Cádiz Memorial

Coordinates: 51°30′15″N 0°07′38″W / 51.5042°N 0.1273°W / 51.5042; -0.1273
Source: Wikipedia, the free encyclopedia.

Cádiz Memorial
The memorial in 2015
Map
51°30′15″N 0°07′38″W / 51.5042°N 0.1273°W / 51.5042; -0.1273
LocationLondon, SW1
United Kingdom
MaterialBrass, bronze
Opening date1816; 208 years ago (1816)

The Cádiz Memorial, also known as the "Prince Regent's Bomb", is an early 19th-century French

Prince Regent
's sizeable backside.

Description

The mortar is mounted on the back of a large brass sculpture of Dante's reimagining of the monster Geryon (wrongly described as a "Chinese dragon" in some sources),[1] associated with the Isle of Gades on which Cádiz stands, with twin tails twisting round to the vent of the mortar which it supports on its back. At the rear of the mortar is a sculpture of the dog Orthrus.[4] Some liberties were taken with the classical depiction of Geryon, such as substituting wings for its multiple heads. The monster and mortar rest on a bed of brass measuring some 9 feet 2 inches (2.79 m) by 4 feet 6 inches (1.37 m), representing a rock on which the monster has alighted. The whole structure measures 9 feet 10 inches (3.00 m) high and weights 16 tons.[5] On the north side of the bed is the following inscription:

DEVICTIS A WELLINGTON DUCE PROPE SALAMANCAM GALLIS
SOLUTAQUE EXIUDE GAUDIAM OBSIDIONE, HANC QUAM ASPICITUS
BASI SUPERIMPOSITAM BOMBARDAM, VI PRAEDITAM ADHUC INAUDITA,
AD URBEM PORTUMQUE GADITANUM DESTRUCUDUM CONFLATAM
ET A COPIIS TURBATIS RELICTAM, CORTES HISPANICI, PRISTINORUM HAUDQUAQUAM
BENEFICIORUM OBLITI, SUMMAE VENERATIONIS TESTIMINIO DONAVERUNT
GEORGIO ILLUS. BRIT. PRINC.
QUI, IN PERPETUAM REI MEMORIAM, HOC LOCO PONENDAM, ET HIS
ORMANENTIS DECORANDAM, JUISSIT.[5]

The memorial's south side, including an inscription on the base, in 2014

While on the south side the following inscription appears:

To commemorate
the Raising of the Siege of Cadiz, in consequence of the
Glorious Victory obtained by the
Duke of Wellington
over the French at Salamanca, on the 22d July 1812:
This Mortar, cast for the destruction of that Great Port,
with Powers surpassing all others,
and abandoned by the Besiegers on their Retreat,
was presented as a token of respect and gratitude by the
Spanish Nation,
To his Royal Highness the Prince Regent.[5]

The Prince of Wales's feathers appear in high relief at the front of the bed, while at the rear is the inscription, "Constructed in the Royal Carriage Department. Earl of Mulgrave, Master General – A.D. 1814".[5]

History

Origins

The memorial in its original location in 1860, with chevaux de frise surrounding it

The mortar was one of a number of giant siege weapons used by the French army under

Royal Engineer who saw the mortar in action, he watched it fire a shot into the middle of the crowded Plaza de San Antonio in the centre of Cádiz "without injuring a single individual".[7]

After the siege was lifted, the

chevaux de frise.[5] It was subsequently moved to its present position adjacent to the Horse Guards building
.

The Regent's Tremendous Thing

Saluting the Regent's Bomb Unveiled on his Birth-Day, August 12th, 1816, by George Cruikshank
A Representation of the Regent's Tremendous Thing erected in the Park, by C. Williams

At the time, the slang term for a cannon or mortar was a "bomb", pronounced "

Poet Laureate would "sing the charming odour of the thing".[9] The satirist William Hone celebrated its unveiling with a verse attacking the Prince Regent and his ministers, their names scarcely disguised:[8]

Oh, what a Bomb! Oh, Heaven defend us!
The thought of Bombs is quite tremendous!
What crowds will come from every shore
To gaze on its amazing bore!
What swarms of Statesmen, warm and loyal,
To worship Bomb so truly royal!
And first approach three 'secret hags,'
Then him the R——t [Regent] calls 'Old Bags;' [the Lord Chancellor,
John Scott, 1st Earl of Eldon]
Methinks I see V———t [Vansittart] come,
And humbly kiss the royal Bomb!
While T——y W———y [Tylney Wellesley], (loyal soul)
Will take its measure with a Pole;
And C———h [Castlereagh] will low beseech
To kiss a corner of the breech;
And next will come of G——y R—e, [George Rose]
And in the touch-hole shove his nose![8][10]

The poem was accompanied by a cartoon drawn by George Cruikshank, which showed the Prince Regent as the personification of the mortar with a queue of ministers lining up to kiss his backside.[8] Similarly, S.W. Fores published C. Williams' A Representation of the Regent's Tremendous Thing erected in the Park – "thing" being a slang term for "penis" – with predictable double entendres such as a parson saying "What an erection to be sure," to which his wife replies, "I could look at it for ever".[11] Many other cartoonists followed suit, often depicting the mortar in conjunction with the Prince Regent's then mistress Lady Hertford.[1]

See also

  • 1816 in art
  • Greek mythology in western art and literature

References

  1. ^ a b c Hibbert, Christopher; Weinreb, Ben; Keay, John; Keay, Julia (9 September 2011). The London Encyclopaedia (3rd ed.). Pan Macmillan. p. 540.
  2. ^ a b Hughson, David (1817). Walks through London, vol. I. London: Sherwood, Neely & Jones. pp. 224–6.
  3. ^ "Cadiz Memorial, Westminster". British Listed Buildings. Retrieved 2 September 2014.
  4. ^ "Explanation of the Carriage, Allegorical Figures, Inscriptions and Dimensions of the Bed and Mortar. [London] .[s.i] .[1816?]" (PDF). Alastor Rare Books Catalogue 24, pg4 - The Grand Mortar From Cadiz In St. Jame’s Park. Archived from the original (PDF) on 8 February 2015. Retrieved 1 February 2015.
  5. ^ a b c d e f The Gentleman's Magazine, and Historical Chronicle. September 1816. pp. 271–2.
  6. ^ Surtees, William (1833). Twenty-five Years in the Rifle Brigade. London: William Blackwood. p. 105.
  7. ^ Cunningham, Peter (1851). Murray's Handbook for Modern London. London: John Murray. p. 30.
  8. ^ .
  9. ^ Sinko, Grzegorz (1962). John Wolcot and His School: A Chapter from the History of English Satire. Towarz. p. 142.
  10. ^ See "Hone's View of the Regent's Bomb" for the full text of the verse.
  11. ^ Rickword, Edgell (1971). Radical Squibs & Loyal Ripostes: Satirical Pamphlets of the Regency Period, 1819–1821. Adams and Dart. p. 13.

External links