Burra katha

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Ancient Jangam Folk performers

Burra Katha or Burrakatha, is an

Hindu mythological story (Jangam Katha) or a contemporary social issue.[1] It became a popular art form during the Telangana Rebellion in the early 1930-1950's.[2]

Origin

The modern form of Burra Katha was developed in Guntur district around 1942 with the aim of propagating political ideas among illiterate masses in villages.[3]

Etymology

"Burra" is referred to tambura, a musical string instrument with a hollow shell. "Katha" means story.[4]

Burra means brain in

human skull. It is made of baked clay or dried pumpkin, or of brass and copper. The instrument looks similar to veena
and the performer can pull and press strings to produce voices and get music.

History

Burrakatha started as devotional songs of nomadic people and became a popular art form. It is played on radio and TV regularly in Andhra Pradesh. It is a 20th-century name for the theater show known as Jangam Katha. The jangams lingayats were wandering minstrels who worshiped and sang of Lord Siva. Two performers participated in these plays: the storyteller and his wife. With societal and cultural changes, the secular aspect was incorporated into this form. The modern form has three performers of any gender.[5]

Popular Hindu artists were Pendyala Venkateswarrao, Sunkara Sri Krishna Madhava Rao, Paruchuri Ramakotayya, Sirivisetti Subbarao, Kosuri Punnayya, Govardhana, Kakumanu Subbarao, Davuluru, Chintalal Suryanarayana, Budagajangala mote papaiah, Budagajangala mote kullayappa, Budagajangala mote ramalingam, etc. Women also formed groups, e.g., Moturi Udayam, Chintala Koteswaramma, Mahankali Lakshmi, Sridevi sisters, etc.[5] Non-Hindu artists are Abraham Bhagavatar, Manohara Kavi, Khader Khan Sahib, Shaik Nazar etc.

Shaik Nazar publicized this by performing on various contemporary issues at that time and gained people's recognition. He is known as "Father of Burrakatha."

Modern form

The main storyteller (kathakudu) narrates the story. He plays tambura and dances to music. He also wears a metal ring called an andelu on his right thumb, holds another ring in his other hand and adds more music by colliding them frequently. The co-performers plays gummeta (also called dakki or budike), earthen drums with two heads. All three or only the kathakadu wear anklets (also called as gajjelu), which add even more music when they dance.[5]

The right side performer (hasyaka, meaning joker) acts as a joker and cracks satires and jokes. The left side performer (rajakiya, meaning politician) acts as someone who knows worldly ways and talks about politics and social issues. The main performer and co-performers constantly was address each other. The co-performers interrupt the kathakudu with doubts, and they sometimes add emphasis to the main events in the story with short words similar to "Wow!" "Aha!" and "That is it."

Whenever the main performer sings a song, he or she starts with "vinara veera kumara veera gadha vinara" followed by the co-performers singing "tandhana tane tandhana na." It is also called 'tandana katha.'

Significance

Burra katha was a pastime event in villages. It is seen even now during

Mahabharat and also some of the moral stories of kings like kambojaraju katha, chinnamma katha, muggurumoratila katha, etc.[citation needed
]

Present

Burrakatha tellers are called as budagajangalu. Internet and movies play a major role in modern life. Thus, the burrakathas are now not being seen and there is no one to develop this and improve the art. In the past, burrakatha tellers were important in the villages; now there is no response for their art. So burrakatha tellers left their traditional art and have become beggars or day labourers.[6] Even in these modern times, there are no educated people in this tribe. They do not have caste certificates for developing their tribe. Daroji Eramma was a performer of Burra katha from Karnataka.

See also

References

  1. ^ "Burrakatha loses sheen sans patronage". The Times of India. 14 January 2013. Archived from the original on 14 November 2013. Retrieved 2 September 2013.
  2. . Retrieved 17 October 2021.
  3. ^ Lectures, Bangalore University Dept of Publications and Extension (1 January 1977). Vidya Bharathi.
  4. ^ enrouteI (12 May 2023). "Burrakatha: The Fading Art of Rural Storytelling in Andhra Pradesh". Enroute Indian History. Retrieved 10 November 2023.
  5. ^ a b c "Burrakatha". www.vepachedu.org. Retrieved 10 November 2023.
  6. ISSN 0971-8257
    . Retrieved 10 November 2023.

Bibliography

External links