de Tokyo by Joseph Nechvatal
- A page on the Self-Portrait Jumping album, including audio excerpts
- Brion Gysin Website
- Stuart A. Rose Manuscript, Archives, and Rare Book Library