Carl Rosa Opera Company
The Carl Rosa Opera Company was founded in 1873 by Carl Rosa, a German-born musical impresario, and his wife, British operatic soprano Euphrosyne Parepa-Rosa to present opera in English in London and the British provinces. The company premiered many operas in the UK, employing a mix of established opera stars and young singers, reaching new opera audiences with popularly priced tickets. It survived Rosa's death in 1889, and continued to present opera in English on tour until 1960, when it was obliged to close for lack of funds. The company was revived in 1997, presenting mostly lighter operatic works including those by Gilbert and Sullivan. The company "was arguably the most influential opera company ever in the UK".[1]
Background
From 1869 to 1872, Rosa and his wife toured their own opera company through America, with Parepa as the star and Rosa as the conductor. It brought opera to places that had never seen any, performing Italian operas in English, which made them more accessible to American audiences.[3]
Early years
In 1872, the Rosas returned to England and also visited Europe and Egypt.
For the next fifteen years, the company prospered and earned good notices, with provincial tours and London seasons, frequently in conjunction with
The company introduced many works of important opera repertoire to England for the first time, performing some 150 different operas over the years. Besides Santley and Hersee, Blanche Cole, Minnie Hauk, Alice Esty, Fanny Moody, Alice Barth, Georgina Burns, Joseph Maas, Barton McGuckin, Giulia Warwick and William Ludwig were some of the famous singers associated with the company during its early years.[7] Its successes included productions of Cherubini's Les deux journées (1875); The Flying Dutchman (1876), with Santley in the title role; the first English-language production of Carmen (1879), starring Selina Dolaro in the title role and Durward Lely as Don José;[8] Rienzi (1879); Lohengrin (1880); Tannhäuser (1882);[2] and the first British staging of Puccini's La bohème (1897).[9] Alberto Randegger served as musical director of the company from 1879 to 1885,[10] and Gustave Slapoffski was principal conductor from 1897 to 1900.[11][12]
The company also encouraged and supported new works by English composers. Pauline in 1876 (Frederic Hymen Cowen), Esmeralda in 1883 (Arthur Goring Thomas), Colomba in 1883, The Canterbury Pilgrims in 1884 (Charles Villiers Stanford), The Troubadour in 1886 (Alexander Mackenzie), and Nordisa in 1887 (Frederick Corder) were six of the operas commissioned by the company. Earlier English operas by Wallace, Michael Balfe and Julius Benedict were also included in the company's repertoire – not just standard works like The Bohemian Girl and Maritana, but less-familiar operas such as Balfe's Satanella (1858) and Wallace's Lurline (1860).[3]
Rosa's death; survival of the company
Carl Rosa died suddenly in Paris, on 30 April 1889, and was buried in Highgate Cemetery, London.[13] Two years before his death, Rosa had turned his opera enterprise into a limited company, and it was in good financial and artistic shape at the time of his death. Hamilton Clarke was appointed conductor of the company in 1893.[14][15] In 1897, the company gave the first British performance of Puccini's La bohème in Manchester under the supervision of the composer.[16] The company then gave a season at Covent Garden, at reduced prices, aimed at attracting "the masses" to opera.[17]
By 1900 the company was facing financial problems from which it was rescued by the conductor Walter van Noorden and his brother Alfred, who took over and restored financial and artistic standards. The company presented two seasons at Covent Garden in 1907–08 and 1909, including new productions of Tannhäuser and Tristan and Isolde conducted by Eugène Goossens II. The company survived World War I and the sudden death of Walter van Noorden in 1916, touring the British provinces. Many young British singers joined the company, including Olive Gilbert, Parry Jones, and Eva Turner, who sang Cio-Cio-San and Santuzza when the company presented three postwar seasons at Covent Garden.[4]
In 1924, after another financial crisis, H. B. Phillips became the company's owner and director, and placed it once more on a sound financial footing. Regular London seasons alternated with large-scale provincial tours during the 1920s and 1930s. Although some productions had to be curtailed during World War II, the company nevertheless presented seasons in London and the provinces. Singers of the 1930s and 1940s included Dora Labbette, Joan Hammond, Heddle Nash, Norman Allin, Marina de Gabaráin and Otakar Kraus. Conductors included the refugees Walter Susskind (1942–44) Vilém Tauský (1945–49) and Peter Gellhorn,[4] as well as Harold Gray (1943–1946).[18]
End of the old company and birth of the new
Phillips died in 1950.
Annette Phillips retired as director of the company in 1957 and was replaced by Professor
The new Carl Rosa Opera Limited was revived in 1997 under the artistic direction of Peter Mulloy.[30] Since then, it has performed West End seasons and toured in the UK and internationally, offering a new repertoire of Gilbert and Sullivan,[31] continental operettas and a few serious operas such as La bohème, often performed in the original languages. Recent conductors have included David Russell Hulme and Martin Handley. Directors include Timothy West.
References
Notes
- ^ "Carl Rosa Opera Company", Opera Scotland, accessed 26 August 2012
- ^ a b c d Legge, R. H., rev. John Rosselli. "Rosa, Carl August Nicholas (1842–1889)", Oxford Dictionary of National Biography, Oxford University Press, 2004, accessed 14 October 2009
- ^ a b c d e "American and British History" Archived 8 February 2012 at the Wayback Machine, www.carlrosaopera.co.uk, 2009
- ^ a b c d e f g Rosen, Carol. Carl Rosa Opera Company, Grove Music Online (subscription required), accessed 14 October 2009
- ^ "Mr. Carl Rosa and English Opera", The Manchester Guardian, 21 June 1889, p. 7
- ^ "Bohemian Girl 1874: Carl Rosa Opera Company", Opera Scotland, accessed 26 August 2012
- ^ "The Performers" Archived 11 December 2017 at the Wayback Machine, carlrosaopera.co.uk, 2009
- ^ Adams 1904, p. 254.
- ^ "Alice Esty", Opera Scotland, accessed 12 January 2017
- ^ Grove, George, et al. "Alberto Randegger", Grove Music Online, Oxford Music Online (subscription required).
- ^ Wearing, J. P., The London Stage 1890–1899: A Calendar of Productions, Performers, and Personnel, Rowman & Littlefield (2014), p. 359, Google Books
- ^ "Scottish performances of Gustave Slapoffski", Opera Scotland. Retrieved 14 July 2020
- ^ The Manchester Guardian, 3 May 1889, p.
- The Manchester Guardian, 24 June 1893, p. 3
- ^ Stone, David. "Hamilton Clarke", Archived 17 December 2008 at the Wayback Machine Who Was Who in the D'Oyly Carte Opera Company, 15 October 2001
- The Manchester Guardian, 23 April 1897, p. 6. The work in its English translation was entitled "The Bohemians".
- ^ "On the Foreign Stage:Carl Rosa Opera Company Has a Successful Run at Covent Garden", The New York Times, 31 October 1897, p. 11, accessed 14 October 2009
- ISBN 0413697401
- ^ The Times, obituary, 20 March 1950, p. 7
- ^ "The Carl Rosa Opera", BBC, accessed 16 December 2016
- ^ Hope-Wallace, Philip. "Manon Lescaut", The Manchester Guardian, 23 April 1958, p. 5; and "A Neglected Masterpiece," The Manchester Guardian, 10 April 1957, p. 7
- ^ The Times, 20 September 1957, p. 5
- ^ The Times, 28 October 1957, p. 8
- ^ The Times, 1 March 1958, p. 6
- ^ The Times, 11 March 1958, p. 3
- ^ The Manchester Guardian, 28 November 1958, p. 2
- ^ The Times, 26 September 1958, p. 4
- ^ The Manchester Guardian, 29 May 1959, p. 9
- ^ Goodman & Harewood 1969, pp. 11–12.
- ^ "A Brief History" Archived 3 February 2007 at the Wayback Machine, carlrosaopera.co.uk, 2009
- ^ Shepherd, Marc. Carl Rosa Archived 11 February 2009 at the Wayback Machine at A Gilbert and Sullivan Discography, accessed 14 October 2009
Sources
- Adams, William Davenport (1904). A Dictionary of the Drama. Chatto & Windus.
- OCLC 81272.
Further reading
- Abraham, G. A Hundred Years of Music. London: Gerald Duckworth, 1964.
- Raynor, H. Music in England. London: Hale, 1980.
- Smith, Cecil (Summer 1955). "The Carl Rosa Opera". S2CID 143835503.
- Carl Rosa Opera The Oxford Times, 30 August 2006.
External links
- New Carl Rosa website Archived 29 September 2011 at the Wayback Machine
- Information about the Company's 2001 recording of The Mikado
- Photos of the Rosas
- Rosa's The Mikado at the G&S Archive