Culture of the United Kingdom

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The British Museum is one of the most visited museums in the world.

The culture of the United Kingdom is influenced by its combined nations' history; its historically Christian religious life, its interaction with the cultures of Europe, the individual cultures of England, Wales and Scotland and the impact of the British Empire. The culture of the United Kingdom may also colloquially be referred to as British culture; Northern Ireland, though not geographically part of Great Britain, may still be considered as having a place within British culture. Although British culture is a distinct entity, the individual cultures of England, Scotland, Wales and Northern Ireland are diverse. There have been varying degrees of overlap and distinctiveness between these four cultures.[1]

cinema, art, architecture and television. The UK is also the home of the Church of England, the state church and mother church of the Anglican Communion, the third-largest Christian denomination. Britain contains some of the world's oldest universities, has made many contributions to philosophy, science, technology and medicine, and is the birthplace of many prominent scientists and inventions. The Industrial Revolution began in the UK and had a profound effect on socio-economic
and cultural conditions around the world.

British culture has been influenced by historical and modern migration, the historical invasions of Great Britain, and the British Empire. As a result of the British Empire, significant British influence can be observed in the language, law, culture and institutions of its former colonies, most of which are members of the Commonwealth of Nations. A subset of these states form the Anglosphere, and are among Britain's closest allies.[3][4] British colonies and dominions influenced British culture in turn, particularly British cuisine.[5]

Sport is an important part of British culture, and numerous sports originated in the country including cricket, football, tennis and rugby.[6] The UK has been described as a "cultural superpower",[7][8] and London has been described as a world cultural capital.[9][10] A global opinion poll for the BBC saw the UK ranked the third most positively viewed nation in the world (behind Germany and Canada) in 2013 and 2014.[11][12]

History

Throughout its history, the culture of Great Britain has primarily consisted of the separate native traditions of England, Scotland and Wales. With regard to cultural influences, prior to the expansion of the British Empire, the island had been most notably influenced by French culture (via the Normans), Scandinavian culture (via the Vikings) and Italian culture (via the Romans).

The arrival of Celtic and Germanic tribes influenced Britain's early development.[13][14] The Celtic peoples introduced unique languages, traditions, and social structures. Subsequently, the migrations of Germanic tribes, such as the Anglo-Saxons, further influenced Britain's cultural landscape. The ancient Roman occupation of Britain, lasting almost 400 years, also impacted the linguistic and cultural identity of Great Britain.[15]

Following the expansion of the British Empire, England, Scotland and Wales absorbed different peoples from around the world, and, post-World War II, Britain developed a more diverse cultural landscape through higher levels of immigration. Today, it has a sizable immigrant population, and encompasses the cultures of British people from various backgrounds, with South Asian, Continental European, African and Caribbean descent being most prevalent.[16]

Language

The Old English heroic poem Beowulf is located in the British Library.

First spoken in

Ulster Scots, and British Sign Language
.

In Wales, all pupils at state schools must either be taught through the medium of Welsh or study it as an additional language until age 16, and the

Gaelic Language (Scotland) Act, passed by the Scottish Parliament in 2005, recognised Gaelic as an official language of Scotland and required the creation of a national plan for Gaelic to provide strategic direction for the development of the Gaelic language.[b] The Cornish language is a revived language that became extinct as a first language in Cornwall
in the late 18th century.

Regional accents

Dialects and regional accents vary heavily amongst the four countries of the United Kingdom, as well as within the countries themselves. This is partially the result of the long history of immigration to the UK, for example Northern English dialects contain many words with Old Norse roots.[18] Scottish English, Welsh English, and Hiberno-Irish are varieties of English distinct from both English English and the native languages of those countries. Received Pronunciation is the Standard English accent in England and Wales, while in Scotland Scottish Standard English is a distinct dialect. Although these accents have a high social prestige, since the 1960s a greater permissiveness toward regional English varieties has taken hold in education.[19]

The great variety of British accents is often noted, with nearby regions often having highly distinct dialects and accents, for example there are large differences between Scouse and Mancunian despite Liverpool and Manchester being only 35 miles (56 km) apart.[20][21] Dialectal English is often found in literature, for example Emily Brontë's novel Wuthering Heights contains Yorkshire dialect.[22]

Arts

Literature

The United Kingdom inherited the literary traditions of England, Scotland and Wales. These include Arthurian literature and its Welsh origins, Norse-influenced Old English literature, the works of English authors Geoffrey Chaucer and William Shakespeare, and Scots works such as John Barbour's The Brus.

Robert Burns is regarded as the national poet of Scotland.[23]

The early 18th century period of British literature is known as the Augustan Age and included the development of the novel. Daniel Defoe's Robinson Crusoe (1719) and Moll Flanders (1722) are often seen as the first English novels, however the development of the novel took place in a wider literary context that included the rise of prose satires – which reached a high point with Gulliver's Travels and earlier foreign works like the Spanish Don Quixote.[24] Also linked to the Augustan period is Samuel Johnson's A Dictionary of the English Language. Published in 1755, it was viewed as the pre-eminent British dictionary until the completion of the Oxford English Dictionary 150 years later.[25]

The subsequent Romantic period showed a flowering of poetry comparable with the Renaissance 200 years earlier, and a revival of interest in vernacular literature. In Scotland the poetry of Robert Burns revived interest in Scots literature, and the Weaver Poets of Ulster were influenced by literature from Scotland. In Wales the late 18th century saw the revival of the eisteddfod tradition, inspired by Iolo Morganwg. The period also saw the publication of A Vindication of the Rights of Woman (1792), by Mary Wollstonecraft, is one of the earliest works of feminist philosophy.

The late Georgian and Victorian era saw a renewed focus on the novel. A key theme of these novels was social commentary. Early in the period Jane Austen satirised the lifestyle of the gentry and nobility, while the later novels of Charles Dickens often used humour and keen observations to criticise poverty and social stratification. The three Brontë sisters and George Eliot commented on Northern England and the Midlands respectively, though all four women wrote under male pen names during their lifetimes, partly to deflect anti-feminist criticism. Nevertheless, openly female authors achieved considerable success in the period, such as the predominantly religious poems of Elizabeth Barrett Browning and Christina Rossetti.

Rudyard Kipling exemplifies the British Empire's influence on British literature. His novels The Jungle Book and The Man Who Would Be King are both set in British India, the poem If— evokes the concept of the "stiff upper lip", while The White Man's Burden demonstrates a white supremacist Imperialist outlook.[26]

Welsh native Roald Dahl is frequently ranked the best children's author in British polls.[27]

war poets and writers such as Wilfred Owen, Siegfried Sassoon, and Rupert Brooke, who wrote (often paradoxically) of their expectations of war, and their experiences in the trenches. Initially idealistic and patriotic in tone, as the war progressed the tone of the movement became increasingly sombre and pacifistic.[28] The beginning of the twentieth century also saw the Celtic Revival stimulate a new appreciation of traditional Irish literature, while the Scottish Renaissance brought modernism to Scottish literature
as well as an interest in new forms in the literatures of Scottish Gaelic and Scots. The English novel developed in the 20th century into much greater variety and it remains today the dominant English literary form.

The contemporary British literary scene is marked by awards such as the

Theatre

William Shakespeare has had a significant impact on British theatre and drama.

From its formation in 1707 the United Kingdom has had a vibrant tradition of theatre, much of it inherited from England, Scotland and Wales. The Union of the Crowns coincided with the decline of highbrow and provocative Restoration comedy in favour of sentimental comedy, domestic tragedy such as George Lillo's The London Merchant (1731), and by an overwhelming interest in Italian opera. Popular entertainment became more important in this period than ever before, with fair-booth burlesque and mixed forms that are the ancestors of the English music hall. These forms flourished at the expense of other forms of English drama, which went into a long period of decline. In Scotland the opposite occurred, with the emergence of specifically Scottish plays including John Home's Douglas and the works of Walter Scott, which included original plays as well as adaptations of his Waverley novels. The late 19th century saw revival of English theatre with arrival of Irishmen

Academy of Dramatic Art at Her Majesty's Theatre in 1904.[33]

The early twentieth century was dominated by

Royal Ballet. Elsewhere the Royal Shakespeare Company was founded in 1959 at Stratford-upon-Avon
, and continues to mainly stage Shakespeare's plays.

Contemporary British theatre is focused on the West End, London's major theatre district. The Theatre Royal, Drury Lane in the City of Westminster dates back to 1663, making it the oldest London theatre, however the Theatre Royal at the Bristol Old Vic is the oldest continually-operating theatre in the English speaking world, opening in 1768.[35] The musicals of Andrew Lloyd Webber have dominated the West End since the late 20th century, leading him to be dubbed "the most commercially successful composer in history".[36] A National Theatre of Scotland was set up in 2006.

Music

Classical music

The Grenadier Guards band playing "The British Grenadiers" at Trooping the Colour. Formed in 1685 the band performs at British ceremonial events.

British Baroque music was heavily influenced by continental fashions. This is exemplified by George Frideric Handel, a German-born naturalised British citizen whose choral music set British taste for the next two centuries. His operas also helped Britain challenge Italy as a centre of operatic production. Classical music attracted much attention from 1784 with the formation of the Birmingham Triennial Music Festival, which was the longest running classical music festival of its kind until the final concerts in 1912. Beyond this, the establishment of the London Philharmonic Society in 1813, Royal Academy of Music in 1822, and Irish Academy of Music in 1848 aided the professionalisation of British classical music and patronage of composers.

The Philharmonic Society was a strong supporter of the German Felix Mendelssohn, an early Romantic composer who also strongly influenced British music. In Ireland, John Field invented the nocturne and may have been an influence on Chopin and Liszt. A notable development of the mid- to late-nineteenth century was the resurgence of English-language opera and the establishment of several prominent orchestras, including the Royal Liverpool Philharmonic in 1840, Manchester-based Hallé in 1858, the Scottish Orchestra in 1891 and the City of Birmingham Symphony Orchestra in 1920. The most notable trend in classical music at the turn of the century was the nationalistic trend that developed. This was initially seen in works like The Masque at Kenilworth, which reconstructed an Elizabethan masque, but later took a pastoral turn under the influence of the British folk revival. Examplars of this period are Ralph Vaughan Williams' English Folk Song Suite, and Sir Alexander Mackenzie's Scottish Rhapsodies.

Modern and contemporary classical music takes a variety of forms. Composers such as

BBC Proms
are an important annual fixture in the classical calendar.

Popular music

The Beatles are the most commercially successful and critically acclaimed band in popular music, with estimated sales of over one billion.[37]

Popular commercial music in Britain can be traced back at least as far as the seventeenth-century broadside ballad, and also encompasses brass band music and music hall. Popular music in the modern sense began to emerge in the 1950s, as the American styles of jazz and rock and roll became popular. The skiffle revival was an early attempt to create a British form of American music, but it was the emergence of British rock and roll by the early 1960s that established a viable British popular music industry. Genres such as beat and British blues were re-exported to America by bands such as the Beatles and Rolling Stones, in a move that came to be called the British Invasion. The 1960s saw the development of heavy metal in Birmingham and the wider area. The development of blues rock helped differentiate rock and pop music, leading to the emergence of several sub-genres of rock in the 1970s. Glam rock was a particularly British genre that emphasised outrageous costumes, while the end of the decade saw the rise of punk, new wave, and post-punk bands. The influence of immigration could also be seen in the increased prominence of World music, particularly Jamaican music.

The 1980s were a successful decade in British pop, as a second

mixed groups dominated the singles chart, while the Madchester scene helped drive alternative rock and Britpop to the mainstream. British soul saw a rise that continued into the 2000s, including the global success of Adele. Dance music also saw innovation, with genres such as dubstep and new rave
emerging.

Folk and sub-national music

In contrast to the comparatively homogeneous classical and pop genres, each nation of the UK has retained a distinct tradition of folk music. The traditional

Morris dancing is an English folk dance known to have existed at least as early as the mid-15th century.[38]

The

Border ballads, which include the particularly influential Ballad of Chevy Chase.British folk groups, such as Fairport Convention
, have drawn heavily from these ballads.

Similarly, while the national anthem "God Save the King" and other patriotic songs such as "Rule, Britannia!" represent the United Kingdom, each of the four individual countries of the UK has its own patriotic hymns. For example, Jerusalem, Flower of Scotland, Land of My Fathers, and Danny Boy pertain exclusively to England, Scotland, Wales, and Northern Ireland respectively. These songs are often used at sporting events where each nation competes individually.

Cinema

Peter O'Toole as T. E. Lawrence in David Lean's 1962 epic Lawrence of Arabia

Britain has had a significant film industry for over a century. While many films focus on British culture, British cinema is also marked by its interaction and competition with American and continental European cinema.

The UK was the location of the oldest surviving moving picture, Roundhay Garden Scene (1888), which was shot in Roundhay, Leeds by French inventor Louis Le Prince, while the first British film, Incident at Clovelly Cottage was shot in 1895.[39] The world's first colour motion picture was shot by Edward Raymond Turner in 1902.[40] British film production suffered in the 1920s in face of competition from American imports and a legal requirement for cinemas to show a set quota of British films, which encouraged poor-quality, low-cost productions to meet this demand. This had changed by the 1940s, when the government encouraged fewer, higher-quality films to be made. This era also saw the rise of Alfred Hitchcock, who soon moved to the US and become one of the twentieth century's most influential directors. During World War II the Crown Film Unit established a reputation for documentaries, while Powell and Pressburger began their influential and innovative collaboration.

The post-war period was a particular high point for British filmmaking, producing The Third Man and Brief Encounter, which the British Film Institute consider the best and second-best British films respectively. Laurence Olivier's 1948 Hamlet was the first British film to win the Academy Award for Best Picture. The 1950s saw a focus on popular domestic topics such as comedies, including the enduring Carry On series, and World War II epics such as The Dam Busters. At the end of the decade Hammer Films took advantage of relaxed censorship laws to begin their series of successful horror films. The beginning of the 1960s saw the British New Wave style develop, influenced by its French counterpart, that sought to depict a wider strata of society in a realistic manner. The 1960s also saw renewed American financial interest in British film, which particularly manifested itself in the development of historical epics, such as Best Picture winners Lawrence of Arabia and A Man for All Seasons; spy thrillers, including the first films in the James Bond franchise; and films based on 'swinging London' scene.

The 1970s saw a withdrawal of American support and a retrenchment in British cinema, though the decade did see culturally important productions such as the horror

British Asian films respectively. 1981's Chariots of Fire and 1982's Gandhi both won the Best Picture Oscar, the latter winning eight awards, prompting a resurgence in period films. 1982 also saw the creation of Channel 4
, which had a remit to promote films for minority audiences. Films with racial and LGBT themes were produced, while Channel 4's involvement saw television stars move into feature films.

American investment again increased in the 1990s, and the success of Four Weddings and a Funeral saw romantic comedies rise in popularity. Merchant Ivory Productions, boosted by the Oscars success of the previous decade's period pieces, continued to produce films in the same vein. American studios also began to base the production of Hollywood films in the UK, encouraged by tax incentives. 1996's Trainspotting led to increased interest in regional, particularly Scottish, cinema. While American-funded films continued their influence in the 2010s, domestic European co-productions also received acclaim. The Queen was British-French production for which Helen Mirren won Best Actress, while the UK Film Council funded The King's Speech, which won Best Picture in 2011. Asian British cinema has risen in prominence since 1999, when East is East was a mainstream success on a low budget.

Broadcasting