Callimachus
Callimachus | |
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Notable works | Aetia Hecale |
Callimachus (
Born into a prominent family in the Greek city of Cyrene in modern-day Libya, he was educated in Alexandria, the capital of the Ptolemaic kings of Egypt. After working as a schoolteacher in the city, he came under the patronage of King Ptolemy II Philadelphus and was employed at the Library of Alexandria where he compiled the Pinakes, a comprehensive catalogue of all Greek literature. He is believed to have lived into the reign of Ptolemy III Euergetes.
Although Callimachus wrote prolifically in
Callimachus and his aesthetic philosophy became an important point of reference for Roman poets of the late
Life
An entry in the
During the 280s, Callimachus is thought to have studied under the philosopher
Despite the lack of precise sources, the outlines of Callimachus's working life can be gathered from his poetry. Poems belonging to his period of economic hardship indicate that he began writing in the 280s BC, while his poem Aetia shows signs of having been composed in the reign of Ptolemy III Euergetes, who ascended to the throne in 246 BC. Ferguson writes that Callimachus stopped writing and died at some point after 240 BC.[8]
Literary work
According to the Suda, Callimachus wrote more than 800[9] individual works in prose and poetry.[2] The vast majority of his literary production, including all prose output, has been lost with the exception of his Epigrams and Hymns. All other works mentioned below have been preserved in fragments.[9]
Epigrams
Hymns
Among the oldest forms of religious writing,
It is contested among scholars of ancient literature whether Callimachus's hymns had any real religious significance. The dominant view holds that they were literary creations to be read exclusively as poetry, though some scholars have linked individual elements to contemporary ritual practice. This issue is further complicated by Callimachus's purposeful amalgamation of fiction and potential real-world performance.[19]
Aetia
The Greek word αἴτιον (aition, 'cause')
The poem is thought to have had about 4,000 lines and is organised into four individual books, which are divided in halves on stylistic grounds.
The second half of the Aetia does not follow the pattern established in Books 1 and 2. Instead, individual aetiologies are set in a variety of dramatic situations and do not form a contiguous narrative.
Iambs
At the close of his Aetia, Callimachus wrote that he would proceed to a more pedestrian field of poetry.
The Iambs are notable for their vivid language. Callimachus couches his aesthetic criticism in vivid imagery taken from the natural and social world: rival scholars are compared to wasps swarming from the ground and to flies resting on a goatherd. He often mixes different metaphors to create effects of "wit and incongruity", such as when a laurel tree is described as "glaring like a wild bull".[37] Ferguson also notes the poems' witty use of proverbs in dialectic passages of dialogue.[37]
Hecale
Callimachus made only one attempt at writing a narrative poem, a mythological epic entitled Hecale. Since the poem is estimated to run to have had around 1000 lines, it constitutes an epyllion, a shorter form of epic poetry dealing with topics not traditionally present in larger-scale works.[36] It recounts a story about the Greek hero Theseus, who, after liberating the city of Marathon from a destructive bull, was hosted by a poor but kindly old woman named Hecale. They form a friendship as she recounts her former life as a member of the upper class. At the end of the poem, Theseus establishes an annual feast and a sanctuary to Zeus in honour of his host.[38]
Since most of Callimachus's poetry is critical of epic as a genre, there has been some speculation about why he chose to write an epic poem after all. The author of the scholia, an ancient commentary on the work of Callimachus, stated that Callimachus abandoned his reluctance after being ridiculed for not writing lengthy poems. This explanation was probably derived from the poet's own intimation at the start of the Aetia and is therefore of limited authority.[39] According to Cameron, Callimachus may have conceived the Hecale as a model epic according to his own tastes.[40]
Pinakes
When working at the Library of Alexandria, Callimachus was responsible for the library's cataloguing.
Callimacheanism
In his poetry, Callimachus espoused an
Although Callimachus attempted to differentiate himself from other poets, his aesthetic philosophy is sometimes subsumed under the term of Alexandrianism, describing the entirety of Greek literature written in Alexandria during the 3rd century BC. In spite of their differences, his work shares many characteristics with that of his contemporaries including the didactic poet Aratus, the epicist Apollonius of Rhodes, and the pastoral poet Theocritus. They all interacted with earlier Greek literature, especially the poems of Homer and Hesiod. Drawing on the Library of Alexandria, they all displayed an interest in intellectual pursuits, and they all attempted to revive neglected forms of poetry.[52]
Reception
Ancient
Callimachus and his aesthetic philosophy became an important point of reference for Roman poets of the late
Having referred to himself as a "Roman Callimachus" (
Modern
Classical scholars place Callimachus among the most influential Greek poets.
References
- ^ a b Hunter 2012, p. 1.
- ^ a b c Gutzwiller 2007, p. 60.
- ^ a b c Ferguson 1980, p. 23.
- ^ Gutzwiller 2007, pp. 61–62.
- ^ Ferguson 1980, pp. 23–24.
- ^ a b c Ferguson 1980, p. 24.
- ^ Cameron 1995, p. 5.
- ^ Ferguson 1980, p. 26.
- ^ a b c d e Parsons 2015.
- ^ Ferguson 1980, pp. 136–7.
- ^ Gutzwiller 1998, p. 188.
- ^ Ferguson 1980, p. 138.
- ^ Acosta-Hughes 2019, pp. 319–320.
- ^ Acosta-Hughes 2019, p. 319.
- ^ Stephens 2015, p. 9.
- ^ Stephens 2015, pp. 9–10.
- ^ Gutzwiller 2007, p. 62.
- ^ Stephens 2015, p. 11.
- ^ Stephens 2015, pp. 11–12.
- LSJ. Oxford. 1940.)
{{cite encyclopedia}}
: CS1 maint: location missing publisher (link - ^ a b Fantuzzi 2006.
- ^ Gutzwiller 2007, p. 65.
- ^ a b Gutzwiller 2007, p. 63.
- ^ Callim. Aet. fr. 26–8
- ^ Callim. Aet. fr. 24–5.
- ^ Callim. Aet. fr. 7.19–21.
- ^ Harder 2012, p. 10.
- ^ Callim. Aet. fr. 44–6.
- ^ Hutchinson 1997, p. 45.
- ^ Harder 2012, p. 11.
- ^ Gutzwiller 2007, p. 66.
- ^ Clayman 2011, pp. 229–30.
- ^ Hutchinson 1997, pp. 47–8.
- ^ Callim. Aet. fr. 112.
- ^ Gutzwiller 2007, p. 67.
- ^ a b Gutzwiller 2007, p. 68.
- ^ a b Ferguson 1980, p. 73.
- ^ Gutzwiller 2007, p. 69.
- ^ Cameron 1995, p. 137.
- ^ Cameron 1995, pp. 137–138.
- ^ Casson 2001, pp. 38–39.
- ^ a b Casson 2001, p. 39.
- ^ Witty 1958, p. 132.
- ^ Casson 2001, pp. 39–40.
- ^ Casson 2001, pp. 40–41.
- ^ Casson 2001, p. 41.
- ^ a b Acosta-Hughes & Stephens 2012, p. 1.
- ^ Gutzwiller 2007, pp. 60–61.
- ^ Callim. Aet fr. 1.23–30
- ^ Ferguson 1980, pp. 159–160.
- ^ Ferguson 1980, p. 160.
- ^ Ferguson 1980, pp. 161–162.
- ^ Barchiesi 2011, p. 512.
- ^ Barchiesi 2011, p. 522.
- ^ Barchiesi 2011, p. 514.
- ^ Ov. Am. 1.15.14
- ^ a b Gutzwiller 2007, p. 61.
- ^ Ambühl 2012.
- ^ Hunter 2012, p. 2.
- ^ Hunter 2012, pp. 2–3.
Bibliography
- Acosta-Hughes, Benjamin (2019). "Callimachus on the Death of a Friend: A Short Study of Callimachean Epigram". In Henriksén, Christer (ed.). A Companion to Ancient Epigram. Hoboken, New Jersey: S2CID 192306891.
- Acosta-Hughes, Benjamin; Stephens, Susan (2012). Callimachus in Context: from Plato to the Augustan Poets. Cambridge: ISBN 978-0-511-91999-2.
- Ambühl, Annemarie (2012). "Callimachus". In Wibier, Matthijs (ed.). Brill's New Pauly Supplements I – Volume 5 : The Reception of Classical Literature. Leiden: ISBN 978-90-04-21893-2.
- ISBN 978-90-04-21697-6.
- ISBN 978-0-691-04367-8.
- ISBN 978-0-300-09721-4.
- Clayman, Dee (2011). "Berenice and her Lock". S2CID 162367582.
- Fantuzzi, Marco (2006). "Aetiology. I. Greek literature". In Cancik, Hubert; Schneider, Helmuth (eds.). ISBN 978-90-04-12259-8.
- Ferguson, John (1980). Callimachus. Boston: Twayne Publishers. ISBN 978-0-8057-6431-4.
- ISBN 978-0-631-23321-3.
- Gutzwiller, Kathryn (1998). Poetic Garlands: Hellenistic Epigrams in Context. Berkeley, California: ISBN 978-0-520-91897-9.
- Harder, Annette (2012). Callimachus: Aetia. Volume 1. Oxford: ISBN 978-0-19-958101-6.
- ISBN 978-0-511-61849-9.
- ISBN 978-0-19-814748-0.
- ISBN 978-0-19-938113-5.
- Stephens, Susan (2015). Callimachus: The Hymns. New York: Oxford University Press. ISBN 978-0-19-978304-5.
- Witty, Francis (1958). "The Pínakes of Callimachus". S2CID 147795289.
External links
- Quotations related to Callimachus at Wikiquote
- Greek Wikisource has original text related to this article: Καλλίμαχος
- Works by or about Callimachus at Wikisource