Candy Mountain

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For the Flash animation film, see Charlie the Unicorn. For the mountain in Washington State, see Candy Mountain (Washington).
Candy Mountain
Theatrical release poster
Directed byRobert Frank
Rudy Wurlitzer
Written byRudy Wurlitzer
Produced byPhilippe Diaz
Starring
CinematographyPio Corradi
Edited byJennifer Augé
Music byDr. John
David Johansen
Rita MacNeil
Leon Redbone
Distributed byInternational Film Exchange (IFEX)
Republic Pictures
Release dates
  • February 19, 1988 (1988-02-19) (United States)
Running time
103 minutes
CountriesSwitzerland
Canada
France
LanguageEnglish

Candy Mountain is a 1987

Locarno Film Festival
.

Frank's third collaboration with American novelist and screenwriter Wurlitzer,[1] the latter explains the story as a combination of the lives of both him and Frank. He stated, "We both live in New York and we both have houses in Cape Breton. In a way Elmore's route was the same as ours. Music and musicians, their dilemmas and lifestyles, mean a lot to Robert and myself."[2]

Plot

Set in New York City, Candy Mountain tells the tale of a struggling guitarist named Julius. After he promises a rock star he can find an elusive guitar maker and acquire his valuable products, he sets off on a quest to Canada to find the legendary Elmore Silk, in order to strike a deal with him. Along his journey via

T-Bird, Volkswagen, and hitchhiking, he experiences a series of encounters and misadventures with those who claim to have known the reclusive Silk. Each encounter provides him with valuable insight into the kind of man Silk is, and his journey is filled with "musicians playing small roles: David Johansen as the star who wants to buy up the guitars, Tom Waits as Elmore's middle-class brother, Joe Strummer as a punk, Dr. John as Elmore's cranky son-in-law, Leon Redbone as one-half of a peculiar Canadian family who enjoy imprisoning passers-by".[3] As he ventures further North, and reaches Canada
, he is finally in the presence of the famous guitar maker he had been searching for. Once he meets Silk, he is faced with the realization that financial gain is nothing compared to the development of one's artistic ability.

Cast

Production

In an interview, Robert Frank stated that the film reflected his own life and journey from New York City to Nova Scotia. Additional inspiration was drawn partially from Wurlitzer's previous films and his experience of having a career on the road. The film's script was developed from a book of photography that was built upon Frank and Wurlitzer's experiences from living in Nova Scotia. The portrayal of the United States in the film is that of a "twisted industrial landscape",[4] whereas Canada is seen as a "slow, peaceful land".[4] The central theme of the film is the journey between the two countries, and is "exemplary of the road film genre".[4] Frank credits his opportunity to live quietly and view nature as contributing to his own self betterment and his work as a filmmaker, which he exemplifies in the film.[4]

Reception

Release

The film had it world premiere on August 10, 1987 at the

Locarno Film Festival.[5][6] It was also featured in the 1987 Festival of Festivals (now the Toronto International Film Festival) at the Roy Thompson Hall in Toronto. The film was shown during the closing night of the festival in the Perspective Canada Section, alongside Jacqueline Levitin's Eva: Guerrillera (1988), and John N. Smith's National Film Board of Canada production Train of Dreams (1987). The film received mostly favorable views from the festival goers and was considered a critical success.[4]

Critical response

The film generally received positive reviews from critics. Caryn James of The New York Times wrote, "...seems to be a small, quirky film, but it easily assumes the weight, ambition and success that many larger films aim for and miss."[7] A review published in the August 25, 1988 edition of The Herald[

better source needed
] J. Hoberman of The Village Voice wrote, "In a way, this shaggy-dog hipster road film is Frank's ultimate work -- evoking the end of the road and even the end of Endsville-but he has persevered."[8] Despite mostly favourable reviews for the film, O'Connor's performance was criticized, with the Ottawa Citizen stating that "if [the production] had cast a different lead (someone like Mickey Rourke would have been ideal), Candy Mountain would have been much better than it is".[9] As of March 2018, film review aggregator Rotten Tomatoes had issued a 100% rating based on reviews from 8 critics.[10]

Awards

San Sebastián International Film Festival

  • 1987: Won, "Silver Seashell Award"[11]

References

  1. ^ a b "Candy Mountain - Cast, Crew, Director and Awards". The New York Times. November 11, 2012. Archived from the original on November 11, 2012.
  2. ^ Guttridge, Peter (21 December 1989). "Wurlitzer is back on the road again; Rudy Wurlitzer". The Times. Archived from the original on September 9, 2018. Retrieved 23 March 2018 – via Gale Group.
  3. ^ a b "Candy Mountain". What a Feeling|. May 30, 2012.
  4. ^ a b c d e Lerner, L.R. (1997). Canadian Film and Video: A Bibliography and Guide to the Literature. Vol. 2. Toronto: University of Toronto Press.
  5. ^ "Candy Mountain - Miscellaneous Notes". Turner Classic Movie Database. Retrieved December 4, 2022.
  6. ^ "Program note". Locarno International Film Festival. 1987. Retrieved December 4, 2022 – via CineFiles.
  7. ^ James, Caryn (June 10, 1988). "Review/Film; Hitting the Highway". The New York Times.
  8. ^ Hoberman, J. (November 5, 2008). "From Robert Frank's Beat Movies to a Nearly Unknown Staged Afternoon, at Anthology". The Village Voice. Retrieved December 4, 2022.
  9. The Ottawa Citizen
    . p. E7.
  10. ^ "Candy Mountain (1987)". Rotten Tomatoes.
  11. MUBI
    . Retrieved December 4, 2022.

External links

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